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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66456 it is the complementary color #399BA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66456. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66456 shade: #CB6451, #DC7664, #ED8877, #FE9A8A and #FFAC9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66456. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66456 shade: #C66456, #B55243, #A44030, #932E1D and #821C0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66456 shade: #C66456 and #C65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66456 shade: #C66456, #C68256, #C6A156, #C6BF56 and #B0C656

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66456 shade matches the following richer shades: #C66456, #D95744, #EB4932 and #FD3B20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66456 shade: #C66456, #B47268, #A27F7B, #908D8D and #7E9B9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66456 shade: #C65685, #C65667, #C66356, #C68156 and #C69F56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66456 shade: #983F32, #B74C3D, #C66456, #D18175 and #DB9D94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66456 shade: #C66456, #A3C656 and #5676C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66456 shade: #C66456, #56C663 and #6356C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66456 shade: #C66456, #A3C656, #56B9C6 and #7A56C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66456 shade: #C66456, #81C656, #56B9C6 and #9B56C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

Complementary color

CMYK 66 / 8 / 0 / 34

HEX #399BA9

RGB 57 155 169

HSL 187.5, 0.5%, 0.44%

LAB 59.14, -23.68, -15.69

 

CMYK 0 / 51 / 60 / 20

HEX #CB6451

RGB 203 100 81

HSL 9.34, 0.54%, 0.56%

LAB 54.45, 39.27, 29.78

 

CMYK 0 / 46 / 55 / 14

HEX #DC7664

RGB 220 118 100

HSL 9, 0.63%, 0.63%

LAB 60.86, 37.98, 27.75

 

CMYK 0 / 43 / 50 / 7

HEX #ED8877

RGB 237 136 119

HSL 8.64, 0.77%, 0.7%

LAB 67.24, 36.78, 25.97

 

CMYK 0 / 39 / 46 / 0

HEX #FE9A8A

RGB 254 154 138

HSL 8.28, 0.98%, 0.77%

LAB 73.56, 35.67, 24.38

 

CMYK 0 / 33 / 38 / 0

HEX #FFAC9D

RGB 255 172 157

HSL 9.18, 1%, 0.81%

LAB 77.99, 28.67, 20.15

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 0 / 55 / 63 / 29

HEX #B55243

RGB 181 82 67

HSL 7.89, 0.46%, 0.49%

LAB 47.32, 39.04, 28.17

 

CMYK 0 / 61 / 71 / 36

HEX #A44030

RGB 164 64 48

HSL 8.28, 0.55%, 0.42%

LAB 40.85, 40.35, 30.79

 

CMYK 0 / 69 / 80 / 42

HEX #932E1D

RGB 147 46 29

HSL 8.64, 0.67%, 0.35%

LAB 34.49, 41.51, 33.79

 

CMYK 0 / 78 / 92 / 49

HEX #821C0A

RGB 130 28 10

HSL 9, 0.86%, 0.27%

LAB 28.38, 42.19, 36.65

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 0 / 34 / 57 / 22

HEX #C68256

RGB 198 130 86

HSL 23.57, 0.5%, 0.56%

LAB 60.47, 21.66, 34.39

 

CMYK 0 / 19 / 57 / 22

HEX #C6A156

RGB 198 161 86

HSL 40.18, 0.5%, 0.56%

LAB 68.14, 4.72, 43.69

 

CMYK 0 / 4 / 57 / 22

HEX #C6BF56

RGB 198 191 86

HSL 56.25, 0.5%, 0.56%

LAB 76.03, -11.08, 52.82

 

CMYK 11 / 0 / 57 / 22

HEX #B0C656

RGB 176 198 86

HSL 71.79, 0.5%, 0.56%

LAB 76.25, -23.62, 52.6

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 0 / 60 / 69 / 15

HEX #D95744

RGB 217 87 68

HSL 7.65, 0.66%, 0.56%

LAB 54.01, 49.88, 37.05

 

CMYK 0 / 69 / 79 / 8

HEX #EB4932

RGB 235 73 50

HSL 7.46, 0.82%, 0.56%

LAB 54.72, 60.98, 48.31

 

CMYK 0 / 77 / 87 / 1

HEX #FD3B20

RGB 253 59 32

HSL 7.33, 0.98%, 0.56%

LAB 56.2, 70.62, 59.19

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 0 / 37 / 42 / 29

HEX #B47268

RGB 180 114 104

HSL 7.89, 0.34%, 0.56%

LAB 54.8, 24.88, 16.43

 

