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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65BE0 it is the complementary color #39A41F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65BE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65BE0 shade: #CB5BDB, #DC6DEE, #ED7FFF, #FE91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65BE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65BE0 shade: #C65BE0, #B549CD, #A437BA, #9325A7 and #821394

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65BE0 shade: #C65CDF, #DF5CD6, #DF5CB2, #DF5C8F and #DF5C6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65BE0 shade: #C65CDF, #A25CDF, #7F5CDF and #5C5CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65BE0 shade matches the following richer shades: #C65CDF and #CF4CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65BE0 shade: #C65CDF, #BC6BD0, #B37BC0, #A98BB0 and #A09AA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65BE0 shade: #7F5CDF, #A25CDF, #C55CDF, #DF5CD7 and #DF5CB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65BE0 shade: #A525C4, #BA39D9, #C65CDF, #D27EE6 and #DEA1ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65BE0 shade: #C65BE0, #DF5C5C and #5CDF90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65BE0 shade: #C65BE0, #DFC55C and #5CDFC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65BE0 shade: #C65BE0, #DF5C5C, #76DF5C and #5CDFDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65BE0 shade: #C65BE0, #DF835C, #76DF5C and #5CB8DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 59 / 0 / 12

HEX #C65BE0

RGB 198 91 224

HSL 288.27, 0.68%, 0.62%

LAB 56.95, 61.77, -49.42

 

Complementary color

CMYK 65 / 0 / 81 / 36

HEX #39A41F

RGB 57 164 31

HSL 108.27, 0.68%, 0.38%

LAB 59.45, -53.77, 54.81

 

CMYK 7 / 58 / 0 / 14

HEX #CB5BDB

RGB 203 91 219

HSL 292.5, 0.64%, 0.61%

LAB 57.36, 62.06, -45.91

 

CMYK 8 / 54 / 0 / 7

HEX #DC6DEE

RGB 220 109 238

HSL 291.63, 0.79%, 0.68%

LAB 63.61, 61.59, -46.51

 

CMYK 7 / 50 / 0 / 0

HEX #ED7FFF

RGB 237 127 255

HSL 291.56, 1%, 0.75%

LAB 69.76, 60.62, -46.04

 

CMYK 0 / 43 / 0 / 0

HEX #FE91FF

RGB 254 145 255

HSL 299.45, 1%, 0.78%

LAB 75.17, 56.52, -37.44

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 12 / 59 / 0 / 12

HEX #C65BE0

RGB 198 91 224

HSL 288.27, 0.68%, 0.62%

LAB 56.95, 61.77, -49.42

 

CMYK 12 / 64 / 0 / 20

HEX #B549CD

RGB 181 73 205

HSL 289.09, 0.57%, 0.55%

LAB 50.68, 62.06, -48.74

 

CMYK 12 / 70 / 0 / 27

HEX #A437BA

RGB 164 55 186

HSL 289.92, 0.54%, 0.47%

LAB 44.48, 61.97, -47.78

 

CMYK 12 / 78 / 0 / 35

HEX #9325A7

RGB 147 37 167

HSL 290.77, 0.64%, 0.4%

LAB 38.4, 61.25, -46.41

 

CMYK 12 / 87 / 0 / 42

HEX #821394

RGB 130 19 148

HSL 291.63, 0.77%, 0.33%

LAB 32.59, 59.46, -44.39

 

CMYK 11 / 59 / 0 / 13

HEX #C65CDF

RGB 198 92 223

HSL 288.55, 0.67%, 0.62%

LAB 57.06, 61.12, -48.68

 

CMYK 0 / 59 / 4 / 13

HEX #DF5CD6

RGB 223 92 214

HSL 304.12, 0.67%, 0.62%

LAB 60.07, 65.81, -38.64

 

CMYK 0 / 59 / 20 / 13

HEX #DF5CB2

RGB 223 92 178

HSL 320.61, 0.67%, 0.62%

LAB 58.56, 60.34, -20.44

 

CMYK 0 / 59 / 36 / 13

HEX #DF5C8F

RGB 223 92 143

HSL 336.64, 0.67%, 0.62%

LAB 57.39, 55.89, -1.86

 

CMYK 0 / 59 / 52 / 13

HEX #DF5C6B

RGB 223 92 107

HSL 353.13, 0.67%, 0.62%

LAB 56.49, 52.34, 17.98

 

CMYK 11 / 59 / 0 / 13

HEX #C65CDF

RGB 198 92 223

HSL 288.55, 0.67%, 0.62%

LAB 57.06, 61.12, -48.68

 

CMYK 27 / 59 / 0 / 13

HEX #A25CDF

RGB 162 92 223

HSL 272.06, 0.67%, 0.62%

LAB 52.58, 52.41, -56.09

 

CMYK 43 / 59 / 0 / 13

HEX #7F5CDF

RGB 127 92 223

HSL 256.03, 0.67%, 0.62%

LAB 48.88, 44.51, -62.24

 

CMYK 59 / 59 / 0 / 13

HEX #5C5CDF

RGB 92 92 223

HSL 240, 0.67%, 0.62%

LAB 45.98, 37.76, -67.07

 

CMYK 11 / 59 / 0 / 13

HEX #C65CDF

RGB 198 92 223

HSL 288.55, 0.67%, 0.62%

LAB 57.06, 61.12, -48.68

 

CMYK 13 / 68 / 0 / 6

HEX #CF4CEF

RGB 207 76 239

HSL 288.22, 0.84%, 0.62%

LAB 56.75, 72.91, -58.08

 

