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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6448B it is the complementary color #39BB74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6448B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6448B shade: #CB4486, #DC5699, #ED68AC, #FE7ABF and #FF8CD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6448B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6448B shade: #C6448B, #B53278, #A42065, #930E52 and #82003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6448B shade: #C5438A, #C54367, #C54344 and #C54343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6448B shade: #C5438A, #C543AD, #BA43C5, #9743C5 and #7443C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6448B shade matches the following richer shades: #C5438A, #D92F8C and #ED1C8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6448B shade: #C5438A, #B15788, #9D6B86, #8A7F85 and #769283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6448B shade: #BA43C5, #C543AD, #C5438B, #C54368 and #C54345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6448B shade: #8B2A5F, #AB3475, #C5438A, #CF639E and #D882B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6448B shade: #C6448B, #C59843 and #43BEC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6448B shade: #C6448B, #8BC543 and #438BC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6448B shade: #C6448B, #C59843, #43C57E and #4371C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6448B shade: #C6448B, #C5BE43, #43C57E and #434AC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 30 / 22

HEX #C6448B

RGB 198 68 139

HSL 327.23, 0.53%, 0.52%

LAB 49.5, 58.16, -11.65

 

Complementary color

CMYK 70 / 0 / 38 / 27

HEX #39BB74

RGB 57 187 116

HSL 147.23, 0.53%, 0.48%

LAB 67.78, -51.3, 26.02

 

CMYK 0 / 67 / 34 / 20

HEX #CB4486

RGB 203 68 134

HSL 330.67, 0.56%, 0.53%

LAB 50.16, 59, -7.58

 

CMYK 0 / 61 / 30 / 14

HEX #DC5699

RGB 220 86 153

HSL 330, 0.66%, 0.6%

LAB 56.26, 58.79, -9.44

 

CMYK 0 / 56 / 27 / 7

HEX #ED68AC

RGB 237 104 172

HSL 329.32, 0.79%, 0.67%

LAB 62.41, 58.32, -10.97

 

CMYK 0 / 52 / 25 / 0

HEX #FE7ABF

RGB 254 122 191

HSL 328.64, 0.99%, 0.74%

LAB 68.57, 57.7, -12.26

 

CMYK 0 / 45 / 18 / 0

HEX #FF8CD2

RGB 255 140 210

HSL 323.48, 1%, 0.77%

LAB 72.67, 52, -16.64

 

CMYK 0 / 66 / 30 / 22

HEX #C6448B

RGB 198 68 139

HSL 327.23, 0.53%, 0.52%

LAB 49.5, 58.16, -11.65

 

CMYK 0 / 72 / 34 / 29

HEX #B53278

RGB 181 50 120

HSL 327.94, 0.57%, 0.45%

LAB 43.45, 57.96, -9.51

 

CMYK 0 / 80 / 38 / 36

HEX #A42065

RGB 164 32 101

HSL 328.64, 0.67%, 0.38%

LAB 37.6, 57.03, -6.72

 

CMYK 0 / 90 / 44 / 42

HEX #930E52

RGB 147 14 82

HSL 329.32, 0.83%, 0.32%

LAB 32.09, 54.94, -3.01

 

CMYK 0 / 100 / 52 / 49

HEX #82003F

RGB 130 0 63

HSL 330.92, 1%, 0.25%

LAB 27.03, 51.37, 1.84

 

CMYK 0 / 66 / 30 / 23

HEX #C5438A

RGB 197 67 138

HSL 327.23, 0.53%, 0.52%

LAB 49.15, 58.15, -11.59

 

CMYK 0 / 66 / 48 / 23

HEX #C54367

RGB 197 67 103

HSL 343.38, 0.53%, 0.52%

LAB 48.09, 54.38, 8.04

 

CMYK 0 / 66 / 65 / 23

HEX #C54344

RGB 197 67 68

HSL 359.54, 0.53%, 0.52%

LAB 47.37, 51.75, 28.23

 

CMYK 0 / 66 / 66 / 23

HEX #C54343

RGB 197 67 67

HSL 0, 0.53%, 0.52%

LAB 47.35, 51.7, 28.8

 

CMYK 0 / 66 / 30 / 23

HEX #C5438A

RGB 197 67 138

HSL 327.23, 0.53%, 0.52%

LAB 49.15, 58.15, -11.59

 

CMYK 0 / 66 / 12 / 23

HEX #C543AD

RGB 197 67 173

HSL 311.08, 0.53%, 0.52%

LAB 50.57, 62.96, -30.19

 

CMYK 6 / 66 / 0 / 23

HEX #BA43C5

RGB 186 67 197

HSL 294.92, 0.53%, 0.52%

LAB 50.08, 64.22, -45.05

 

CMYK 23 / 66 / 0 / 23

HEX #9743C5

RGB 151 67 197

HSL 278.77, 0.53%, 0.52%

LAB 45.12, 56.28, -53.27

 

CMYK 41 / 66 / 0 / 23

HEX #7443C5

RGB 116 67 197

HSL 262.62, 0.53%, 0.52%

LAB 40.83, 48.87, -60.4

 

CMYK 0 / 66 / 30 / 23

HEX #C5438A

RGB 197 67 138

HSL 327.23, 0.53%, 0.52%

LAB 49.15, 58.15, -11.59

 

CMYK 0 / 78 / 35 / 15

HEX #D92F8C

RGB 217 47 140

HSL 327.18, 0.69%, 0.52%

LAB 50.31, 70.39, -10.71

 

CMYK 0 / 88 / 40 / 7

HEX #ED1C8E

RGB 237 28 142

HSL 327.27, 0.85%, 0.52%

LAB 52.72, 79.2, -7.92

 

