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Color name
HEX #C5B347

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B347 it is the complementary color #3A4CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B347 shade: #CAB342, #DBC555, #ECD768, #FDE97B and #FFFB8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B347 shade: #C5B347, #B4A134, #A38F21, #927D0E and #816B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B347 shade: #C5B348, #C59248, #C57048, #C54E48 and #C54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B347 shade: #C5B348, #B5C548, #94C548, #72C548 and #50C548

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B347 shade matches the following richer shades: #C5B348, #D8C135 and #ECCF22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B347 shade: #C5B348, #B2A55C, #9E976F, #8B8A83 and #777C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B347 shade: #C57048, #C59148, #C5B248, #B6C548 and #95C548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B347 shade: #8E802D, #AE9D36, #C5B348, #CFC068 and #D9CD87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B347 shade: #C5B347, #48C54F and #8048C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B347 shade: #C5B347, #48C5B2 and #B248C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B347 shade: #C5B347, #48C54F, #485BC5 and #C548BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B347 shade: #C5B347, #48C574, #485BC5 and #C54899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 64 / 23

HEX #C5B347

RGB 197 179 71

HSL 51.43, 0.52%, 0.53%

LAB 72.6, -6.34, 55.72

 

Complementary color

CMYK 68 / 59 / 0 / 28

HEX #3A4CB8

RGB 58 76 184

HSL 231.43, 0.52%, 0.47%

LAB 36.98, 29.11, -59.26

 

CMYK 0 / 11 / 67 / 21

HEX #CAB342

RGB 202 179 66

HSL 49.85, 0.56%, 0.53%

LAB 73.02, -4.49, 58.42

 

CMYK 0 / 10 / 61 / 14

HEX #DBC555

RGB 219 197 85

HSL 50.15, 0.65%, 0.6%

LAB 79.41, -5.44, 57.54

 

CMYK 0 / 9 / 56 / 7

HEX #ECD768

RGB 236 215 104

HSL 50.45, 0.78%, 0.67%

LAB 85.72, -6.25, 56.48

 

CMYK 0 / 8 / 51 / 1

HEX #FDE97B

RGB 253 233 123

HSL 50.77, 0.97%, 0.74%

LAB 91.95, -6.94, 55.35

 

CMYK 0 / 2 / 44 / 0

HEX #FFFB8E

RGB 255 251 142

HSL 57.88, 1%, 0.78%

LAB 96.91, -13.36, 52.46

 

CMYK 0 / 9 / 64 / 23

HEX #C5B347

RGB 197 179 71

HSL 51.43, 0.52%, 0.53%

LAB 72.6, -6.34, 55.72

 

CMYK 0 / 11 / 71 / 29

HEX #B4A134

RGB 180 161 52

HSL 51.09, 0.55%, 0.45%

LAB 66.09, -5.33, 56.42

 

CMYK 0 / 12 / 80 / 36

HEX #A38F21

RGB 163 143 33

HSL 50.77, 0.66%, 0.38%

LAB 59.47, -4.09, 56.52

 

CMYK 0 / 14 / 90 / 43

HEX #927D0E

RGB 146 125 14

HSL 50.45, 0.83%, 0.31%

LAB 52.74, -2.58, 55.44

 

CMYK 0 / 17 / 100 / 49

HEX #816B00

RGB 129 107 0

HSL 49.77, 1%, 0.25%

LAB 45.88, -0.74, 52.42

 

CMYK 0 / 9 / 63 / 23

HEX #C5B348

RGB 197 179 72

HSL 51.36, 0.52%, 0.53%

LAB 72.61, -6.28, 55.29

 

CMYK 0 / 26 / 63 / 23

HEX #C59248

RGB 197 146 72

HSL 35.52, 0.52%, 0.53%

LAB 64.08, 11.42, 45.87

 

CMYK 0 / 43 / 63 / 23

HEX #C57048

RGB 197 112 72

HSL 19.2, 0.52%, 0.53%

LAB 56.01, 29.99, 36.5

 

CMYK 0 / 60 / 63 / 23

HEX #C54E48

RGB 197 78 72

HSL 2.88, 0.52%, 0.53%

LAB 49.24, 47.17, 28.21

 

CMYK 0 / 63 / 63 / 23

HEX #C54848

RGB 197 72 72

HSL 0, 0.52%, 0.53%

LAB 48.23, 49.86, 26.93

 

CMYK 0 / 9 / 63 / 23

HEX #C5B348

RGB 197 179 72

HSL 51.36, 0.52%, 0.53%

LAB 72.61, -6.28, 55.29

 

CMYK 8 / 0 / 63 / 23

HEX #B5C548

RGB 181 197 72

HSL 67.68, 0.52%, 0.53%

LAB 76.21, -22.15, 58.74

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 42 / 0 / 63 / 23

HEX #72C548

RGB 114 197 72

HSL 99.84, 0.52%, 0.53%

LAB 72.21, -47.24, 53.26

 

CMYK 59 / 0 / 63 / 23

HEX #50C548

RGB 80 197 72

HSL 116.16, 0.52%, 0.53%

LAB 70.94, -56.79, 51.5

 

CMYK 0 / 9 / 63 / 23

HEX #C5B348

RGB 197 179 72

HSL 51.36, 0.52%, 0.53%

LAB 72.61, -6.28, 55.29

 

CMYK 0 / 11 / 75 / 15

HEX #D8C135

RGB 216 193 53

HSL 51.53, 0.68%, 0.53%

LAB 77.87, -6.36, 68.52

 

CMYK 0 / 12 / 86 / 7

HEX #ECCF22

RGB 236 207 34

HSL 51.39, 0.84%, 0.53%

LAB 83.22, -5.54, 79.13

 

