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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C639BE it is the complementary color #39C641. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C639BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C639BE shade: #CB39B9, #DC4BCC, #ED5DDF, #FE6FF2 and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C639BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C639BE shade: #C639BE, #B527AB, #A41598, #930385 and #820072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C639BE shade: #C539BD, #C53997, #C53972, #C5394C and #C53939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C639BE shade: #C539BD, #A739C5, #8139C5, #5C39C5 and #3939C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C639BE shade matches the following richer shades: #C539BD, #DA24CF and #EE10E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C639BE shade: #C539BD, #B04EAB, #9C6299, #877786 and #738B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C639BE shade: #8139C5, #A739C5, #C539BE, #C53999 and #C53973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C639BE shade: #852680, #A5309E, #C539BD, #CE59C8 and #D879D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C639BE shade: #C639BE, #C55C39 and #39C594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C639BE shade: #C639BE, #BEC539 and #39BEC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C639BE shade: #C639BE, #C55C39, #39C540 and #39A2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C639BE shade: #C639BE, #C58639, #39C540 and #3978C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 4 / 22

HEX #C639BE

RGB 198 57 190

HSL 303.4, 0.55%, 0.5%

LAB 50.27, 69.43, -40.57

 

Complementary color

CMYK 71 / 0 / 67 / 22

HEX #39C641

RGB 57 198 65

HSL 123.4, 0.55%, 0.5%

LAB 70.62, -62.54, 53.9

 

CMYK 0 / 72 / 9 / 20

HEX #CB39B9

RGB 203 57 185

HSL 307.4, 0.58%, 0.51%

LAB 50.83, 69.79, -36.72

 

CMYK 0 / 66 / 7 / 14

HEX #DC4BCC

RGB 220 75 204

HSL 306.62, 0.67%, 0.58%

LAB 56.69, 70.31, -38.29

 

CMYK 0 / 61 / 6 / 7

HEX #ED5DDF

RGB 237 93 223

HSL 305.83, 0.8%, 0.65%

LAB 62.64, 70.37, -39.52

 

CMYK 0 / 56 / 5 / 0

HEX #FE6FF2

RGB 254 111 242

HSL 305.03, 0.99%, 0.72%

LAB 68.64, 70.15, -40.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 71 / 4 / 22

HEX #C639BE

RGB 198 57 190

HSL 303.4, 0.55%, 0.5%

LAB 50.27, 69.43, -40.57

 

CMYK 0 / 78 / 6 / 29

HEX #B527AB

RGB 181 39 171

HSL 304.23, 0.65%, 0.43%

LAB 44.54, 68.27, -38.67

 

CMYK 0 / 87 / 7 / 36

HEX #A41598

RGB 164 21 152

HSL 305.03, 0.77%, 0.36%

LAB 39.06, 66.1, -36.14

 

CMYK 0 / 98 / 10 / 42

HEX #930385

RGB 147 3 133

HSL 305.83, 0.96%, 0.29%

LAB 33.9, 62.69, -32.84

 

CMYK 0 / 100 / 12 / 49

HEX #820072

RGB 130 0 114

HSL 307.38, 1%, 0.25%

LAB 29.31, 57.2, -28.34

 

CMYK 0 / 71 / 4 / 23

HEX #C539BD

RGB 197 57 189

HSL 303.43, 0.55%, 0.5%

LAB 50.06, 69.05, -40.33

 

CMYK 0 / 71 / 23 / 23

HEX #C53997

RGB 197 57 151

HSL 319.71, 0.55%, 0.5%

LAB 48.3, 63.57, -20.68

 

CMYK 0 / 71 / 42 / 23

HEX #C53972

RGB 197 57 114

HSL 335.57, 0.55%, 0.5%

LAB 46.99, 59.3, -0.26

 

CMYK 0 / 71 / 61 / 23

HEX #C5394C

RGB 197 57 76

HSL 351.86, 0.55%, 0.5%

LAB 46.07, 56.18, 21.75

 

CMYK 0 / 71 / 71 / 23

HEX #C53939

RGB 197 57 57

HSL 0, 0.55%, 0.5%

LAB 45.76, 55.12, 32.76

 

CMYK 0 / 71 / 4 / 23

HEX #C539BD

RGB 197 57 189

HSL 303.43, 0.55%, 0.5%

LAB 50.06, 69.05, -40.33

 

CMYK 15 / 71 / 0 / 23

HEX #A739C5

RGB 167 57 197

HSL 287.14, 0.55%, 0.5%

LAB 45.87, 63.93, -51.93

 

CMYK 35 / 71 / 0 / 23

HEX #8139C5

RGB 129 57 197

HSL 270.86, 0.55%, 0.5%

LAB 40.61, 56.29, -60.68

 

CMYK 53 / 71 / 0 / 23

HEX #5C39C5

RGB 92 57 197

HSL 255, 0.55%, 0.5%

LAB 36.43, 49.83, -67.69

 

CMYK 71 / 71 / 0 / 23

HEX #3939C5

RGB 57 57 197

HSL 240, 0.55%, 0.5%

LAB 33.62, 45.23, -72.4

 

CMYK 0 / 71 / 4 / 23

HEX #C539BD

RGB 197 57 189

HSL 303.43, 0.55%, 0.5%

LAB 50.06, 69.05, -40.33

 

CMYK 0 / 83 / 5 / 15

HEX #DA24CF

RGB 218 36 207

HSL 303.63, 0.72%, 0.5%

LAB 52.59, 81.56, -46.5

 

CMYK 0 / 93 / 5 / 7

HEX #EE10E2

RGB 238 16 226

HSL 303.24, 0.87%, 0.5%

LAB 56.13, 90.5, -51.48

 

