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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E081 it is the complementary color #3A1F7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E081 shade: #CAE07C, #DBF28F, #ECFFA2, #FDFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E081 shade: #C5E081, #B4CE6E, #A3BC5B, #92AA48 and #819835

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E081 shade: #C4E07F, #DEE07F, #E0C77F, #E0AD7F and #E0937F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E081 shade: #C4E07F, #AAE07F, #90E07F, #7FE088 and #7FE0A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E081 shade matches the following richer shades: #C4E07F, #CAEC72 and #CFF966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E081 shade: #C4E07F, #BFD38C, #B9C699, #B4B9A6 and #AEADB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E081 shade: #E0C87F, #DEE07F, #C4E07F, #ABE07F and #91E07F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E081 shade: #A6D03D, #B5D85E, #C4E07F, #D3E8A0 and #E3F0C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E081 shade: #C5E081, #7FE0AE and #D47FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E081 shade: #C5E081, #7FC4E0 and #E07FC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E081 shade: #C5E081, #7FE0AE, #9B7FE0 and #E07FB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E081 shade: #C5E081, #7FE0CB, #9B7FE0 and #E07F94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 42 / 12

HEX #C5E081

RGB 197 224 129

HSL 77.05, 0.61%, 0.69%

LAB 85.39, -23.8, 43.47

 

Complementary color

CMYK 54 / 75 / 0 / 51

HEX #3A1F7E

RGB 58 31 126

HSL 257.05, 0.61%, 0.31%

LAB 21.53, 37.34, -49.13

 

CMYK 10 / 0 / 45 / 12

HEX #CAE07C

RGB 202 224 124

HSL 73.2, 0.62%, 0.68%

LAB 85.67, -22.45, 46.34

 

CMYK 10 / 0 / 41 / 5

HEX #DBF28F

RGB 219 242 143

HSL 73.94, 0.79%, 0.75%

LAB 91.93, -22.62, 45.2

 

CMYK 7 / 0 / 36 / 0

HEX #ECFFA2

RGB 236 255 162

HSL 72.26, 1%, 0.82%

LAB 96.8, -20.37, 42.4

 

CMYK 1 / 0 / 29 / 0

HEX #FDFFB5

RGB 253 255 181

HSL 61.62, 1%, 0.85%

LAB 98.33, -11.81, 35.24

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 12 / 0 / 42 / 12

HEX #C5E081

RGB 197 224 129

HSL 77.05, 0.61%, 0.69%

LAB 85.39, -23.8, 43.47

 

CMYK 13 / 0 / 47 / 19

HEX #B4CE6E

RGB 180 206 110

HSL 76.25, 0.49%, 0.62%

LAB 79.02, -23.66, 44.62

 

CMYK 13 / 0 / 52 / 26

HEX #A3BC5B

RGB 163 188 91

HSL 75.46, 0.42%, 0.55%

LAB 72.57, -23.45, 45.76

 

CMYK 14 / 0 / 58 / 33

HEX #92AA48

RGB 146 170 72

HSL 74.69, 0.4%, 0.47%

LAB 66, -23.17, 46.83

 

CMYK 15 / 0 / 65 / 40

HEX #819835

RGB 129 152 53

HSL 73.94, 0.48%, 0.4%

LAB 59.33, -22.77, 47.7

 

CMYK 13 / 0 / 43 / 12

HEX #C4E07F

RGB 196 224 127

HSL 77.32, 0.61%, 0.69%

LAB 85.29, -24.41, 44.32

 

CMYK 1 / 0 / 43 / 12

HEX #DEE07F

RGB 222 224 127

HSL 61.24, 0.61%, 0.69%

LAB 87.18, -14.37, 47.08

 

CMYK 0 / 11 / 43 / 12

HEX #E0C77F

RGB 224 199 127

HSL 44.54, 0.61%, 0.69%

LAB 80.86, -0.88, 39.19

 

