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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5EFB4 it is the complementary color #3A104B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5EFB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5EFB4 shade: #CAEFAF, #DBFFC2, #ECFFD5, #FDFFE8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5EFB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5EFB4 shade: #C5EFB4, #B4DDA1, #A3CB8E, #92B97B and #81A768

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5EFB4 shade: #C4EEB3, #D4EEB3, #E4EEB3, #EEE9B3 and #EED9B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5EFB4 shade: #C4EEB3, #B4EEB3, #B3EEC2, #B3EED2 and #B3EEE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5EFB4 shade matches the following richer shades: #C4EEB3, #C1F6AB and #BEFDA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5EFB4 shade: #C4EEB3, #C7E7BA, #CAE0C2, #CDD8C9 and #D1D1D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5EFB4 shade: #E4EEB3, #D5EEB3, #C5EEB3, #B5EEB3 and #B3EEC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5EFB4 shade: #8FE06F, #AAE791, #C4EEB3, #DEF6D5 and #F9FDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5EFB4 shade: #C5EFB4, #B3EEE8 and #EEB3DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5EFB4 shade: #C5EFB4, #B3C5EE and #EEB3C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5EFB4 shade: #C5EFB4, #B3EEE8, #DDB3EE and #EEB3B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5EFB4 shade: #C5EFB4, #B3E3EE, #DDB3EE and #EEBFB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 25 / 6

HEX #C5EFB4

RGB 197 239 180

HSL 102.71, 0.65%, 0.82%

LAB 90.27, -24.15, 24.19

 

Complementary color

CMYK 23 / 79 / 0 / 71

HEX #3A104B

RGB 58 16 75

HSL 282.71, 0.65%, 0.18%

LAB 14.28, 30.95, -27.27

 

CMYK 15 / 0 / 27 / 6

HEX #CAEFAF

RGB 202 239 175

HSL 94.69, 0.67%, 0.81%

LAB 90.5, -23.18, 27.11

 

CMYK 14 / 0 / 24 / 0

HEX #DBFFC2

RGB 219 255 194

HSL 95.41, 1%, 0.88%

LAB 96.19, -22.15, 25.41

 

CMYK 7 / 0 / 16 / 0

HEX #ECFFD5

RGB 236 255 213

HSL 87.14, 1%, 0.92%

LAB 97.7, -13.38, 18.01

 

CMYK 1 / 0 / 9 / 0

HEX #FDFFE8

RGB 253 255 232

HSL 65.22, 1%, 0.95%

LAB 99.31, -4.53, 10.76

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 18 / 0 / 25 / 6

HEX #C5EFB4

RGB 197 239 180

HSL 102.71, 0.65%, 0.82%

LAB 90.27, -24.15, 24.19

 

CMYK 19 / 0 / 27 / 13

HEX #B4DDA1

RGB 180 221 161

HSL 101, 0.47%, 0.75%

LAB 83.96, -24.27, 25.18

 

CMYK 20 / 0 / 30 / 20

HEX #A3CB8E

RGB 163 203 142

HSL 99.34, 0.37%, 0.68%

LAB 77.55, -24.39, 26.23

 

CMYK 21 / 0 / 34 / 27

HEX #92B97B

RGB 146 185 123

HSL 97.74, 0.31%, 0.6%

LAB 71.04, -24.52, 27.33

 

CMYK 23 / 0 / 38 / 35

HEX #81A768

RGB 129 167 104

HSL 96.19, 0.26%, 0.53%

LAB 64.41, -24.64, 28.49

 

CMYK 18 / 0 / 25 / 7

HEX #C4EEB3

RGB 196 238 179

HSL 102.71, 0.63%, 0.82%

LAB 89.92, -24.16, 24.22

 

CMYK 11 / 0 / 25 / 7

HEX #D4EEB3

RGB 212 238 179

HSL 86.44, 0.63%, 0.82%

LAB 90.96, -18.59, 25.81

 

