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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C62BDD it is the complementary color #39D422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C62BDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C62BDD shade: #CB2BD8, #DC3DEB, #ED4FFE, #FE61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C62BDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C62BDD shade: #C62BDD, #B519CA, #A407B7, #9300A4 and #820091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C62BDD shade: #C52CDC, #DC2CC3, #DC2C94, #DC2C64 and #DC2C35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C62BDD shade: #C52CDC, #962CDC, #662CDC, #372CDC and #2C2CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C62BDD shade matches the following richer shades: #C52CDC and #D418F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C62BDD shade: #C52CDC, #B740C8, #A854B5, #9967A1 and #8B7B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C62BDD shade: #672CDC, #962CDC, #C52CDC, #DC2CC5 and #DC2C96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C62BDD shade: #8C199D, #AB1FC0, #C52CDC, #CF4FE2 and #D973E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C62BDD shade: #C62BDD, #DC382C and #2CDC7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C62BDD shade: #C62BDD, #DCC52C and #2CDCC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C62BDD shade: #C62BDD, #DC382C, #43DC2C and #2CD0DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C62BDD shade: #C62BDD, #DC6D2C, #43DC2C and #2C9CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 81 / 0 / 13

HEX #C62BDD

RGB 198 43 221

HSL 292.25, 0.72%, 0.52%

LAB 50.63, 78.54, -57.81

 

Complementary color

CMYK 73 / 0 / 84 / 17

HEX #39D422

RGB 57 212 34

HSL 112.25, 0.72%, 0.48%

LAB 74.87, -69.12, 68.13

 

CMYK 6 / 80 / 0 / 15

HEX #CB2BD8

RGB 203 43 216

HSL 295.49, 0.69%, 0.51%

LAB 51.13, 78.62, -54.12

 

CMYK 6 / 74 / 0 / 8

HEX #DC3DEB

RGB 220 61 235

HSL 294.83, 0.81%, 0.58%

LAB 56.64, 79.99, -55.91

 

CMYK 7 / 69 / 0 / 0

HEX #ED4FFE

RGB 237 79 254

HSL 294.17, 0.99%, 0.65%

LAB 62.3, 80.7, -57.29

 

CMYK 0 / 62 / 0 / 0

HEX #FE61FF

RGB 254 97 255

HSL 299.62, 1%, 0.69%

LAB 67.16, 77.97, -49.98

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 10 / 81 / 0 / 13

HEX #C62BDD

RGB 198 43 221

HSL 292.25, 0.72%, 0.52%

LAB 50.63, 78.54, -57.81

 

CMYK 10 / 88 / 0 / 21

HEX #B519CA

RGB 181 25 202

HSL 292.88, 0.78%, 0.45%

LAB 45.34, 76.3, -55.57

 

CMYK 10 / 96 / 0 / 28

HEX #A407B7

RGB 164 7 183

HSL 293.52, 0.93%, 0.37%

LAB 40.35, 72.85, -52.64

 

CMYK 10 / 100 / 0 / 36

HEX #9300A4

RGB 147 0 164

HSL 293.78, 1%, 0.32%

LAB 35.76, 67.88, -48.86

 

CMYK 10 / 100 / 0 / 43

HEX #820091

RGB 130 0 145

HSL 293.79, 1%, 0.28%

LAB 31.32, 62.05, -44.59

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 80 / 33 / 14

HEX #DC2C94

RGB 220 44 148

HSL 324.55, 0.72%, 0.52%

LAB 50.87, 72.74, -14.6

 

CMYK 0 / 80 / 55 / 14

HEX #DC2C64

RGB 220 44 100

HSL 340.91, 0.72%, 0.52%

LAB 49.42, 68.43, 12.34

 

CMYK 0 / 80 / 76 / 14

HEX #DC2C35

RGB 220 44 53

HSL 356.93, 0.72%, 0.52%

LAB 48.6, 65.93, 39.45

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 32 / 80 / 0 / 14

HEX #962CDC

RGB 150 44 220

HSL 276.14, 0.72%, 0.52%

LAB 43.44, 70.02, -69.24

 

CMYK 54 / 80 / 0 / 14

HEX #662CDC

RGB 102 44 220

HSL 259.77, 0.72%, 0.52%

LAB 37.47, 63.41, -79.25

 

CMYK 75 / 80 / 0 / 14

HEX #372CDC

RGB 55 44 220

HSL 243.75, 0.72%, 0.52%

LAB 33.52, 59.09, -85.91

 

CMYK 80 / 80 / 0 / 14

HEX #2C2CDC

RGB 44 44 220

HSL 240, 0.72%, 0.52%

LAB 32.93, 58.45, -86.91

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 12 / 90 / 0 / 6

HEX #D418F0

RGB 212 24 240

HSL 292.22, 0.88%, 0.52%

LAB 52.89, 87.53, -64.81

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 9 / 68 / 0 / 22

HEX #B740C8

RGB 183 64 200

HSL 292.5, 0.55%, 0.52%

LAB 49.38, 65.25, -47.92

 

