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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58ACB it is the complementary color #3A7534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58ACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58ACB shade: #CA8AC6, #DB9CD9, #ECAEEC, #FDC0FF and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58ACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58ACB shade: #C58ACB, #B478B8, #A366A5, #925492 and #81427F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58ACB shade: #C48ACA, #CA8ABF, #CA8AAE, #CA8A9C and #CA8A8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58ACB shade: #C48ACA, #B38ACA, #A28ACA, #918ACA and #8A8ACA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58ACB shade matches the following richer shades: #C48ACA, #D07DD8, #DB6FE6 and #E662F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58ACB shade: #C48ACA, #B998BD, #AEA6AF, #A3B3A1 and #98C194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58ACB shade: #A28ACA, #B38ACA, #C48ACA, #CA8AC0 and #CA8AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58ACB shade: #A851B1, #B66EBE, #C48ACA, #D3A7D7 and #E1C3E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58ACB shade: #C58ACB, #CA918A and #8ACAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58ACB shade: #C58ACB, #CAC48A and #8ACAC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58ACB shade: #C58ACB, #CA918A, #91CA8A and #8AC4CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58ACB shade: #C58ACB, #CAA48A, #91CA8A and #8AB1CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 32 / 0 / 20

HEX #C58ACB

RGB 197 138 203

HSL 294.46, 0.38%, 0.67%

LAB 65.25, 33.32, -24.68

 

Complementary color

CMYK 50 / 0 / 56 / 54

HEX #3A7534

RGB 58 117 52

HSL 114.46, 0.38%, 0.33%

LAB 44.05, -33.26, 29.75

 

CMYK 0 / 32 / 2 / 21

HEX #CA8AC6

RGB 202 138 198

HSL 303.75, 0.38%, 0.67%

LAB 65.6, 34, -21.29

 

CMYK 0 / 29 / 1 / 14

HEX #DB9CD9

RGB 219 156 217

HSL 301.9, 0.47%, 0.74%

LAB 72.13, 33.3, -21.72

 

CMYK 0 / 26 / 0 / 7

HEX #ECAEEC

RGB 236 174 236

HSL 300, 0.62%, 0.8%

LAB 78.56, 32.65, -22.13

 

CMYK 1 / 25 / 0 / 0

HEX #FDC0FF

RGB 253 192 255

HSL 298.1, 1%, 0.88%

LAB 84.9, 32.04, -22.52

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 3 / 32 / 0 / 20

HEX #C58ACB

RGB 197 138 203

HSL 294.46, 0.38%, 0.67%

LAB 65.25, 33.32, -24.68

 

CMYK 2 / 35 / 0 / 28

HEX #B478B8

RGB 180 120 184

HSL 296.25, 0.31%, 0.6%

LAB 58.6, 34.05, -24.31

 

CMYK 1 / 38 / 0 / 35

HEX #A366A5

RGB 163 102 165

HSL 298.1, 0.26%, 0.52%

LAB 51.84, 34.82, -23.91

 

CMYK 0 / 42 / 0 / 43

HEX #925492

RGB 146 84 146

HSL 300, 0.27%, 0.45%

LAB 44.98, 35.6, -23.44

 

CMYK 0 / 49 / 2 / 49

HEX #81427F

RGB 129 66 127

HSL 301.9, 0.32%, 0.38%

LAB 38.01, 36.37, -22.87

 

CMYK 3 / 32 / 0 / 21

HEX #C48ACA

RGB 196 138 202

HSL 294.38, 0.38%, 0.67%

LAB 65.1, 32.8, -24.35

 

CMYK 0 / 32 / 5 / 21

HEX #CA8ABF

RGB 202 138 191

HSL 310.31, 0.38%, 0.67%

LAB 65.35, 32.73, -17.74

 

CMYK 0 / 32 / 14 / 21

HEX #CA8AAE

RGB 202 138 174

HSL 326.25, 0.38%, 0.67%

LAB 64.8, 29.8, -9.01

 

