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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D874 it is the complementary color #3A278B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D874 shade: #CAD86F, #DBEA82, #ECFC95, #FDFFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D874 shade: #C5D874, #B4C661, #A3B44E, #92A23B and #819028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D874 shade: #C4D773, #D7CF73, #D7B473, #D79973 and #D77E73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D874 shade: #C4D773, #A9D773, #8ED773, #73D773 and #73D78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D874 shade matches the following richer shades: #C4D773, #CDE665 and #D6F456

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D874 shade: #C4D773, #BBC982, #B2BA90, #A9AC9F and #A09DAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D874 shade: #D7B473, #D7CF73, #C5D773, #AAD773 and #90D773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D874 shade: #A7C236, #B7CE53, #C4D773, #D2E093 and #DFE9B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D874 shade: #C5D874, #73D79A and #C273D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D874 shade: #C5D874, #73C5D7 and #D773C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D874 shade: #C5D874, #73D79A, #8673D7 and #D773B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D874 shade: #C5D874, #73D7B8, #8673D7 and #D77393

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 46 / 15

HEX #C5D874

RGB 197 216 116

HSL 71.4, 0.56%, 0.65%

LAB 83.04, -21.31, 46.9

 

Complementary color

CMYK 58 / 72 / 0 / 45

HEX #3A278B

RGB 58 39 139

HSL 251.4, 0.56%, 0.35%

LAB 24.37, 36.88, -52.64

 

CMYK 6 / 0 / 49 / 15

HEX #CAD86F

RGB 202 216 111

HSL 68, 0.57%, 0.64%

LAB 83.35, -19.85, 49.75

 

CMYK 6 / 0 / 44 / 8

HEX #DBEA82

RGB 219 234 130

HSL 68.65, 0.71%, 0.71%

LAB 89.63, -20.14, 48.62

 

CMYK 6 / 0 / 41 / 1

HEX #ECFC95

RGB 236 252 149

HSL 69.32, 0.94%, 0.79%

LAB 95.84, -20.39, 47.48

 

CMYK 1 / 0 / 34 / 0

HEX #FDFFA8

RGB 253 255 168

HSL 61.38, 1%, 0.83%

LAB 98.13, -13.36, 41.41

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 9 / 0 / 46 / 15

HEX #C5D874

RGB 197 216 116

HSL 71.4, 0.56%, 0.65%

LAB 83.04, -21.31, 46.9

 

CMYK 9 / 0 / 51 / 22

HEX #B4C661

RGB 180 198 97

HSL 70.69, 0.47%, 0.58%

LAB 76.65, -21.03, 48.03

 

CMYK 9 / 0 / 57 / 29

HEX #A3B44E

RGB 163 180 78

HSL 70, 0.4%, 0.51%

LAB 70.16, -20.67, 49.1

 

CMYK 10 / 0 / 64 / 36

HEX #92A23B

RGB 146 162 59

HSL 69.32, 0.47%, 0.43%

LAB 63.56, -20.2, 50

 

CMYK 10 / 0 / 72 / 44

HEX #819028

RGB 129 144 40

HSL 68.65, 0.57%, 0.36%

LAB 56.85, -19.56, 50.5

 

CMYK 9 / 0 / 47 / 16

HEX #C4D773

RGB 196 215 115

HSL 71.4, 0.56%, 0.65%

LAB 82.69, -21.32, 46.93

 

CMYK 0 / 4 / 47 / 16

HEX #D7CF73

RGB 215 207 115

HSL 55.2, 0.56%, 0.65%

LAB 82.01, -9.78, 46.44

 

CMYK 0 / 16 / 47 / 16

HEX #D7B473

RGB 215 180 115

HSL 39, 0.56%, 0.65%

LAB 75.03, 4.24, 37.76

 

CMYK 0 / 29 / 47 / 16

HEX #D79973

RGB 215 153 115

HSL 22.8, 0.56%, 0.65%

LAB 68.36, 18.74, 29.16

 

CMYK 0 / 41 / 47 / 16

HEX #D77E73

RGB 215 126 115

HSL 6.6, 0.56%, 0.65%

LAB 62.17, 33.25, 20.92

 

CMYK 9 / 0 / 47 / 16

HEX #C4D773

RGB 196 215 115

HSL 71.4, 0.56%, 0.65%

LAB 82.69, -21.32, 46.93

 

CMYK 21 / 0 / 47 / 16

HEX #A9D773

RGB 169 215 115

HSL 87.6, 0.56%, 0.65%

LAB 80.89, -31.56, 44.32

 

CMYK 34 / 0 / 47 / 16

HEX #8ED773

RGB 142 215 115

HSL 103.8, 0.56%, 0.65%

LAB 79.38, -41.01, 42.11

 

CMYK 47 / 0 / 47 / 16

HEX #73D773

RGB 115 215 115

HSL 120, 0.56%, 0.65%

LAB 78.16, -49.31, 40.32

 

CMYK 47 / 0 / 34 / 16

HEX #73D78E

RGB 115 215 142

HSL 136.2, 0.56%, 0.65%

LAB 78.58, -45.05, 27.19

 

CMYK 9 / 0 / 47 / 16

HEX #C4D773

RGB 196 215 115

HSL 71.4, 0.56%, 0.65%

LAB 82.69, -21.32, 46.93

 

CMYK 11 / 0 / 56 / 10

HEX #CDE665

RGB 205 230 101

HSL 71.63, 0.72%, 0.65%

LAB 87.25, -26.31, 58.94

 

CMYK 12 / 0 / 65 / 4

HEX #D6F456

RGB 214 244 86

HSL 71.39, 0.88%, 0.65%

LAB 91.54, -30.44, 69.99

 

