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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64CEA it is the complementary color #39B315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64CEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64CEA shade: #CB4CE5, #DC5EF8, #ED70FF, #FE82FF and #FF94FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64CEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64CEA shade: #C64CEA, #B53AD7, #A428C4, #9316B1 and #82049E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64CEA shade: #C64CEA, #EA4CE3, #EA4CB9, #EA4C8E and #EA4C64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64CEA shade: #C64CEA, #9B4CEA, #714CEA and #4C4CEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64CEA shade matches the following richer shades: #C64CEA and #CF3CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64CEA shade: #C64CEA, #BD5DDA, #B46DC9, #AC7DB9 and #A38DA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64CEA shade: #714CEA, #9B4CEA, #C54CEA, #EA4CE4 and #EA4CBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64CEA shade: #A318CC, #BA28E5, #C64CEA, #D271EE and #DD96F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64CEA shade: #C64CEA, #EA4C52 and #4CEA86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64CEA shade: #C64CEA, #EAC54C and #4CEAC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64CEA shade: #C64CEA, #EA4C52, #71EA4C and #4CEAE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64CEA shade: #C64CEA, #EA764C, #71EA4C and #4CC0EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

Complementary color

CMYK 68 / 0 / 88 / 30

HEX #39B315

RGB 57 179 21

HSL 106.33, 0.79%, 0.39%

LAB 64.29, -59.27, 61.64

 

CMYK 11 / 67 / 0 / 10

HEX #CB4CE5

RGB 203 76 229

HSL 289.8, 0.75%, 0.6%

LAB 55.61, 70.23, -54.33

 

CMYK 11 / 62 / 0 / 3

HEX #DC5EF8

RGB 220 94 248

HSL 289.09, 0.92%, 0.67%

LAB 61.65, 70.15, -55.15

 

CMYK 7 / 56 / 0 / 0

HEX #ED70FF

RGB 237 112 255

HSL 292.45, 1%, 0.72%

LAB 67.14, 67.62, -50.17

 

CMYK 0 / 49 / 0 / 0

HEX #FE82FF

RGB 254 130 255

HSL 299.52, 1%, 0.75%

LAB 72.4, 63.75, -41.75

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 16 / 73 / 0 / 16

HEX #B53AD7

RGB 181 58 215

HSL 287.01, 0.66%, 0.54%

LAB 49.2, 69.8, -56.84

 

CMYK 16 / 80 / 0 / 23

HEX #A428C4

RGB 164 40 196

HSL 287.69, 0.66%, 0.46%

LAB 43.35, 68.88, -55.43

 

CMYK 17 / 88 / 0 / 31

HEX #9316B1

RGB 147 22 177

HSL 288.39, 0.78%, 0.39%

LAB 37.75, 66.95, -53.42

 

CMYK 18 / 97 / 0 / 38

HEX #82049E

RGB 130 4 158

HSL 289.09, 0.95%, 0.32%

LAB 32.48, 63.73, -50.68

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 0 / 68 / 3 / 8

HEX #EA4CE3

RGB 234 76 227

HSL 302.66, 0.79%, 0.61%

LAB 60.08, 76.74, -45.83

 

CMYK 0 / 68 / 21 / 8

HEX #EA4CB9

RGB 234 76 185

HSL 318.61, 0.79%, 0.61%

LAB 58.19, 70.69, -24.89

 

CMYK 0 / 68 / 39 / 8

HEX #EA4C8E

RGB 234 76 142

HSL 334.94, 0.79%, 0.61%

LAB 56.7, 65.66, -2.08

 

CMYK 0 / 68 / 57 / 8

HEX #EA4C64

RGB 234 76 100

HSL 350.89, 0.79%, 0.61%

LAB 55.67, 62.06, 21.28

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 34 / 68 / 0 / 8

HEX #9B4CEA

RGB 155 76 234

HSL 270, 0.79%, 0.61%

LAB 49.59, 61.28, -67.16

 

CMYK 52 / 68 / 0 / 8

HEX #714CEA

RGB 113 76 234

HSL 254.05, 0.79%, 0.61%

LAB 45.11, 53.7, -74.65

 

CMYK 68 / 68 / 0 / 8

HEX #4C4CEA

RGB 76 76 234

HSL 240, 0.79%, 0.61%

LAB 42.22, 48.48, -79.48

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 17 / 76 / 0 / 2

HEX #CF3CFA

RGB 207 60 250

HSL 286.42, 0.95%, 0.61%

LAB 55.48, 80.44, -66.25

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 13 / 57 / 0 / 15

HEX #BD5DDA

RGB 189 93 218

HSL 286.08, 0.63%, 0.61%

LAB 55.8, 57.44, -47.94

 

