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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D788 it is the complementary color #3A2877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D788 shade: #CAD783, #DBE996, #ECFBA9, #FDFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D788 shade: #C5D788, #B4C575, #A3B362, #92A14F and #818F3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D788 shade: #C5D788, #D7D488, #D7BE88, #D7A988 and #D79488

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D788 shade: #C5D788, #B0D788, #9AD788, #88D78B and #88D7A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D788 shade matches the following richer shades: #C5D788, #CCE47B, #D3F16E and #DAFD62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D788 shade: #C5D788, #BECA95, #B7BDA2, #B0B1AE and #A9A4BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D788 shade: #D7BE88, #D7D388, #C6D788, #B1D788 and #9CD788

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D788 shade: #A7C24A, #B6CD69, #C5D788, #D4E1A7 and #E3ECC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D788 shade: #C5D788, #88D7A9 and #C888D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D788 shade: #C5D788, #88C6D7 and #D788C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D788 shade: #C5D788, #88D7A9, #9988D7 and #D788B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D788 shade: #C5D788, #88D7C1, #9988D7 and #D7889E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

Complementary color

CMYK 51 / 66 / 0 / 53

HEX #3A2877

RGB 58 40 119

HSL 253.67, 0.5%, 0.31%

LAB 22.82, 29.88, -42.56

 

CMYK 6 / 0 / 39 / 16

HEX #CAD783

RGB 202 215 131

HSL 69.29, 0.51%, 0.68%

LAB 83.33, -17.26, 39.96

 

CMYK 6 / 0 / 36 / 9

HEX #DBE996

RGB 219 233 150

HSL 70.12, 0.65%, 0.75%

LAB 89.65, -17.45, 38.82

 

CMYK 6 / 0 / 33 / 2

HEX #ECFBA9

RGB 236 251 169

HSL 70.98, 0.91%, 0.82%

LAB 95.87, -17.6, 37.73

 

CMYK 1 / 0 / 26 / 0

HEX #FDFFBC

RGB 253 255 188

HSL 61.79, 1%, 0.87%

LAB 98.45, -10.93, 31.89

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 9 / 0 / 41 / 23

HEX #B4C575

RGB 180 197 117

HSL 72.75, 0.41%, 0.62%

LAB 76.63, -18.43, 38.15

 

CMYK 9 / 0 / 45 / 30

HEX #A3B362

RGB 163 179 98

HSL 71.85, 0.35%, 0.54%

LAB 70.11, -18.23, 39.34

 

CMYK 9 / 0 / 51 / 37

HEX #92A14F

RGB 146 161 79

HSL 70.98, 0.34%, 0.47%

LAB 63.48, -17.97, 40.52

 

CMYK 10 / 0 / 58 / 44

HEX #818F3C

RGB 129 143 60

HSL 70.12, 0.41%, 0.4%

LAB 56.72, -17.6, 41.64

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 0 / 1 / 37 / 16

HEX #D7D488

RGB 215 212 136

HSL 57.72, 0.5%, 0.69%

LAB 83.61, -10.14, 37.99

 

CMYK 0 / 12 / 37 / 16

HEX #D7BE88

RGB 215 190 136

HSL 41.01, 0.5%, 0.69%

LAB 77.91, 1.22, 30.55

 

CMYK 0 / 21 / 37 / 16

HEX #D7A988

RGB 215 169 136

HSL 25.06, 0.5%, 0.69%

LAB 72.63, 12.4, 23.48

 

CMYK 0 / 31 / 37 / 16

HEX #D79488

RGB 215 148 136

HSL 9.11, 0.5%, 0.69%

LAB 67.58, 23.75, 16.55

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 18 / 0 / 37 / 16

HEX #B0D788

RGB 176 215 136

HSL 89.62, 0.5%, 0.69%

LAB 81.62, -26.4, 34.88

 

CMYK 28 / 0 / 37 / 16

HEX #9AD788

RGB 154 215 136

HSL 106.33, 0.5%, 0.69%

LAB 80.32, -34.12, 32.92

 

CMYK 37 / 0 / 35 / 16

HEX #88D78B

RGB 136 215 139

HSL 122.28, 0.5%, 0.69%

LAB 79.44, -39.48, 30.06

 

CMYK 37 / 0 / 26 / 16

HEX #88D7A0

RGB 136 215 160

HSL 138.23, 0.5%, 0.69%

LAB 79.83, -35.87, 19.64

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 11 / 0 / 46 / 11

HEX #CCE47B

RGB 204 228 123

HSL 73.71, 0.66%, 0.69%

LAB 86.88, -23.72, 48.34

 

CMYK 12 / 0 / 54 / 5

HEX #D3F16E

RGB 211 241 110

HSL 73.74, 0.82%, 0.69%

LAB 90.73, -28.43, 59.04

 

