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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B80B it is the complementary color #3A47F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B80B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B80B shade: #CAB806, #DBCA19, #ECDC2C, #FDEE3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B80B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B80B shade: #C5B80B, #B4A600, #A39400, #928200 and #817000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B80B shade: #C5B80B, #C5860B, #C5540B, #C5220B and #C50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B80B shade: #C5B80B, #A0C50B, #6EC50B, #3CC50B and #0BC50D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B80B shade matches the following richer shades: #C5B80B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B80B shade: #C5B80B, #B4AA1C, #A39B2D, #928C3E and #817E4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B80B shade: #C5520B, #C5840B, #C5B60B, #A3C50B and #71C50B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B80B shade: #776F06, #9E9409, #C5B80B, #ECDD0D and #F2E530

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B80B shade: #C5B80B, #0BC521 and #6B0BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B80B shade: #C5B80B, #0BC5B6 and #B60BC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B80B shade: #C5B80B, #0BC521, #0B1BC5 and #C50BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B80B shade: #C5B80B, #0BC559, #0B1BC5 and #C50B78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

Complementary color

CMYK 76 / 71 / 0 / 4

HEX #3A47F4

RGB 58 71 244

HSL 235.81, 0.89%, 0.59%

LAB 41.12, 52.82, -86.98

 

CMYK 0 / 9 / 97 / 21

HEX #CAB806

RGB 202 184 6

HSL 54.49, 0.94%, 0.41%

LAB 74.09, -8.92, 75.11

 

CMYK 0 / 8 / 89 / 14

HEX #DBCA19

RGB 219 202 25

HSL 54.74, 0.8%, 0.48%

LAB 80.39, -10.47, 78.01

 

CMYK 0 / 7 / 81 / 7

HEX #ECDC2C

RGB 236 220 44

HSL 55, 0.83%, 0.55%

LAB 86.6, -11.82, 79.59

 

CMYK 0 / 6 / 75 / 1

HEX #FDEE3F

RGB 253 238 63

HSL 55.26, 0.98%, 0.62%

LAB 92.75, -12.99, 80.2

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 0 / 8 / 100 / 29

HEX #B4A600

RGB 180 166 0

HSL 55.33, 1%, 0.35%

LAB 67.26, -9.38, 69.95

 

CMYK 0 / 9 / 100 / 36

HEX #A39400

RGB 163 148 0

HSL 54.48, 1%, 0.32%

LAB 60.75, -7.53, 64.56

 

CMYK 0 / 11 / 100 / 43

HEX #928200

RGB 146 130 0

HSL 53.42, 1%, 0.29%

LAB 54.11, -5.61, 59.06

 

CMYK 0 / 13 / 100 / 49

HEX #817000

RGB 129 112 0

HSL 52.09, 1%, 0.25%

LAB 47.31, -3.6, 53.43

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 0 / 32 / 94 / 23

HEX #C5860B

RGB 197 134 11

HSL 39.68, 0.89%, 0.41%

LAB 60.73, 15.68, 64.52

 

CMYK 0 / 57 / 94 / 23

HEX #C5540B

RGB 197 84 11

HSL 23.55, 0.89%, 0.41%

LAB 49.78, 42.1, 56.93

 

CMYK 0 / 83 / 94 / 23

HEX #C5220B

RGB 197 34 11

HSL 7.42, 0.89%, 0.41%

LAB 42.82, 60.98, 52.57

 

CMYK 0 / 94 / 94 / 23

HEX #C50B0B

RGB 197 11 11

HSL 0, 0.89%, 0.41%

LAB 41.43, 64.97, 51.77

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 44 / 0 / 94 / 23

HEX #6EC50B

RGB 110 197 11

HSL 88.06, 0.89%, 0.41%

LAB 71.74, -51.72, 70.12

 

CMYK 70 / 0 / 94 / 23

HEX #3CC50B

RGB 60 197 11

HSL 104.19, 0.89%, 0.41%

LAB 70.12, -64.71, 68.13

 

CMYK 94 / 0 / 93 / 23

HEX #0BC50D

RGB 11 197 13

HSL 120.65, 0.89%, 0.41%

LAB 69.49, -70.23, 67.11

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 0 / 6 / 84 / 29

HEX #B4AA1C

RGB 180 170 28

HSL 56.05, 0.73%, 0.41%

LAB 68.41, -11, 66.28

 