CMYK 11 / 59 / 0 / 13

HEX #C65CDF

RGB 198 92 223

HSL 288.55, 0.67%, 0.62%

LAB 57.06, 61.12, -48.68

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 7 / 36 / 0 / 25

HEX #B37BC0

RGB 179 123 192

HSL 288.7, 0.35%, 0.62%

LAB 59.48, 33.66, -27.51

 

CMYK 4 / 21 / 0 / 31

HEX #A98BB0

RGB 169 139 176

HSL 288.65, 0.19%, 0.62%

LAB 61.68, 18.1, -15.16

 

CMYK 1 / 4 / 0 / 37

HEX #A09AA1

RGB 160 154 161

HSL 291.43, 0.04%, 0.62%

LAB 64.29, 3.52, -2.88

 

CMYK 43 / 59 / 0 / 13

HEX #7F5CDF

RGB 127 92 223

HSL 256.03, 0.67%, 0.62%

LAB 48.88, 44.51, -62.24

 

CMYK 27 / 59 / 0 / 13

HEX #A25CDF

RGB 162 92 223

HSL 272.06, 0.67%, 0.62%

LAB 52.58, 52.41, -56.09

 

CMYK 12 / 59 / 0 / 13

HEX #C55CDF

RGB 197 92 223

HSL 288.09, 0.67%, 0.62%

LAB 56.93, 60.87, -48.89

 

CMYK 0 / 59 / 4 / 13

HEX #DF5CD7

RGB 223 92 215

HSL 303.66, 0.67%, 0.62%

LAB 60.11, 65.98, -39.13

 

CMYK 0 / 59 / 19 / 13

HEX #DF5CB4

RGB 223 92 180

HSL 319.69, 0.67%, 0.62%

LAB 58.64, 60.62, -21.47

 

CMYK 16 / 81 / 0 / 23

HEX #A525C4

RGB 165 37 196

HSL 288.3, 0.68%, 0.46%

LAB 43.22, 69.89, -55.63

 

CMYK 14 / 74 / 0 / 15

HEX #BA39D9

RGB 186 57 217

HSL 288.38, 0.68%, 0.54%

LAB 49.95, 71.5, -56.74

 

CMYK 11 / 59 / 0 / 13

HEX #C65CDF

RGB 198 92 223

HSL 288.55, 0.67%, 0.62%

LAB 57.06, 61.12, -48.68

 

CMYK 9 / 45 / 0 / 10

HEX #D27EE6

RGB 210 126 230

HSL 288.46, 0.68%, 0.7%

LAB 65.23, 48.94, -39.62

 

CMYK 6 / 32 / 0 / 7

HEX #DEA1ED

RGB 222 161 237

HSL 288.16, 0.68%, 0.78%

LAB 74.28, 35.36, -29.34

 

CMYK 12 / 59 / 0 / 12

HEX #C65BE0

RGB 198 91 224

HSL 288.27, 0.68%, 0.62%

LAB 56.95, 61.77, -49.42

 

CMYK 0 / 59 / 59 / 13

HEX #DF5C5C

RGB 223 92 92

HSL 0, 0.67%, 0.62%

LAB 56.2, 51.18, 26.33

 

CMYK 59 / 0 / 35 / 13

HEX #5CDF90

RGB 92 223 144

HSL 143.82, 0.67%, 0.62%

LAB 80.22, -53.51, 28.22

 

CMYK 12 / 59 / 0 / 12

HEX #C65BE0

RGB 198 91 224

HSL 288.27, 0.68%, 0.62%

LAB 56.95, 61.77, -49.42

 

CMYK 0 / 12 / 59 / 13

HEX #DFC55C

RGB 223 197 92

HSL 48.09, 0.67%, 0.62%

LAB 79.84, -3.29, 54.96

 

CMYK 59 / 0 / 12 / 13

HEX #5CDFC5

RGB 92 223 197

HSL 168.09, 0.67%, 0.62%

LAB 81.34, -42.13, 1.99

 

CMYK 12 / 59 / 0 / 12

HEX #C65BE0

RGB 198 91 224

HSL 288.27, 0.68%, 0.62%

LAB 56.95, 61.77, -49.42

 

CMYK 0 / 59 / 59 / 13

HEX #DF5C5C

RGB 223 92 92

HSL 0, 0.67%, 0.62%

LAB 56.2, 51.18, 26.33

 

CMYK 47 / 0 / 59 / 13

HEX #76DF5C

RGB 118 223 92

HSL 108.09, 0.67%, 0.62%

LAB 80.4, -54.47, 53.83

 

CMYK 59 / 0 / 0 / 13

HEX #5CDFDF

RGB 92 223 223

HSL 180, 0.67%, 0.62%

LAB 82.04, -35.46, -10.78

 

CMYK 12 / 59 / 0 / 12

HEX #C65BE0

RGB 198 91 224

HSL 288.27, 0.68%, 0.62%

LAB 56.95, 61.77, -49.42

 

CMYK 0 / 41 / 59 / 13

HEX #DF835C

RGB 223 131 92

HSL 17.86, 0.67%, 0.62%

LAB 63.91, 31.74, 36.11

 

CMYK 47 / 0 / 59 / 13

HEX #76DF5C

RGB 118 223 92

HSL 108.09, 0.67%, 0.62%

LAB 80.4, -54.47, 53.83

 

CMYK 59 / 17 / 0 / 13

HEX #5CB8DF

RGB 92 184 223

HSL 197.86, 0.67%, 0.62%

LAB 70.79, -16.15, -27.82

 

Description

Color code: HEX #C65BE0 | qconv.com Color code: HEX #C65BE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 91 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 91 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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