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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65E42 it is the complementary color #39A1BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65E42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65E42 shade: #CB5E3D, #DC7050, #ED8263, #FE9476 and #FFA689

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65E42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65E42 shade: #C65E42, #B54C2F, #A43A1C, #932809 and #821600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65E42 shade: #C65E42 and #C64242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65E42 shade: #C65E42, #C68242, #C6A542, #C3C642 and #A0C642

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65E42 shade matches the following richer shades: #C65E42, #DA532E and #EE471A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65E42 shade: #C65E42, #B26956, #9F756A, #8B807D and #778C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65E42 shade: #C6426E, #C6424B, #C65C42, #C68042 and #C6A342

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65E42 shade: #8C3E2A, #AC4D33, #C65E42, #D07962 and #D99482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65E42 shade: #C65E42, #91C642 and #425CC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65E42 shade: #C65E42, #42C65C and #5C42C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65E42 shade: #C65E42, #91C642, #42ACC6 and #7742C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65E42 shade: #C65E42, #6AC642, #42ACC6 and #9F42C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

Complementary color

CMYK 70 / 15 / 0 / 26

HEX #39A1BD

RGB 57 161 189

HSL 192.73, 0.54%, 0.48%

LAB 61.68, -20.5, -23.09

 

CMYK 0 / 54 / 70 / 20

HEX #CB5E3D

RGB 203 94 61

HSL 13.94, 0.58%, 0.52%

LAB 52.99, 41.05, 39.13

 

CMYK 0 / 49 / 64 / 14

HEX #DC7050

RGB 220 112 80

HSL 13.71, 0.67%, 0.59%

LAB 59.33, 39.6, 36.9

 

CMYK 0 / 45 / 58 / 7

HEX #ED8263

RGB 237 130 99

HSL 13.48, 0.79%, 0.66%

LAB 65.65, 38.23, 34.89

 

CMYK 0 / 42 / 54 / 0

HEX #FE9476

RGB 254 148 118

HSL 13.24, 0.99%, 0.73%

LAB 71.93, 36.96, 33.08

 

CMYK 0 / 35 / 46 / 0

HEX #FFA689

RGB 255 166 137

HSL 14.75, 1%, 0.77%

LAB 76.28, 29.72, 28.59

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 0 / 58 / 74 / 29

HEX #B54C2F

RGB 181 76 47

HSL 12.99, 0.59%, 0.45%

LAB 45.9, 40.88, 37.81

 

CMYK 0 / 65 / 83 / 36

HEX #A43A1C

RGB 164 58 28

HSL 13.24, 0.71%, 0.38%

LAB 39.58, 42.3, 40.35

 

CMYK 0 / 73 / 94 / 42

HEX #932809

RGB 147 40 9

HSL 13.48, 0.88%, 0.31%

LAB 33.44, 43.47, 42.32

 

CMYK 0 / 83 / 100 / 49

HEX #821600

RGB 130 22 0

HSL 10.15, 1%, 0.25%

LAB 27.63, 43.94, 40.1

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 0 / 67 / 67 / 22

HEX #C64242

RGB 198 66 66

HSL 0, 0.54%, 0.52%

LAB 47.36, 52.39, 29.44

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 0 / 34 / 67 / 22

HEX #C68242

RGB 198 130 66

HSL 29.09, 0.54%, 0.52%

LAB 60.22, 20.24, 44.52

 

CMYK 0 / 17 / 67 / 22

HEX #C6A542

RGB 198 165 66

HSL 45, 0.54%, 0.52%

LAB 68.97, 1.19, 54.06

 

CMYK 2 / 0 / 67 / 22

HEX #C3C642

RGB 195 198 66

HSL 61.36, 0.54%, 0.52%

LAB 77.51, -17.2, 62.83

 

CMYK 19 / 0 / 67 / 22

HEX #A0C642

RGB 160 198 66

HSL 77.27, 0.54%, 0.52%

LAB 74.99, -31.51, 59.44

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 0 / 62 / 79 / 15

HEX #DA532E

RGB 218 83 46

HSL 12.91, 0.7%, 0.52%

LAB 53.26, 51.08, 47.89

 

CMYK 0 / 70 / 89 / 7

HEX #EE471A

RGB 238 71 26

HSL 12.74, 0.86%, 0.52%

LAB 54.82, 62.1, 59.23

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 0 / 41 / 52 / 30

HEX #B26956

RGB 178 105 86

HSL 12.39, 0.37%, 0.52%

LAB 52.11, 27.18, 23.2

 

