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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59ADD it is the complementary color #3A6522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59ADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C59ADD shade: #CA9AD8, #DBACEB, #ECBEFE, #FDD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59ADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C59ADD shade: #C59ADD, #B488CA, #A376B7, #9264A4 and #815291

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C59ADD shade: #C69BDD, #D79BDD, #DD9BD1, #DD9BBF and #DD9BAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C59ADD shade: #C69BDD, #B49BDD, #A29BDD and #9B9BDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C59ADD shade matches the following richer shades: #C69BDD, #C990E8, #CC86F3 and #CF7BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C59ADD shade: #C69BDD, #C3A6D3, #C0B1C8, #BCBBBD and #B9C6B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C59ADD shade: #A29BDD, #B39BDD, #C59BDD, #D79BDD and #DD9BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C59ADD shade: #A25DC9, #B47CD3, #C69BDD, #D7BAE8 and #E9D9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C59ADD shade: #C59ADD, #DD9BA6 and #9BDDAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C59ADD shade: #C59ADD, #DDC59B and #9BDDC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C59ADD shade: #C59ADD, #DD9BA6, #B3DD9B and #9BDDD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C59ADD shade: #C59ADD, #DDA49B, #B3DD9B and #9BD5DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 30 / 0 / 13

HEX #C59ADD

RGB 197 154 221

HSL 278.51, 0.5%, 0.74%

LAB 69.61, 28.13, -27.96

 

Complementary color

CMYK 43 / 0 / 66 / 60

HEX #3A6522

RGB 58 101 34

HSL 98.51, 0.5%, 0.26%

LAB 38.41, -28.13, 32.4

 

CMYK 6 / 29 / 0 / 15

HEX #CA9AD8

RGB 202 154 216

HSL 286.45, 0.44%, 0.73%

LAB 69.91, 28.71, -24.7

 

CMYK 7 / 27 / 0 / 8

HEX #DBACEB

RGB 219 172 235

HSL 284.76, 0.61%, 0.8%

LAB 76.41, 28.09, -25

 

CMYK 7 / 25 / 0 / 0

HEX #ECBEFE

RGB 236 190 254

HSL 283.13, 0.97%, 0.87%

LAB 82.82, 27.52, -25.3

 

CMYK 1 / 18 / 0 / 0

HEX #FDD0FF

RGB 253 208 255

HSL 297.45, 1%, 0.91%

LAB 88.55, 23.62, -17

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 11 / 30 / 0 / 13

HEX #C59ADD

RGB 197 154 221

HSL 278.51, 0.5%, 0.74%

LAB 69.61, 28.13, -27.96

 

CMYK 11 / 33 / 0 / 21

HEX #B488CA

RGB 180 136 202

HSL 280, 0.38%, 0.66%

LAB 62.99, 28.79, -27.74

 

CMYK 11 / 36 / 0 / 28

HEX #A376B7

RGB 163 118 183

HSL 281.54, 0.31%, 0.59%

LAB 56.25, 29.5, -27.51

 

CMYK 11 / 39 / 0 / 36

HEX #9264A4

RGB 146 100 164

HSL 283.13, 0.26%, 0.52%

LAB 49.38, 30.27, -27.29

 

CMYK 11 / 43 / 0 / 43

HEX #815291

RGB 129 82 145

HSL 284.76, 0.28%, 0.45%

LAB 42.38, 31.08, -27.05

 

CMYK 10 / 30 / 0 / 13

HEX #C69BDD

RGB 198 155 221

HSL 279.09, 0.49%, 0.74%

LAB 69.94, 27.9, -27.44

 

CMYK 3 / 30 / 0 / 13

HEX #D79BDD

RGB 215 155 221

HSL 294.55, 0.49%, 0.74%

LAB 71.63, 33.3, -24.71

 

CMYK 0 / 30 / 5 / 13

HEX #DD9BD1

RGB 221 155 209

HSL 310.91, 0.49%, 0.74%

LAB 71.84, 33.06, -17.74

 