CMYK 10 / 46 / 0 / 21

HEX #B46DC9

RGB 180 109 201

HSL 286.3, 0.46%, 0.61%

LAB 56.94, 43.43, -36.58

 

CMYK 7 / 32 / 0 / 27

HEX #AC7DB9

RGB 172 125 185

HSL 287, 0.3%, 0.61%

LAB 58.92, 28.86, -24.46

 

CMYK 4 / 17 / 0 / 34

HEX #A38DA9

RGB 163 141 169

HSL 287.14, 0.14%, 0.61%

LAB 61.4, 13.47, -11.68

 

CMYK 52 / 68 / 0 / 8

HEX #714CEA

RGB 113 76 234

HSL 254.05, 0.79%, 0.61%

LAB 45.11, 53.7, -74.65

 

CMYK 34 / 68 / 0 / 8

HEX #9B4CEA

RGB 155 76 234

HSL 270, 0.79%, 0.61%

LAB 49.59, 61.28, -67.16

 

CMYK 16 / 68 / 0 / 8

HEX #C54CEA

RGB 197 76 234

HSL 285.95, 0.79%, 0.61%

LAB 55.05, 69.87, -58.08

 

CMYK 0 / 68 / 3 / 8

HEX #EA4CE4

RGB 234 76 228

HSL 302.28, 0.79%, 0.61%

LAB 60.13, 76.89, -46.31

 

CMYK 0 / 68 / 21 / 8

HEX #EA4CBA

RGB 234 76 186

HSL 318.23, 0.79%, 0.61%

LAB 58.23, 70.82, -25.4

 

CMYK 20 / 88 / 0 / 20

HEX #A318CC

RGB 163 24 204

HSL 286.33, 0.79%, 0.45%

LAB 42.46, 73.96, -61.53

 

CMYK 19 / 83 / 0 / 10

HEX #BA28E5

RGB 186 40 229

HSL 286.35, 0.78%, 0.53%

LAB 49.02, 78.62, -65.05

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 12 / 53 / 0 / 7

HEX #D271EE

RGB 210 113 238

HSL 286.56, 0.79%, 0.69%

LAB 63.08, 57.07, -47.43

 

CMYK 9 / 38 / 0 / 5

HEX #DD96F2

RGB 221 150 242

HSL 286.3, 0.78%, 0.77%

LAB 71.96, 41.91, -35.65

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 0 / 68 / 65 / 8

HEX #EA4C52

RGB 234 76 82

HSL 357.72, 0.79%, 0.61%

LAB 55.35, 60.93, 31.39

 

CMYK 68 / 0 / 43 / 8

HEX #4CEA86

RGB 76 234 134

HSL 142.03, 0.79%, 0.61%

LAB 82.97, -62.47, 36.83

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 0 / 16 / 68 / 8

HEX #EAC54C

RGB 234 197 76

HSL 45.95, 0.79%, 0.61%

LAB 80.71, 0.32, 63.19

 

CMYK 68 / 0 / 16 / 8

HEX #4CEAC5

RGB 76 234 197

HSL 165.95, 0.79%, 0.61%

LAB 84.18, -49.53, 6.05

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 0 / 68 / 65 / 8

HEX #EA4C52

RGB 234 76 82

HSL 357.72, 0.79%, 0.61%

LAB 55.35, 60.93, 31.39

 

CMYK 52 / 0 / 68 / 8

HEX #71EA4C

RGB 113 234 76

HSL 105.95, 0.79%, 0.61%

LAB 83.38, -61.51, 63.66

 

CMYK 68 / 0 / 3 / 8

HEX #4CEAE4

RGB 76 234 228

HSL 177.72, 0.79%, 0.61%

LAB 84.99, -41.58, -9.09

 

CMYK 15 / 68 / 0 / 8

HEX #C64CEA

RGB 198 76 234

HSL 286.33, 0.79%, 0.61%

LAB 55.19, 70.09, -57.85

 

CMYK 0 / 50 / 68 / 8

HEX #EA764C

RGB 234 118 76

HSL 15.95, 0.79%, 0.61%

LAB 62.48, 41.68, 43.26

 

CMYK 52 / 0 / 68 / 8

HEX #71EA4C

RGB 113 234 76

HSL 105.95, 0.79%, 0.61%

LAB 83.38, -61.51, 63.66

 

CMYK 68 / 18 / 0 / 8

HEX #4CC0EA

RGB 76 192 234

HSL 195.95, 0.79%, 0.61%

LAB 73.01, -19.62, -30.42

 

Description

Color code: HEX #C64CEA | qconv.com Color code: HEX #C64CEA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 76 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 76 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 68 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 68% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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