CMYK 0 / 22 / 24 / 36

HEX #A27F7B

RGB 162 127 123

HSL 6.15, 0.17%, 0.56%

LAB 56.38, 12.87, 7.33

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 21 / 3 / 0 / 38

HEX #7E9B9F

RGB 126 155 159

HSL 187.27, 0.15%, 0.56%

LAB 61.98, -9.14, -5.44

 

CMYK 0 / 57 / 33 / 22

HEX #C65685

RGB 198 86 133

HSL 334.82, 0.5%, 0.56%

LAB 52.24, 49.5, -3.99

 

CMYK 0 / 57 / 48 / 22

HEX #C65667

RGB 198 86 103

HSL 350.89, 0.5%, 0.56%

LAB 51.43, 46.22, 12.75

 

CMYK 0 / 50 / 57 / 22

HEX #C66356

RGB 198 99 86

HSL 6.96, 0.5%, 0.56%

LAB 53.6, 38.26, 25.68

 

CMYK 0 / 35 / 57 / 22

HEX #C68156

RGB 198 129 86

HSL 23.04, 0.5%, 0.56%

LAB 60.23, 22.2, 34.09

 

CMYK 0 / 20 / 57 / 22

HEX #C69F56

RGB 198 159 86

HSL 39.11, 0.5%, 0.56%

LAB 67.63, 5.81, 43.08

 

CMYK 0 / 59 / 67 / 40

HEX #983F32

RGB 152 63 50

HSL 7.65, 0.5%, 0.4%

LAB 38.66, 36.41, 26.5

 

CMYK 0 / 58 / 67 / 28

HEX #B74C3D

RGB 183 76 61

HSL 7.38, 0.5%, 0.48%

LAB 46.41, 42.37, 30.61

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 0 / 38 / 44 / 18

HEX #D18175

RGB 209 129 117

HSL 7.83, 0.5%, 0.64%

LAB 62.12, 29.54, 19.58

 

CMYK 0 / 28 / 32 / 14

HEX #DB9D94

RGB 219 157 148

HSL 7.61, 0.5%, 0.72%

LAB 70.39, 21.92, 13.89

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 18 / 0 / 57 / 22

HEX #A3C656

RGB 163 198 86

HSL 78.75, 0.5%, 0.56%

LAB 75.36, -28.76, 51.35

 

CMYK 57 / 40 / 0 / 22

HEX #5676C6

RGB 86 118 198

HSL 222.86, 0.5%, 0.56%

LAB 50.7, 12.39, -45.25

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 57 / 0 / 50 / 22

HEX #56C663

RGB 86 198 99

HSL 126.96, 0.5%, 0.56%

LAB 71.74, -52.42, 39.96

 

CMYK 50 / 57 / 0 / 22

HEX #6356C6

RGB 99 86 198

HSL 246.96, 0.5%, 0.56%

LAB 43.34, 34.86, -57

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 18 / 0 / 57 / 22

HEX #A3C656

RGB 163 198 86

HSL 78.75, 0.5%, 0.56%

LAB 75.36, -28.76, 51.35

 

CMYK 57 / 7 / 0 / 22

HEX #56B9C6

RGB 86 185 198

HSL 186.96, 0.5%, 0.56%

LAB 70, -25.13, -15.36

 

CMYK 38 / 57 / 0 / 22

HEX #7A56C6

RGB 122 86 198

HSL 259.29, 0.5%, 0.56%

LAB 45.46, 39.98, -53.48

 

CMYK 0 / 49 / 57 / 22

HEX #C66456

RGB 198 100 86

HSL 7.5, 0.5%, 0.56%

LAB 53.81, 37.74, 25.94

 

CMYK 35 / 0 / 57 / 22

HEX #81C656

RGB 129 198 86

HSL 96.96, 0.5%, 0.56%

LAB 73.37, -41.3, 48.54

 

CMYK 57 / 7 / 0 / 22

HEX #56B9C6

RGB 86 185 198

HSL 186.96, 0.5%, 0.56%

LAB 70, -25.13, -15.36

 

CMYK 22 / 57 / 0 / 22

HEX #9B56C6

RGB 155 86 198

HSL 276.96, 0.5%, 0.56%

LAB 49.13, 48.1, -47.39

 

Description

Color code: HEX #C66456 | qconv.com Color code: HEX #C66456 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 100 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 100 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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