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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5DA9F it is the complementary color #3A2560. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5DA9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5DA9F shade: #CADA9A, #DBECAD, #ECFEC0, #FDFFD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5DA9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5DA9F shade: #C5DA9F, #B4C88C, #A3B679, #92A466 and #819253

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5DA9F shade: #C5D99F, #D4D99F, #D9CF9F, #D9BF9F and #D9AF9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5DA9F shade: #C5D99F, #B5D99F, #A5D99F, #9FD9A9 and #9FD9B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5DA9F shade matches the following richer shades: #C5D99F, #C8E494, #CBEF8A and #CEFA7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5DA9F shade: #C5D99F, #C2CFAA, #BEC4B4, #BBB9BF and #B8AECA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5DA9F shade: #D9CF9F, #D5D99F, #C5D99F, #B5D99F and #A6D99F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5DA9F shade: #A1C264, #B3CE81, #C5D99F, #D7E5BD and #E9F0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5DA9F shade: #C5DA9F, #9FD9BF and #D69FD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5DA9F shade: #C5DA9F, #9FC5D9 and #D99FC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5DA9F shade: #C5DA9F, #9FD9BF, #B39FD9 and #D99FB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5DA9F shade: #C5DA9F, #9FD9D1, #B39FD9 and #D99FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 27 / 15

HEX #C5DA9F

RGB 197 218 159

HSL 81.36, 0.44%, 0.74%

LAB 84.23, -17.02, 26.78

 

Complementary color

CMYK 40 / 61 / 0 / 62

HEX #3A2560

RGB 58 37 96

HSL 261.36, 0.44%, 0.26%

LAB 20.31, 24.61, -31.71

 

CMYK 7 / 0 / 29 / 15

HEX #CADA9A

RGB 202 218 154

HSL 75, 0.46%, 0.73%

LAB 84.5, -15.88, 29.78

 

CMYK 7 / 0 / 27 / 7

HEX #DBECAD

RGB 219 236 173

HSL 76.19, 0.62%, 0.8%

LAB 90.81, -15.95, 28.75

 

CMYK 7 / 0 / 24 / 0

HEX #ECFEC0

RGB 236 254 192

HSL 77.42, 0.97%, 0.87%

LAB 97.03, -16.02, 27.76

 

CMYK 1 / 0 / 17 / 0

HEX #FDFFD3

RGB 253 255 211

HSL 62.73, 1%, 0.91%

LAB 98.87, -7.76, 20.85

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 10 / 0 / 27 / 15

HEX #C5DA9F

RGB 197 218 159

HSL 81.36, 0.44%, 0.74%

LAB 84.23, -17.02, 26.78

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 10 / 0 / 34 / 29

HEX #A3B679

RGB 163 182 121

HSL 78.69, 0.29%, 0.59%

LAB 71.3, -16.94, 28.94

 

CMYK 11 / 0 / 38 / 36

HEX #92A466

RGB 146 164 102

HSL 77.42, 0.25%, 0.52%

LAB 64.66, -16.86, 30.1

 

CMYK 12 / 0 / 43 / 43

HEX #819253

RGB 129 146 83

HSL 76.19, 0.28%, 0.45%

LAB 57.89, -16.75, 31.32

 

CMYK 9 / 0 / 27 / 15

HEX #C5D99F

RGB 197 217 159

HSL 80.69, 0.43%, 0.74%

LAB 83.97, -16.52, 26.42

 

CMYK 2 / 0 / 27 / 15

HEX #D4D99F

RGB 212 217 159

HSL 65.17, 0.43%, 0.74%

LAB 85.06, -10.97, 28.08

 

CMYK 0 / 5 / 27 / 15

HEX #D9CF9F

RGB 217 207 159

HSL 49.66, 0.43%, 0.74%

LAB 82.85, -3.97, 25.15

 

CMYK 0 / 12 / 27 / 15

HEX #D9BF9F

RGB 217 191 159

HSL 33.1, 0.43%, 0.74%

LAB 78.76, 4.39, 19.54

 