CMYK 4 / 0 / 25 / 7

HEX #E4EEB3

RGB 228 238 179

HSL 70.17, 0.63%, 0.82%

LAB 92.09, -12.84, 27.52

 

CMYK 0 / 2 / 25 / 7

HEX #EEE9B3

RGB 238 233 179

HSL 54.92, 0.63%, 0.82%

LAB 91.55, -6.68, 26.92

 

CMYK 0 / 9 / 25 / 7

HEX #EED9B3

RGB 238 217 179

HSL 38.64, 0.63%, 0.82%

LAB 87.51, 1.47, 21.37

 

CMYK 18 / 0 / 25 / 7

HEX #C4EEB3

RGB 196 238 179

HSL 102.71, 0.63%, 0.82%

LAB 89.92, -24.16, 24.22

 

CMYK 24 / 0 / 25 / 7

HEX #B4EEB3

RGB 180 238 179

HSL 118.98, 0.63%, 0.82%

LAB 88.97, -29.51, 22.76

 

CMYK 25 / 0 / 18 / 7

HEX #B3EEC2

RGB 179 238 194

HSL 135.25, 0.63%, 0.82%

LAB 89.22, -27.24, 15.34

 

CMYK 25 / 0 / 12 / 7

HEX #B3EED2

RGB 179 238 210

HSL 151.53, 0.63%, 0.82%

LAB 89.57, -24.25, 7.52

 

CMYK 25 / 0 / 5 / 7

HEX #B3EEE2

RGB 179 238 226

HSL 167.8, 0.63%, 0.82%

LAB 89.96, -21.04, -0.26

 

CMYK 18 / 0 / 25 / 7

HEX #C4EEB3

RGB 196 238 179

HSL 102.71, 0.63%, 0.82%

LAB 89.92, -24.16, 24.22

 

CMYK 22 / 0 / 30 / 4

HEX #C1F6AB

RGB 193 246 171

HSL 102.4, 0.81%, 0.82%

LAB 91.77, -30.2, 30.77

 

CMYK 25 / 0 / 35 / 1

HEX #BEFDA4

RGB 190 253 164

HSL 102.47, 0.96%, 0.82%

LAB 93.4, -35.45, 36.41

 

CMYK 18 / 0 / 25 / 7

HEX #C4EEB3

RGB 196 238 179

HSL 102.71, 0.63%, 0.82%

LAB 89.92, -24.16, 24.22

 

CMYK 14 / 0 / 19 / 9

HEX #C7E7BA

RGB 199 231 186

HSL 102.67, 0.48%, 0.82%

LAB 88.37, -18.61, 18.48

 

CMYK 10 / 0 / 13 / 12

HEX #CAE0C2

RGB 202 224 194

HSL 104, 0.33%, 0.82%

LAB 86.88, -12.75, 12.23

 

CMYK 5 / 0 / 7 / 15

HEX #CDD8C9

RGB 205 216 201

HSL 104, 0.16%, 0.82%

LAB 85.15, -6.43, 6.1

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D0

RGB 209 209 208

HSL 60, 0.01%, 0.82%

LAB 83.81, -0.18, 0.49

 

CMYK 4 / 0 / 25 / 7

HEX #E4EEB3

RGB 228 238 179

HSL 70.17, 0.63%, 0.82%

LAB 92.09, -12.84, 27.52

 

CMYK 11 / 0 / 25 / 7

HEX #D5EEB3

RGB 213 238 179

HSL 85.42, 0.63%, 0.82%

LAB 91.03, -18.23, 25.91

 

CMYK 17 / 0 / 25 / 7

HEX #C5EEB3

RGB 197 238 179

HSL 101.69, 0.63%, 0.82%

LAB 89.99, -23.82, 24.31

 

CMYK 24 / 0 / 25 / 7

HEX #B5EEB3

RGB 181 238 179

HSL 117.97, 0.63%, 0.82%

LAB 89.03, -29.18, 22.84

 

CMYK 25 / 0 / 19 / 7

HEX #B3EEC1

RGB 179 238 193

HSL 134.24, 0.63%, 0.82%

LAB 89.2, -27.42, 15.83

 

