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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6496D it is the complementary color #39B692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6496D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6496D shade: #CB4968, #DC5B7B, #ED6D8E, #FE7FA1 and #FF91B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6496D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6496D shade: #C6496D, #B5375A, #A42547, #931334 and #820121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6496D shade: #C5486C, #C5484B and #C54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6496D shade: #C5486C, #C5488E, #C548AF, #B948C5 and #9748C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6496D shade matches the following richer shades: #C5486C, #D83564 and #EC225C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6496D shade: #C5486C, #B25C74, #9E6F7D, #8B8385 and #77968D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6496D shade: #C548B0, #C5488F, #C5486E, #C5484C and #C56548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6496D shade: #8E2D49, #AE3659, #C5486C, #CF6885 and #D9879F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6496D shade: #C6496D, #C5B948 and #48A0C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6496D shade: #C6496D, #6EC548 and #486EC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6496D shade: #C6496D, #C5B948, #48C5A0 and #4855C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6496D shade: #C6496D, #ACC548, #48C5A0 and #6148C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 45 / 22

HEX #C6496D

RGB 198 73 109

HSL 342.72, 0.52%, 0.53%

LAB 49.34, 52.74, 6.21

 

Complementary color

CMYK 69 / 0 / 20 / 29

HEX #39B692

RGB 57 182 146

HSL 162.72, 0.52%, 0.47%

LAB 66.83, -42.73, 8.49

 

CMYK 0 / 64 / 49 / 20

HEX #CB4968

RGB 203 73 104

HSL 345.69, 0.56%, 0.54%

LAB 50.05, 53.87, 10.35

 

CMYK 0 / 59 / 44 / 14

HEX #DC5B7B

RGB 220 91 123

HSL 345.12, 0.65%, 0.61%

LAB 56.22, 53.25, 8.13

 

CMYK 0 / 54 / 40 / 7

HEX #ED6D8E

RGB 237 109 142

HSL 344.53, 0.78%, 0.68%

LAB 62.42, 52.48, 6.28

 

CMYK 0 / 50 / 37 / 0

HEX #FE7FA1

RGB 254 127 161

HSL 343.94, 0.98%, 0.75%

LAB 68.62, 51.64, 4.7

 

CMYK 0 / 43 / 29 / 0

HEX #FF91B4

RGB 255 145 180

HSL 340.91, 1%, 0.78%

LAB 72.76, 45.37, 0.1

 

CMYK 0 / 63 / 45 / 22

HEX #C6496D

RGB 198 73 109

HSL 342.72, 0.52%, 0.53%

LAB 49.34, 52.74, 6.21

 

CMYK 0 / 70 / 50 / 29

HEX #B5375A

RGB 181 55 90

HSL 343.33, 0.53%, 0.46%

LAB 43.2, 53.05, 8.74

 

CMYK 0 / 77 / 57 / 36

HEX #A42547

RGB 164 37 71

HSL 343.94, 0.63%, 0.39%

LAB 37.24, 52.81, 11.96

 

CMYK 0 / 87 / 65 / 42

HEX #931334

RGB 147 19 52

HSL 344.53, 0.77%, 0.33%

LAB 31.62, 51.61, 16.14

 

CMYK 0 / 99 / 75 / 49

HEX #820121

RGB 130 1 33

HSL 345.12, 0.98%, 0.26%

LAB 26.38, 49.29, 21.38

 

CMYK 0 / 63 / 45 / 23

HEX #C5486C

RGB 197 72 108

HSL 342.72, 0.52%, 0.53%

LAB 48.99, 52.75, 6.29

 

CMYK 0 / 63 / 62 / 23

HEX #C5484B

RGB 197 72 75

HSL 358.56, 0.52%, 0.53%

LAB 48.28, 50.05, 25.22

 

CMYK 0 / 63 / 63 / 23

HEX #C54848

RGB 197 72 72

HSL 0, 0.52%, 0.53%

LAB 48.23, 49.86, 26.93

 

CMYK 0 / 63 / 45 / 23

HEX #C5486C

RGB 197 72 108

HSL 342.72, 0.52%, 0.53%

LAB 48.99, 52.75, 6.29

 

CMYK 0 / 63 / 28 / 23

HEX #C5488E

RGB 197 72 142

HSL 326.4, 0.52%, 0.53%

LAB 50.05, 56.6, -12.64

 

CMYK 0 / 63 / 11 / 23

HEX #C548AF

RGB 197 72 175

HSL 310.56, 0.52%, 0.53%

LAB 51.38, 61.27, -30.1

 

CMYK 6 / 63 / 0 / 23

HEX #B948C5

RGB 185 72 197

HSL 294.24, 0.52%, 0.53%

LAB 50.66, 61.94, -44.13

 

CMYK 23 / 63 / 0 / 23

HEX #9748C5

RGB 151 72 197

HSL 277.92, 0.52%, 0.53%

LAB 45.97, 53.93, -51.9

 

CMYK 0 / 63 / 45 / 23

HEX #C5486C

RGB 197 72 108

HSL 342.72, 0.52%, 0.53%

LAB 48.99, 52.75, 6.29

 

CMYK 0 / 75 / 54 / 15

HEX #D83564

RGB 216 53 100

HSL 342.7, 0.68%, 0.53%

LAB 49.58, 64.79, 12.45

 

CMYK 0 / 86 / 61 / 7

HEX #EC225C

RGB 236 34 92

HSL 342.77, 0.84%, 0.53%

LAB 51.55, 74.22, 20.63

 

CMYK 0 / 63 / 45 / 23

HEX #C5486C

RGB 197 72 108

HSL 342.72, 0.52%, 0.53%

LAB 48.99, 52.75, 6.29

 

