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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5DB46 it is the complementary color #3A24B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5DB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5DB46 shade: #CADB41, #DBED54, #ECFF67, #FDFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5DB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5DB46 shade: #C5DB46, #B4C933, #A3B720, #92A50D and #819300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5DB46 shade: #C5DA47, #DAC847, #DAA147, #DA7947 and #DA5247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5DB46 shade: #C5DA47, #9DDA47, #75DA47, #4EDA47 and #47DA69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5DB46 shade matches the following richer shades: #C5DA47, #D1EC36 and #DEFE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5DB46 shade: #C5DA47, #B8C959, #ACB76B, #9FA57D and #93938E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5DB46 shade: #DAA047, #DAC747, #C7DA47, #A0DA47 and #78DA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5DB46 shade: #99AD22, #B7D029, #C5DA47, #D0E16A and #DAE88C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5DB46 shade: #C5DB46, #47DA78 and #B347DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5DB46 shade: #C5DB46, #47C7DA and #DA47C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5DB46 shade: #C5DB46, #47DA78, #5B47DA and #DA47A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5DB46 shade: #C5DB46, #47DAA4, #5B47DA and #DA477D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 68 / 14

HEX #C5DB46

RGB 197 219 70

HSL 68.86, 0.67%, 0.57%

LAB 83.43, -26.4, 67.36

 

Complementary color

CMYK 69 / 81 / 0 / 27

HEX #3A24B9

RGB 58 36 185

HSL 248.86, 0.67%, 0.43%

LAB 28.55, 52.62, -73.7

 

CMYK 8 / 0 / 70 / 14

HEX #CADB41

RGB 202 219 65

HSL 66.62, 0.68%, 0.56%

LAB 83.76, -24.64, 69.61

 

CMYK 8 / 0 / 65 / 7

HEX #DBED54

RGB 219 237 84

HSL 67.06, 0.81%, 0.63%

LAB 89.98, -25.31, 69.25

 

CMYK 7 / 0 / 60 / 0

HEX #ECFF67

RGB 236 255 103

HSL 67.5, 1%, 0.7%

LAB 96.13, -25.86, 68.57

 

CMYK 1 / 0 / 52 / 0

HEX #FDFF7A

RGB 253 255 122

HSL 60.9, 1%, 0.74%

LAB 97.55, -17.81, 62.38

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 10 / 0 / 68 / 14

HEX #C5DB46

RGB 197 219 70

HSL 68.86, 0.67%, 0.57%

LAB 83.43, -26.4, 67.36

 

CMYK 10 / 0 / 75 / 21

HEX #B4C933

RGB 180 201 51

HSL 68.4, 0.6%, 0.49%

LAB 77.11, -25.69, 67.42

 

CMYK 11 / 0 / 83 / 28

HEX #A3B720

RGB 163 183 32

HSL 67.95, 0.7%, 0.42%

LAB 70.7, -24.81, 66.7

 

CMYK 12 / 0 / 92 / 35

HEX #92A50D

RGB 146 165 13

HSL 67.5, 0.85%, 0.35%

LAB 64.2, -23.71, 64.7

 

CMYK 12 / 0 / 100 / 42

HEX #819300

RGB 129 147 0

HSL 67.35, 1%, 0.29%

LAB 57.59, -22.38, 60.95

 

CMYK 10 / 0 / 67 / 15

HEX #C5DA47

RGB 197 218 71

HSL 68.57, 0.67%, 0.57%

LAB 83.16, -25.86, 66.71

 

CMYK 0 / 8 / 67 / 15

HEX #DAC847

RGB 218 200 71

HSL 52.65, 0.67%, 0.57%

LAB 79.99, -8.25, 64.02

 

CMYK 0 / 26 / 67 / 15

HEX #DAA147

RGB 218 161 71

HSL 36.73, 0.67%, 0.57%

LAB 70.07, 12.23, 53.61

 

