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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6505E it is the complementary color #39AFA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6505E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6505E shade: #CB5059, #DC626C, #ED747F, #FE8692 and #FF98A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6505E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6505E shade: #C6505E, #B53E4B, #A42C38, #931A25 and #820812

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6505E shade: #C6515F and #C65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6505E shade: #C6515F, #C6517F, #C6519E, #C651BE and #AF51C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6505E shade matches the following richer shades: #C6515F, #D93F51, #EB2C43 and #FE1A35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6505E shade: #C6515F, #B4646D, #A1767B, #8F898A and #7C9B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6505E shade: #C6519F, #C65180, #C65161, #C66151 and #C68051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6505E shade: #95303C, #B43A49, #C6515F, #D0707C and #DA9098

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6505E shade: #C6505E, #BEC651 and #5190C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6505E shade: #C6505E, #61C651 and #5161C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6505E shade: #C6505E, #BEC651, #51C6B7 and #5951C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6505E shade: #C6505E, #9BC651, #51C6B7 and #7C51C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 53 / 22

HEX #C6505E

RGB 198 80 94

HSL 352.88, 0.51%, 0.55%

LAB 50.16, 48.23, 16.38

 

Complementary color

CMYK 67 / 0 / 8 / 31

HEX #39AFA1

RGB 57 175 161

HSL 172.88, 0.51%, 0.45%

LAB 65.04, -35.73, -2.38

 

CMYK 0 / 61 / 56 / 20

HEX #CB5059

RGB 203 80 89

HSL 355.61, 0.54%, 0.55%

LAB 50.87, 49.54, 20.47

 

CMYK 0 / 55 / 51 / 14

HEX #DC626C

RGB 220 98 108

HSL 355.08, 0.64%, 0.62%

LAB 57.11, 48.61, 18.16

 

CMYK 0 / 51 / 46 / 7

HEX #ED747F

RGB 237 116 127

HSL 354.55, 0.77%, 0.69%

LAB 63.37, 47.61, 16.21

 

CMYK 0 / 47 / 43 / 0

HEX #FE8692

RGB 254 134 146

HSL 354, 0.98%, 0.76%

LAB 69.61, 46.6, 14.53

 

CMYK 0 / 40 / 35 / 0

HEX #FF98A5

RGB 255 152 165

HSL 352.43, 1%, 0.8%

LAB 73.83, 39.97, 9.94

 

CMYK 0 / 60 / 53 / 22

HEX #C6505E

RGB 198 80 94

HSL 352.88, 0.51%, 0.55%

LAB 50.16, 48.23, 16.38

 

CMYK 0 / 66 / 59 / 29

HEX #B53E4B

RGB 181 62 75

HSL 353.45, 0.49%, 0.48%

LAB 43.91, 48.98, 19

 

CMYK 0 / 73 / 66 / 36

HEX #A42C38

RGB 164 44 56

HSL 354, 0.58%, 0.41%

LAB 37.81, 49.37, 22.24

 

CMYK 0 / 82 / 75 / 42

HEX #931A25

RGB 147 26 37

HSL 354.55, 0.7%, 0.34%

LAB 31.98, 49.06, 26.3

 

CMYK 0 / 94 / 86 / 49

HEX #820812

RGB 130 8 18

HSL 355.08, 0.88%, 0.27%

LAB 26.63, 47.49, 31.14

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 0 / 59 / 36 / 22

HEX #C6517F

RGB 198 81 127

HSL 336.41, 0.51%, 0.55%

LAB 51.18, 51.1, -1.97

 

CMYK 0 / 59 / 20 / 22

HEX #C6519E

RGB 198 81 158

HSL 320.51, 0.51%, 0.55%

LAB 52.24, 55.15, -18.78

 

CMYK 0 / 59 / 4 / 22

HEX #C651BE

RGB 198 81 190

HSL 304.1, 0.51%, 0.55%

LAB 53.61, 60.13, -35.32

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 0 / 71 / 63 / 15

HEX #D93F51

RGB 217 63 81

HSL 352.99, 0.67%, 0.55%

LAB 50.57, 60.45, 25.29

 

CMYK 0 / 81 / 71 / 8

HEX #EB2C43

RGB 235 44 67

HSL 352.77, 0.83%, 0.55%

LAB 51.69, 70.59, 35.68

 

CMYK 0 / 90 / 79 / 0

HEX #FE1A35

RGB 254 26 53

HSL 352.89, 0.99%, 0.55%

LAB 54.1, 78.35, 47.29

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 0 / 44 / 39 / 29

HEX #B4646D

RGB 180 100 109

HSL 353.25, 0.35%, 0.55%

LAB 51.75, 33.14, 9.25

 

CMYK 0 / 27 / 24 / 37

HEX #A1767B

RGB 161 118 123

HSL 353.02, 0.19%, 0.55%

LAB 53.99, 17.62, 3.89

 

