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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59376 it is the complementary color #3A6C89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59376. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C59376 shade: #CA9371, #DBA584, #ECB797, #FDC9AA and #FFDBBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59376. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C59376 shade: #C59376, #B48163, #A36F50, #925D3D and #814B2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C59376 shade: #C59376, #C57E76 and #C57676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C59376 shade: #C59376, #C5A876, #C5BE76, #B7C576 and #A2C576

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C59376 shade matches the following richer shades: #C59376, #D58F66, #E58B57 and #F48747

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C59376 shade: #C59376, #B69786, #A69B95, #96A0A5 and #87A4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C59376 shade: #C57683, #C57E76, #C59376, #C5A876 and #C5BD76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C59376 shade: #A46844, #B97C59, #C59376, #D2AA93 and #DEC1B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C59376 shade: #C59376, #98C576 and #7679C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C59376 shade: #C59376, #76C593 and #9376C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C59376 shade: #C59376, #98C576, #76A8C5 and #A376C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C59376 shade: #C59376, #80C576, #76A8C5 and #BB76C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

Complementary color

CMYK 58 / 21 / 0 / 46

HEX #3A6C89

RGB 58 108 137

HSL 202.03, 0.41%, 0.38%

LAB 43.41, -7.88, -21.09

 

CMYK 0 / 27 / 44 / 21

HEX #CA9371

RGB 202 147 113

HSL 22.92, 0.46%, 0.62%

LAB 65.45, 16.53, 26.15

 

CMYK 0 / 25 / 40 / 14

HEX #DBA584

RGB 219 165 132

HSL 22.76, 0.55%, 0.69%

LAB 71.98, 15.68, 24.84

 

CMYK 0 / 22 / 36 / 7

HEX #ECB797

RGB 236 183 151

HSL 22.59, 0.69%, 0.76%

LAB 78.42, 14.92, 23.64

 

CMYK 0 / 21 / 33 / 1

HEX #FDC9AA

RGB 253 201 170

HSL 22.41, 0.95%, 0.83%

LAB 84.77, 14.26, 22.52

 

CMYK 0 / 14 / 26 / 0

HEX #FFDBBD

RGB 255 219 189

HSL 27.27, 1%, 0.87%

LAB 89.67, 8.1, 19.38

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 0 / 28 / 45 / 29

HEX #B48163

RGB 180 129 99

HSL 22.22, 0.35%, 0.55%

LAB 58.33, 15.95, 24.04

 

CMYK 0 / 32 / 51 / 36

HEX #A36F50

RGB 163 111 80

HSL 22.41, 0.34%, 0.48%

LAB 51.54, 16.99, 25.53

 

CMYK 0 / 36 / 58 / 43

HEX #925D3D

RGB 146 93 61

HSL 22.59, 0.41%, 0.41%

LAB 44.63, 18.22, 27.19

 

CMYK 0 / 42 / 67 / 49

HEX #814B2A

RGB 129 75 42

HSL 22.76, 0.51%, 0.34%

LAB 37.6, 19.7, 29.05

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 0 / 36 / 40 / 23

HEX #C57E76

RGB 197 126 118

HSL 6.08, 0.41%, 0.62%

LAB 59.98, 26.59, 15.84

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 0 / 15 / 40 / 23

HEX #C5A876

RGB 197 168 118

HSL 37.97, 0.41%, 0.62%

LAB 70.3, 3.62, 29.75

 

CMYK 0 / 4 / 40 / 23

HEX #C5BE76

RGB 197 190 118

HSL 54.68, 0.41%, 0.62%

LAB 76.07, -8.01, 37.21

 

CMYK 7 / 0 / 40 / 23

HEX #B7C576

RGB 183 197 118

HSL 70.63, 0.41%, 0.62%

LAB 76.87, -17.15, 37.99

 

CMYK 18 / 0 / 40 / 23

HEX #A2C576

RGB 162 197 118

HSL 86.58, 0.41%, 0.62%

LAB 75.4, -25.19, 35.82

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 0 / 33 / 52 / 16

HEX #D58F66

RGB 213 143 102

HSL 22.16, 0.57%, 0.62%

LAB 65.55, 22.11, 32.52

 

CMYK 0 / 39 / 62 / 10

HEX #E58B57

RGB 229 139 87

HSL 21.97, 0.73%, 0.62%

LAB 66.38, 29.56, 41.93

 

CMYK 0 / 45 / 71 / 4

HEX #F48747

RGB 244 135 71

HSL 22.2, 0.89%, 0.62%

LAB 67.29, 36.69, 51.53

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 0 / 17 / 26 / 29

HEX #B69786

RGB 182 151 134

HSL 21.25, 0.25%, 0.62%

LAB 64.8, 8.93, 13.28

 