CMYK 0 / 30 / 14 / 13

HEX #DD9BBF

RGB 221 155 191

HSL 327.27, 0.49%, 0.74%

LAB 71.27, 30, -8.65

 

CMYK 0 / 30 / 21 / 13

HEX #DD9BAE

RGB 221 155 174

HSL 342.73, 0.49%, 0.74%

LAB 70.78, 27.35, 0.06

 

CMYK 10 / 30 / 0 / 13

HEX #C69BDD

RGB 198 155 221

HSL 279.09, 0.49%, 0.74%

LAB 69.94, 27.9, -27.44

 

CMYK 19 / 30 / 0 / 13

HEX #B49BDD

RGB 180 155 221

HSL 262.73, 0.49%, 0.74%

LAB 68.29, 22.28, -30.13

 

CMYK 27 / 30 / 0 / 13

HEX #A29BDD

RGB 162 155 221

HSL 246.36, 0.49%, 0.74%

LAB 66.78, 16.85, -32.58

 

CMYK 30 / 30 / 0 / 13

HEX #9B9BDD

RGB 155 155 221

HSL 240, 0.49%, 0.74%

LAB 66.24, 14.81, -33.47

 

CMYK 10 / 30 / 0 / 13

HEX #C69BDD

RGB 198 155 221

HSL 279.09, 0.49%, 0.74%

LAB 69.94, 27.9, -27.44

 

CMYK 13 / 38 / 0 / 9

HEX #C990E8

RGB 201 144 232

HSL 278.86, 0.66%, 0.74%

LAB 68.16, 37.13, -36.23

 

CMYK 16 / 45 / 0 / 5

HEX #CC86F3

RGB 204 134 243

HSL 278.53, 0.82%, 0.74%

LAB 66.79, 45.69, -44.39

 

CMYK 19 / 52 / 0 / 0

HEX #CF7BFE

RGB 207 123 254

HSL 278.47, 0.98%, 0.74%

LAB 65.43, 54.54, -52.56

 

CMYK 10 / 30 / 0 / 13

HEX #C69BDD

RGB 198 155 221

HSL 279.09, 0.49%, 0.74%

LAB 69.94, 27.9, -27.44

 

CMYK 8 / 21 / 0 / 17

HEX #C3A6D3

RGB 195 166 211

HSL 278.67, 0.34%, 0.74%

LAB 71.95, 18.82, -18.92

 

CMYK 4 / 12 / 0 / 22

HEX #C0B1C8

RGB 192 177 200

HSL 279.13, 0.17%, 0.74%

LAB 74.08, 9.6, -9.71

 

CMYK 1 / 1 / 0 / 26

HEX #BCBBBD

RGB 188 187 189

HSL 270, 0.01%, 0.74%

LAB 76.01, 0.72, -0.89

 

CMYK 7 / 0 / 10 / 22

HEX #B9C6B2

RGB 185 198 178

HSL 99, 0.15%, 0.74%

LAB 78.41, -8.13, 8.5

 

CMYK 27 / 30 / 0 / 13

HEX #A29BDD

RGB 162 155 221

HSL 246.36, 0.49%, 0.74%

LAB 66.78, 16.85, -32.58

 

CMYK 19 / 30 / 0 / 13

HEX #B39BDD

RGB 179 155 221

HSL 261.82, 0.49%, 0.74%

LAB 68.2, 21.97, -30.27

 

CMYK 11 / 30 / 0 / 13

HEX #C59BDD

RGB 197 155 221

HSL 278.18, 0.49%, 0.74%

LAB 69.85, 27.58, -27.6

 

CMYK 3 / 30 / 0 / 13

HEX #D79BDD

RGB 215 155 221

HSL 294.55, 0.49%, 0.74%

LAB 71.63, 33.3, -24.71

 

CMYK 0 / 30 / 5 / 13

HEX #DD9BD2

RGB 221 155 210

HSL 310, 0.49%, 0.74%

LAB 71.87, 33.23, -18.24

 

