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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5FB4B it is the complementary color #3A04B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5FB4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5FB4B shade: #CAFB46, #DBFF59, #ECFF6C, #FDFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5FB4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5FB4B shade: #C5FB4B, #B4E938, #A3D725, #92C512 and #81B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5FB4B shade: #C5FB4B, #F4FB4B, #FBD24B, #FBA24B and #FB734B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5FB4B shade: #C5FB4B, #95FB4B, #66FB4B, #4BFB5F and #4BFB8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5FB4B shade matches the following richer shades: #C5FB4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5FB4B shade: #C5FB4B, #BFEC59, #B9DD68, #B4CE77 and #AEBF86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5FB4B shade: #FBD24B, #F5FB4B, #C6FB4B, #97FB4B and #68FB4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5FB4B shade: #A7EF04, #B8FA22, #C5FB4B, #D2FC73 and #DFFC9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5FB4B shade: #C5FB4B, #4BFBA3 and #E94BFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5FB4B shade: #C5FB4B, #4BC6FB and #FB4BC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5FB4B shade: #C5FB4B, #4BFBA3, #7F4BFB and #FB4BA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5FB4B shade: #C5FB4B, #4BFBD8, #7F4BFB and #FB4B6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

Complementary color

CMYK 68 / 98 / 0 / 29

HEX #3A04B4

RGB 58 4 180

HSL 258.41, 0.96%, 0.36%

LAB 24.58, 61.33, -77.31

 

CMYK 20 / 0 / 72 / 2

HEX #CAFB46

RGB 202 251 70

HSL 76.24, 0.96%, 0.63%

LAB 92.57, -39.16, 76.5

 

CMYK 14 / 0 / 65 / 0

HEX #DBFF59

RGB 219 255 89

HSL 73.01, 1%, 0.67%

LAB 94.87, -33.38, 72.41

 

CMYK 7 / 0 / 58 / 0

HEX #ECFF6C

RGB 236 255 108

HSL 67.76, 1%, 0.71%

LAB 96.18, -25.51, 66.54

 

CMYK 1 / 0 / 50 / 0

HEX #FDFF7F

RGB 253 255 127

HSL 60.94, 1%, 0.75%

LAB 97.61, -17.4, 60.2

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 23 / 0 / 76 / 9

HEX #B4E938

RGB 180 233 56

HSL 77.97, 0.8%, 0.57%

LAB 86.14, -40.23, 74.32

 

CMYK 24 / 0 / 83 / 16

HEX #A3D725

RGB 163 215 37

HSL 77.53, 0.71%, 0.49%

LAB 79.91, -39.53, 73.46

 

CMYK 26 / 0 / 91 / 23

HEX #92C512

RGB 146 197 18

HSL 77.09, 0.83%, 0.42%

LAB 73.6, -38.64, 71.48

 

CMYK 28 / 0 / 100 / 30

HEX #81B300

RGB 129 179 0

HSL 76.76, 1%, 0.35%

LAB 67.21, -37.55, 68.22

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 3 / 0 / 70 / 2

HEX #F4FB4B

RGB 244 251 75

HSL 62.39, 0.96%, 0.64%

LAB 95.47, -22.42, 78.63

 

CMYK 0 / 16 / 70 / 2

HEX #FBD24B

RGB 251 210 75

HSL 46.02, 0.96%, 0.64%

LAB 85.56, 0.72, 69.06

 

CMYK 0 / 35 / 70 / 2

HEX #FBA24B

RGB 251 162 75

HSL 29.66, 0.96%, 0.64%

LAB 74.1, 25.69, 57.22

 

CMYK 0 / 54 / 70 / 2

HEX #FB734B

RGB 251 115 75

HSL 13.64, 0.96%, 0.64%

LAB 64.39, 49.41, 46.61

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 41 / 0 / 70 / 2

HEX #95FB4B

RGB 149 251 75

HSL 94.77, 0.96%, 0.64%

LAB 89.81, -57.46, 71.13

 

CMYK 59 / 0 / 70 / 2

HEX #66FB4B

RGB 102 251 75

HSL 110.8, 0.96%, 0.64%

LAB 88.13, -70.27, 68.87

 

CMYK 70 / 0 / 62 / 2

HEX #4BFB5F

RGB 75 251 95

HSL 126.82, 0.96%, 0.64%

LAB 87.64, -73.7, 60.42

 

CMYK 70 / 0 / 43 / 2

HEX #4BFB8F

RGB 75 251 143

HSL 143.18, 0.96%, 0.64%

LAB 88.2, -67.21, 39.16

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 19 / 0 / 62 / 7

HEX #BFEC59

RGB 191 236 89

HSL 78.37, 0.79%, 0.64%

LAB 87.87, -35.42, 64.45

 