CMYK 9 / 0 / 47 / 16

HEX #C4D773

RGB 196 215 115

HSL 71.4, 0.56%, 0.65%

LAB 82.69, -21.32, 46.93

 

CMYK 7 / 0 / 35 / 21

HEX #BBC982

RGB 187 201 130

HSL 71.83, 0.4%, 0.65%

LAB 78.43, -16.16, 33.93

 

CMYK 4 / 0 / 23 / 27

HEX #B2BA90

RGB 178 186 144

HSL 71.43, 0.23%, 0.65%

LAB 73.93, -9.99, 20.41

 

CMYK 2 / 0 / 8 / 33

HEX #A9AC9F

RGB 169 172 159

HSL 73.85, 0.07%, 0.65%

LAB 69.78, -3.45, 6.31

 

CMYK 8 / 9 / 0 / 32

HEX #A09DAD

RGB 160 157 173

HSL 251.25, 0.09%, 0.65%

LAB 65.44, 4.24, -7.92

 

CMYK 0 / 16 / 47 / 16

HEX #D7B473

RGB 215 180 115

HSL 39, 0.56%, 0.65%

LAB 75.03, 4.24, 37.76

 

CMYK 0 / 4 / 47 / 16

HEX #D7CF73

RGB 215 207 115

HSL 55.2, 0.56%, 0.65%

LAB 82.01, -9.78, 46.44

 

CMYK 8 / 0 / 47 / 16

HEX #C5D773

RGB 197 215 115

HSL 70.8, 0.56%, 0.65%

LAB 82.76, -20.93, 47.04

 

CMYK 21 / 0 / 47 / 16

HEX #AAD773

RGB 170 215 115

HSL 87, 0.56%, 0.65%

LAB 80.95, -31.19, 44.41

 

CMYK 33 / 0 / 47 / 16

HEX #90D773

RGB 144 215 115

HSL 102.6, 0.56%, 0.65%

LAB 79.48, -40.34, 42.26

 

CMYK 14 / 0 / 72 / 24

HEX #A7C236

RGB 167 194 54

HSL 71.57, 0.56%, 0.49%

LAB 74.23, -27.52, 63.33

 

CMYK 11 / 0 / 60 / 19

HEX #B7CE53

RGB 183 206 83

HSL 71.22, 0.56%, 0.57%

LAB 78.95, -24.93, 57.09

 

CMYK 9 / 0 / 47 / 16

HEX #C4D773

RGB 196 215 115

HSL 71.4, 0.56%, 0.65%

LAB 82.69, -21.32, 46.93

 

CMYK 6 / 0 / 34 / 12

HEX #D2E093

RGB 210 224 147

HSL 70.91, 0.55%, 0.73%

LAB 86.56, -16.77, 36.19

 

CMYK 4 / 0 / 23 / 9

HEX #DFE9B4

RGB 223 233 180

HSL 71.32, 0.55%, 0.81%

LAB 90.44, -12.03, 24.7

 

CMYK 9 / 0 / 46 / 15

HEX #C5D874

RGB 197 216 116

HSL 71.4, 0.56%, 0.65%

LAB 83.04, -21.31, 46.9

 

CMYK 47 / 0 / 28 / 16

HEX #73D79A

RGB 115 215 154

HSL 143.4, 0.56%, 0.65%

LAB 78.8, -42.86, 21.23

 

CMYK 10 / 47 / 0 / 16

HEX #C273D7

RGB 194 115 215

HSL 287.4, 0.56%, 0.65%

LAB 60.46, 47.13, -38.85

 

CMYK 9 / 0 / 46 / 15

HEX #C5D874

RGB 197 216 116

HSL 71.4, 0.56%, 0.65%

LAB 83.04, -21.31, 46.9

 

CMYK 47 / 8 / 0 / 16

HEX #73C5D7

RGB 115 197 215

HSL 190.8, 0.56%, 0.65%

LAB 75.13, -20.29, -16.78

 

CMYK 0 / 47 / 8 / 16

HEX #D773C5

RGB 215 115 197

HSL 310.8, 0.56%, 0.65%

LAB 62.29, 50.03, -25.67

 

CMYK 9 / 0 / 46 / 15

HEX #C5D874

RGB 197 216 116

HSL 71.4, 0.56%, 0.65%

LAB 83.04, -21.31, 46.9

 

CMYK 47 / 0 / 28 / 16

HEX #73D79A

RGB 115 215 154

HSL 143.4, 0.56%, 0.65%

LAB 78.8, -42.86, 21.23

 

CMYK 38 / 47 / 0 / 16

HEX #8673D7

RGB 134 115 215

HSL 251.4, 0.56%, 0.65%

LAB 54.28, 30.68, -49.03

 

CMYK 0 / 47 / 18 / 16

HEX #D773B1

RGB 215 115 177

HSL 322.8, 0.56%, 0.65%

LAB 61.55, 46.83, -15.42

 

CMYK 9 / 0 / 46 / 15

HEX #C5D874

RGB 197 216 116

HSL 71.4, 0.56%, 0.65%

LAB 83.04, -21.31, 46.9

 

CMYK 47 / 0 / 14 / 16

HEX #73D7B8

RGB 115 215 184

HSL 161.4, 0.56%, 0.65%

LAB 79.45, -36.64, 6.26

 

CMYK 38 / 47 / 0 / 16

HEX #8673D7

RGB 134 115 215

HSL 251.4, 0.56%, 0.65%

LAB 54.28, 30.68, -49.03

 

CMYK 0 / 47 / 32 / 16

HEX #D77393

RGB 215 115 147

HSL 340.8, 0.56%, 0.65%

LAB 60.62, 42.63, 0.4

 

Description

Color code: HEX #C5D874 | qconv.com Color code: HEX #C5D874 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 216 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 216 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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