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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C61AA0 it is the complementary color #39E55F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C61AA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C61AA0 shade: #CB1A9B, #DC2CAE, #ED3EC1, #FE50D4 and #FF62E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C61AA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C61AA0 shade: #C61AA0, #B5088D, #A4007A, #930067 and #820054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C61AA0 shade: #C619A0, #C61971, #C61943 and #C61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C61AA0 shade: #C619A0, #BE19C6, #8F19C6, #6019C6 and #3219C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C61AA0 shade matches the following richer shades: #C619A0 and #D807AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C61AA0 shade: #C619A0, #B42B96, #A23E8C, #905082 and #7D6277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C61AA0 shade: #8F19C6, #BD19C6, #C619A1, #C61973 and #C61945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C61AA0 shade: #7D1065, #A21582, #C619A0, #E226B9 and #E74BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C61AA0 shade: #C61AA0, #C66119 and #19C6A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C61AA0 shade: #C61AA0, #A1C619 and #19A1C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C61AA0 shade: #C61AA0, #C66119, #19C63F and #197EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C61AA0 shade: #C61AA0, #C69519, #19C63F and #194AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 19 / 22

HEX #C61AA0

RGB 198 26 160

HSL 313.26, 0.77%, 0.44%

LAB 46.02, 73.12, -29.59

 

Complementary color

CMYK 75 / 0 / 59 / 10

HEX #39E55F

RGB 57 229 95

HSL 133.26, 0.77%, 0.56%

LAB 80.59, -69.33, 52.29

 

CMYK 0 / 87 / 24 / 20

HEX #CB1A9B

RGB 203 26 155

HSL 316.27, 0.77%, 0.45%

LAB 46.71, 73.54, -25.44

 

CMYK 0 / 80 / 21 / 14

HEX #DC2CAE

RGB 220 44 174

HSL 315.68, 0.72%, 0.52%

LAB 51.92, 75.77, -28.38

 

CMYK 0 / 74 / 19 / 7

HEX #ED3EC1

RGB 237 62 193

HSL 315.09, 0.83%, 0.59%

LAB 57.37, 77.1, -30.73

 

CMYK 0 / 69 / 17 / 0

HEX #FE50D4

RGB 254 80 212

HSL 314.48, 0.99%, 0.65%

LAB 62.98, 77.8, -32.62

 

CMYK 0 / 62 / 9 / 0

HEX #FF62E7

RGB 255 98 231

HSL 309.17, 1%, 0.69%

LAB 66.34, 74.08, -38.01

 

CMYK 0 / 87 / 19 / 22

HEX #C61AA0

RGB 198 26 160

HSL 313.26, 0.77%, 0.44%

LAB 46.02, 73.12, -29.59

 

CMYK 0 / 96 / 22 / 29

HEX #B5088D

RGB 181 8 141

HSL 313.87, 0.92%, 0.37%

LAB 41.09, 69.74, -26.03

 

CMYK 0 / 100 / 26 / 36

HEX #A4007A

RGB 164 0 122

HSL 315.37, 1%, 0.32%

LAB 36.55, 64.93, -21.58

 

CMYK 0 / 100 / 30 / 42

HEX #930067

RGB 147 0 103

HSL 317.96, 1%, 0.29%

LAB 32.22, 59.21, -16.48

 

CMYK 0 / 100 / 35 / 49

HEX #820054

RGB 130 0 84

HSL 321.23, 1%, 0.25%

LAB 27.81, 53.4, -11.13

 

CMYK 0 / 87 / 19 / 22

HEX #C619A0

RGB 198 25 160

HSL 313.18, 0.78%, 0.44%

LAB 45.96, 73.29, -29.68

 

CMYK 0 / 87 / 43 / 22

HEX #C61971

RGB 198 25 113

HSL 329.48, 0.78%, 0.44%

LAB 44.08, 68.16, -3.9

 

CMYK 0 / 87 / 66 / 22

HEX #C61943

RGB 198 25 67

HSL 345.43, 0.78%, 0.44%

LAB 42.92, 64.88, 23.26

 

CMYK 0 / 87 / 87 / 22

HEX #C61919

RGB 198 25 25

HSL 0, 0.78%, 0.44%

LAB 42.42, 63.41, 46.83

 

CMYK 0 / 87 / 19 / 22

HEX #C619A0

RGB 198 25 160

HSL 313.18, 0.78%, 0.44%

LAB 45.96, 73.29, -29.68

 

CMYK 4 / 87 / 0 / 22

HEX #BE19C6

RGB 190 25 198

HSL 297.23, 0.78%, 0.44%

LAB 46.6, 77.17, -51.13

 

CMYK 28 / 87 / 0 / 22

HEX #8F19C6

RGB 143 25 198

HSL 280.92, 0.78%, 0.44%

LAB 38.92, 69.66, -63.94

 

CMYK 52 / 87 / 0 / 22

HEX #6019C6

RGB 96 25 198

HSL 264.62, 0.78%, 0.44%

LAB 32.39, 63.8, -74.9

 

CMYK 75 / 87 / 0 / 22

HEX #3219C6

RGB 50 25 198

HSL 248.67, 0.78%, 0.44%

LAB 27.98, 60.25, -82.34

 

CMYK 0 / 87 / 19 / 22

HEX #C619A0

RGB 198 25 160

HSL 313.18, 0.78%, 0.44%

LAB 45.96, 73.29, -29.68

 

CMYK 0 / 97 / 21 / 15

HEX #D807AA

RGB 216 7 170

HSL 313.21, 0.94%, 0.44%

LAB 49.07, 80.1, -30.52

 

