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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C60769 it is the complementary color #39F896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C60769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C60769 shade: #CB0764, #DC1977, #ED2B8A, #FE3D9D and #FF4FB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C60769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C60769 shade: #C60769, #B50056, #A40043, #930030 and #82001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C60769 shade: #C40768, #C40735 and #C40707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C60769 shade: #C40768, #C4079B, #BA07C4, #8707C4 and #5407C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C60769 shade matches the following richer shades: #C40768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C60769 shade: #C40768, #B41768, #A32867, #933867 and #824966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C60769 shade: #BB07C4, #C4079B, #C40769, #C40736 and #C40A07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C60769 shade: #75043E, #9D0553, #C40768, #EC087D and #F72791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C60769 shade: #C60769, #C48807 and #07B5C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C60769 shade: #C60769, #69C407 and #0769C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C60769 shade: #C60769, #C48807, #07C462 and #0743C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C60769 shade: #C60769, #C4C107, #07C462 and #070AC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 47 / 22

HEX #C60769

RGB 198 7 105

HSL 329.21, 0.93%, 0.4%

LAB 43.03, 69.78, -0.46

Complementary color

CMYK 77 / 0 / 40 / 3

HEX #39F896

RGB 57 248 150

HSL 149.21, 0.93%, 0.6%

LAB 87.1, -67.34, 34.21

 

CMYK 0 / 97 / 51 / 20

HEX #CB0764

RGB 203 7 100

HSL 331.53, 0.93%, 0.41%

LAB 43.9, 70.52, 4.06

 

CMYK 0 / 89 / 46 / 14

HEX #DC1977

RGB 220 25 119

HSL 331.08, 0.8%, 0.48%

LAB 48.56, 73.81, -0.51

 

CMYK 0 / 82 / 42 / 7

HEX #ED2B8A

RGB 237 43 138

HSL 330.62, 0.84%, 0.55%

LAB 53.56, 76.02, -4.27

 

CMYK 0 / 76 / 38 / 0

HEX #FE3D9D

RGB 254 61 157

HSL 330.16, 0.99%, 0.62%

LAB 58.83, 77.36, -7.36

 

CMYK 0 / 69 / 31 / 0

HEX #FF4FB0

RGB 255 79 176

HSL 326.93, 1%, 0.65%

LAB 61.64, 73.94, -14.14

 

CMYK 0 / 96 / 47 / 22

HEX #C60769

RGB 198 7 105

HSL 329.21, 0.93%, 0.4%

LAB 43.03, 69.78, -0.46

HEX #C60769

CMYK 0 / 100 / 52 / 29

HEX #B50056

RGB 181 0 86

HSL 331.49, 1%, 0.35%

LAB 38.72, 65.15, 4.9

HEX #B50056

CMYK 0 / 100 / 59 / 36

HEX #A40043

RGB 164 0 67

HSL 335.49, 1%, 0.32%

LAB 34.6, 59.84, 10.91

HEX #A40043

CMYK 0 / 100 / 67 / 42

HEX #930030

RGB 147 0 48

HSL 340.41, 1%, 0.29%

LAB 30.44, 54.55, 17.26

HEX #930030

CMYK 0 / 100 / 78 / 49

HEX #82001D

RGB 130 0 29

HSL 346.62, 1%, 0.25%

LAB 26.26, 49.3, 23.89

HEX #82001D

CMYK 0 / 96 / 47 / 23

HEX #C40768

RGB 196 7 104

HSL 329.21, 0.93%, 0.4%

LAB 42.59, 69.25, -0.52

 

CMYK 0 / 96 / 73 / 23

HEX #C40735

RGB 196 7 53

HSL 345.4, 0.93%, 0.4%

LAB 41.45, 66.14, 30.03

 

CMYK 0 / 96 / 96 / 23

HEX #C40707

RGB 196 7 7

HSL 0, 0.93%, 0.4%

LAB 41.06, 65.08, 52.76

 

CMYK 0 / 96 / 47 / 23

HEX #C40768

RGB 196 7 104

HSL 329.21, 0.93%, 0.4%

LAB 42.59, 69.25, -0.52

 

CMYK 0 / 96 / 21 / 23

HEX #C4079B

RGB 196 7 155

HSL 313.02, 0.93%, 0.4%

LAB 44.6, 74.48, -28.84

 

CMYK 5 / 96 / 0 / 23

HEX #BA07C4

RGB 186 7 196

HSL 296.83, 0.93%, 0.4%

LAB 45.05, 78.38, -52.51

 

CMYK 31 / 96 / 0 / 23

HEX #8707C4

RGB 135 7 196

HSL 280.63, 0.93%, 0.4%

LAB 36.53, 71.11, -66.71

 

CMYK 57 / 96 / 0 / 23

HEX #5407C4

RGB 84 7 196

HSL 264.44, 0.93%, 0.4%

LAB 29.47, 66.15, -78.6

 

CMYK 0 / 96 / 47 / 23

HEX #C40768

RGB 196 7 104

HSL 329.21, 0.93%, 0.4%

LAB 42.59, 69.25, -0.52

 

CMYK 0 / 96 / 47 / 23

HEX #C40768

RGB 196 7 104

HSL 329.21, 0.93%, 0.4%

LAB 42.59, 69.25, -0.52

 

CMYK 0 / 87 / 42 / 29

HEX #B41768

RGB 180 23 104

HSL 329.04, 0.77%, 0.4%

LAB 40.11, 63.41, -4.55

 

