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Color name
HEX #C64E0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64E0A it is the complementary color #39B1F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64E0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64E0A shade: #CB4E05, #DC6018, #ED722B, #FE843E and #FF9651

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64E0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64E0A shade: #C64E0A, #B53C00, #A42A00, #931800 and #820600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64E0A shade: #C64E0A, #C61B0A and #C60A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64E0A shade: #C64E0A, #C6810A, #C6B40A, #A6C60A and #73C60A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64E0A shade matches the following richer shades: #C64E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64E0A shade: #C64E0A, #B5531B, #A4572C, #935C3D and #82614E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64E0A shade: #C60A2C, #C61A0A, #C64C0A, #C67E0A and #C6B00A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64E0A shade: #782F06, #9F3F08, #C64E0A, #ED5E0C and #F4762F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64E0A shade: #C64E0A, #5FC60A and #0A13C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64E0A shade: #C64E0A, #0AC64C and #4C0AC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64E0A shade: #C64E0A, #5FC60A, #0A84C6 and #710AC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64E0A shade: #C64E0A, #26C60A, #0A84C6 and #AA0AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

Complementary color

CMYK 77 / 28 / 0 / 4

HEX #39B1F5

RGB 57 177 245

HSL 201.7, 0.9%, 0.59%

LAB 68.68, -10.46, -43.15

 

CMYK 0 / 62 / 98 / 20

HEX #CB4E05

RGB 203 78 5

HSL 22.12, 0.95%, 0.41%

LAB 49.69, 47.09, 58.74

 

CMYK 0 / 56 / 89 / 14

HEX #DC6018

RGB 220 96 24

HSL 22.04, 0.8%, 0.48%

LAB 55.73, 45.26, 59.23

 

CMYK 0 / 52 / 82 / 7

HEX #ED722B

RGB 237 114 43

HSL 21.96, 0.84%, 0.55%

LAB 61.84, 43.44, 58.37

 

CMYK 0 / 48 / 76 / 0

HEX #FE843E

RGB 254 132 62

HSL 21.88, 0.99%, 0.62%

LAB 67.96, 41.7, 56.87

 

CMYK 0 / 41 / 68 / 0

HEX #FF9651

RGB 255 150 81

HSL 23.79, 1%, 0.66%

LAB 72.01, 33.84, 52.28

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 0 / 67 / 100 / 29

HEX #B53C00

RGB 181 60 0

HSL 19.89, 1%, 0.35%

LAB 42.85, 47.04, 54.27

 

CMYK 0 / 74 / 100 / 36

HEX #A42A00

RGB 164 42 0

HSL 15.37, 1%, 0.32%

LAB 37.02, 48.34, 49.63

 

CMYK 0 / 84 / 100 / 42

HEX #931800

RGB 147 24 0

HSL 9.8, 1%, 0.29%

LAB 31.48, 48.67, 44.66

 

CMYK 0 / 95 / 100 / 49

HEX #820600

RGB 130 6 0

HSL 2.77, 1%, 0.25%

LAB 26.38, 47.49, 39.01

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 0 / 86 / 95 / 22

HEX #C61B0A

RGB 198 27 10

HSL 5.43, 0.9%, 0.41%

LAB 42.48, 62.8, 52.78

 

CMYK 0 / 95 / 95 / 22

HEX #C60A0A

RGB 198 10 10

HSL 0, 0.9%, 0.41%

LAB 41.6, 65.32, 52.3

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 0 / 35 / 95 / 22

HEX #C6810A

RGB 198 129 10

HSL 37.98, 0.9%, 0.41%

LAB 59.64, 18.84, 63.96

 

CMYK 0 / 9 / 95 / 22

HEX #C6B40A

RGB 198 180 10

HSL 54.26, 0.9%, 0.41%

LAB 72.67, -8.57, 73.46

 

CMYK 16 / 0 / 95 / 22

HEX #A6C60A

RGB 166 198 10

HSL 70.21, 0.9%, 0.41%

LAB 75.15, -31.21, 74.25

 

CMYK 42 / 0 / 95 / 22

HEX #73C60A

RGB 115 198 10

HSL 86.49, 0.9%, 0.41%

LAB 72.27, -50.48, 70.74

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 0 / 54 / 85 / 29

HEX #B5531B

RGB 181 83 27

HSL 21.82, 0.74%, 0.41%

LAB 47.09, 36.65, 48.61

 

CMYK 0 / 47 / 73 / 36

HEX #A4572C

RGB 164 87 44

HSL 21.5, 0.58%, 0.41%

LAB 45.48, 28.22, 38.18

 