CMYK 0 / 71 / 4 / 23

HEX #C539BD

RGB 197 57 189

HSL 303.43, 0.55%, 0.5%

LAB 50.06, 69.05, -40.33

 

CMYK 0 / 56 / 3 / 31

HEX #B04EAB

RGB 176 78 171

HSL 303.06, 0.39%, 0.5%

LAB 49.03, 52.31, -31.66

 

CMYK 0 / 37 / 2 / 39

HEX #9C6299

RGB 156 98 153

HSL 303.1, 0.23%, 0.5%

LAB 49.62, 32.42, -20.35

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 17 / 0 / 17 / 45

HEX #738B74

RGB 115 139 116

HSL 122.5, 0.09%, 0.5%

LAB 55.45, -13.31, 9.49

 

CMYK 35 / 71 / 0 / 23

HEX #8139C5

RGB 129 57 197

HSL 270.86, 0.55%, 0.5%

LAB 40.61, 56.29, -60.68

 

CMYK 15 / 71 / 0 / 23

HEX #A739C5

RGB 167 57 197

HSL 287.14, 0.55%, 0.5%

LAB 45.87, 63.93, -51.93

 

CMYK 0 / 71 / 4 / 23

HEX #C539BE

RGB 197 57 190

HSL 303, 0.55%, 0.5%

LAB 50.11, 69.21, -40.83

 

CMYK 0 / 71 / 22 / 23

HEX #C53999

RGB 197 57 153

HSL 318.86, 0.55%, 0.5%

LAB 48.38, 63.83, -21.75

 

CMYK 0 / 71 / 42 / 23

HEX #C53973

RGB 197 57 115

HSL 335.14, 0.55%, 0.5%

LAB 47.02, 59.4, -0.83

 

CMYK 0 / 71 / 4 / 48

HEX #852680

RGB 133 38 128

HSL 303.16, 0.56%, 0.34%

LAB 33.84, 50.87, -29.99

 

CMYK 0 / 71 / 4 / 35

HEX #A5309E

RGB 165 48 158

HSL 303.59, 0.55%, 0.42%

LAB 42.13, 59.88, -34.9

 

CMYK 0 / 71 / 4 / 23

HEX #C539BD

RGB 197 57 189

HSL 303.43, 0.55%, 0.5%

LAB 50.06, 69.05, -40.33

 

CMYK 0 / 57 / 3 / 19

HEX #CE59C8

RGB 206 89 200

HSL 303.08, 0.54%, 0.58%

LAB 56.52, 60.38, -36.41

 

CMYK 0 / 44 / 3 / 15

HEX #D879D2

RGB 216 121 210

HSL 303.79, 0.55%, 0.66%

LAB 64.1, 49.53, -30.18

 

CMYK 0 / 71 / 4 / 22

HEX #C639BE

RGB 198 57 190

HSL 303.4, 0.55%, 0.5%

LAB 50.27, 69.43, -40.57

 

CMYK 0 / 53 / 71 / 23

HEX #C55C39

RGB 197 92 57

HSL 15, 0.55%, 0.5%

LAB 51.63, 39.55, 39.49

 

CMYK 71 / 0 / 25 / 23

HEX #39C594

RGB 57 197 148

HSL 159, 0.55%, 0.5%

LAB 71.51, -48.54, 14.04

 

CMYK 0 / 71 / 4 / 22

HEX #C639BE

RGB 198 57 190

HSL 303.4, 0.55%, 0.5%

LAB 50.27, 69.43, -40.57

 

CMYK 4 / 0 / 71 / 23

HEX #BEC539

RGB 190 197 57

HSL 63, 0.55%, 0.5%

LAB 76.78, -19.28, 65.33

 

CMYK 71 / 4 / 0 / 23

HEX #39BEC5

RGB 57 190 197

HSL 183, 0.55%, 0.5%

LAB 70.68, -32.53, -13.86

 

CMYK 0 / 71 / 4 / 22

HEX #C639BE

RGB 198 57 190

HSL 303.4, 0.55%, 0.5%

LAB 50.27, 69.43, -40.57

 

CMYK 0 / 53 / 71 / 23

HEX #C55C39

RGB 197 92 57

HSL 15, 0.55%, 0.5%

LAB 51.63, 39.55, 39.49

 

CMYK 71 / 0 / 68 / 23

HEX #39C540

RGB 57 197 64

HSL 123, 0.55%, 0.5%

LAB 70.3, -62.3, 53.95

 

CMYK 71 / 18 / 0 / 23

HEX #39A2C5

RGB 57 162 197

HSL 195, 0.55%, 0.5%

LAB 62.29, -18.44, -26.64

 

CMYK 0 / 71 / 4 / 22

HEX #C639BE

RGB 198 57 190

HSL 303.4, 0.55%, 0.5%

LAB 50.27, 69.43, -40.57

 

CMYK 0 / 32 / 71 / 23

HEX #C58639

RGB 197 134 57

HSL 33, 0.55%, 0.5%

LAB 60.97, 17.11, 49.62

 

CMYK 71 / 0 / 68 / 23

HEX #39C540

RGB 57 197 64

HSL 123, 0.55%, 0.5%

LAB 70.3, -62.3, 53.95

 

CMYK 71 / 39 / 0 / 23

HEX #3978C5

RGB 57 120 197

HSL 213, 0.55%, 0.5%

LAB 49.9, 5.63, -46.04

 

Description

Color code: HEX #C639BE | qconv.com Color code: HEX #C639BE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 57 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 57 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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