CMYK 0 / 32 / 23 / 21

HEX #CA8A9C

RGB 202 138 156

HSL 343.13, 0.38%, 0.67%

LAB 64.27, 26.97, 0.4

 

CMYK 0 / 32 / 31 / 21

HEX #CA8A8B

RGB 202 138 139

HSL 359.06, 0.38%, 0.67%

LAB 63.83, 24.57, 9.4

 

CMYK 3 / 32 / 0 / 21

HEX #C48ACA

RGB 196 138 202

HSL 294.38, 0.38%, 0.67%

LAB 65.1, 32.8, -24.35

 

CMYK 11 / 32 / 0 / 21

HEX #B38ACA

RGB 179 138 202

HSL 278.44, 0.38%, 0.67%

LAB 63.36, 27.35, -27.17

 

CMYK 20 / 32 / 0 / 21

HEX #A28ACA

RGB 162 138 202

HSL 262.5, 0.38%, 0.67%

LAB 61.76, 22.01, -29.78

 

CMYK 28 / 32 / 0 / 21

HEX #918ACA

RGB 145 138 202

HSL 246.56, 0.38%, 0.67%

LAB 60.3, 16.85, -32.15

 

CMYK 32 / 32 / 0 / 21

HEX #8A8ACA

RGB 138 138 202

HSL 240, 0.38%, 0.67%

LAB 59.75, 14.8, -33.06

 

CMYK 3 / 32 / 0 / 21

HEX #C48ACA

RGB 196 138 202

HSL 294.38, 0.38%, 0.67%

LAB 65.1, 32.8, -24.35

 

CMYK 4 / 42 / 0 / 15

HEX #D07DD8

RGB 208 125 216

HSL 294.73, 0.54%, 0.67%

LAB 64.19, 46.18, -33.47

 

CMYK 5 / 52 / 0 / 10

HEX #DB6FE6

RGB 219 111 230

HSL 294.45, 0.7%, 0.67%

LAB 63.46, 58.91, -42.32

 

CMYK 5 / 60 / 0 / 5

HEX #E662F3

RGB 230 98 243

HSL 294.62, 0.86%, 0.67%

LAB 63.37, 69.91, -49.58

 

CMYK 3 / 32 / 0 / 21

HEX #C48ACA

RGB 196 138 202

HSL 294.38, 0.38%, 0.67%

LAB 65.1, 32.8, -24.35

 

CMYK 2 / 20 / 0 / 26

HEX #B998BD

RGB 185 152 189

HSL 293.51, 0.22%, 0.67%

LAB 66.86, 18.86, -14.51

 

CMYK 1 / 5 / 0 / 31

HEX #AEA6AF

RGB 174 166 175

HSL 293.33, 0.05%, 0.67%

LAB 69.02, 4.56, -3.61

 

CMYK 9 / 0 / 10 / 30

HEX #A3B3A1

RGB 163 179 161

HSL 113.33, 0.11%, 0.67%

LAB 71.28, -8.99, 7.3

 

CMYK 21 / 0 / 23 / 24

HEX #98C194

RGB 152 193 148

HSL 114.67, 0.27%, 0.67%

LAB 74.16, -22.34, 18.3

 

CMYK 20 / 32 / 0 / 21

HEX #A28ACA

RGB 162 138 202

HSL 262.5, 0.38%, 0.67%

LAB 61.76, 22.01, -29.78

 

CMYK 11 / 32 / 0 / 21

HEX #B38ACA

RGB 179 138 202

HSL 278.44, 0.38%, 0.67%

LAB 63.36, 27.35, -27.17

 

CMYK 3 / 32 / 0 / 21

HEX #C48ACA

RGB 196 138 202

HSL 294.38, 0.38%, 0.67%

LAB 65.1, 32.8, -24.35

 

CMYK 0 / 32 / 5 / 21

HEX #CA8AC0

RGB 202 138 192

HSL 309.38, 0.38%, 0.67%

LAB 65.39, 32.91, -18.25

 