CMYK 0 / 5 / 72 / 36

HEX #A39B2D

RGB 163 155 45

HSL 55.93, 0.57%, 0.41%

LAB 62.86, -10.02, 55.43

 

CMYK 0 / 4 / 58 / 43

HEX #928C3E

RGB 146 140 62

HSL 55.71, 0.4%, 0.41%

LAB 57.28, -8.41, 41.69

 

CMYK 0 / 2 / 39 / 49

HEX #817E4F

RGB 129 126 79

HSL 56.4, 0.24%, 0.41%

LAB 52.01, -6.41, 26.01

 

CMYK 0 / 58 / 94 / 23

HEX #C5520B

RGB 197 82 11

HSL 22.9, 0.89%, 0.41%

LAB 49.41, 43.07, 56.69

 

CMYK 0 / 33 / 94 / 23

HEX #C5840B

RGB 197 132 11

HSL 39.03, 0.89%, 0.41%

LAB 60.25, 16.77, 64.17

 

CMYK 0 / 8 / 94 / 23

HEX #C5B60B

RGB 197 182 11

HSL 55.16, 0.89%, 0.41%

LAB 73.12, -10.03, 73.65

 

CMYK 17 / 0 / 94 / 23

HEX #A3C50B

RGB 163 197 11

HSL 70.97, 0.89%, 0.41%

LAB 74.66, -31.96, 73.68

 

CMYK 43 / 0 / 94 / 23

HEX #71C50B

RGB 113 197 11

HSL 87.1, 0.89%, 0.41%

LAB 71.87, -50.73, 70.28

 

CMYK 0 / 7 / 95 / 53

HEX #776F06

RGB 119 111 6

HSL 55.75, 0.9%, 0.25%

LAB 46.05, -7.7, 50.72

 

CMYK 0 / 6 / 94 / 38

HEX #9E9409

RGB 158 148 9

HSL 55.97, 0.89%, 0.33%

LAB 60.31, -9.68, 62.68

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 0 / 6 / 94 / 7

HEX #ECDD0D

RGB 236 221 13

HSL 55.96, 0.9%, 0.49%

LAB 86.79, -12.9, 85.16

 

CMYK 0 / 5 / 80 / 5

HEX #F2E530

RGB 242 229 48

HSL 55.98, 0.88%, 0.57%

LAB 89.45, -13.64, 81.2

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 94 / 0 / 83 / 23

HEX #0BC521

RGB 11 197 33

HSL 127.1, 0.89%, 0.41%

LAB 69.55, -69.49, 63.36

 

CMYK 46 / 94 / 0 / 23

HEX #6B0BC5

RGB 107 11 197

HSL 270.97, 0.89%, 0.41%

LAB 32.69, 67.69, -73.76

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 94 / 0 / 8 / 23

HEX #0BC5B6

RGB 11 197 182

HSL 175.16, 0.89%, 0.41%

LAB 71.81, -43.66, -4.05

 

CMYK 8 / 94 / 0 / 23

HEX #B60BC5

RGB 182 11 197

HSL 295.16, 0.89%, 0.41%

LAB 44.54, 77.54, -53.94

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 94 / 0 / 83 / 23

HEX #0BC521

RGB 11 197 33

HSL 127.1, 0.89%, 0.41%

LAB 69.55, -69.49, 63.36

 

CMYK 94 / 86 / 0 / 23

HEX #0B1BC5

RGB 11 27 197

HSL 234.84, 0.89%, 0.41%

LAB 26.41, 57.94, -84.41

 

CMYK 0 / 94 / 11 / 23

HEX #C50BAF

RGB 197 11 175

HSL 307.1, 0.89%, 0.41%

LAB 45.91, 76.87, -38.68

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 94 / 0 / 55 / 23

HEX #0BC559

RGB 11 197 89

HSL 145.16, 0.89%, 0.41%

LAB 69.98, -64.05, 42.36

 

CMYK 94 / 86 / 0 / 23

HEX #0B1BC5

RGB 11 27 197

HSL 234.84, 0.89%, 0.41%

LAB 26.41, 57.94, -84.41

 

CMYK 0 / 94 / 39 / 23

HEX #C50B78

RGB 197 11 120

HSL 324.84, 0.89%, 0.41%

LAB 43.46, 70.51, -9.19

 

Description

Color code: HEX #C5B80B | qconv.com Color code: HEX #C5B80B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 184 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 184 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 94 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 94% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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