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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5819D it is the complementary color #3A7E62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5819D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5819D shade: #CA8198, #DB93AB, #ECA5BE, #FDB7D1 and #FFC9E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5819D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5819D shade: #C5819D, #B46F8A, #A35D77, #924B64 and #813951

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5819D shade: #C5819D, #C5818A and #C58181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5819D shade: #C5819D, #C581AF, #C581C1, #B681C5 and #A381C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5819D shade matches the following richer shades: #C5819D, #D4729A, #E26397 and #F15495

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5819D shade: #C5819D, #B6909F, #A79EA2, #98ADA5 and #89BCA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5819D shade: #C581C1, #C581AF, #C5819D, #C5818B and #C58981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5819D shade: #A74C71, #B86487, #C5819D, #D29DB3 and #DFB9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5819D shade: #C5819D, #C5B681 and #81B8C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5819D shade: #C5819D, #9DC581 and #819DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5819D shade: #C5819D, #C5B681, #81C5A8 and #818FC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5819D shade: #C5819D, #BFC581, #81C5A8 and #8681C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

Complementary color

CMYK 54 / 0 / 22 / 51

HEX #3A7E62

RGB 58 126 98

HSL 155.29, 0.37%, 0.36%

LAB 47.88, -28.71, 8.77

 

CMYK 0 / 36 / 25 / 21

HEX #CA8198

RGB 202 129 152

HSL 341.1, 0.41%, 0.65%

LAB 62.1, 31.28, -0.49

 

CMYK 0 / 33 / 22 / 14

HEX #DB93AB

RGB 219 147 171

HSL 340, 0.5%, 0.72%

LAB 68.66, 30.49, -1.4

 

CMYK 0 / 30 / 19 / 7

HEX #ECA5BE

RGB 236 165 190

HSL 338.87, 0.65%, 0.79%

LAB 75.11, 29.75, -2.23

 

CMYK 0 / 28 / 17 / 1

HEX #FDB7D1

RGB 253 183 209

HSL 337.71, 0.95%, 0.85%

LAB 81.49, 29.07, -3

 

CMYK 0 / 21 / 11 / 0

HEX #FFC9E4

RGB 255 201 228

HSL 330, 1%, 0.89%

LAB 86.32, 23.3, -6.01

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 38 / 23 / 29

HEX #B46F8A

RGB 180 111 138

HSL 336.52, 0.32%, 0.57%

LAB 54.98, 31.04, -3.17

 

CMYK 0 / 43 / 27 / 36

HEX #A35D77

RGB 163 93 119

HSL 337.71, 0.28%, 0.5%

LAB 48.19, 31.91, -2.14

 

CMYK 0 / 49 / 32 / 43

HEX #924B64

RGB 146 75 100

HSL 338.87, 0.32%, 0.43%

LAB 41.32, 32.83, -0.92

 

CMYK 0 / 56 / 37 / 49

HEX #813951

RGB 129 57 81

HSL 340, 0.39%, 0.36%

LAB 34.37, 33.73, 0.6

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 35 / 30 / 23

HEX #C5818A

RGB 197 129 138

HSL 352.06, 0.37%, 0.64%

LAB 61.14, 27.47, 6.04

 

CMYK 0 / 35 / 35 / 23

HEX #C58181

RGB 197 129 129

HSL 0, 0.37%, 0.64%

LAB 60.92, 26.28, 10.87

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 35 / 11 / 23

HEX #C581AF

RGB 197 129 175

HSL 319.41, 0.37%, 0.64%

LAB 62.22, 33.14, -13.49

 

CMYK 0 / 35 / 2 / 23

HEX #C581C1

RGB 197 129 193

HSL 303.53, 0.37%, 0.64%

LAB 62.86, 36.33, -22.71

 

CMYK 8 / 35 / 0 / 23

HEX #B681C5

RGB 182 129 197

HSL 286.76, 0.37%, 0.64%

LAB 61.37, 32.29, -27.4

 

CMYK 17 / 35 / 0 / 23

HEX #A381C5

RGB 163 129 197

HSL 270, 0.37%, 0.64%

LAB 59.45, 26.32, -30.53

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 46 / 27 / 17

HEX #D4729A

RGB 212 114 154

HSL 335.51, 0.53%, 0.64%

LAB 60.22, 43.03, -4.27

 

CMYK 0 / 56 / 33 / 11

HEX #E26397

RGB 226 99 151

HSL 335.43, 0.69%, 0.64%

LAB 59.28, 54.59, -3.7

 

