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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D524 it is the complementary color #3A2ADB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D524. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D524 shade: #CAD51F, #DBE732, #ECF945, #FDFF58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D524. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D524 shade: #C5D524, #B4C311, #A3B100, #929F00 and #818D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D524 shade: #C5D524, #D5B524, #D58524, #D55624 and #D52624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D524 shade: #C5D524, #95D524, #65D524, #36D524 and #24D542

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D524 shade matches the following richer shades: #C5D524 and #D6E910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D524 shade: #C5D524, #B5C138, #A4AD4C, #939960 and #838475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D524 shade: #D58524, #D5B524, #C6D524, #97D524 and #68D524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D524 shade: #848F18, #A5B21E, #C5D524, #D1DF43 and #D9E567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D524 shade: #C5D524, #24D556 and #9D24D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D524 shade: #C5D524, #24C6D5 and #D524C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D524 shade: #C5D524, #24D556, #3324D5 and #D524A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D524 shade: #C5D524, #24D58B, #3324D5 and #D5246E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

Complementary color

CMYK 74 / 81 / 0 / 14

HEX #3A2ADB

RGB 58 42 219

HSL 245.42, 0.71%, 0.51%

LAB 33.29, 59.9, -85.72

 

CMYK 5 / 0 / 85 / 16

HEX #CAD51F

RGB 202 213 31

HSL 63.63, 0.75%, 0.48%

LAB 81.97, -23.02, 77.57

 

CMYK 5 / 0 / 78 / 9

HEX #DBE732

RGB 219 231 50

HSL 63.98, 0.79%, 0.55%

LAB 88.18, -24.07, 78.86

 

CMYK 5 / 0 / 72 / 2

HEX #ECF945

RGB 236 249 69

HSL 64.33, 0.94%, 0.62%

LAB 94.32, -24.96, 79.3

 

CMYK 1 / 0 / 65 / 0

HEX #FDFF58

RGB 253 255 88

HSL 60.72, 1%, 0.67%

LAB 97.27, -20.06, 76.03

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 8 / 0 / 91 / 24

HEX #B4C311

RGB 180 195 17

HSL 65.06, 0.84%, 0.42%

LAB 75.31, -23.83, 73.95

 

CMYK 8 / 0 / 100 / 31

HEX #A3B100

RGB 163 177 0

HSL 64.75, 1%, 0.35%

LAB 68.92, -22.5, 70.53

 

CMYK 8 / 0 / 100 / 38

HEX #929F00

RGB 146 159 0

HSL 64.91, 1%, 0.31%

LAB 62.43, -20.92, 65.13

 

CMYK 9 / 0 / 100 / 45

HEX #818D00

RGB 129 141 0

HSL 65.11, 1%, 0.28%

LAB 55.8, -19.32, 59.62

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 0 / 15 / 83 / 16

HEX #D5B524

RGB 213 181 36

HSL 49.15, 0.71%, 0.49%

LAB 74.39, -2.02, 70.48

 

CMYK 0 / 38 / 83 / 16

HEX #D58524

RGB 213 133 36

HSL 32.88, 0.71%, 0.49%

LAB 62.55, 23.68, 60.36

 

CMYK 0 / 60 / 83 / 16

HEX #D55624

RGB 213 86 36

HSL 16.95, 0.71%, 0.49%

LAB 52.87, 47.63, 51.87

 

CMYK 0 / 82 / 83 / 16

HEX #D52624

RGB 213 38 36

HSL 0.68, 0.71%, 0.49%

LAB 46.52, 64.97, 46.13

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 30 / 0 / 83 / 16

HEX #95D524

RGB 149 213 36

HSL 81.69, 0.71%, 0.49%

LAB 78.52, -43.97, 72.17

 

CMYK 53 / 0 / 83 / 16

HEX #65D524

RGB 101 213 36

HSL 97.97, 0.71%, 0.49%

LAB 76.36, -59.67, 69.44

 

CMYK 75 / 0 / 83 / 16

HEX #36D524

RGB 54 213 36

HSL 113.9, 0.71%, 0.49%

LAB 75.14, -69.8, 67.88

 

CMYK 83 / 0 / 69 / 16

HEX #24D542

RGB 36 213 66

HSL 130.17, 0.71%, 0.49%

LAB 75.05, -69.95, 58.14

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 8 / 0 / 93 / 9

HEX #D6E910

RGB 214 233 16

HSL 65.25, 0.87%, 0.49%

LAB 88.26, -27.85, 85.21

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 6 / 0 / 71 / 24

HEX #B5C138

RGB 181 193 56

HSL 65.26, 0.55%, 0.49%

LAB 74.98, -21.13, 63.7

 

