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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65913 it is the complementary color #39A6EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65913 shade: #CB590E, #DC6B21, #ED7D34, #FE8F47 and #FFA15A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65913 shade: #C65913, #B54700, #A43500, #932300 and #821100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65913 shade: #C75A13, #C72913 and #C71313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65913 shade: #C75A13, #C78A13, #C7BB13, #A3C713 and #73C713

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65913 shade matches the following richer shades: #C75A13 and #D95601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65913 shade: #C75A13, #B55D25, #A46137, #926548 and #80695A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65913 shade: #C7132E, #C72813, #C75813, #C78813 and #C7B813

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65913 shade: #7C380C, #A24910, #C75A13, #E86B1C and #EC8441

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65913 shade: #C65913, #5EC713 and #1316C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65913 shade: #C65913, #13C758 and #5813C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65913 shade: #C65913, #5EC713, #1382C7 and #7C13C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65913 shade: #C65913, #28C713, #1382C7 and #B213C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 90 / 22

HEX #C65913

RGB 198 89 19

HSL 23.46, 0.82%, 0.43%

LAB 50.92, 40.16, 55.65

 

Complementary color

CMYK 76 / 30 / 0 / 7

HEX #39A6EC

RGB 57 166 236

HSL 203.46, 0.82%, 0.57%

LAB 65.12, -7.48, -43.82

 

CMYK 0 / 56 / 93 / 20

HEX #CB590E

RGB 203 89 14

HSL 23.81, 0.87%, 0.43%

LAB 51.69, 42.02, 57.96

 

CMYK 0 / 51 / 85 / 14

HEX #DC6B21

RGB 220 107 33

HSL 23.74, 0.74%, 0.5%

LAB 57.89, 40.07, 57.84

 

CMYK 0 / 47 / 78 / 7

HEX #ED7D34

RGB 237 125 52

HSL 23.68, 0.84%, 0.57%

LAB 64.1, 38.23, 56.69

 

CMYK 0 / 44 / 72 / 0

HEX #FE8F47

RGB 254 143 71

HSL 23.61, 0.99%, 0.64%

LAB 70.3, 36.54, 55.14

 

CMYK 0 / 37 / 65 / 0

HEX #FFA15A

RGB 255 161 90

HSL 25.82, 1%, 0.68%

LAB 74.5, 28.65, 50.72

 

CMYK 0 / 55 / 90 / 22

HEX #C65913

RGB 198 89 19

HSL 23.46, 0.82%, 0.43%

LAB 50.92, 40.16, 55.65

 

CMYK 0 / 61 / 100 / 29

HEX #B54700

RGB 181 71 0

HSL 23.54, 1%, 0.35%

LAB 44.7, 42.1, 55.24

 

CMYK 0 / 68 / 100 / 36

HEX #A43500

RGB 164 53 0

HSL 19.39, 1%, 0.32%

LAB 38.62, 43.97, 50.41

 

CMYK 0 / 76 / 100 / 42

HEX #932300

RGB 147 35 0

HSL 14.29, 1%, 0.29%

LAB 32.71, 45.21, 45.48

 

CMYK 0 / 87 / 100 / 49

HEX #821100

RGB 130 17 0

HSL 7.85, 1%, 0.25%

LAB 27.15, 45.29, 39.69

 

CMYK 0 / 55 / 90 / 22

HEX #C75A13

RGB 199 90 19

HSL 23.67, 0.83%, 0.43%

LAB 51.27, 40.05, 55.98

 

CMYK 0 / 79 / 90 / 22

HEX #C72913

RGB 199 41 19

HSL 7.33, 0.83%, 0.43%

LAB 43.91, 59.83, 50.65

 

CMYK 0 / 90 / 90 / 22

HEX #C71313

RGB 199 19 19

HSL 0, 0.83%, 0.43%

LAB 42.24, 64.58, 49.47

 

CMYK 0 / 55 / 90 / 22

HEX #C75A13

RGB 199 90 19

HSL 23.67, 0.83%, 0.43%

LAB 51.27, 40.05, 55.98

 

CMYK 0 / 31 / 90 / 22

HEX #C78A13

RGB 199 138 19

HSL 39.67, 0.83%, 0.43%

LAB 61.97, 14.49, 64.02

 

CMYK 0 / 6 / 90 / 22

HEX #C7BB13

RGB 199 187 19

HSL 56, 0.83%, 0.43%

LAB 74.65, -11.61, 73.79

 

CMYK 18 / 0 / 90 / 22

HEX #A3C713

RGB 163 199 19

HSL 72, 0.83%, 0.43%

LAB 75.25, -32.76, 73.1

 

CMYK 42 / 0 / 90 / 22

HEX #73C713

RGB 115 199 19

HSL 88, 0.83%, 0.43%

LAB 72.59, -50.7, 69.82

 

CMYK 0 / 55 / 90 / 22

HEX #C75A13

RGB 199 90 19

HSL 23.67, 0.83%, 0.43%

LAB 51.27, 40.05, 55.98

 

CMYK 0 / 60 / 100 / 15

HEX #D95601

RGB 217 86 1

HSL 23.61, 0.99%, 0.43%

LAB 53.39, 48.53, 62.97

 

CMYK 0 / 55 / 90 / 22

HEX #C75A13

RGB 199 90 19

HSL 23.67, 0.83%, 0.43%

LAB 51.27, 40.05, 55.98

 

