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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C602C9 it is the complementary color #39FD36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C602C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C602C9 shade: #CB02C4, #DC14D7, #ED26EA, #FE38FD and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C602C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C602C9 shade: #C602C9, #B500B6, #A400A3, #930090 and #82007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C602C9 shade: #C602C9, #C90297, #C90261, #C9022B and #C90202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C602C9 shade: #C602C9, #9102C9, #5B02C9, #2502C9 and #0202C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C602C9 shade matches the following richer shades: #C602C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C602C9 shade: #C602C9, #B612B9, #A623A8, #963398 and #864487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C602C9 shade: #5C02C9, #9102C9, #C602C9, #C90297 and #C90262

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C602C9 shade: #760178, #9E01A1, #C602C9, #EF02F2 and #F921FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C602C9 shade: #C602C9, #C92602 and #02C976

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C602C9 shade: #C602C9, #C9C602 and #02C9C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C602C9 shade: #C602C9, #C92602, #05C902 and #02A5C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C602C9 shade: #C602C9, #C96202, #05C902 and #0269C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

Complementary color

CMYK 77 / 0 / 79 / 1

HEX #39FD36

RGB 57 253 54

HSL 119.1, 0.98%, 0.6%

LAB 87.67, -80.21, 74.78

 

CMYK 0 / 99 / 3 / 20

HEX #CB02C4

RGB 203 2 196

HSL 302.09, 0.98%, 0.4%

LAB 47.91, 81.58, -47.75

 

CMYK 0 / 91 / 2 / 14

HEX #DC14D7

RGB 220 20 215

HSL 301.5, 0.83%, 0.47%

LAB 52.53, 85.53, -51.15

 

CMYK 0 / 84 / 1 / 7

HEX #ED26EA

RGB 237 38 234

HSL 300.9, 0.85%, 0.54%

LAB 57.4, 88.52, -53.98

 

CMYK 0 / 78 / 0 / 0

HEX #FE38FD

RGB 254 56 253

HSL 300.3, 0.99%, 0.61%

LAB 62.5, 90.6, -56.27

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 1 / 100 / 0 / 29

HEX #B500B6

RGB 181 0 182

HSL 299.67, 1%, 0.36%

LAB 43.06, 76.11, -47.53

 

CMYK 0 / 100 / 1 / 36

HEX #A400A3

RGB 164 0 163

HSL 300.37, 1%, 0.32%

LAB 38.79, 70.47, -43.23

 

CMYK 0 / 100 / 2 / 42

HEX #930090

RGB 147 0 144

HSL 301.22, 1%, 0.29%

LAB 34.43, 64.71, -38.81

 

CMYK 0 / 100 / 4 / 49

HEX #82007D

RGB 130 0 125

HSL 302.31, 1%, 0.25%

LAB 29.98, 58.83, -34.27

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 0 / 99 / 25 / 21

HEX #C90297

RGB 201 2 151

HSL 315.08, 0.98%, 0.4%

LAB 45.21, 75.42, -25.39

 

CMYK 0 / 99 / 52 / 21

HEX #C90261

RGB 201 2 97

HSL 331.36, 0.98%, 0.4%

LAB 43.25, 70.3, 4.96

 

CMYK 0 / 99 / 79 / 21

HEX #C9022B

RGB 201 2 43

HSL 347.64, 0.98%, 0.4%

LAB 42.21, 67.51, 37.19

 

CMYK 0 / 99 / 99 / 21

HEX #C90202

RGB 201 2 2

HSL 0, 0.98%, 0.4%

LAB 41.95, 66.79, 55.5

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 28 / 99 / 0 / 21

HEX #9102C9

RGB 145 2 201

HSL 283.12, 0.98%, 0.4%

LAB 38.34, 73.89, -66.62

 

CMYK 55 / 99 / 0 / 21

HEX #5B02C9

RGB 91 2 201

HSL 266.83, 0.98%, 0.4%

LAB 30.6, 68.59, -79.63

 

CMYK 82 / 99 / 0 / 21

HEX #2502C9

RGB 37 2 201

HSL 250.55, 0.98%, 0.4%

LAB 25.72, 66.21, -87.88

 