CMYK 19 / 54 / 0 / 21

HEX #A25DC9

RGB 162 93 201

HSL 278.33, 0.5%, 0.58%

LAB 51.53, 46.92, -45.25

 

CMYK 15 / 41 / 0 / 17

HEX #B47CD3

RGB 180 124 211

HSL 278.62, 0.5%, 0.66%

LAB 60.62, 37.38, -36.46

 

CMYK 10 / 30 / 0 / 13

HEX #C69BDD

RGB 198 155 221

HSL 279.09, 0.49%, 0.74%

LAB 69.94, 27.9, -27.44

 

CMYK 7 / 20 / 0 / 9

HEX #D7BAE8

RGB 215 186 232

HSL 277.83, 0.5%, 0.82%

LAB 79.27, 18.64, -19.08

 

CMYK 4 / 10 / 0 / 5

HEX #E9D9F2

RGB 233 217 242

HSL 278.4, 0.49%, 0.9%

LAB 88.62, 9.95, -10.22

 

CMYK 11 / 30 / 0 / 13

HEX #C59ADD

RGB 197 154 221

HSL 278.51, 0.5%, 0.74%

LAB 69.61, 28.13, -27.96

 

CMYK 0 / 30 / 25 / 13

HEX #DD9BA6

RGB 221 155 166

HSL 350, 0.49%, 0.74%

LAB 70.57, 26.18, 4.2

 

CMYK 30 / 0 / 23 / 13

HEX #9BDDAB

RGB 155 221 171

HSL 134.55, 0.49%, 0.74%

LAB 82.71, -30.87, 18.02

 

CMYK 11 / 30 / 0 / 13

HEX #C59ADD

RGB 197 154 221

HSL 278.51, 0.5%, 0.74%

LAB 69.61, 28.13, -27.96

 

CMYK 0 / 11 / 30 / 13

HEX #DDC59B

RGB 221 197 155

HSL 38.18, 0.49%, 0.74%

LAB 80.56, 2.23, 24.19

 

CMYK 30 / 0 / 11 / 13

HEX #9BDDC5

RGB 155 221 197

HSL 158.18, 0.49%, 0.74%

LAB 83.29, -25.83, 5.13

 

CMYK 11 / 30 / 0 / 13

HEX #C59ADD

RGB 197 154 221

HSL 278.51, 0.5%, 0.74%

LAB 69.61, 28.13, -27.96

 

CMYK 0 / 30 / 25 / 13

HEX #DD9BA6

RGB 221 155 166

HSL 350, 0.49%, 0.74%

LAB 70.57, 26.18, 4.2

 

CMYK 19 / 0 / 30 / 13

HEX #B3DD9B

RGB 179 221 155

HSL 98.18, 0.49%, 0.74%

LAB 83.79, -25.53, 28.05

 

CMYK 30 / 0 / 5 / 13

HEX #9BDDD2

RGB 155 221 210

HSL 170, 0.49%, 0.74%

LAB 83.62, -23.07, -1.28

 

CMYK 11 / 30 / 0 / 13

HEX #C59ADD

RGB 197 154 221

HSL 278.51, 0.5%, 0.74%

LAB 69.61, 28.13, -27.96

 

CMYK 0 / 26 / 30 / 13

HEX #DDA49B

RGB 221 164 155

HSL 8.18, 0.49%, 0.74%

LAB 72.42, 19.82, 12.92

 

CMYK 19 / 0 / 30 / 13

HEX #B3DD9B

RGB 179 221 155

HSL 98.18, 0.49%, 0.74%

LAB 83.79, -25.53, 28.05

 

CMYK 30 / 4 / 0 / 13

HEX #9BD5DD

RGB 155 213 221

HSL 187.27, 0.49%, 0.74%

LAB 81.72, -16.59, -9.93

 

Description

Color code: HEX #C59ADD | qconv.com Color code: HEX #C59ADD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 154 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 154 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 30 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 30% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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