CMYK 0 / 37 / 59 / 42

HEX #935C3D

RGB 147 92 61

HSL 21.63, 0.41%, 0.41%

LAB 44.51, 19.24, 27.08

 

CMYK 0 / 25 / 40 / 49

HEX #82614E

RGB 130 97 78

HSL 21.92, 0.25%, 0.41%

LAB 44.01, 10.67, 16.03

 

CMYK 0 / 95 / 78 / 22

HEX #C60A2C

RGB 198 10 44

HSL 349.15, 0.9%, 0.41%

LAB 41.85, 66.01, 36.03

 

CMYK 0 / 87 / 95 / 22

HEX #C61A0A

RGB 198 26 10

HSL 5.11, 0.9%, 0.41%

LAB 42.41, 63, 52.74

 

CMYK 0 / 62 / 95 / 22

HEX #C64C0A

RGB 198 76 10

HSL 21.06, 0.9%, 0.41%

LAB 48.51, 46.23, 56.42

 

CMYK 0 / 36 / 95 / 22

HEX #C67E0A

RGB 198 126 10

HSL 37.02, 0.9%, 0.41%

LAB 58.93, 20.48, 63.45

 

CMYK 0 / 11 / 95 / 22

HEX #C6B00A

RGB 198 176 10

HSL 52.98, 0.9%, 0.41%

LAB 71.61, -6.49, 72.67

 

CMYK 0 / 61 / 95 / 53

HEX #782F06

RGB 120 47 6

HSL 21.58, 0.9%, 0.25%

LAB 29.51, 29.98, 38.37

 

CMYK 0 / 60 / 95 / 38

HEX #9F3F08

RGB 159 63 8

HSL 21.85, 0.9%, 0.33%

LAB 39.49, 37.6, 47.8

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 0 / 60 / 95 / 7

HEX #ED5E0C

RGB 237 94 12

HSL 21.87, 0.9%, 0.49%

LAB 58.07, 52.25, 65.24

 

CMYK 0 / 52 / 81 / 4

HEX #F4762F

RGB 244 118 47

HSL 21.62, 0.9%, 0.57%

LAB 63.67, 44.27, 58.77

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 52 / 0 / 95 / 22

HEX #5FC60A

RGB 95 198 10

HSL 92.87, 0.9%, 0.41%

LAB 71.45, -56.71, 69.74

 

CMYK 95 / 90 / 0 / 22

HEX #0A13C6

RGB 10 19 198

HSL 237.13, 0.9%, 0.41%

LAB 25.59, 61.05, -86.37

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 95 / 0 / 62 / 22

HEX #0AC64C

RGB 10 198 76

HSL 141.06, 0.9%, 0.41%

LAB 70.16, -66.14, 48.56

 

CMYK 62 / 95 / 0 / 22

HEX #4C0AC6

RGB 76 10 198

HSL 261.06, 0.9%, 0.41%

LAB 28.98, 65.58, -80.61

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 52 / 0 / 95 / 22

HEX #5FC60A

RGB 95 198 10

HSL 92.87, 0.9%, 0.41%

LAB 71.45, -56.71, 69.74

 

CMYK 95 / 33 / 0 / 22

HEX #0A84C6

RGB 10 132 198

HSL 201.06, 0.9%, 0.41%

LAB 52.56, -5.38, -42.45

 

CMYK 43 / 95 / 0 / 22

HEX #710AC6

RGB 113 10 198

HSL 272.87, 0.9%, 0.41%

LAB 33.57, 68.65, -72.87

 

CMYK 0 / 61 / 95 / 22

HEX #C64E0A

RGB 198 78 10

HSL 21.7, 0.9%, 0.41%

LAB 48.85, 45.31, 56.64

 

CMYK 81 / 0 / 95 / 22

HEX #26C60A

RGB 38 198 10

HSL 111.06, 0.9%, 0.41%

LAB 70.05, -68.41, 68.03

 

CMYK 95 / 33 / 0 / 22

HEX #0A84C6

RGB 10 132 198

HSL 201.06, 0.9%, 0.41%

LAB 52.56, -5.38, -42.45

 

CMYK 14 / 95 / 0 / 22

HEX #AA0AC6

RGB 170 10 198

HSL 291.06, 0.9%, 0.41%

LAB 42.52, 75.94, -57.89

 

Description

Color code: HEX #C64E0A | qconv.com Color code: HEX #C64E0A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 78 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 78 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 95 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 95% 22% C M Y K

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