CMYK 0 / 19 / 27 / 15

HEX #D9AF9F

RGB 217 175 159

HSL 16.55, 0.43%, 0.74%

LAB 74.77, 12.92, 13.98

 

CMYK 9 / 0 / 27 / 15

HEX #C5D99F

RGB 197 217 159

HSL 80.69, 0.43%, 0.74%

LAB 83.97, -16.52, 26.42

 

CMYK 17 / 0 / 27 / 15

HEX #B5D99F

RGB 181 217 159

HSL 97.24, 0.43%, 0.74%

LAB 82.89, -22.27, 24.77

 

CMYK 24 / 0 / 27 / 15

HEX #A5D99F

RGB 165 217 159

HSL 113.79, 0.43%, 0.74%

LAB 81.91, -27.79, 23.27

 

CMYK 27 / 0 / 22 / 15

HEX #9FD9A9

RGB 159 217 169

HSL 130.34, 0.43%, 0.74%

LAB 81.76, -28.05, 17.78

 

CMYK 27 / 0 / 15 / 15

HEX #9FD9B8

RGB 159 217 184

HSL 145.86, 0.43%, 0.74%

LAB 82.09, -25.27, 10.32

 

CMYK 9 / 0 / 27 / 15

HEX #C5D99F

RGB 197 217 159

HSL 80.69, 0.43%, 0.74%

LAB 83.97, -16.52, 26.42

 

CMYK 12 / 0 / 35 / 11

HEX #C8E494

RGB 200 228 148

HSL 81, 0.6%, 0.74%

LAB 86.95, -22.33, 36.06

 

CMYK 15 / 0 / 42 / 6

HEX #CBEF8A

RGB 203 239 138

HSL 81.39, 0.76%, 0.74%

LAB 89.98, -27.7, 44.95

 

CMYK 18 / 0 / 49 / 2

HEX #CEFA7F

RGB 206 250 127

HSL 81.46, 0.92%, 0.74%

LAB 93.03, -32.91, 53.96

 

CMYK 9 / 0 / 27 / 15

HEX #C5D99F

RGB 197 217 159

HSL 80.69, 0.43%, 0.74%

LAB 83.97, -16.52, 26.42

 

CMYK 6 / 0 / 18 / 19

HEX #C2CFAA

RGB 194 207 170

HSL 81.08, 0.28%, 0.74%

LAB 81.29, -10.9, 16.93

 

CMYK 3 / 0 / 8 / 23

HEX #BEC4B4

RGB 190 196 180

HSL 82.5, 0.12%, 0.74%

LAB 78.3, -4.96, 7.31

 

CMYK 2 / 3 / 0 / 25

HEX #BBB9BF

RGB 187 185 191

HSL 260, 0.04%, 0.74%

LAB 75.47, 1.83, -2.79

 

CMYK 9 / 14 / 0 / 21

HEX #B8AECA

RGB 184 174 202

HSL 261.43, 0.21%, 0.74%

LAB 72.71, 8.94, -12.92

 

CMYK 0 / 5 / 27 / 15

HEX #D9CF9F

RGB 217 207 159

HSL 49.66, 0.43%, 0.74%

LAB 82.85, -3.97, 25.15

 

CMYK 2 / 0 / 27 / 15

HEX #D5D99F

RGB 213 217 159

HSL 64.14, 0.43%, 0.74%

LAB 85.14, -10.59, 28.2

 

CMYK 9 / 0 / 27 / 15

HEX #C5D99F

RGB 197 217 159

HSL 80.69, 0.43%, 0.74%

LAB 83.97, -16.52, 26.42

 

CMYK 17 / 0 / 27 / 15

HEX #B5D99F

RGB 181 217 159

HSL 97.24, 0.43%, 0.74%

LAB 82.89, -22.27, 24.77

 

CMYK 24 / 0 / 27 / 15

HEX #A6D99F

RGB 166 217 159

HSL 112.76, 0.43%, 0.74%

LAB 81.97, -27.45, 23.36

 

