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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63FE7 it is the complementary color #39C018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63FE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63FE7 shade: #CB3FE2, #DC51F5, #ED63FF, #FE75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63FE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63FE7 shade: #C63FE7, #B52DD4, #A41BC1, #9309AE and #82009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63FE7 shade: #C640E7, #E740DB, #E740AE, #E74081 and #E74054

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63FE7 shade: #C640E7, #9940E7, #6C40E7 and #4040E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63FE7 shade matches the following richer shades: #C640E7 and #D12FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63FE7 shade: #C640E7, #BC51D6, #B163C4, #A774B3 and #9C85A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63FE7 shade: #6C40E7, #9940E7, #C640E7, #E740DC and #E740AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63FE7 shade: #9D17BD, #BB1BE2, #C640E7, #D165EB and #DC89F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63FE7 shade: #C63FE7, #E74040 and #40E783

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63FE7 shade: #C63FE7, #E7C640 and #40E7C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63FE7 shade: #C63FE7, #E74040, #61E740 and #40E7E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63FE7 shade: #C63FE7, #E77240, #61E740 and #40B5E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 73 / 0 / 9

HEX #C63FE7

RGB 198 63 231

HSL 288.21, 0.78%, 0.58%

LAB 53.31, 74.35, -59.18

 

Complementary color

CMYK 70 / 0 / 88 / 25

HEX #39C018

RGB 57 192 24

HSL 108.21, 0.78%, 0.42%

LAB 68.49, -63.33, 64.68

 

CMYK 10 / 72 / 0 / 11

HEX #CB3FE2

RGB 203 63 226

HSL 291.53, 0.74%, 0.57%

LAB 53.75, 74.45, -55.6

 

CMYK 10 / 67 / 0 / 4

HEX #DC51F5

RGB 220 81 245

HSL 290.85, 0.89%, 0.64%

LAB 59.61, 74.85, -56.74

 

CMYK 7 / 61 / 0 / 0

HEX #ED63FF

RGB 237 99 255

HSL 293.08, 1%, 0.69%

LAB 65.08, 73.24, -53.42

 

CMYK 0 / 54 / 0 / 0

HEX #FE75FF

RGB 254 117 255

HSL 299.57, 1%, 0.73%

LAB 70.19, 69.67, -45.21

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 14 / 73 / 0 / 9

HEX #C63FE7

RGB 198 63 231

HSL 288.21, 0.78%, 0.58%

LAB 53.31, 74.35, -59.18

 

CMYK 15 / 79 / 0 / 17

HEX #B52DD4

RGB 181 45 212

HSL 288.86, 0.66%, 0.5%

LAB 47.56, 73.41, -57.75

 

CMYK 15 / 86 / 0 / 24

HEX #A41BC1

RGB 164 27 193

HSL 289.52, 0.75%, 0.43%

LAB 42.04, 71.57, -55.79

 

CMYK 16 / 95 / 0 / 32

HEX #9309AE

RGB 147 9 174

HSL 290.18, 0.9%, 0.36%

LAB 36.84, 68.47, -53.11

 

CMYK 16 / 100 / 0 / 39

HEX #82009B

RGB 130 0 155

HSL 290.32, 1%, 0.3%

LAB 32.06, 63.77, -49.53

 

CMYK 14 / 72 / 0 / 9

HEX #C640E7

RGB 198 64 231

HSL 288.14, 0.78%, 0.58%

LAB 53.43, 74, -58.98

 

CMYK 0 / 72 / 5 / 9

HEX #E740DB

RGB 231 64 219

HSL 304.31, 0.78%, 0.58%

LAB 57.82, 78.81, -44.92

 

CMYK 0 / 72 / 25 / 9

HEX #E740AE

RGB 231 64 174

HSL 320.48, 0.78%, 0.58%

LAB 55.8, 72.65, -22.24

 

CMYK 0 / 72 / 44 / 9

HEX #E74081

RGB 231 64 129

HSL 336.65, 0.78%, 0.58%

LAB 54.28, 67.82, 2.03

 

CMYK 0 / 72 / 64 / 9

HEX #E74054

RGB 231 64 84

HSL 352.81, 0.78%, 0.58%

LAB 53.27, 64.48, 27.49

 

CMYK 14 / 72 / 0 / 9

HEX #C640E7

RGB 198 64 231

HSL 288.14, 0.78%, 0.58%

LAB 53.43, 74, -58.98

 

CMYK 34 / 72 / 0 / 9

HEX #9940E7

RGB 153 64 231

HSL 271.98, 0.78%, 0.58%

LAB 47.25, 65.51, -69.28

 

CMYK 53 / 72 / 0 / 9

HEX #6C40E7

RGB 108 64 231

HSL 255.81, 0.78%, 0.58%

LAB 42.19, 58.21, -77.74

 

CMYK 72 / 72 / 0 / 9

HEX #4040E7

RGB 64 64 231

HSL 240, 0.78%, 0.58%

LAB 38.77, 53.01, -83.49

 

CMYK 14 / 72 / 0 / 9

HEX #C640E7

RGB 198 64 231

HSL 288.14, 0.78%, 0.58%

LAB 53.43, 74, -58.98

 

CMYK 16 / 81 / 0 / 3

HEX #D12FF8

RGB 209 47 248

HSL 288.36, 0.93%, 0.58%

LAB 54.41, 84.03, -66.84

 

CMYK 14 / 72 / 0 / 9

HEX #C640E7

RGB 198 64 231

HSL 288.14, 0.78%, 0.58%

LAB 53.43, 74, -58.98

 