CMYK 0 / 23 / 43 / 12

HEX #E0AD7F

RGB 224 173 127

HSL 28.45, 0.61%, 0.69%

LAB 74.36, 12.83, 30.78

 

CMYK 0 / 34 / 43 / 12

HEX #E0937F

RGB 224 147 127

HSL 12.37, 0.61%, 0.69%

LAB 68.2, 26.77, 22.56

 

CMYK 13 / 0 / 43 / 12

HEX #C4E07F

RGB 196 224 127

HSL 77.32, 0.61%, 0.69%

LAB 85.29, -24.41, 44.32

 

CMYK 24 / 0 / 43 / 12

HEX #AAE07F

RGB 170 224 127

HSL 93.4, 0.61%, 0.69%

LAB 83.65, -33.95, 41.9

 

CMYK 36 / 0 / 43 / 12

HEX #90E07F

RGB 144 224 127

HSL 109.48, 0.61%, 0.69%

LAB 82.26, -42.72, 39.85

 

CMYK 43 / 0 / 39 / 12

HEX #7FE088

RGB 127 224 136

HSL 125.57, 0.61%, 0.69%

LAB 81.62, -46.55, 34.38

 

CMYK 43 / 0 / 28 / 12

HEX #7FE0A2

RGB 127 224 162

HSL 141.65, 0.61%, 0.69%

LAB 82.07, -42.1, 21.63

 

CMYK 13 / 0 / 43 / 12

HEX #C4E07F

RGB 196 224 127

HSL 77.32, 0.61%, 0.69%

LAB 85.29, -24.41, 44.32

 

CMYK 14 / 0 / 52 / 7

HEX #CAEC72

RGB 202 236 114

HSL 76.72, 0.76%, 0.69%

LAB 88.81, -29.16, 54.85

 

CMYK 17 / 0 / 59 / 2

HEX #CFF966

RGB 207 249 102

HSL 77.14, 0.92%, 0.69%

LAB 92.56, -34.3, 64.51

 

CMYK 13 / 0 / 43 / 12

HEX #C4E07F

RGB 196 224 127

HSL 77.32, 0.61%, 0.69%

LAB 85.29, -24.41, 44.32

 

CMYK 9 / 0 / 34 / 17

HEX #BFD38C

RGB 191 211 140

HSL 76.9, 0.45%, 0.69%

LAB 81.6, -18.36, 32.99

 

CMYK 7 / 0 / 23 / 22

HEX #B9C699

RGB 185 198 153

HSL 77.33, 0.28%, 0.69%

LAB 77.88, -12.21, 21.11

 

CMYK 3 / 0 / 10 / 27

HEX #B4B9A6

RGB 180 185 166

HSL 75.79, 0.12%, 0.69%

LAB 74.29, -5.18, 9.04

 

CMYK 2 / 3 / 0 / 30

HEX #AEADB2

RGB 174 173 178

HSL 252, 0.03%, 0.69%

LAB 70.94, 1.31, -2.44

 

CMYK 0 / 11 / 43 / 12

HEX #E0C87F

RGB 224 200 127

HSL 45.15, 0.61%, 0.69%

LAB 81.12, -1.4, 39.52

 

CMYK 1 / 0 / 43 / 12

HEX #DEE07F

RGB 222 224 127

HSL 61.24, 0.61%, 0.69%

LAB 87.18, -14.37, 47.08

 

CMYK 13 / 0 / 43 / 12

HEX #C4E07F

RGB 196 224 127

HSL 77.32, 0.61%, 0.69%

LAB 85.29, -24.41, 44.32

 

CMYK 24 / 0 / 43 / 12

HEX #ABE07F

RGB 171 224 127

HSL 92.78, 0.61%, 0.69%

LAB 83.71, -33.59, 41.99

 

CMYK 35 / 0 / 43 / 12

HEX #91E07F

RGB 145 224 127

HSL 108.87, 0.61%, 0.69%

LAB 82.31, -42.4, 39.92

 