CMYK 0 / 44 / 67 / 15

HEX #DA7947

RGB 218 121 71

HSL 20.41, 0.67%, 0.57%

LAB 60.81, 33.63, 43.35

 

CMYK 0 / 62 / 67 / 15

HEX #DA5247

RGB 218 82 71

HSL 4.49, 0.67%, 0.57%

LAB 53.38, 52.62, 34.65

 

CMYK 10 / 0 / 67 / 15

HEX #C5DA47

RGB 197 218 71

HSL 68.57, 0.67%, 0.57%

LAB 83.16, -25.86, 66.71

 

CMYK 28 / 0 / 67 / 15

HEX #9DDA47

RGB 157 218 71

HSL 84.9, 0.67%, 0.57%

LAB 80.61, -41.37, 63.28

 

CMYK 46 / 0 / 67 / 15

HEX #75DA47

RGB 117 218 71

HSL 101.22, 0.67%, 0.57%

LAB 78.68, -54.77, 60.67

 

CMYK 64 / 0 / 67 / 15

HEX #4EDA47

RGB 78 218 71

HSL 117.14, 0.67%, 0.57%

LAB 77.41, -64.67, 58.94

 

CMYK 67 / 0 / 52 / 15

HEX #47DA69

RGB 71 218 105

HSL 133.88, 0.67%, 0.57%

LAB 77.58, -62.1, 44.15

 

CMYK 10 / 0 / 67 / 15

HEX #C5DA47

RGB 197 218 71

HSL 68.57, 0.67%, 0.57%

LAB 83.16, -25.86, 66.71

 

CMYK 11 / 0 / 77 / 7

HEX #D1EC36

RGB 209 236 54

HSL 68.9, 0.83%, 0.57%

LAB 88.83, -30.33, 78.07

 

CMYK 13 / 0 / 86 / 0

HEX #DEFE24

RGB 222 254 36

HSL 68.81, 0.99%, 0.57%

LAB 94.54, -33.97, 87.53

 

CMYK 10 / 0 / 67 / 15

HEX #C5DA47

RGB 197 218 71

HSL 68.57, 0.67%, 0.57%

LAB 83.16, -25.86, 66.71

 

CMYK 8 / 0 / 56 / 21

HEX #B8C959

RGB 184 201 89

HSL 69.11, 0.51%, 0.57%

LAB 77.69, -21.62, 53.04

 

CMYK 6 / 0 / 42 / 28

HEX #ACB76B

RGB 172 183 107

HSL 68.68, 0.35%, 0.57%

LAB 72.03, -15.66, 37.3

 

CMYK 4 / 0 / 24 / 35

HEX #9FA57D

RGB 159 165 125

HSL 69, 0.18%, 0.57%

LAB 66.34, -9.05, 20.07

 

CMYK 0 / 0 / 3 / 42

HEX #93938E

RGB 147 147 142

HSL 60, 0.02%, 0.57%

LAB 60.8, -0.95, 2.64

 

CMYK 0 / 27 / 67 / 15

HEX #DAA047

RGB 218 160 71

HSL 36.33, 0.67%, 0.57%

LAB 69.83, 12.77, 53.35

 

CMYK 0 / 9 / 67 / 15

HEX #DAC747

RGB 218 199 71

HSL 52.24, 0.67%, 0.57%

LAB 79.73, -7.74, 63.75

 

CMYK 9 / 0 / 67 / 15

HEX #C7DA47

RGB 199 218 71

HSL 67.76, 0.67%, 0.57%

LAB 83.31, -25.05, 66.9

 

CMYK 27 / 0 / 67 / 15

HEX #A0DA47

RGB 160 218 71

HSL 83.67, 0.67%, 0.57%

LAB 80.78, -40.26, 63.51

 

CMYK 45 / 0 / 67 / 15

HEX #78DA47

RGB 120 218 71

HSL 100, 0.67%, 0.57%

LAB 78.8, -53.86, 60.84

 

