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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66188 it is the complementary color #399E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66188 shade: #CB6183, #DC7396, #ED85A9, #FE97BC and #FFA9CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66188 shade: #C66188, #B54F75, #A43D62, #932B4F and #82193C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66188 shade: #C66188, #C6616D and #C66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66188 shade: #C66188, #C661A3, #C661BE, #B261C6 and #9761C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66188 shade matches the following richer shades: #C66188, #D75084, #E83E80 and #FA2D7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66188 shade: #C66188, #B4728C, #A38490, #929594 and #80A698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66188 shade: #C661BF, #C661A4, #C66189, #C6616E and #C66E61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66188 shade: #9C385F, #BB4371, #C66188, #D17F9F and #DC9EB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66188 shade: #C66188, #C6B261 and #61B2C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66188 shade: #C66188, #89C661 and #6189C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66188 shade: #C66188, #C6B261, #61C69D and #6175C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66188 shade: #C66188, #BCC661, #61C69D and #6B61C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

Complementary color

CMYK 64 / 0 / 25 / 38

HEX #399E77

RGB 57 158 119

HSL 156.83, 0.47%, 0.42%

LAB 58.65, -38.73, 11.91

 

CMYK 0 / 52 / 35 / 20

HEX #CB6183

RGB 203 97 131

HSL 340.75, 0.5%, 0.59%

LAB 54.95, 45.59, 1.27

 

CMYK 0 / 48 / 32 / 14

HEX #DC7396

RGB 220 115 150

HSL 340, 0.6%, 0.66%

LAB 61.38, 44.74, -0.14

 

CMYK 0 / 44 / 29 / 7

HEX #ED85A9

RGB 237 133 169

HSL 339.23, 0.74%, 0.73%

LAB 67.76, 43.87, -1.34

 

CMYK 0 / 41 / 26 / 0

HEX #FE97BC

RGB 254 151 188

HSL 338.45, 0.98%, 0.79%

LAB 74.08, 43.03, -2.41

 

CMYK 0 / 34 / 19 / 0

HEX #FFA9CF

RGB 255 169 207

HSL 333.49, 1%, 0.83%

LAB 78.54, 36.79, -6.23

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 56 / 35 / 29

HEX #B54F75

RGB 181 79 117

HSL 337.65, 0.41%, 0.51%

LAB 47.88, 45.28, -1.1

 

CMYK 0 / 63 / 40 / 36

HEX #A43D62

RGB 164 61 98

HSL 338.45, 0.46%, 0.44%

LAB 41.39, 45.91, 0.77

 

CMYK 0 / 71 / 46 / 42

HEX #932B4F

RGB 147 43 79

HSL 339.23, 0.55%, 0.37%

LAB 34.99, 46.18, 3.18

 

CMYK 0 / 81 / 54 / 49

HEX #82193C

RGB 130 25 60

HSL 340, 0.68%, 0.3%

LAB 28.82, 45.73, 6.42

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 51 / 45 / 22

HEX #C6616D

RGB 198 97 109

HSL 352.87, 0.47%, 0.58%

LAB 53.66, 41.38, 12.31

 

CMYK 0 / 51 / 51 / 22

HEX #C66161

RGB 198 97 97

HSL 0, 0.47%, 0.58%

LAB 53.4, 40.22, 19.01

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 51 / 18 / 22

HEX #C661A3

RGB 198 97 163

HSL 320.79, 0.47%, 0.58%

LAB 55.28, 48.31, -17.08

 

CMYK 0 / 51 / 4 / 22

HEX #C661BE

RGB 198 97 190

HSL 304.75, 0.47%, 0.58%

LAB 56.36, 52.72, -31.03

 

CMYK 10 / 51 / 0 / 22

HEX #B261C6

RGB 178 97 198

HSL 288.12, 0.47%, 0.58%

LAB 54.12, 48.55, -39.3

 

CMYK 24 / 51 / 0 / 22

HEX #9761C6

RGB 151 97 198

HSL 272.08, 0.47%, 0.58%

LAB 50.93, 41.14, -44.56

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 63 / 39 / 16

HEX #D75084

RGB 215 80 132

HSL 336.89, 0.63%, 0.58%

LAB 53.87, 57.43, -0.69

 

CMYK 0 / 73 / 45 / 9

HEX #E83E80

RGB 232 62 128

HSL 336.71, 0.79%, 0.58%

LAB 54.2, 68.65, 2.52

 