CMYK 20 / 0 / 71 / 18

HEX #A6D03D

RGB 166 208 61

HSL 77.14, 0.61%, 0.53%

LAB 78.2, -34.1, 64.72

 

CMYK 16 / 0 / 56 / 15

HEX #B5D85E

RGB 181 216 94

HSL 77.21, 0.61%, 0.61%

LAB 81.7, -29.6, 55.3

 

CMYK 13 / 0 / 43 / 12

HEX #C4E07F

RGB 196 224 127

HSL 77.32, 0.61%, 0.69%

LAB 85.29, -24.41, 44.32

 

CMYK 9 / 0 / 31 / 9

HEX #D3E8A0

RGB 211 232 160

HSL 77.5, 0.61%, 0.77%

LAB 88.97, -18.67, 32.8

 

CMYK 5 / 0 / 19 / 6

HEX #E3F0C2

RGB 227 240 194

HSL 76.96, 0.61%, 0.85%

LAB 92.82, -12.03, 20.83

 

CMYK 12 / 0 / 42 / 12

HEX #C5E081

RGB 197 224 129

HSL 77.05, 0.61%, 0.69%

LAB 85.39, -23.8, 43.47

 

CMYK 43 / 0 / 22 / 12

HEX #7FE0AE

RGB 127 224 174

HSL 149.07, 0.61%, 0.69%

LAB 82.31, -39.79, 15.7

 

CMYK 5 / 43 / 0 / 12

HEX #D47FE0

RGB 212 127 224

HSL 292.58, 0.61%, 0.69%

LAB 65.4, 47.84, -36.01

 

CMYK 12 / 0 / 42 / 12

HEX #C5E081

RGB 197 224 129

HSL 77.05, 0.61%, 0.69%

LAB 85.39, -23.8, 43.47

 

CMYK 43 / 13 / 0 / 12

HEX #7FC4E0

RGB 127 196 224

HSL 197.32, 0.61%, 0.69%

LAB 75.68, -14.51, -20.76

 

CMYK 0 / 43 / 13 / 12

HEX #E07FC4

RGB 224 127 196

HSL 317.32, 0.61%, 0.69%

LAB 65.76, 46.58, -19.69

 

CMYK 12 / 0 / 42 / 12

HEX #C5E081

RGB 197 224 129

HSL 77.05, 0.61%, 0.69%

LAB 85.39, -23.8, 43.47

 

CMYK 43 / 0 / 22 / 12

HEX #7FE0AE

RGB 127 224 174

HSL 149.07, 0.61%, 0.69%

LAB 82.31, -39.79, 15.7

 

CMYK 31 / 43 / 0 / 12

HEX #9B7FE0

RGB 155 127 224

HSL 257.32, 0.61%, 0.69%

LAB 59.46, 31.62, -45.75

 

CMYK 0 / 43 / 21 / 12

HEX #E07FB1

RGB 224 127 177

HSL 329.07, 0.61%, 0.69%

LAB 65.12, 43.66, -9.94

 

CMYK 12 / 0 / 42 / 12

HEX #C5E081

RGB 197 224 129

HSL 77.05, 0.61%, 0.69%

LAB 85.39, -23.8, 43.47

 

CMYK 43 / 0 / 9 / 12

HEX #7FE0CB

RGB 127 224 203

HSL 167.01, 0.61%, 0.69%

LAB 82.99, -33.56, 1.35

 

CMYK 31 / 43 / 0 / 12

HEX #9B7FE0

RGB 155 127 224

HSL 257.32, 0.61%, 0.69%

LAB 59.46, 31.62, -45.75

 

CMYK 0 / 43 / 34 / 12

HEX #E07F94

RGB 224 127 148

HSL 347.01, 0.61%, 0.69%

LAB 64.29, 39.74, 5.3

 

Description

Color code: HEX #C5E081 | qconv.com Color code: HEX #C5E081 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 224 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 224 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 42 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 42% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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