CMYK 36 / 0 / 50 / 12

HEX #8FE06F

RGB 143 224 111

HSL 103.01, 0.65%, 0.66%

LAB 82, -45.08, 47.28

 

CMYK 26 / 0 / 37 / 9

HEX #AAE791

RGB 170 231 145

HSL 102.56, 0.64%, 0.74%

LAB 85.88, -34.79, 35.82

 

CMYK 18 / 0 / 25 / 7

HEX #C4EEB3

RGB 196 238 179

HSL 102.71, 0.63%, 0.82%

LAB 89.92, -24.16, 24.22

 

CMYK 10 / 0 / 13 / 4

HEX #DEF6D5

RGB 222 246 213

HSL 103.64, 0.65%, 0.9%

LAB 94.42, -13.71, 13.24

 

CMYK 2 / 0 / 2 / 1

HEX #F9FDF7

RGB 249 253 247

HSL 100, 0.6%, 0.98%

LAB 98.87, -2.36, 2.39

 

CMYK 18 / 0 / 25 / 6

HEX #C5EFB4

RGB 197 239 180

HSL 102.71, 0.65%, 0.82%

LAB 90.27, -24.15, 24.19

 

CMYK 25 / 0 / 3 / 7

HEX #B3EEE8

RGB 179 238 232

HSL 173.9, 0.63%, 0.82%

LAB 90.12, -19.78, -3.17

 

CMYK 0 / 25 / 7 / 7

HEX #EEB3DD

RGB 238 179 221

HSL 317.29, 0.63%, 0.82%

LAB 79.41, 27.99, -12.72

 

CMYK 18 / 0 / 25 / 6

HEX #C5EFB4

RGB 197 239 180

HSL 102.71, 0.65%, 0.82%

LAB 90.27, -24.15, 24.19

 

CMYK 25 / 17 / 0 / 7

HEX #B3C5EE

RGB 179 197 238

HSL 221.69, 0.63%, 0.82%

LAB 79.44, 2.72, -22.31

 

CMYK 0 / 25 / 17 / 7

HEX #EEB3C5

RGB 238 179 197

HSL 341.69, 0.63%, 0.82%

LAB 78.72, 24.08, -0.74

 

CMYK 18 / 0 / 25 / 6

HEX #C5EFB4

RGB 197 239 180

HSL 102.71, 0.65%, 0.82%

LAB 90.27, -24.15, 24.19

 

CMYK 25 / 0 / 3 / 7

HEX #B3EEE8

RGB 179 238 232

HSL 173.9, 0.63%, 0.82%

LAB 90.12, -19.78, -3.17

 

CMYK 7 / 25 / 0 / 7

HEX #DDB3EE

RGB 221 179 238

HSL 282.71, 0.63%, 0.82%

LAB 78.34, 25.54, -23.67

 

CMYK 0 / 25 / 22 / 7

HEX #EEB3B9

RGB 238 179 185

HSL 353.9, 0.63%, 0.82%

LAB 78.42, 22.28, 5.32

 

CMYK 18 / 0 / 25 / 6

HEX #C5EFB4

RGB 197 239 180

HSL 102.71, 0.65%, 0.82%

LAB 90.27, -24.15, 24.19

 

CMYK 25 / 5 / 0 / 7

HEX #B3E3EE

RGB 179 227 238

HSL 191.19, 0.63%, 0.82%

LAB 87.34, -12.97, -10.43

 

CMYK 7 / 25 / 0 / 7

HEX #DDB3EE

RGB 221 179 238

HSL 282.71, 0.63%, 0.82%

LAB 78.34, 25.54, -23.67

 

CMYK 0 / 20 / 25 / 7

HEX #EEBFB3

RGB 238 191 179

HSL 12.2, 0.63%, 0.82%

LAB 81.12, 15.06, 12.43

 

Description

Color code: HEX #C5EFB4 | qconv.com Color code: HEX #C5EFB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 239 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 239 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 25 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 25% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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