CMYK 99 / 99 / 0 / 21

HEX #0202C9

RGB 2 2 201

HSL 240, 0.98%, 0.4%

LAB 24.56, 65.78, -89.86

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 2 / 90 / 0 / 27

HEX #B612B9

RGB 182 18 185

HSL 298.92, 0.82%, 0.4%

LAB 44.06, 74.85, -47.69

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

CMYK 1 / 66 / 0 / 40

HEX #963398

RGB 150 51 152

HSL 298.81, 0.5%, 0.4%

LAB 39.78, 54.11, -35.16

 

CMYK 1 / 50 / 0 / 47

HEX #864487

RGB 134 68 135

HSL 299.1, 0.33%, 0.4%

LAB 39.5, 38.41, -25.42

 

CMYK 54 / 99 / 0 / 21

HEX #5C02C9

RGB 92 2 201

HSL 267.14, 0.98%, 0.4%

LAB 30.73, 68.66, -79.42

 

CMYK 28 / 99 / 0 / 21

HEX #9102C9

RGB 145 2 201

HSL 283.12, 0.98%, 0.4%

LAB 38.34, 73.89, -66.62

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 0 / 99 / 25 / 21

HEX #C90297

RGB 201 2 151

HSL 315.08, 0.98%, 0.4%

LAB 45.21, 75.42, -25.39

 

CMYK 0 / 99 / 51 / 21

HEX #C90262

RGB 201 2 98

HSL 331.06, 0.98%, 0.4%

LAB 43.28, 70.38, 4.37

 

CMYK 2 / 99 / 0 / 53

HEX #760178

RGB 118 1 120

HSL 298.99, 0.98%, 0.24%

LAB 27.38, 55.74, -35.39

 

CMYK 2 / 99 / 0 / 37

HEX #9E01A1

RGB 158 1 161

HSL 298.88, 0.99%, 0.32%

LAB 37.6, 69.05, -43.99

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 1 / 99 / 0 / 5

HEX #EF02F2

RGB 239 2 242

HSL 299.25, 0.98%, 0.48%

LAB 56.88, 93.85, -59.26

 

CMYK 1 / 87 / 0 / 1

HEX #F921FC

RGB 249 33 252

HSL 299.18, 0.97%, 0.56%

LAB 60.12, 93.99, -59.56

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 0 / 81 / 99 / 21

HEX #C92602

RGB 201 38 2

HSL 10.85, 0.98%, 0.4%

LAB 43.96, 61.03, 56.34

 

CMYK 99 / 0 / 41 / 21

HEX #02C976

RGB 2 201 118

HSL 154.97, 0.98%, 0.4%

LAB 71.62, -60.84, 29.95

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 0 / 1 / 99 / 21

HEX #C9C602

RGB 201 198 2

HSL 59.1, 0.98%, 0.4%

LAB 77.76, -16.51, 78.19

 

CMYK 99 / 0 / 1 / 21

HEX #02C9C6

RGB 2 201 198

HSL 179.1, 0.98%, 0.4%

LAB 73.46, -41.03, -10.31

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 0 / 81 / 99 / 21

HEX #C92602

RGB 201 38 2

HSL 10.85, 0.98%, 0.4%

LAB 43.96, 61.03, 56.34

 

CMYK 98 / 0 / 99 / 21

HEX #05C902

RGB 5 201 2

HSL 119.1, 0.98%, 0.4%

LAB 70.74, -71.8, 69.34

 

CMYK 99 / 18 / 0 / 21

HEX #02A5C9

RGB 2 165 201

HSL 190.85, 0.98%, 0.4%

LAB 62.63, -22.77, -28.41

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 0 / 51 / 99 / 21

HEX #C96202

RGB 201 98 2

HSL 28.94, 0.98%, 0.4%

LAB 53.12, 36.59, 61.28

 

CMYK 98 / 0 / 99 / 21

HEX #05C902

RGB 5 201 2

HSL 119.1, 0.98%, 0.4%

LAB 70.74, -71.8, 69.34

 

CMYK 99 / 48 / 0 / 21

HEX #0269C9

RGB 2 105 201

HSL 208.94, 0.98%, 0.4%

LAB 44.71, 12.2, -56.71

 

Description

Color code: HEX #C602C9 | qconv.com Color code: HEX #C602C9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 2 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 2 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 99 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 99% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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