CMYK 0 / 4 / 3 / 44

HEX #8F898A

RGB 143 137 138

HSL 350, 0.03%, 0.55%

LAB 57.62, 2.42, 0.26

 

CMYK 20 / 0 / 2 / 39

HEX #7C9B98

RGB 124 155 152

HSL 174.19, 0.13%, 0.55%

LAB 61.65, -11.37, -1.99

 

CMYK 0 / 59 / 20 / 22

HEX #C6519F

RGB 198 81 159

HSL 320, 0.51%, 0.55%

LAB 52.28, 55.29, -19.31

 

CMYK 0 / 59 / 35 / 22

HEX #C65180

RGB 198 81 128

HSL 335.9, 0.51%, 0.55%

LAB 51.21, 51.22, -2.52

 

CMYK 0 / 59 / 51 / 22

HEX #C65161

RGB 198 81 97

HSL 351.79, 0.51%, 0.55%

LAB 50.4, 48.03, 14.92

 

CMYK 0 / 51 / 59 / 22

HEX #C66151

RGB 198 97 81

HSL 8.21, 0.51%, 0.55%

LAB 53.11, 38.9, 27.93

 

CMYK 0 / 35 / 59 / 22

HEX #C68051

RGB 198 128 81

HSL 24.1, 0.51%, 0.55%

LAB 59.92, 22.36, 36.41

 

CMYK 0 / 68 / 60 / 42

HEX #95303C

RGB 149 48 60

HSL 352.87, 0.51%, 0.39%

LAB 35.65, 43.08, 16.37

 

CMYK 0 / 68 / 59 / 29

HEX #B43A49

RGB 180 58 73

HSL 352.62, 0.51%, 0.47%

LAB 43.08, 50.18, 19.09

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 0 / 46 / 40 / 18

HEX #D0707C

RGB 208 112 124

HSL 352.5, 0.51%, 0.63%

LAB 58.47, 38.92, 10.49

 

CMYK 0 / 34 / 30 / 15

HEX #DA9098

RGB 218 144 152

HSL 353.51, 0.5%, 0.71%

LAB 67.37, 29.07, 7.36

 

CMYK 0 / 60 / 53 / 22

HEX #C6505E

RGB 198 80 94

HSL 352.88, 0.51%, 0.55%

LAB 50.16, 48.23, 16.38

 

CMYK 4 / 0 / 59 / 22

HEX #BEC651

RGB 190 198 81

HSL 64.1, 0.51%, 0.55%

LAB 77.24, -18.31, 56.22

 

CMYK 59 / 27 / 0 / 22

HEX #5190C6

RGB 81 144 198

HSL 207.69, 0.51%, 0.55%

LAB 57.82, -4.11, -34.06

 

CMYK 0 / 60 / 53 / 22

HEX #C6505E

RGB 198 80 94

HSL 352.88, 0.51%, 0.55%

LAB 50.16, 48.23, 16.38

 

CMYK 51 / 0 / 59 / 22

HEX #61C651

RGB 97 198 81

HSL 111.79, 0.51%, 0.55%

LAB 71.91, -51.83, 48.77

 

CMYK 59 / 51 / 0 / 22

HEX #5161C6

RGB 81 97 198

HSL 231.79, 0.51%, 0.55%

LAB 44.77, 24.46, -54.76

 

CMYK 0 / 60 / 53 / 22

HEX #C6505E

RGB 198 80 94

HSL 352.88, 0.51%, 0.55%

LAB 50.16, 48.23, 16.38

 

CMYK 4 / 0 / 59 / 22

HEX #BEC651

RGB 190 198 81

HSL 64.1, 0.51%, 0.55%

LAB 77.24, -18.31, 56.22

 

CMYK 59 / 0 / 8 / 22

HEX #51C6B7

RGB 81 198 183

HSL 172.31, 0.51%, 0.55%

LAB 73.26, -36.4, -2.34

 

CMYK 55 / 59 / 0 / 22

HEX #5951C6

RGB 89 81 198

HSL 244.1, 0.51%, 0.55%

LAB 41.35, 35.91, -60.25

 

CMYK 0 / 60 / 53 / 22

HEX #C6505E

RGB 198 80 94

HSL 352.88, 0.51%, 0.55%

LAB 50.16, 48.23, 16.38

 

CMYK 22 / 0 / 59 / 22

HEX #9BC651

RGB 155 198 81

HSL 82.05, 0.51%, 0.55%

LAB 74.79, -32.3, 52.82

 

CMYK 59 / 0 / 8 / 22

HEX #51C6B7

RGB 81 198 183

HSL 172.31, 0.51%, 0.55%

LAB 73.26, -36.4, -2.34

 

CMYK 37 / 59 / 0 / 22

HEX #7C51C6

RGB 124 81 198

HSL 262.05, 0.51%, 0.55%

LAB 44.59, 43.26, -54.87

 

Description

Color code: HEX #C6505E | qconv.com Color code: HEX #C6505E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 80 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 80 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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