CMYK 14 / 0 / 61 / 1

HEX #DAFD62

RGB 218 253 98

HSL 73.55, 0.97%, 0.69%

LAB 94.33, -32.25, 68.29

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 6 / 0 / 26 / 21

HEX #BECA95

RGB 190 202 149

HSL 73.58, 0.33%, 0.69%

LAB 79.25, -12.98, 25.16

 

CMYK 3 / 0 / 14 / 26

HEX #B7BDA2

RGB 183 189 162

HSL 73.33, 0.17%, 0.69%

LAB 75.5, -6.86, 12.95

 

CMYK 1 / 0 / 2 / 31

HEX #B0B1AE

RGB 176 177 174

HSL 80, 0.02%, 0.69%

LAB 72.05, -0.91, 1.4

 

CMYK 10 / 12 / 0 / 27

HEX #A9A4BB

RGB 169 164 187

HSL 253.04, 0.14%, 0.69%

LAB 68.44, 6.32, -11.17

 

CMYK 0 / 12 / 37 / 16

HEX #D7BE88

RGB 215 190 136

HSL 41.01, 0.5%, 0.69%

LAB 77.91, 1.22, 30.55

 

CMYK 0 / 2 / 37 / 16

HEX #D7D388

RGB 215 211 136

HSL 56.96, 0.5%, 0.69%

LAB 83.34, -9.63, 37.65

 

CMYK 8 / 0 / 37 / 16

HEX #C6D788

RGB 198 215 136

HSL 72.91, 0.5%, 0.69%

LAB 83.12, -18.2, 37.11

 

CMYK 18 / 0 / 37 / 16

HEX #B1D788

RGB 177 215 136

HSL 88.86, 0.5%, 0.69%

LAB 81.69, -26.03, 34.97

 

CMYK 27 / 0 / 37 / 16

HEX #9CD788

RGB 156 215 136

HSL 104.81, 0.5%, 0.69%

LAB 80.43, -33.44, 33.09

 

CMYK 14 / 0 / 62 / 24

HEX #A7C24A

RGB 167 194 74

HSL 73.5, 0.5%, 0.53%

LAB 74.38, -26.24, 55.64

 

CMYK 11 / 0 / 49 / 20

HEX #B6CD69

RGB 182 205 105

HSL 73.8, 0.5%, 0.61%

LAB 78.83, -22.91, 46.84

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 6 / 0 / 26 / 12

HEX #D4E1A7

RGB 212 225 167

HSL 73.45, 0.49%, 0.77%

LAB 87.31, -13.89, 26.99

 

CMYK 4 / 0 / 16 / 7

HEX #E3ECC6

RGB 227 236 198

HSL 74.21, 0.5%, 0.85%

LAB 91.86, -9.42, 17.43

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 37 / 0 / 21 / 16

HEX #88D7A9

RGB 136 215 169

HSL 145.06, 0.5%, 0.69%

LAB 80.01, -34.17, 15.15

 

CMYK 7 / 37 / 0 / 16

HEX #C888D7

RGB 200 136 215

HSL 288.61, 0.5%, 0.69%

LAB 65.59, 37.71, -30.82

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 37 / 8 / 0 / 16

HEX #88C6D7

RGB 136 198 215

HSL 192.91, 0.5%, 0.69%

LAB 76.39, -15.56, -14.78

 

CMYK 0 / 37 / 8 / 16

HEX #D788C6

RGB 215 136 198

HSL 312.91, 0.5%, 0.69%

LAB 66.62, 39.32, -19.6

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 37 / 0 / 21 / 16

HEX #88D7A9

RGB 136 215 169

HSL 145.06, 0.5%, 0.69%

LAB 80.01, -34.17, 15.15

 

CMYK 29 / 37 / 0 / 16

HEX #9988D7

RGB 153 136 215

HSL 252.91, 0.5%, 0.69%

LAB 61.03, 23.61, -38.25

 

CMYK 0 / 37 / 15 / 16

HEX #D788B6

RGB 215 136 182

HSL 325.06, 0.5%, 0.69%

LAB 66.08, 36.67, -11.44

 

CMYK 8 / 0 / 37 / 16

HEX #C5D788

RGB 197 215 136

HSL 73.67, 0.5%, 0.69%

LAB 83.05, -18.58, 37

 

CMYK 37 / 0 / 10 / 16

HEX #88D7C1

RGB 136 215 193

HSL 163.29, 0.5%, 0.69%

LAB 80.56, -29.2, 3.19

 

CMYK 29 / 37 / 0 / 16

HEX #9988D7

RGB 153 136 215

HSL 252.91, 0.5%, 0.69%

LAB 61.03, 23.61, -38.25

 

CMYK 0 / 37 / 27 / 16

HEX #D7889E

RGB 215 136 158

HSL 343.29, 0.5%, 0.69%

LAB 65.38, 33.08, 1.06

 

Description

Color code: HEX #C5D788 | qconv.com Color code: HEX #C5D788 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 215 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 215 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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