CMYK 7 / 54 / 0 / 29

HEX #A854B5

RGB 168 84 181

HSL 291.96, 0.4%, 0.52%

LAB 49.5, 49.02, -36.85

 

CMYK 5 / 36 / 0 / 37

HEX #9967A1

RGB 153 103 161

HSL 291.72, 0.24%, 0.52%

LAB 50.74, 30.19, -23.36

 

CMYK 1 / 13 / 0 / 45

HEX #8B7B8D

RGB 139 123 141

HSL 293.33, 0.07%, 0.52%

LAB 53.58, 9.58, -7.49

 

CMYK 53 / 80 / 0 / 14

HEX #672CDC

RGB 103 44 220

HSL 260.11, 0.72%, 0.52%

LAB 37.58, 63.52, -79.07

 

CMYK 32 / 80 / 0 / 14

HEX #962CDC

RGB 150 44 220

HSL 276.14, 0.72%, 0.52%

LAB 43.44, 70.02, -69.24

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 0 / 80 / 10 / 14

HEX #DC2CC5

RGB 220 44 197

HSL 307.84, 0.72%, 0.52%

LAB 53, 78.81, -40.07

 

CMYK 0 / 80 / 32 / 14

HEX #DC2C96

RGB 220 44 150

HSL 323.86, 0.72%, 0.52%

LAB 50.94, 72.95, -15.69

 

CMYK 11 / 84 / 0 / 38

HEX #8C199D

RGB 140 25 157

HSL 292.27, 0.73%, 0.36%

LAB 35.41, 61.48, -45.25

 

CMYK 11 / 84 / 0 / 25

HEX #AB1FC0

RGB 171 31 192

HSL 292.17, 0.72%, 0.44%

LAB 43.42, 71.73, -52.92

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 8 / 65 / 0 / 11

HEX #CF4FE2

RGB 207 79 226

HSL 292.24, 0.72%, 0.6%

LAB 56.43, 69.39, -51.29

 

CMYK 6 / 50 / 0 / 9

HEX #D973E8

RGB 217 115 232

HSL 292.31, 0.72%, 0.68%

LAB 64.03, 56.81, -42.55

 

CMYK 10 / 81 / 0 / 13

HEX #C62BDD

RGB 198 43 221

HSL 292.25, 0.72%, 0.52%

LAB 50.63, 78.54, -57.81

 

CMYK 0 / 75 / 80 / 14

HEX #DC382C

RGB 220 56 44

HSL 4.09, 0.72%, 0.52%

LAB 49.77, 62.1, 45.57

 

CMYK 80 / 0 / 43 / 14

HEX #2CDC7E

RGB 44 220 126

HSL 147.95, 0.72%, 0.52%

LAB 78.01, -63.28, 34.28

 

CMYK 10 / 81 / 0 / 13

HEX #C62BDD

RGB 198 43 221

HSL 292.25, 0.72%, 0.52%

LAB 50.63, 78.54, -57.81

 

CMYK 0 / 10 / 80 / 14

HEX #DCC52C

RGB 220 197 44

HSL 52.16, 0.72%, 0.52%

LAB 79.23, -7.02, 72.68

 

CMYK 80 / 0 / 10 / 14

HEX #2CDCC5

RGB 44 220 197

HSL 172.16, 0.72%, 0.52%

LAB 79.47, -47.4, -0.85

 

CMYK 10 / 81 / 0 / 13

HEX #C62BDD

RGB 198 43 221

HSL 292.25, 0.72%, 0.52%

LAB 50.63, 78.54, -57.81

 

CMYK 0 / 75 / 80 / 14

HEX #DC382C

RGB 220 56 44

HSL 4.09, 0.72%, 0.52%

LAB 49.77, 62.1, 45.57

 

CMYK 70 / 0 / 80 / 14

HEX #43DC2C

RGB 67 220 44

HSL 112.16, 0.72%, 0.52%

LAB 77.62, -69.39, 68.16

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 10 / 81 / 0 / 13

HEX #C62BDD

RGB 198 43 221

HSL 292.25, 0.72%, 0.52%

LAB 50.63, 78.54, -57.81

 

CMYK 0 / 50 / 80 / 14

HEX #DC6D2C

RGB 220 109 44

HSL 22.16, 0.72%, 0.52%

LAB 58.35, 39.38, 53.83

 

CMYK 70 / 0 / 80 / 14

HEX #43DC2C

RGB 67 220 44

HSL 112.16, 0.72%, 0.52%

LAB 77.62, -69.39, 68.16

 

CMYK 80 / 29 / 0 / 14

HEX #2C9CDC

RGB 44 156 220

HSL 201.82, 0.72%, 0.52%

LAB 61.2, -8.84, -41.17

 

Description

Color code: HEX #C62BDD | qconv.com Color code: HEX #C62BDD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 43 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 43 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 81 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 81% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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