CMYK 0 / 7 / 10 / 35

HEX #A69B95

RGB 166 155 149

HSL 21.18, 0.09%, 0.62%

LAB 64.74, 2.95, 4.58

 

CMYK 9 / 3 / 0 / 35

HEX #96A0A5

RGB 150 160 165

HSL 200, 0.08%, 0.62%

LAB 65.23, -2.53, -3.83

 

CMYK 25 / 9 / 0 / 29

HEX #87A4B5

RGB 135 164 181

HSL 202.17, 0.24%, 0.62%

LAB 65.78, -6.08, -12.07

 

CMYK 0 / 40 / 34 / 23

HEX #C57683

RGB 197 118 131

HSL 350.13, 0.41%, 0.62%

LAB 58.48, 32.52, 6.25

 

CMYK 0 / 36 / 40 / 23

HEX #C57E76

RGB 197 126 118

HSL 6.08, 0.41%, 0.62%

LAB 59.98, 26.59, 15.84

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 0 / 15 / 40 / 23

HEX #C5A876

RGB 197 168 118

HSL 37.97, 0.41%, 0.62%

LAB 70.3, 3.62, 29.75

 

CMYK 0 / 4 / 40 / 23

HEX #C5BD76

RGB 197 189 118

HSL 53.92, 0.41%, 0.62%

LAB 75.81, -7.49, 36.87

 

CMYK 0 / 37 / 59 / 36

HEX #A46844

RGB 164 104 68

HSL 22.5, 0.41%, 0.45%

LAB 49.75, 20.31, 30.08

 

CMYK 0 / 33 / 52 / 27

HEX #B97C59

RGB 185 124 89

HSL 21.88, 0.41%, 0.54%

LAB 57.51, 19.82, 28.68

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 0 / 19 / 30 / 18

HEX #D2AA93

RGB 210 170 147

HSL 21.9, 0.41%, 0.7%

LAB 72.6, 11.29, 17.38

 

CMYK 0 / 13 / 21 / 13

HEX #DEC1B0

RGB 222 193 176

HSL 22.17, 0.41%, 0.78%

LAB 80.07, 7.63, 12.34

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 23 / 0 / 40 / 23

HEX #98C576

RGB 152 197 118

HSL 94.18, 0.41%, 0.62%

LAB 74.77, -28.88, 34.89

 

CMYK 40 / 39 / 0 / 23

HEX #7679C5

RGB 118 121 197

HSL 237.72, 0.41%, 0.62%

LAB 53.55, 17.91, -40.03

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 40 / 0 / 25 / 23

HEX #76C593

RGB 118 197 147

HSL 142.03, 0.41%, 0.62%

LAB 73.47, -35.3, 17.61

 

CMYK 25 / 40 / 0 / 23

HEX #9376C5

RGB 147 118 197

HSL 262.03, 0.41%, 0.62%

LAB 55.27, 27.82, -37.17

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 23 / 0 / 40 / 23

HEX #98C576

RGB 152 197 118

HSL 94.18, 0.41%, 0.62%

LAB 74.77, -28.88, 34.89

 

CMYK 40 / 15 / 0 / 23

HEX #76A8C5

RGB 118 168 197

HSL 202.03, 0.41%, 0.62%

LAB 66.43, -9.12, -20.08

 

CMYK 17 / 40 / 0 / 23

HEX #A376C5

RGB 163 118 197

HSL 274.18, 0.41%, 0.62%

LAB 56.86, 32.57, -34.57

 

CMYK 0 / 25 / 40 / 23

HEX #C59376

RGB 197 147 118

HSL 22.03, 0.41%, 0.62%

LAB 65, 15.06, 22.7

 

CMYK 35 / 0 / 40 / 23

HEX #80C576

RGB 128 197 118

HSL 112.41, 0.41%, 0.62%

LAB 73.43, -37.16, 32.9

 

CMYK 40 / 15 / 0 / 23

HEX #76A8C5

RGB 118 168 197

HSL 202.03, 0.41%, 0.62%

LAB 66.43, -9.12, -20.08

 

CMYK 5 / 40 / 0 / 23

HEX #BB76C5

RGB 187 118 197

HSL 292.41, 0.41%, 0.62%

LAB 59.48, 39.89, -30.28

 

Description

Color code: HEX #C59376 | qconv.com Color code: HEX #C59376 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 147 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 147 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 40 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 40% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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