CMYK 0 / 75 / 37 / 36

HEX #A32867

RGB 163 40 103

HSL 329.27, 0.61%, 0.4%

LAB 38.35, 54.53, -6.89

 

CMYK 0 / 62 / 30 / 42

HEX #933867

RGB 147 56 103

HSL 329.01, 0.45%, 0.4%

LAB 37.86, 43.31, -7.9

 

CMYK 0 / 44 / 22 / 49

HEX #824966

RGB 130 73 102

HSL 329.47, 0.28%, 0.4%

LAB 38.67, 28.31, -6.33

 

CMYK 5 / 96 / 0 / 23

HEX #BB07C4

RGB 187 7 196

HSL 297.14, 0.93%, 0.4%

LAB 45.22, 78.54, -52.22

 

CMYK 0 / 96 / 21 / 23

HEX #C4079B

RGB 196 7 155

HSL 313.02, 0.93%, 0.4%

LAB 44.6, 74.48, -28.84

 

CMYK 0 / 96 / 46 / 23

HEX #C40769

RGB 196 7 105

HSL 328.89, 0.93%, 0.4%

LAB 42.62, 69.33, -1.1

 

CMYK 0 / 96 / 72 / 23

HEX #C40736

RGB 196 7 54

HSL 345.08, 0.93%, 0.4%

LAB 41.46, 66.18, 29.43

 

CMYK 0 / 95 / 96 / 23

HEX #C40A07

RGB 196 10 7

HSL 0.95, 0.93%, 0.4%

LAB 41.17, 64.78, 52.81

 

CMYK 0 / 97 / 47 / 54

HEX #75043E

RGB 117 4 62

HSL 329.2, 0.93%, 0.24%

LAB 24.37, 47.34, -1.7

 

CMYK 0 / 97 / 47 / 38

HEX #9D0553

RGB 157 5 83

HSL 329.21, 0.94%, 0.32%

LAB 33.78, 58.74, -0.95

 

CMYK 0 / 96 / 47 / 23

HEX #C40768

RGB 196 7 104

HSL 329.21, 0.93%, 0.4%

LAB 42.59, 69.25, -0.52

 

CMYK 0 / 97 / 47 / 7

HEX #EC087D

RGB 236 8 125

HSL 329.21, 0.93%, 0.48%

LAB 51.25, 79.69, 0.14

 

CMYK 0 / 84 / 41 / 3

HEX #F72791

RGB 247 39 145

HSL 329.42, 0.93%, 0.56%

LAB 55.35, 79.82, -5.59

 

CMYK 0 / 96 / 47 / 22

HEX #C60769

RGB 198 7 105

HSL 329.21, 0.93%, 0.4%

LAB 43.03, 69.78, -0.46

HEX #C60769

CMYK 0 / 31 / 96 / 23

HEX #C48807

RGB 196 136 7

HSL 40.95, 0.93%, 0.4%

LAB 61.1, 14.09, 65.34

HEX #C48807

CMYK 96 / 8 / 0 / 23

HEX #07B5C4

RGB 7 181 196

HSL 184.76, 0.93%, 0.4%

LAB 67.34, -32.25, -18.43

HEX #07B5C4

CMYK 0 / 96 / 47 / 22

HEX #C60769

RGB 198 7 105

HSL 329.21, 0.93%, 0.4%

LAB 43.03, 69.78, -0.46

HEX #C60769

CMYK 46 / 0 / 96 / 23

HEX #69C407

RGB 105 196 7

HSL 88.89, 0.93%, 0.4%

LAB 71.21, -53, 70.04

HEX #69C407

CMYK 96 / 46 / 0 / 23

HEX #0769C4

RGB 7 105 196

HSL 208.89, 0.93%, 0.4%

LAB 44.42, 10.37, -54.28

HEX #0769C4

CMYK 0 / 96 / 47 / 22

HEX #C60769

RGB 198 7 105

HSL 329.21, 0.93%, 0.4%

LAB 43.03, 69.78, -0.46

HEX #C60769

CMYK 0 / 31 / 96 / 23

HEX #C48807

RGB 196 136 7

HSL 40.95, 0.93%, 0.4%

LAB 61.1, 14.09, 65.34

HEX #C48807

CMYK 96 / 0 / 50 / 23

HEX #07C462

RGB 7 196 98

HSL 148.89, 0.93%, 0.4%

LAB 69.76, -62.5, 37.7

HEX #07C462

CMYK 96 / 66 / 0 / 23

HEX #0743C4

RGB 7 67 196

HSL 220.95, 0.93%, 0.4%

LAB 34.08, 35.39, -71.13

HEX #0743C4

CMYK 0 / 96 / 47 / 22

HEX #C60769

RGB 198 7 105

HSL 329.21, 0.93%, 0.4%

LAB 43.03, 69.78, -0.46

HEX #C60769

CMYK 0 / 2 / 96 / 23

HEX #C4C107

RGB 196 193 7

HSL 59.05, 0.93%, 0.4%

LAB 76, -16.11, 76.19

HEX #C4C107

CMYK 96 / 0 / 50 / 23

HEX #07C462

RGB 7 196 98

HSL 148.89, 0.93%, 0.4%

LAB 69.76, -62.5, 37.7

HEX #07C462

CMYK 96 / 95 / 0 / 23

HEX #070AC4

RGB 7 10 196

HSL 239.05, 0.93%, 0.4%

LAB 24.47, 62.84, -87.06

HEX #070AC4

Description

Color code: HEX #C60769 | qconv.com Color code: HEX #C60769 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 7 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 7 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 47 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 47% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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