CMYK 12 / 0 / 80 / 32

HEX #99AD22

RGB 153 173 34

HSL 68.63, 0.67%, 0.41%

LAB 67.11, -24.08, 62.73

 

CMYK 12 / 0 / 80 / 18

HEX #B7D029

RGB 183 208 41

HSL 68.98, 0.67%, 0.49%

LAB 79.24, -28.2, 72.37

 

CMYK 10 / 0 / 67 / 15

HEX #C5DA47

RGB 197 218 71

HSL 68.57, 0.67%, 0.57%

LAB 83.16, -25.86, 66.71

 

CMYK 8 / 0 / 53 / 12

HEX #D0E16A

RGB 208 225 106

HSL 68.57, 0.66%, 0.65%

LAB 86.16, -22.32, 55.5

 

CMYK 6 / 0 / 40 / 9

HEX #DAE88C

RGB 218 232 140

HSL 69.13, 0.67%, 0.73%

LAB 89.16, -18.49, 43.15

 

CMYK 10 / 0 / 68 / 14

HEX #C5DB46

RGB 197 219 70

HSL 68.86, 0.67%, 0.57%

LAB 83.43, -26.4, 67.36

 

CMYK 67 / 0 / 45 / 15

HEX #47DA78

RGB 71 218 120

HSL 140, 0.67%, 0.57%

LAB 77.78, -59.83, 37.08

 

CMYK 18 / 67 / 0 / 15

HEX #B347DA

RGB 179 71 218

HSL 284.08, 0.67%, 0.57%

LAB 50.86, 64.97, -55.89

 

CMYK 10 / 0 / 68 / 14

HEX #C5DB46

RGB 197 219 70

HSL 68.86, 0.67%, 0.57%

LAB 83.43, -26.4, 67.36

 

CMYK 67 / 9 / 0 / 15

HEX #47C7DA

RGB 71 199 218

HSL 187.76, 0.67%, 0.57%

LAB 74.35, -28.75, -19.73

 

CMYK 0 / 67 / 9 / 15

HEX #DA47C7

RGB 218 71 199

HSL 307.76, 0.67%, 0.57%

LAB 55.62, 70.54, -37.13

 

CMYK 10 / 0 / 68 / 14

HEX #C5DB46

RGB 197 219 70

HSL 68.86, 0.67%, 0.57%

LAB 83.43, -26.4, 67.36

 

CMYK 67 / 0 / 45 / 15

HEX #47DA78

RGB 71 218 120

HSL 140, 0.67%, 0.57%

LAB 77.78, -59.83, 37.08

 

CMYK 58 / 67 / 0 / 15

HEX #5B47DA

RGB 91 71 218

HSL 248.16, 0.67%, 0.57%

LAB 40.88, 48.3, -72.54

 

CMYK 0 / 67 / 22 / 15

HEX #DA47A9

RGB 218 71 169

HSL 320, 0.67%, 0.57%

LAB 54.32, 66.3, -21.78

 

CMYK 10 / 0 / 68 / 14

HEX #C5DB46

RGB 197 219 70

HSL 68.86, 0.67%, 0.57%

LAB 83.43, -26.4, 67.36

 

CMYK 67 / 0 / 25 / 15

HEX #47DAA4

RGB 71 218 164

HSL 157.96, 0.67%, 0.57%

LAB 78.56, -51.35, 15.43

 

CMYK 58 / 67 / 0 / 15

HEX #5B47DA

RGB 91 71 218

HSL 248.16, 0.67%, 0.57%

LAB 40.88, 48.3, -72.54

 

CMYK 0 / 67 / 43 / 15

HEX #DA477D

RGB 218 71 125

HSL 337.96, 0.67%, 0.57%

LAB 52.83, 61.24, 2.04

 

Description

Color code: HEX #C5DB46 | qconv.com Color code: HEX #C5DB46 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 219 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 219 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 68 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 68% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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