CMYK 0 / 32 / 13 / 21

HEX #CA8AAF

RGB 202 138 175

HSL 325.31, 0.38%, 0.67%

LAB 64.83, 29.96, -9.53

 

CMYK 5 / 54 / 0 / 31

HEX #A851B1

RGB 168 81 177

HSL 294.38, 0.38%, 0.51%

LAB 48.74, 49.74, -35.71

 

CMYK 4 / 42 / 0 / 25

HEX #B66EBE

RGB 182 110 190

HSL 294, 0.38%, 0.59%

LAB 56.89, 41.3, -30.35

 

CMYK 3 / 32 / 0 / 21

HEX #C48ACA

RGB 196 138 202

HSL 294.38, 0.38%, 0.67%

LAB 65.1, 32.8, -24.35

 

CMYK 2 / 22 / 0 / 16

HEX #D3A7D7

RGB 211 167 215

HSL 295, 0.38%, 0.75%

LAB 73.8, 24.34, -18.16

 

CMYK 1 / 14 / 0 / 11

HEX #E1C3E4

RGB 225 195 228

HSL 294.55, 0.38%, 0.83%

LAB 82.18, 16.33, -12.46

 

CMYK 3 / 32 / 0 / 20

HEX #C58ACB

RGB 197 138 203

HSL 294.46, 0.38%, 0.67%

LAB 65.25, 33.32, -24.68

 

CMYK 0 / 28 / 32 / 21

HEX #CA918A

RGB 202 145 138

HSL 6.56, 0.38%, 0.67%

LAB 65.47, 20.61, 12.27

 

CMYK 32 / 0 / 16 / 21

HEX #8ACAAA

RGB 138 202 170

HSL 150, 0.38%, 0.67%

LAB 76.4, -27.2, 9.53

 

CMYK 3 / 32 / 0 / 20

HEX #C58ACB

RGB 197 138 203

HSL 294.46, 0.38%, 0.67%

LAB 65.25, 33.32, -24.68

 

CMYK 0 / 3 / 32 / 21

HEX #CAC48A

RGB 202 196 138

HSL 54.38, 0.38%, 0.67%

LAB 78.39, -6.78, 29.93

 

CMYK 32 / 0 / 3 / 21

HEX #8ACAC4

RGB 138 202 196

HSL 174.38, 0.38%, 0.67%

LAB 77.06, -21.6, -3.52

 

CMYK 3 / 32 / 0 / 20

HEX #C58ACB

RGB 197 138 203

HSL 294.46, 0.38%, 0.67%

LAB 65.25, 33.32, -24.68

 

CMYK 0 / 28 / 32 / 21

HEX #CA918A

RGB 202 145 138

HSL 6.56, 0.38%, 0.67%

LAB 65.47, 20.61, 12.27

 

CMYK 28 / 0 / 32 / 21

HEX #91CA8A

RGB 145 202 138

HSL 113.44, 0.38%, 0.67%

LAB 76.13, -30.76, 26.23

 

CMYK 32 / 3 / 0 / 21

HEX #8AC4CA

RGB 138 196 202

HSL 185.63, 0.38%, 0.67%

LAB 75.54, -17.15, -9.01

 

CMYK 3 / 32 / 0 / 20

HEX #C58ACB

RGB 197 138 203

HSL 294.46, 0.38%, 0.67%

LAB 65.25, 33.32, -24.68

 

CMYK 0 / 19 / 32 / 21

HEX #CAA48A

RGB 202 164 138

HSL 24.38, 0.38%, 0.67%

LAB 70.14, 10.23, 18.77

 

CMYK 28 / 0 / 32 / 21

HEX #91CA8A

RGB 145 202 138

HSL 113.44, 0.38%, 0.67%

LAB 76.13, -30.76, 26.23

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

Description

Color code: HEX #C58ACB | qconv.com Color code: HEX #C58ACB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 138 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 138 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 32 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 32% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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