CMYK 12 / 62 / 0 / 16

HEX #BC51D6

RGB 188 81 214

HSL 288.27, 0.62%, 0.58%

LAB 53.42, 61.94, -49.46

 

CMYK 10 / 49 / 0 / 23

HEX #B163C4

RGB 177 99 196

HSL 288.25, 0.45%, 0.58%

LAB 54.3, 46.83, -37.89

 

CMYK 7 / 35 / 0 / 30

HEX #A774B3

RGB 167 116 179

HSL 288.57, 0.29%, 0.58%

LAB 56.05, 31.08, -25.49

 

CMYK 4 / 18 / 0 / 36

HEX #9C85A2

RGB 156 133 162

HSL 287.59, 0.13%, 0.58%

LAB 58.46, 14.17, -12.15

 

CMYK 53 / 72 / 0 / 9

HEX #6C40E7

RGB 108 64 231

HSL 255.81, 0.78%, 0.58%

LAB 42.19, 58.21, -77.74

 

CMYK 34 / 72 / 0 / 9

HEX #9940E7

RGB 153 64 231

HSL 271.98, 0.78%, 0.58%

LAB 47.25, 65.51, -69.28

 

CMYK 14 / 72 / 0 / 9

HEX #C640E7

RGB 198 64 231

HSL 288.14, 0.78%, 0.58%

LAB 53.43, 74, -58.98

 

CMYK 0 / 72 / 5 / 9

HEX #E740DC

RGB 231 64 220

HSL 303.95, 0.78%, 0.58%

LAB 57.87, 78.96, -45.4

 

CMYK 0 / 72 / 24 / 9

HEX #E740AF

RGB 231 64 175

HSL 320.12, 0.78%, 0.58%

LAB 55.84, 72.78, -22.76

 

CMYK 17 / 88 / 0 / 26

HEX #9D17BD

RGB 157 23 189

HSL 288.43, 0.78%, 0.42%

LAB 40.34, 70.53, -56.26

 

CMYK 17 / 88 / 0 / 11

HEX #BB1BE2

RGB 187 27 226

HSL 288.24, 0.79%, 0.5%

LAB 48.06, 80.95, -64.9

 

CMYK 14 / 72 / 0 / 9

HEX #C640E7

RGB 198 64 231

HSL 288.14, 0.78%, 0.58%

LAB 53.43, 74, -58.98

 

CMYK 11 / 57 / 0 / 8

HEX #D165EB

RGB 209 101 235

HSL 288.36, 0.77%, 0.66%

LAB 60.66, 61.98, -49.6

 

CMYK 8 / 43 / 0 / 6

HEX #DC89F0

RGB 220 137 240

HSL 288.35, 0.77%, 0.74%

LAB 69.04, 48.05, -39.1

 

CMYK 14 / 73 / 0 / 9

HEX #C63FE7

RGB 198 63 231

HSL 288.21, 0.78%, 0.58%

LAB 53.31, 74.35, -59.18

 

CMYK 0 / 72 / 72 / 9

HEX #E74040

RGB 231 64 64

HSL 0, 0.78%, 0.58%

LAB 52.98, 63.48, 38.71

 

CMYK 72 / 0 / 43 / 9

HEX #40E783

RGB 64 231 131

HSL 144.07, 0.78%, 0.58%

LAB 81.77, -63.78, 36.72

 

CMYK 14 / 73 / 0 / 9

HEX #C63FE7

RGB 198 63 231

HSL 288.21, 0.78%, 0.58%

LAB 53.31, 74.35, -59.18

 

CMYK 0 / 14 / 72 / 9

HEX #E7C640

RGB 231 198 64

HSL 48.14, 0.78%, 0.58%

LAB 80.6, -2.06, 67.7

 

CMYK 72 / 0 / 14 / 9

HEX #40E7C6

RGB 64 231 198

HSL 168.14, 0.78%, 0.58%

LAB 83.08, -49.65, 3.91

 

CMYK 14 / 73 / 0 / 9

HEX #C63FE7

RGB 198 63 231

HSL 288.21, 0.78%, 0.58%

LAB 53.31, 74.35, -59.18

 

CMYK 0 / 72 / 72 / 9

HEX #E74040

RGB 231 64 64

HSL 0, 0.78%, 0.58%

LAB 52.98, 63.48, 38.71

 

CMYK 58 / 0 / 72 / 9

HEX #61E740

RGB 97 231 64

HSL 108.14, 0.78%, 0.58%

LAB 81.87, -65.43, 66.31

 

CMYK 72 / 0 / 0 / 9

HEX #40E7E7

RGB 64 231 231

HSL 180, 0.78%, 0.58%

LAB 83.97, -40.89, -12.21

 

CMYK 14 / 73 / 0 / 9

HEX #C63FE7

RGB 198 63 231

HSL 288.21, 0.78%, 0.58%

LAB 53.31, 74.35, -59.18

 

CMYK 0 / 51 / 72 / 9

HEX #E77240

RGB 231 114 64

HSL 17.96, 0.78%, 0.58%

LAB 61.13, 41.93, 47.77

 

CMYK 58 / 0 / 72 / 9

HEX #61E740

RGB 97 231 64

HSL 108.14, 0.78%, 0.58%

LAB 81.87, -65.43, 66.31

 

CMYK 72 / 22 / 0 / 9

HEX #40B5E7

RGB 64 181 231

HSL 197.96, 0.78%, 0.58%

LAB 69.4, -16.48, -34.39

 

Description

Color code: HEX #C63FE7 | qconv.com Color code: HEX #C63FE7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 63 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 63 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 73 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 73% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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