CMYK 5 / 0 / 56 / 32

HEX #A4AD4C

RGB 164 173 76

HSL 65.57, 0.39%, 0.49%

LAB 68.24, -16.89, 47.87

 

CMYK 4 / 0 / 37 / 40

HEX #939960

RGB 147 153 96

HSL 66.32, 0.23%, 0.49%

LAB 61.51, -11.45, 29.25

 

CMYK 1 / 0 / 11 / 48

HEX #838475

RGB 131 132 117

HSL 64, 0.06%, 0.49%

LAB 54.67, -3.2, 7.97

 

CMYK 0 / 38 / 83 / 16

HEX #D58524

RGB 213 133 36

HSL 32.88, 0.71%, 0.49%

LAB 62.55, 23.68, 60.36

 

CMYK 0 / 15 / 83 / 16

HEX #D5B524

RGB 213 181 36

HSL 49.15, 0.71%, 0.49%

LAB 74.39, -2.02, 70.48

 

CMYK 7 / 0 / 83 / 16

HEX #C6D524

RGB 198 213 36

HSL 65.08, 0.71%, 0.49%

LAB 81.69, -24.55, 76.14

 

CMYK 29 / 0 / 83 / 16

HEX #97D524

RGB 151 213 36

HSL 81.02, 0.71%, 0.49%

LAB 78.63, -43.23, 72.31

 

CMYK 51 / 0 / 83 / 16

HEX #68D524

RGB 104 213 36

HSL 96.95, 0.71%, 0.49%

LAB 76.47, -58.83, 69.58

 

CMYK 8 / 0 / 83 / 44

HEX #848F18

RGB 132 143 24

HSL 65.55, 0.71%, 0.33%

LAB 56.7, -18.45, 55.75

 

CMYK 7 / 0 / 83 / 30

HEX #A5B21E

RGB 165 178 30

HSL 65.27, 0.71%, 0.41%

LAB 69.42, -21.56, 66.15

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 6 / 0 / 70 / 13

HEX #D1DF43

RGB 209 223 67

HSL 65.38, 0.71%, 0.57%

LAB 85.37, -23.61, 70.66

 

CMYK 5 / 0 / 55 / 10

HEX #D9E567

RGB 217 229 103

HSL 65.71, 0.71%, 0.65%

LAB 87.86, -20.94, 58.98

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 83 / 0 / 60 / 16

HEX #24D556

RGB 36 213 86

HSL 136.95, 0.71%, 0.49%

LAB 75.22, -67.8, 49.99

 

CMYK 26 / 83 / 0 / 16

HEX #9D24D5

RGB 157 36 213

HSL 281.02, 0.71%, 0.49%

LAB 43.11, 72.03, -65.71

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 83 / 7 / 0 / 16

HEX #24C6D5

RGB 36 198 213

HSL 185.08, 0.71%, 0.49%

LAB 73.26, -33.58, -18.72

 

CMYK 0 / 83 / 7 / 16

HEX #D524C6

RGB 213 36 198

HSL 305.08, 0.71%, 0.49%

LAB 51.25, 79.32, -43.5

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 83 / 0 / 60 / 16

HEX #24D556

RGB 36 213 86

HSL 136.95, 0.71%, 0.49%

LAB 75.22, -67.8, 49.99

 

CMYK 76 / 83 / 0 / 16

HEX #3324D5

RGB 51 36 213

HSL 245.08, 0.71%, 0.49%

LAB 31.28, 60.32, -85.6

 

CMYK 0 / 83 / 23 / 16

HEX #D524A3

RGB 213 36 163

HSL 316.95, 0.71%, 0.49%

LAB 49.56, 74.71, -25.65

 

CMYK 8 / 0 / 83 / 16

HEX #C5D524

RGB 197 213 36

HSL 65.42, 0.71%, 0.49%

LAB 81.61, -24.97, 76.04

 

CMYK 83 / 0 / 35 / 16

HEX #24D58B

RGB 36 213 139

HSL 154.92, 0.71%, 0.49%

LAB 75.96, -59.08, 24.89

 

CMYK 76 / 83 / 0 / 16

HEX #3324D5

RGB 51 36 213

HSL 245.08, 0.71%, 0.49%

LAB 31.28, 60.32, -85.6

 

CMYK 0 / 83 / 48 / 16

HEX #D5246E

RGB 213 36 110

HSL 334.92, 0.71%, 0.49%

LAB 47.67, 69.32, 3.54

 

Description

Color code: HEX #C5D524 | qconv.com Color code: HEX #C5D524 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 213 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 213 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 83 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 83% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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