CMYK 0 / 9 / 63 / 23

HEX #C5B348

RGB 197 179 72

HSL 51.36, 0.52%, 0.53%

LAB 72.61, -6.28, 55.29

 

CMYK 0 / 7 / 48 / 30

HEX #B2A55C

RGB 178 165 92

HSL 50.93, 0.36%, 0.53%

LAB 67.39, -5.38, 39.31

 

CMYK 0 / 4 / 30 / 38

HEX #9E976F

RGB 158 151 111

HSL 51.06, 0.2%, 0.53%

LAB 62.13, -3.91, 22.05

 

CMYK 0 / 1 / 6 / 45

HEX #8B8A83

RGB 139 138 131

HSL 52.5, 0.03%, 0.53%

LAB 57.37, -0.96, 3.87

 

CMYK 21 / 17 / 0 / 41

HEX #777C96

RGB 119 124 150

HSL 230.32, 0.13%, 0.53%

LAB 52.44, 3.97, -14.62

 

CMYK 0 / 43 / 63 / 23

HEX #C57048

RGB 197 112 72

HSL 19.2, 0.52%, 0.53%

LAB 56.01, 29.99, 36.5

 

CMYK 0 / 26 / 63 / 23

HEX #C59148

RGB 197 145 72

HSL 35.04, 0.52%, 0.53%

LAB 63.83, 11.97, 45.59

 

CMYK 0 / 10 / 63 / 23

HEX #C5B248

RGB 197 178 72

HSL 50.88, 0.52%, 0.53%

LAB 72.35, -5.75, 55.01

 

CMYK 8 / 0 / 63 / 23

HEX #B6C548

RGB 182 197 72

HSL 67.2, 0.52%, 0.53%

LAB 76.28, -21.74, 58.84

 

CMYK 24 / 0 / 63 / 23

HEX #95C548

RGB 149 197 72

HSL 83.04, 0.52%, 0.53%

LAB 74.06, -34.87, 55.8

 

CMYK 0 / 10 / 68 / 44

HEX #8E802D

RGB 142 128 45

HSL 51.34, 0.52%, 0.37%

LAB 53.36, -4.84, 45.26

 

CMYK 0 / 10 / 69 / 32

HEX #AE9D36

RGB 174 157 54

HSL 51.5, 0.53%, 0.45%

LAB 64.47, -5.73, 53.79

 

CMYK 0 / 9 / 63 / 23

HEX #C5B348

RGB 197 179 72

HSL 51.36, 0.52%, 0.53%

LAB 72.61, -6.28, 55.29

 

CMYK 0 / 7 / 50 / 19

HEX #CFC068

RGB 207 192 104

HSL 51.26, 0.52%, 0.61%

LAB 77.26, -6.37, 45.89

 

CMYK 0 / 6 / 38 / 15

HEX #D9CD87

RGB 217 205 135

HSL 51.22, 0.52%, 0.69%

LAB 81.93, -5.9, 36.36

 

CMYK 0 / 9 / 64 / 23

HEX #C5B347

RGB 197 179 71

HSL 51.43, 0.52%, 0.53%

LAB 72.6, -6.34, 55.72

 

CMYK 63 / 0 / 60 / 23

HEX #48C54F

RGB 72 197 79

HSL 123.36, 0.52%, 0.53%

LAB 70.78, -57.82, 48.18

 

CMYK 35 / 63 / 0 / 23

HEX #8048C5

RGB 128 72 197

HSL 266.88, 0.52%, 0.53%

LAB 43.15, 48.76, -56.59

 

CMYK 0 / 9 / 64 / 23

HEX #C5B347

RGB 197 179 71

HSL 51.43, 0.52%, 0.53%

LAB 72.6, -6.34, 55.72

 

CMYK 63 / 0 / 10 / 23

HEX #48C5B2

RGB 72 197 178

HSL 170.88, 0.52%, 0.53%

LAB 72.58, -38.84, -0.65

 

CMYK 10 / 63 / 0 / 23

HEX #B248C5

RGB 178 72 197

HSL 290.88, 0.52%, 0.53%

LAB 49.65, 60.27, -45.8

 

CMYK 0 / 9 / 64 / 23

HEX #C5B347

RGB 197 179 71

HSL 51.43, 0.52%, 0.53%

LAB 72.6, -6.34, 55.72

 

CMYK 63 / 0 / 60 / 23

HEX #48C54F

RGB 72 197 79

HSL 123.36, 0.52%, 0.53%

LAB 70.78, -57.82, 48.18

 

CMYK 63 / 54 / 0 / 23

HEX #485BC5

RGB 72 91 197

HSL 230.88, 0.52%, 0.53%

LAB 42.6, 26.3, -57.71

 

CMYK 0 / 63 / 3 / 23

HEX #C548BF

RGB 197 72 191

HSL 302.88, 0.52%, 0.53%

LAB 52.14, 63.82, -38.22

 

CMYK 0 / 9 / 64 / 23

HEX #C5B347

RGB 197 179 71

HSL 51.43, 0.52%, 0.53%

LAB 72.6, -6.34, 55.72

 

CMYK 63 / 0 / 41 / 23

HEX #48C574

RGB 72 197 116

HSL 141.12, 0.52%, 0.53%

LAB 71.26, -52.43, 30.69

 

CMYK 63 / 54 / 0 / 23

HEX #485BC5

RGB 72 91 197

HSL 230.88, 0.52%, 0.53%

LAB 42.6, 26.3, -57.71

 

CMYK 0 / 63 / 22 / 23

HEX #C54899

RGB 197 72 153

HSL 321.12, 0.52%, 0.53%

LAB 50.46, 58.06, -18.57

 

Description

Color code: HEX #C5B347 | qconv.com Color code: HEX #C5B347 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 179 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 179 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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