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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64282 it is the complementary color #39BD7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64282. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64282 shade: #CB427D, #DC5490, #ED66A3, #FE78B6 and #FF8AC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64282. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64282 shade: #C64282, #B5306F, #A41E5C, #930C49 and #820036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64282 shade: #C64282, #C6425E and #C64242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64282 shade: #C64282, #C642A6, #C342C6, #9F42C6 and #7C42C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64282 shade matches the following richer shades: #C64282, #DA2E81 and #EE1A81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64282 shade: #C64282, #B25683, #9F6A83, #8B7D84 and #779184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64282 shade: #C242C6, #C642A7, #C64284, #C64261 and #C64642

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64282 shade: #8C2A59, #AC336E, #C64282, #D06297 and #D982AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64282 shade: #C64282, #C69F42 and #42B9C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64282 shade: #C64282, #84C642 and #4284C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64282 shade: #C64282, #C69F42, #42C684 and #426AC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64282 shade: #C64282, #C6C642, #42C684 and #4242C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

Complementary color

CMYK 70 / 0 / 34 / 26

HEX #39BD7D

RGB 57 189 125

HSL 150.91, 0.54%, 0.48%

LAB 68.57, -50.31, 22.3

 

CMYK 0 / 67 / 38 / 20

HEX #CB427D

RGB 203 66 125

HSL 334.16, 0.57%, 0.53%

LAB 49.59, 58.79, -3.01

 

CMYK 0 / 62 / 35 / 14

HEX #DC5490

RGB 220 84 144

HSL 333.53, 0.66%, 0.6%

LAB 55.65, 58.58, -5.06

 

CMYK 0 / 57 / 31 / 7

HEX #ED66A3

RGB 237 102 163

HSL 332.89, 0.79%, 0.66%

LAB 61.78, 58.1, -6.74

 

CMYK 0 / 53 / 28 / 0

HEX #FE78B6

RGB 254 120 182

HSL 332.24, 0.99%, 0.73%

LAB 67.93, 57.47, -8.15

 

CMYK 0 / 46 / 21 / 0

HEX #FF8AC9

RGB 255 138 201

HSL 327.69, 1%, 0.77%

LAB 72, 51.69, -12.68

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 73 / 39 / 29

HEX #B5306F

RGB 181 48 111

HSL 331.58, 0.58%, 0.45%

LAB 42.89, 57.65, -4.77

 

CMYK 0 / 82 / 44 / 36

HEX #A41E5C

RGB 164 30 92

HSL 332.24, 0.69%, 0.38%

LAB 37.1, 56.67, -1.71

 

CMYK 0 / 92 / 50 / 42

HEX #930C49

RGB 147 12 73

HSL 332.89, 0.85%, 0.31%

LAB 31.69, 54.47, 2.33

 

CMYK 0 / 100 / 58 / 49

HEX #820036

RGB 130 0 54

HSL 335.08, 1%, 0.25%

LAB 26.77, 50.68, 7.6

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 67 / 53 / 22

HEX #C6425E

RGB 198 66 94

HSL 347.27, 0.54%, 0.52%

LAB 47.89, 54.32, 13.27

 

CMYK 0 / 67 / 67 / 22

HEX #C64242

RGB 198 66 66

HSL 0, 0.54%, 0.52%

LAB 47.36, 52.39, 29.44

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 67 / 16 / 22

HEX #C642A6

RGB 198 66 166

HSL 314.55, 0.54%, 0.52%

LAB 50.28, 62.57, -26.51

 

CMYK 2 / 67 / 0 / 22

HEX #C342C6

RGB 195 66 198

HSL 298.64, 0.54%, 0.52%

LAB 51.35, 66.85, -43.52

 

CMYK 20 / 67 / 0 / 22

HEX #9F42C6

RGB 159 66 198

HSL 282.27, 0.54%, 0.52%

LAB 46.1, 58.71, -52.2

 

CMYK 37 / 67 / 0 / 22

HEX #7C42C6

RGB 124 66 198

HSL 266.36, 0.54%, 0.52%

LAB 41.62, 51.24, -59.65

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 79 / 41 / 15

HEX #DA2E81

RGB 218 46 129

HSL 331.05, 0.7%, 0.52%

LAB 50.03, 69.81, -4.47

 

CMYK 0 / 89 / 46 / 7

HEX #EE1A81

RGB 238 26 129

HSL 330.85, 0.86%, 0.52%

LAB 52.4, 78.59, -0.56

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 52 / 26 / 30

HEX #B25683

RGB 178 86 131

HSL 330.65, 0.37%, 0.52%

LAB 49.2, 42.63, -7.62

 