CMYK 0 / 82 / 50 / 2

HEX #FA2D7C

RGB 250 45 124

HSL 336.88, 0.95%, 0.58%

LAB 55.74, 77.56, 7.56

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 37 / 22 / 29

HEX #B4728C

RGB 180 114 140

HSL 336.36, 0.31%, 0.58%

LAB 55.72, 29.69, -3.25

 

CMYK 0 / 19 / 12 / 36

HEX #A38490

RGB 163 132 144

HSL 336.77, 0.14%, 0.58%

LAB 58.32, 13.87, -1.95

 

CMYK 2 / 0 / 1 / 42

HEX #929594

RGB 146 149 148

HSL 160, 0.01%, 0.58%

LAB 61.43, -1.28, 0.14

 

CMYK 23 / 0 / 8 / 35

HEX #80A698

RGB 128 166 152

HSL 157.89, 0.18%, 0.58%

LAB 65.06, -15.91, 3.02

 

CMYK 0 / 51 / 4 / 22

HEX #C661BF

RGB 198 97 191

HSL 304.16, 0.47%, 0.58%

LAB 56.4, 52.89, -31.53

 

CMYK 0 / 51 / 17 / 22

HEX #C661A4

RGB 198 97 164

HSL 320.2, 0.47%, 0.58%

LAB 55.31, 48.46, -17.61

 

CMYK 0 / 51 / 31 / 22

HEX #C66189

RGB 198 97 137

HSL 336.24, 0.47%, 0.58%

LAB 54.41, 44.64, -3.15

 

CMYK 0 / 51 / 44 / 22

HEX #C6616E

RGB 198 97 110

HSL 352.28, 0.47%, 0.58%

LAB 53.69, 41.48, 11.75

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 64 / 39 / 39

HEX #9C385F

RGB 156 56 95

HSL 336.6, 0.47%, 0.42%

LAB 39.11, 45.22, -0.85

 

CMYK 0 / 64 / 40 / 27

HEX #BB4371

RGB 187 67 113

HSL 337, 0.47%, 0.5%

LAB 46.67, 52.26, -0.32

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 39 / 24 / 18

HEX #D17F9F

RGB 209 127 159

HSL 336.59, 0.47%, 0.66%

LAB 62.71, 35.88, -3.5

 

CMYK 0 / 28 / 17 / 14

HEX #DC9EB6

RGB 220 158 182

HSL 336.77, 0.47%, 0.74%

LAB 71.59, 26.6, -3.21

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 10 / 51 / 22

HEX #C6B261

RGB 198 178 97

HSL 48.12, 0.47%, 0.58%

LAB 72.7, -3.41, 43.66

 

CMYK 51 / 10 / 0 / 22

HEX #61B2C6

RGB 97 178 198

HSL 191.88, 0.47%, 0.58%

LAB 68.36, -19.28, -17.8

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 31 / 0 / 51 / 22

HEX #89C661

RGB 137 198 97

HSL 96.24, 0.47%, 0.58%

LAB 73.91, -37.32, 44.1

 

CMYK 51 / 31 / 0 / 22

HEX #6189C6

RGB 97 137 198

HSL 216.24, 0.47%, 0.58%

LAB 56.59, 3.42, -35.92

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 0 / 10 / 51 / 22

HEX #C6B261

RGB 198 178 97

HSL 48.12, 0.47%, 0.58%

LAB 72.7, -3.41, 43.66

 

CMYK 51 / 0 / 21 / 22

HEX #61C69D

RGB 97 198 157

HSL 155.64, 0.47%, 0.58%

LAB 73.13, -39.24, 11.63

 

CMYK 51 / 41 / 0 / 22

HEX #6175C6

RGB 97 117 198

HSL 228.12, 0.47%, 0.58%

LAB 51.08, 15.42, -44.6

 

CMYK 0 / 51 / 31 / 22

HEX #C66188

RGB 198 97 136

HSL 336.83, 0.47%, 0.58%

LAB 54.38, 44.51, -2.6

 

CMYK 5 / 0 / 51 / 22

HEX #BCC661

RGB 188 198 97

HSL 65.94, 0.47%, 0.58%

LAB 77.25, -17.82, 48.88

 

CMYK 51 / 0 / 21 / 22

HEX #61C69D

RGB 97 198 157

HSL 155.64, 0.47%, 0.58%

LAB 73.13, -39.24, 11.63

 

CMYK 46 / 51 / 0 / 22

HEX #6B61C6

RGB 107 97 198

HSL 245.94, 0.47%, 0.58%

LAB 46.65, 29.97, -51.64

 

Description

Color code: HEX #C66188 | qconv.com Color code: HEX #C66188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 97 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 97 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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