CMYK 0 / 66 / 30 / 23

HEX #C5438A

RGB 197 67 138

HSL 327.23, 0.53%, 0.52%

LAB 49.15, 58.15, -11.59

 

CMYK 0 / 51 / 23 / 31

HEX #B15788

RGB 177 87 136

HSL 327.33, 0.37%, 0.52%

LAB 49.42, 42.5, -10.29

 

CMYK 0 / 32 / 15 / 38

HEX #9D6B86

RGB 157 107 134

HSL 327.6, 0.2%, 0.52%

LAB 51.16, 24.19, -6.78

 

CMYK 0 / 8 / 4 / 46

HEX #8A7F85

RGB 138 127 133

HSL 327.27, 0.04%, 0.52%

LAB 54.32, 5.31, -1.74

 

CMYK 19 / 0 / 10 / 43

HEX #769283

RGB 118 146 131

HSL 147.86, 0.11%, 0.52%

LAB 58.08, -13.04, 4.69

 

CMYK 6 / 66 / 0 / 23

HEX #BA43C5

RGB 186 67 197

HSL 294.92, 0.53%, 0.52%

LAB 50.08, 64.22, -45.05

 

CMYK 0 / 66 / 12 / 23

HEX #C543AD

RGB 197 67 173

HSL 311.08, 0.53%, 0.52%

LAB 50.57, 62.96, -30.19

 

CMYK 0 / 66 / 29 / 23

HEX #C5438B

RGB 197 67 139

HSL 326.77, 0.53%, 0.52%

LAB 49.19, 58.28, -12.14

 

CMYK 0 / 66 / 47 / 23

HEX #C54368

RGB 197 67 104

HSL 342.92, 0.53%, 0.52%

LAB 48.11, 54.48, 7.47

 

CMYK 0 / 66 / 65 / 23

HEX #C54345

RGB 197 67 69

HSL 359.08, 0.53%, 0.52%

LAB 47.38, 51.81, 27.65

 

CMYK 0 / 70 / 32 / 45

HEX #8B2A5F

RGB 139 42 95

HSL 327.22, 0.54%, 0.35%

LAB 33.92, 45.96, -8.88

 

CMYK 0 / 70 / 32 / 33

HEX #AB3475

RGB 171 52 117

HSL 327.23, 0.53%, 0.44%

LAB 41.84, 54.07, -10.25

 

CMYK 0 / 66 / 30 / 23

HEX #C5438A

RGB 197 67 138

HSL 327.23, 0.53%, 0.52%

LAB 49.15, 58.15, -11.59

 

CMYK 0 / 52 / 24 / 19

HEX #CF639E

RGB 207 99 158

HSL 327.22, 0.53%, 0.6%

LAB 56.74, 49.45, -11.84

 

CMYK 0 / 40 / 18 / 15

HEX #D882B1

RGB 216 130 177

HSL 327.21, 0.52%, 0.68%

LAB 64.75, 39.4, -10.59

 

CMYK 0 / 66 / 30 / 22

HEX #C6448B

RGB 198 68 139

HSL 327.23, 0.53%, 0.52%

LAB 49.5, 58.16, -11.65

 

CMYK 0 / 23 / 66 / 23

HEX #C59843

RGB 197 152 67

HSL 39.23, 0.53%, 0.52%

LAB 65.54, 7.83, 49.89

 

CMYK 66 / 4 / 0 / 23

HEX #43BEC5

RGB 67 190 197

HSL 183.23, 0.53%, 0.52%

LAB 70.91, -31.14, -13.5

 

CMYK 0 / 66 / 30 / 22

HEX #C6448B

RGB 198 68 139

HSL 327.23, 0.53%, 0.52%

LAB 49.5, 58.16, -11.65

 

CMYK 29 / 0 / 66 / 23

HEX #8BC543

RGB 139 197 67

HSL 86.77, 0.53%, 0.52%

LAB 73.43, -39.01, 57.02

 

CMYK 66 / 29 / 0 / 23

HEX #438BC5

RGB 67 139 197

HSL 206.77, 0.53%, 0.52%

LAB 55.78, -4.14, -36.73

 

CMYK 0 / 66 / 30 / 22

HEX #C6448B

RGB 198 68 139

HSL 327.23, 0.53%, 0.52%

LAB 49.5, 58.16, -11.65

 

CMYK 0 / 23 / 66 / 23

HEX #C59843

RGB 197 152 67

HSL 39.23, 0.53%, 0.52%

LAB 65.54, 7.83, 49.89

 

CMYK 66 / 0 / 36 / 23

HEX #43C57E

RGB 67 197 126

HSL 147.23, 0.53%, 0.52%

LAB 71.3, -51.54, 25.51

 

CMYK 66 / 43 / 0 / 23

HEX #4371C5

RGB 67 113 197

HSL 218.77, 0.53%, 0.52%

LAB 48.3, 11.54, -48.55

 

CMYK 0 / 66 / 30 / 22

HEX #C6448B

RGB 198 68 139

HSL 327.23, 0.53%, 0.52%

LAB 49.5, 58.16, -11.65

 

CMYK 0 / 4 / 66 / 23

HEX #C5BE43

RGB 197 190 67

HSL 56.77, 0.53%, 0.52%

LAB 75.52, -12.26, 60.45

 

CMYK 66 / 0 / 36 / 23

HEX #43C57E

RGB 67 197 126

HSL 147.23, 0.53%, 0.52%

LAB 71.3, -51.54, 25.51

 

CMYK 66 / 62 / 0 / 23

HEX #434AC5

RGB 67 74 197

HSL 236.77, 0.53%, 0.52%

LAB 38.06, 36.23, -65.1

 

Description

Color code: HEX #C6448B | qconv.com Color code: HEX #C6448B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 68 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 68 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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