CMYK 0 / 87 / 19 / 22

HEX #C619A0

RGB 198 25 160

HSL 313.18, 0.78%, 0.44%

LAB 45.96, 73.29, -29.68

 

CMYK 0 / 76 / 17 / 29

HEX #B42B96

RGB 180 43 150

HSL 313.14, 0.61%, 0.44%

LAB 43.7, 63.84, -27.44

 

CMYK 0 / 62 / 14 / 36

HEX #A23E8C

RGB 162 62 140

HSL 313.2, 0.45%, 0.44%

LAB 42.79, 50.55, -23.03

 

CMYK 0 / 44 / 10 / 44

HEX #905082

RGB 144 80 130

HSL 313.13, 0.29%, 0.44%

LAB 43.18, 34.16, -16.58

 

CMYK 0 / 22 / 5 / 51

HEX #7D6277

RGB 125 98 119

HSL 313.33, 0.12%, 0.44%

LAB 44.84, 14.73, -7.62

 

CMYK 28 / 87 / 0 / 22

HEX #8F19C6

RGB 143 25 198

HSL 280.92, 0.78%, 0.44%

LAB 38.92, 69.66, -63.94

 

CMYK 5 / 87 / 0 / 22

HEX #BD19C6

RGB 189 25 198

HSL 296.88, 0.78%, 0.44%

LAB 46.43, 77, -51.42

 

CMYK 0 / 87 / 19 / 22

HEX #C619A1

RGB 198 25 161

HSL 312.83, 0.78%, 0.44%

LAB 46.01, 73.42, -30.2

 

CMYK 0 / 87 / 42 / 22

HEX #C61973

RGB 198 25 115

HSL 328.79, 0.78%, 0.44%

LAB 44.15, 68.34, -5.04

 

CMYK 0 / 87 / 65 / 22

HEX #C61945

RGB 198 25 69

HSL 344.74, 0.78%, 0.44%

LAB 42.96, 64.98, 22.06

 

CMYK 0 / 87 / 19 / 51

HEX #7D1065

RGB 125 16 101

HSL 313.21, 0.77%, 0.28%

LAB 28.56, 51.51, -21.21

 

CMYK 0 / 87 / 20 / 36

HEX #A21582

RGB 162 21 130

HSL 313.62, 0.77%, 0.36%

LAB 37.53, 62.61, -25.07

 

CMYK 0 / 87 / 19 / 22

HEX #C619A0

RGB 198 25 160

HSL 313.18, 0.78%, 0.44%

LAB 45.96, 73.29, -29.68

 

CMYK 0 / 83 / 18 / 11

HEX #E226B9

RGB 226 38 185

HSL 313.09, 0.76%, 0.52%

LAB 53.01, 79.75, -33.03

 

CMYK 0 / 68 / 15 / 9

HEX #E74BC5

RGB 231 75 197

HSL 313.08, 0.76%, 0.6%

LAB 58.09, 71.94, -31.98

 

CMYK 0 / 87 / 19 / 22

HEX #C61AA0

RGB 198 26 160

HSL 313.26, 0.77%, 0.44%

LAB 46.02, 73.12, -29.59

 

CMYK 0 / 51 / 87 / 22

HEX #C66119

RGB 198 97 25

HSL 24.97, 0.78%, 0.44%

LAB 52.54, 36.24, 54.95

 

CMYK 87 / 0 / 16 / 22

HEX #19C6A6

RGB 25 198 166

HSL 168.9, 0.78%, 0.44%

LAB 71.79, -47.8, 4.63

 

CMYK 0 / 87 / 19 / 22

HEX #C61AA0

RGB 198 26 160

HSL 313.26, 0.77%, 0.44%

LAB 46.02, 73.12, -29.59

 

CMYK 19 / 0 / 87 / 22

HEX #A1C619

RGB 161 198 25

HSL 72.83, 0.78%, 0.44%

LAB 74.85, -32.97, 71.68

 

CMYK 87 / 19 / 0 / 22

HEX #19A1C6

RGB 25 161 198

HSL 192.83, 0.78%, 0.44%

LAB 61.46, -20.77, -28.52

 

CMYK 0 / 87 / 19 / 22

HEX #C61AA0

RGB 198 26 160

HSL 313.26, 0.77%, 0.44%

LAB 46.02, 73.12, -29.59

 

CMYK 0 / 51 / 87 / 22

HEX #C66119

RGB 198 97 25

HSL 24.97, 0.78%, 0.44%

LAB 52.54, 36.24, 54.95

 

CMYK 87 / 0 / 68 / 22

HEX #19C63F

RGB 25 198 63

HSL 133.18, 0.78%, 0.44%

LAB 70.14, -66.69, 54.05

 

CMYK 87 / 36 / 0 / 22

HEX #197EC6

RGB 25 126 198

HSL 204.97, 0.78%, 0.44%

LAB 50.93, -1.06, -45.02

 

CMYK 0 / 87 / 19 / 22

HEX #C61AA0

RGB 198 26 160

HSL 313.26, 0.77%, 0.44%

LAB 46.02, 73.12, -29.59

 

CMYK 0 / 25 / 87 / 22

HEX #C69519

RGB 198 149 25

HSL 43.01, 0.78%, 0.44%

LAB 64.62, 8.17, 64.64

 

CMYK 87 / 0 / 68 / 22

HEX #19C63F

RGB 25 198 63

HSL 133.18, 0.78%, 0.44%

LAB 70.14, -66.69, 54.05

 

CMYK 87 / 63 / 0 / 22

HEX #194AC6

RGB 25 74 198

HSL 223.01, 0.78%, 0.44%

LAB 36.33, 32.33, -68.58

 

Description

Color code: HEX #C61AA0 | qconv.com Color code: HEX #C61AA0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 26 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 26 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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