CMYK 0 / 49 / 80 / 29

HEX #B55D25

RGB 181 93 37

HSL 23.33, 0.66%, 0.43%

LAB 49.24, 31.76, 46.24

 

CMYK 0 / 41 / 66 / 36

HEX #A46137

RGB 164 97 55

HSL 23.12, 0.5%, 0.43%

LAB 47.9, 23.31, 35.04

 

CMYK 0 / 31 / 51 / 43

HEX #926548

RGB 146 101 72

HSL 23.51, 0.34%, 0.43%

LAB 46.82, 14.61, 23.63

 

CMYK 0 / 18 / 30 / 50

HEX #80695A

RGB 128 105 90

HSL 23.68, 0.17%, 0.43%

LAB 46.22, 6.73, 11.87

 

CMYK 0 / 90 / 77 / 22

HEX #C7132E

RGB 199 19 46

HSL 351, 0.83%, 0.43%

LAB 42.47, 65.23, 35.58

 

CMYK 0 / 80 / 90 / 22

HEX #C72813

RGB 199 40 19

HSL 7, 0.83%, 0.43%

LAB 43.81, 60.1, 50.58

 

CMYK 0 / 56 / 90 / 22

HEX #C75813

RGB 199 88 19

HSL 23, 0.83%, 0.43%

LAB 50.88, 41.04, 55.7

 

CMYK 0 / 32 / 90 / 22

HEX #C78813

RGB 199 136 19

HSL 39, 0.83%, 0.43%

LAB 61.48, 15.59, 63.65

 

CMYK 0 / 8 / 90 / 22

HEX #C7B813

RGB 199 184 19

HSL 55, 0.83%, 0.43%

LAB 73.85, -10.07, 73.17

 

CMYK 0 / 55 / 90 / 51

HEX #7C380C

RGB 124 56 12

HSL 23.57, 0.82%, 0.27%

LAB 32.12, 26.97, 38.34

 

CMYK 0 / 55 / 90 / 36

HEX #A24910

RGB 162 73 16

HSL 23.42, 0.82%, 0.35%

LAB 41.98, 33.88, 47.33

 

CMYK 0 / 55 / 90 / 22

HEX #C75A13

RGB 199 90 19

HSL 23.67, 0.83%, 0.43%

LAB 51.27, 40.05, 55.98

 

CMYK 0 / 54 / 88 / 9

HEX #E86B1C

RGB 232 107 28

HSL 23.24, 0.82%, 0.51%

LAB 59.67, 44.59, 61.76

 

CMYK 0 / 44 / 72 / 7

HEX #EC8441

RGB 236 132 65

HSL 23.51, 0.82%, 0.59%

LAB 65.53, 34.78, 52.19

 

CMYK 0 / 55 / 90 / 22

HEX #C65913

RGB 198 89 19

HSL 23.46, 0.82%, 0.43%

LAB 50.92, 40.16, 55.65

 

CMYK 53 / 0 / 90 / 22

HEX #5EC713

RGB 94 199 19

HSL 95, 0.83%, 0.43%

LAB 71.74, -57.16, 68.77

 

CMYK 90 / 89 / 0 / 22

HEX #1316C7

RGB 19 22 199

HSL 239, 0.83%, 0.43%

LAB 26.26, 60.49, -85.83

 

CMYK 0 / 55 / 90 / 22

HEX #C65913

RGB 198 89 19

HSL 23.46, 0.82%, 0.43%

LAB 50.92, 40.16, 55.65

 

CMYK 90 / 0 / 56 / 22

HEX #13C758

RGB 19 199 88

HSL 143, 0.83%, 0.43%

LAB 70.66, -64.43, 43.66

 

CMYK 56 / 90 / 0 / 22

HEX #5813C7

RGB 88 19 199

HSL 263, 0.83%, 0.43%

LAB 31.03, 64.86, -77.76

 

CMYK 0 / 55 / 90 / 22

HEX #C65913

RGB 198 89 19

HSL 23.46, 0.82%, 0.43%

LAB 50.92, 40.16, 55.65

 

CMYK 53 / 0 / 90 / 22

HEX #5EC713

RGB 94 199 19

HSL 95, 0.83%, 0.43%

LAB 71.74, -57.16, 68.77

 

CMYK 90 / 35 / 0 / 22

HEX #1382C7

RGB 19 130 199

HSL 203, 0.83%, 0.43%

LAB 52.09, -3.43, -43.75

 

CMYK 38 / 90 / 0 / 22

HEX #7C13C7

RGB 124 19 199

HSL 275, 0.83%, 0.43%

LAB 35.74, 68.58, -69.83

 

CMYK 0 / 55 / 90 / 22

HEX #C65913

RGB 198 89 19

HSL 23.46, 0.82%, 0.43%

LAB 50.92, 40.16, 55.65

 

CMYK 80 / 0 / 90 / 22

HEX #28C713

RGB 40 199 19

HSL 113, 0.83%, 0.43%

LAB 70.42, -68.23, 67.13

 

CMYK 90 / 35 / 0 / 22

HEX #1382C7

RGB 19 130 199

HSL 203, 0.83%, 0.43%

LAB 52.09, -3.43, -43.75

 

CMYK 11 / 90 / 0 / 22

HEX #B213C7

RGB 178 19 199

HSL 293, 0.83%, 0.43%

LAB 44.31, 76.27, -55.51

 

Description

Color code: HEX #C65913 | qconv.com Color code: HEX #C65913 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 89 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 89 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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