CMYK 17 / 0 / 48 / 24

HEX #A1C264

RGB 161 194 100

HSL 81.06, 0.44%, 0.58%

LAB 74.24, -26.24, 43.37

 

CMYK 13 / 0 / 37 / 19

HEX #B3CE81

RGB 179 206 129

HSL 81.04, 0.44%, 0.66%

LAB 79.22, -21.82, 35.36

 

CMYK 9 / 0 / 27 / 15

HEX #C5D99F

RGB 197 217 159

HSL 80.69, 0.43%, 0.74%

LAB 83.97, -16.52, 26.42

 

CMYK 6 / 0 / 17 / 10

HEX #D7E5BD

RGB 215 229 189

HSL 81, 0.43%, 0.82%

LAB 89, -11.54, 17.96

 

CMYK 3 / 0 / 9 / 6

HEX #E9F0DA

RGB 233 240 218

HSL 79.09, 0.42%, 0.9%

LAB 93.76, -6.13, 9.82

 

CMYK 10 / 0 / 27 / 15

HEX #C5DA9F

RGB 197 218 159

HSL 81.36, 0.44%, 0.74%

LAB 84.23, -17.02, 26.78

 

CMYK 27 / 0 / 12 / 15

HEX #9FD9BF

RGB 159 217 191

HSL 153.1, 0.43%, 0.74%

LAB 82.25, -23.89, 6.84

 

CMYK 1 / 27 / 0 / 15

HEX #D69FD9

RGB 214 159 217

HSL 296.9, 0.43%, 0.74%

LAB 72.3, 30.06, -21.51

 

CMYK 10 / 0 / 27 / 15

HEX #C5DA9F

RGB 197 218 159

HSL 81.36, 0.44%, 0.74%

LAB 84.23, -17.02, 26.78

 

CMYK 27 / 9 / 0 / 15

HEX #9FC5D9

RGB 159 197 217

HSL 200.69, 0.43%, 0.74%

LAB 77.47, -8.08, -14.12

 

CMYK 0 / 27 / 9 / 15

HEX #D99FC5

RGB 217 159 197

HSL 320.69, 0.43%, 0.74%

LAB 71.95, 27.46, -11

 

CMYK 10 / 0 / 27 / 15

HEX #C5DA9F

RGB 197 218 159

HSL 81.36, 0.44%, 0.74%

LAB 84.23, -17.02, 26.78

 

CMYK 27 / 0 / 12 / 15

HEX #9FD9BF

RGB 159 217 191

HSL 153.1, 0.43%, 0.74%

LAB 82.25, -23.89, 6.84

 

CMYK 18 / 27 / 0 / 15

HEX #B39FD9

RGB 179 159 217

HSL 260.69, 0.43%, 0.74%

LAB 69.03, 18.84, -26.79

 

CMYK 0 / 27 / 15 / 15

HEX #D99FB9

RGB 217 159 185

HSL 333.1, 0.43%, 0.74%

LAB 71.59, 25.47, -4.9

 

CMYK 10 / 0 / 27 / 15

HEX #C5DA9F

RGB 197 218 159

HSL 81.36, 0.44%, 0.74%

LAB 84.23, -17.02, 26.78

 

CMYK 27 / 0 / 4 / 15

HEX #9FD9D1

RGB 159 217 209

HSL 171.72, 0.43%, 0.74%

LAB 82.7, -20.14, -2.07

 

CMYK 18 / 27 / 0 / 15

HEX #B39FD9

RGB 179 159 217

HSL 260.69, 0.43%, 0.74%

LAB 69.03, 18.84, -26.79

 

CMYK 0 / 27 / 23 / 15

HEX #D99FA8

RGB 217 159 168

HSL 350.69, 0.43%, 0.74%

LAB 71.13, 22.84, 3.84

 

Description

Color code: HEX #C5DA9F | qconv.com Color code: HEX #C5DA9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 218 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 218 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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