CMYK 0 / 48 / 35 / 30

HEX #B25C74

RGB 178 92 116

HSL 343.26, 0.36%, 0.53%

LAB 49.95, 37.52, 2.47

 

CMYK 0 / 30 / 21 / 38

HEX #9E6F7D

RGB 158 111 125

HSL 342.13, 0.2%, 0.53%

LAB 51.97, 20.78, -0.25

 

CMYK 0 / 6 / 4 / 45

HEX #8B8385

RGB 139 131 133

HSL 345, 0.03%, 0.53%

LAB 55.5, 3.39, -0

 

CMYK 21 / 0 / 6 / 41

HEX #77968D

RGB 119 150 141

HSL 162.58, 0.13%, 0.53%

LAB 59.58, -12.74, 1.17

 

CMYK 0 / 63 / 11 / 23

HEX #C548B0

RGB 197 72 176

HSL 310.08, 0.52%, 0.53%

LAB 51.43, 61.42, -30.61

 

CMYK 0 / 63 / 27 / 23

HEX #C5488F

RGB 197 72 143

HSL 325.92, 0.52%, 0.53%

LAB 50.08, 56.73, -13.18

 

CMYK 0 / 63 / 44 / 23

HEX #C5486E

RGB 197 72 110

HSL 341.76, 0.52%, 0.53%

LAB 49.05, 52.95, 5.15

 

CMYK 0 / 63 / 61 / 23

HEX #C5484C

RGB 197 72 76

HSL 358.08, 0.52%, 0.53%

LAB 48.29, 50.12, 24.64

 

CMYK 0 / 49 / 63 / 23

HEX #C56548

RGB 197 101 72

HSL 13.92, 0.52%, 0.53%

LAB 53.65, 35.81, 33.65

 

CMYK 0 / 68 / 49 / 44

HEX #8E2D49

RGB 142 45 73

HSL 342.68, 0.52%, 0.37%

LAB 34.21, 43.14, 5.81

 

CMYK 0 / 69 / 49 / 32

HEX #AE3659

RGB 174 54 89

HSL 342.5, 0.53%, 0.45%

LAB 41.78, 51.18, 7.18

 

CMYK 0 / 63 / 45 / 23

HEX #C5486C

RGB 197 72 108

HSL 342.72, 0.52%, 0.53%

LAB 48.99, 52.75, 6.29

 

CMYK 0 / 50 / 36 / 19

HEX #CF6885

RGB 207 104 133

HSL 343.11, 0.52%, 0.61%

LAB 56.94, 43.71, 3.05

 

CMYK 0 / 38 / 27 / 15

HEX #D9879F

RGB 217 135 159

HSL 342.44, 0.52%, 0.69%

LAB 65.42, 34.47, 0.59

 

CMYK 0 / 63 / 45 / 22

HEX #C6496D

RGB 198 73 109

HSL 342.72, 0.52%, 0.53%

LAB 49.34, 52.74, 6.21

 

CMYK 0 / 6 / 63 / 23

HEX #C5B948

RGB 197 185 72

HSL 54.24, 0.52%, 0.53%

LAB 74.21, -9.39, 57.01

 

CMYK 63 / 19 / 0 / 23

HEX #48A0C5

RGB 72 160 197

HSL 197.76, 0.52%, 0.53%

LAB 62.13, -15.03, -26.85

 

CMYK 0 / 63 / 45 / 22

HEX #C6496D

RGB 198 73 109

HSL 342.72, 0.52%, 0.53%

LAB 49.34, 52.74, 6.21

 

CMYK 44 / 0 / 63 / 23

HEX #6EC548

RGB 110 197 72

HSL 101.76, 0.52%, 0.53%

LAB 72.04, -48.51, 53.02

 

CMYK 63 / 44 / 0 / 23

HEX #486EC5

RGB 72 110 197

HSL 221.76, 0.52%, 0.53%

LAB 47.7, 14.28, -49.5

 

CMYK 0 / 63 / 45 / 22

HEX #C6496D

RGB 198 73 109

HSL 342.72, 0.52%, 0.53%

LAB 49.34, 52.74, 6.21

 

CMYK 0 / 6 / 63 / 23

HEX #C5B948

RGB 197 185 72

HSL 54.24, 0.52%, 0.53%

LAB 74.21, -9.39, 57.01

 

CMYK 63 / 0 / 19 / 23

HEX #48C5A0

RGB 72 197 160

HSL 162.24, 0.52%, 0.53%

LAB 72.13, -43.31, 8.47

 

CMYK 63 / 57 / 0 / 23

HEX #4855C5

RGB 72 85 197

HSL 233.76, 0.52%, 0.53%

LAB 41.07, 30.1, -60.19

 

CMYK 0 / 63 / 45 / 22

HEX #C6496D

RGB 198 73 109

HSL 342.72, 0.52%, 0.53%

LAB 49.34, 52.74, 6.21

 

CMYK 13 / 0 / 63 / 23

HEX #ACC548

RGB 172 197 72

HSL 72, 0.52%, 0.53%

LAB 75.56, -25.82, 57.86

 

CMYK 63 / 0 / 19 / 23

HEX #48C5A0

RGB 72 197 160

HSL 162.24, 0.52%, 0.53%

LAB 72.13, -43.31, 8.47

 

CMYK 51 / 63 / 0 / 23

HEX #6148C5

RGB 97 72 197

HSL 252, 0.52%, 0.53%

LAB 39.93, 42.43, -61.95

 

Description

Color code: HEX #C6496D | qconv.com Color code: HEX #C6496D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 73 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 73 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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