CMYK 0 / 26 / 33 / 38

HEX #9F756A

RGB 159 117 106

HSL 12.45, 0.22%, 0.52%

LAB 53.1, 14.92, 12.53

 

CMYK 0 / 8 / 10 / 45

HEX #8B807D

RGB 139 128 125

HSL 12.86, 0.06%, 0.52%

LAB 54.46, 3.62, 3.12

 

CMYK 18 / 3 / 0 / 43

HEX #778C91

RGB 119 140 145

HSL 191.54, 0.11%, 0.52%

LAB 56.8, -6.37, -5.19

 

CMYK 0 / 67 / 44 / 22

HEX #C6426E

RGB 198 66 110

HSL 340, 0.54%, 0.52%

LAB 48.3, 55.76, 4.1

 

CMYK 0 / 67 / 62 / 22

HEX #C6424B

RGB 198 66 75

HSL 355.91, 0.54%, 0.52%

LAB 47.51, 52.93, 24.27

 

CMYK 0 / 54 / 67 / 22

HEX #C65C42

RGB 198 92 66

HSL 11.82, 0.54%, 0.52%

LAB 51.9, 40.42, 34.92

 

CMYK 0 / 35 / 67 / 22

HEX #C68042

RGB 198 128 66

HSL 28.18, 0.54%, 0.52%

LAB 59.74, 21.33, 43.98

 

CMYK 0 / 18 / 67 / 22

HEX #C6A342

RGB 198 163 66

HSL 44.09, 0.54%, 0.52%

LAB 68.46, 2.26, 53.51

 

CMYK 0 / 56 / 70 / 45

HEX #8C3E2A

RGB 140 62 42

HSL 12.24, 0.54%, 0.36%

LAB 36.34, 31.7, 28.01

 

CMYK 0 / 55 / 70 / 33

HEX #AC4D33

RGB 172 77 51

HSL 12.89, 0.54%, 0.44%

LAB 44.68, 37.13, 33.84

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 0 / 42 / 53 / 18

HEX #D07962

RGB 208 121 98

HSL 12.55, 0.54%, 0.6%

LAB 59.86, 31.59, 27.25

 

CMYK 0 / 32 / 40 / 15

HEX #D99482

RGB 217 148 130

HSL 12.41, 0.53%, 0.68%

LAB 67.68, 23.83, 20.06

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 27 / 0 / 67 / 22

HEX #91C642

RGB 145 198 66

HSL 84.09, 0.54%, 0.52%

LAB 74.06, -37.3, 58.19

 

CMYK 67 / 54 / 0 / 22

HEX #425CC6

RGB 66 92 198

HSL 228.18, 0.54%, 0.52%

LAB 42.6, 25.03, -58.31

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 67 / 0 / 54 / 22

HEX #42C65C

RGB 66 198 92

HSL 131.82, 0.54%, 0.52%

LAB 71.09, -57.73, 42.44

 

CMYK 54 / 67 / 0 / 22

HEX #5C42C6

RGB 92 66 198

HSL 251.82, 0.54%, 0.52%

LAB 38.29, 45.24, -65.23

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 27 / 0 / 67 / 22

HEX #91C642

RGB 145 198 66

HSL 84.09, 0.54%, 0.52%

LAB 74.06, -37.3, 58.19

 

CMYK 67 / 13 / 0 / 22

HEX #42ACC6

RGB 66 172 198

HSL 191.82, 0.54%, 0.52%

LAB 65.55, -22.03, -22.18

 

CMYK 40 / 67 / 0 / 22

HEX #7742C6

RGB 119 66 198

HSL 264.09, 0.54%, 0.52%

LAB 41.05, 50.24, -60.61

 

CMYK 0 / 53 / 67 / 22

HEX #C65E42

RGB 198 94 66

HSL 12.73, 0.54%, 0.52%

LAB 52.29, 39.42, 35.39

 

CMYK 46 / 0 / 67 / 22

HEX #6AC642

RGB 106 198 66

HSL 101.82, 0.54%, 0.52%

LAB 72.13, -50.67, 55.55

 

CMYK 67 / 13 / 0 / 22

HEX #42ACC6

RGB 66 172 198

HSL 191.82, 0.54%, 0.52%

LAB 65.55, -22.03, -22.18

 

CMYK 20 / 67 / 0 / 22

HEX #9F42C6

RGB 159 66 198

HSL 282.27, 0.54%, 0.52%

LAB 46.1, 58.71, -52.2

 

Description

Color code: HEX #C65E42 | qconv.com Color code: HEX #C65E42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 94 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 94 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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