CMYK 0 / 33 / 18 / 38

HEX #9F6A83

RGB 159 106 131

HSL 331.7, 0.22%, 0.52%

LAB 51.06, 25, -5.13

 

CMYK 0 / 10 / 5 / 45

HEX #8B7D84

RGB 139 125 132

HSL 330, 0.06%, 0.52%

LAB 53.84, 6.65, -1.85

 

CMYK 18 / 0 / 9 / 43

HEX #779184

RGB 119 145 132

HSL 150, 0.11%, 0.52%

LAB 57.88, -11.94, 3.84

 

CMYK 2 / 67 / 0 / 22

HEX #C242C6

RGB 194 66 198

HSL 298.18, 0.54%, 0.52%

LAB 51.2, 66.62, -43.77

 

CMYK 0 / 67 / 16 / 22

HEX #C642A7

RGB 198 66 167

HSL 314.09, 0.54%, 0.52%

LAB 50.33, 62.72, -27.04

 

CMYK 0 / 67 / 33 / 22

HEX #C64284

RGB 198 66 132

HSL 330, 0.54%, 0.52%

LAB 48.97, 58.12, -8.24

 

CMYK 0 / 67 / 51 / 22

HEX #C64261

RGB 198 66 97

HSL 345.91, 0.54%, 0.52%

LAB 47.96, 54.58, 11.54

 

CMYK 0 / 65 / 67 / 22

HEX #C64642

RGB 198 70 66

HSL 1.82, 0.54%, 0.52%

LAB 47.98, 50.71, 30.2

 

CMYK 0 / 70 / 36 / 45

HEX #8C2A59

RGB 140 42 89

HSL 331.22, 0.54%, 0.36%

LAB 33.88, 45.51, -5.06

 

CMYK 0 / 70 / 36 / 33

HEX #AC336E

RGB 172 51 110

HSL 330.74, 0.54%, 0.44%

LAB 41.63, 53.91, -6.2

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 53 / 27 / 18

HEX #D06297

RGB 208 98 151

HSL 331.09, 0.54%, 0.6%

LAB 56.47, 49.3, -8.15

 

CMYK 0 / 40 / 21 / 15

HEX #D982AC

RGB 217 130 172

HSL 331.03, 0.53%, 0.68%

LAB 64.72, 38.99, -7.8

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 20 / 67 / 22

HEX #C69F42

RGB 198 159 66

HSL 42.27, 0.54%, 0.52%

LAB 67.42, 4.41, 52.41

 

CMYK 67 / 7 / 0 / 22

HEX #42B9C6

RGB 66 185 198

HSL 185.91, 0.54%, 0.52%

LAB 69.42, -28.57, -16.29

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 33 / 0 / 67 / 22

HEX #84C642

RGB 132 198 66

HSL 90, 0.54%, 0.52%

LAB 73.34, -42.06, 57.21

 

CMYK 67 / 33 / 0 / 22

HEX #4284C6

RGB 66 132 198

HSL 210, 0.54%, 0.52%

LAB 53.75, 0.14, -40.49

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 20 / 67 / 22

HEX #C69F42

RGB 198 159 66

HSL 42.27, 0.54%, 0.52%

LAB 67.42, 4.41, 52.41

 

CMYK 67 / 0 / 33 / 22

HEX #42C684

RGB 66 198 132

HSL 150, 0.54%, 0.52%

LAB 71.7, -50.94, 22.87

 

CMYK 67 / 46 / 0 / 22

HEX #426AC6

RGB 66 106 198

HSL 221.82, 0.54%, 0.52%

LAB 46.37, 16.12, -52.23

 

CMYK 0 / 67 / 34 / 22

HEX #C64282

RGB 198 66 130

HSL 330.91, 0.54%, 0.52%

LAB 48.9, 57.89, -7.14

 

CMYK 0 / 0 / 67 / 22

HEX #C6C642

RGB 198 198 66

HSL 60, 0.54%, 0.52%

LAB 77.75, -15.94, 63.16

 

CMYK 67 / 0 / 33 / 22

HEX #42C684

RGB 66 198 132

HSL 150, 0.54%, 0.52%

LAB 71.7, -50.94, 22.87

 

CMYK 67 / 67 / 0 / 22

HEX #4242C6

RGB 66 66 198

HSL 240, 0.54%, 0.52%

LAB 36.24, 41.32, -68.67

 

Description

Color code: HEX #C64282 | qconv.com Color code: HEX #C64282 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 66 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 66 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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