CMYK 16 / 0 / 53 / 13

HEX #B9DD68

RGB 185 221 104

HSL 78.46, 0.63%, 0.64%

LAB 83.46, -29.52, 52.86

 

CMYK 13 / 0 / 42 / 19

HEX #B4CE77

RGB 180 206 119

HSL 77.93, 0.47%, 0.64%

LAB 79.14, -22.66, 40.32

 

CMYK 9 / 0 / 30 / 25

HEX #AEBF86

RGB 174 191 134

HSL 77.89, 0.31%, 0.64%

LAB 74.81, -15.53, 26.89

 

CMYK 0 / 16 / 70 / 2

HEX #FBD24B

RGB 251 210 75

HSL 46.02, 0.96%, 0.64%

LAB 85.56, 0.72, 69.06

 

CMYK 2 / 0 / 70 / 2

HEX #F5FB4B

RGB 245 251 75

HSL 62.05, 0.96%, 0.64%

LAB 95.54, -22.02, 78.73

 

CMYK 21 / 0 / 70 / 2

HEX #C6FB4B

RGB 198 251 75

HSL 78.07, 0.96%, 0.64%

LAB 92.36, -40.4, 74.52

 

CMYK 40 / 0 / 70 / 2

HEX #97FB4B

RGB 151 251 75

HSL 94.09, 0.96%, 0.64%

LAB 89.9, -56.82, 71.24

 

CMYK 59 / 0 / 70 / 2

HEX #68FB4B

RGB 104 251 75

HSL 110.11, 0.96%, 0.64%

LAB 88.18, -69.81, 68.94

 

CMYK 30 / 0 / 98 / 6

HEX #A7EF04

RGB 167 239 4

HSL 78.38, 0.97%, 0.48%

LAB 86.98, -48.97, 83.97

 

CMYK 26 / 0 / 86 / 2

HEX #B8FA22

RGB 184 250 34

HSL 78.33, 0.96%, 0.56%

LAB 91.09, -46.85, 84.07

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 17 / 0 / 54 / 1

HEX #D2FC73

RGB 210 252 115

HSL 78.39, 0.96%, 0.72%

LAB 93.69, -33.47, 60.24

 

CMYK 12 / 0 / 38 / 1

HEX #DFFC9B

RGB 223 252 155

HSL 77.94, 0.94%, 0.8%

LAB 95.02, -24.54, 43.35

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 70 / 0 / 35 / 2

HEX #4BFBA3

RGB 75 251 163

HSL 150, 0.96%, 0.64%

LAB 88.51, -63.66, 29.64

 

CMYK 7 / 70 / 0 / 2

HEX #E94BFB

RGB 233 75 251

HSL 293.86, 0.96%, 0.64%

LAB 61.06, 80.75, -57.64

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 70 / 21 / 0 / 2

HEX #4BC6FB

RGB 75 198 251

HSL 198.07, 0.96%, 0.64%

LAB 75.36, -17.51, -35.96

 

CMYK 0 / 70 / 21 / 2

HEX #FB4BC6

RGB 251 75 198

HSL 318.07, 0.96%, 0.64%

LAB 61.32, 76.93, -27.28

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 70 / 0 / 35 / 2

HEX #4BFBA3

RGB 75 251 163

HSL 150, 0.96%, 0.64%

LAB 88.51, -63.66, 29.64

 

CMYK 49 / 70 / 0 / 2

HEX #7F4BFB

RGB 127 75 251

HSL 257.73, 0.96%, 0.64%

LAB 47.64, 61.08, -80

 

CMYK 0 / 70 / 35 / 2

HEX #FB4BA3

RGB 251 75 163

HSL 330, 0.96%, 0.64%

LAB 60.06, 72.85, -9.08

 

CMYK 22 / 0 / 70 / 2

HEX #C5FB4B

RGB 197 251 75

HSL 78.41, 0.96%, 0.64%

LAB 92.3, -40.78, 74.44

 

CMYK 70 / 0 / 14 / 2

HEX #4BFBD8

RGB 75 251 216

HSL 168.07, 0.96%, 0.64%

LAB 89.6, -52.11, 3.96

 

CMYK 49 / 70 / 0 / 2

HEX #7F4BFB

RGB 127 75 251

HSL 257.73, 0.96%, 0.64%

LAB 47.64, 61.08, -80

 

CMYK 0 / 70 / 56 / 2

HEX #FB4B6E

RGB 251 75 110

HSL 348.07, 0.96%, 0.64%

LAB 58.66, 68.2, 19.95

 

Description

Color code: HEX #C5FB4B | qconv.com Color code: HEX #C5FB4B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 251 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 251 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 70 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 70% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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