CMYK 0 / 65 / 38 / 5

HEX #F15495

RGB 241 84 149

HSL 335.16, 0.85%, 0.64%

LAB 59.17, 65.32, -2.42

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 21 / 13 / 29

HEX #B6909F

RGB 182 144 159

HSL 336.32, 0.21%, 0.64%

LAB 63.67, 16.76, -2.43

 

CMYK 0 / 5 / 3 / 35

HEX #A79EA2

RGB 167 158 162

HSL 333.33, 0.05%, 0.64%

LAB 65.96, 4.01, -0.92

 

CMYK 12 / 0 / 5 / 32

HEX #98ADA5

RGB 152 173 165

HSL 157.14, 0.11%, 0.64%

LAB 68.95, -8.88, 1.64

 

CMYK 27 / 0 / 11 / 26

HEX #89BCA7

RGB 137 188 167

HSL 155.29, 0.28%, 0.64%

LAB 72.28, -21.19, 5.23

 

CMYK 0 / 35 / 2 / 23

HEX #C581C1

RGB 197 129 193

HSL 303.53, 0.37%, 0.64%

LAB 62.86, 36.33, -22.71

 

CMYK 0 / 35 / 11 / 23

HEX #C581AF

RGB 197 129 175

HSL 319.41, 0.37%, 0.64%

LAB 62.22, 33.14, -13.49

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 35 / 29 / 23

HEX #C5818B

RGB 197 129 139

HSL 351.18, 0.37%, 0.64%

LAB 61.16, 27.6, 5.5

 

CMYK 0 / 30 / 35 / 23

HEX #C58981

RGB 197 137 129

HSL 7.06, 0.37%, 0.64%

LAB 62.8, 21.89, 13.51

 

CMYK 0 / 54 / 32 / 35

HEX #A74C71

RGB 167 76 113

HSL 335.6, 0.37%, 0.48%

LAB 45.05, 41.52, -3.07

 

CMYK 0 / 46 / 27 / 28

HEX #B86487

RGB 184 100 135

HSL 335, 0.37%, 0.56%

LAB 53.01, 37.98, -4.26

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 25 / 15 / 18

HEX #D29DB3

RGB 210 157 179

HSL 335.09, 0.37%, 0.72%

LAB 70.23, 23.09, -3.67

 

CMYK 0 / 17 / 10 / 13

HEX #DFB9C9

RGB 223 185 201

HSL 334.74, 0.37%, 0.8%

LAB 78.81, 16.21, -2.94

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 8 / 35 / 23

HEX #C5B681

RGB 197 182 129

HSL 46.76, 0.37%, 0.64%

LAB 74.13, -2.55, 28.95

 

CMYK 35 / 7 / 0 / 23

HEX #81B8C5

RGB 129 184 197

HSL 191.47, 0.37%, 0.64%

LAB 71.54, -14.66, -12.31

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 20 / 0 / 35 / 23

HEX #9DC581

RGB 157 197 129

HSL 95.29, 0.37%, 0.64%

LAB 75.26, -25.54, 29.89

 

CMYK 35 / 20 / 0 / 23

HEX #819DC5

RGB 129 157 197

HSL 215.29, 0.37%, 0.64%

LAB 64.01, 0, -23.72

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 0 / 8 / 35 / 23

HEX #C5B681

RGB 197 182 129

HSL 46.76, 0.37%, 0.64%

LAB 74.13, -2.55, 28.95

 

CMYK 35 / 0 / 15 / 23

HEX #81C5A8

RGB 129 197 168

HSL 154.41, 0.37%, 0.64%

LAB 74.46, -27.87, 7.77

 

CMYK 35 / 27 / 0 / 23

HEX #818FC5

RGB 129 143 197

HSL 227.65, 0.37%, 0.64%

LAB 60.2, 7.99, -29.59

 

CMYK 0 / 35 / 20 / 23

HEX #C5819D

RGB 197 129 157

HSL 335.29, 0.37%, 0.64%

LAB 61.66, 30.22, -4.07

 

CMYK 3 / 0 / 35 / 23

HEX #BFC581

RGB 191 197 129

HSL 65.29, 0.37%, 0.64%

LAB 77.63, -12.71, 33.46

 

CMYK 35 / 0 / 15 / 23

HEX #81C5A8

RGB 129 197 168

HSL 154.41, 0.37%, 0.64%

LAB 74.46, -27.87, 7.77

 

CMYK 32 / 35 / 0 / 23

HEX #8681C5

RGB 134 129 197

HSL 244.41, 0.37%, 0.64%

LAB 56.88, 17.6, -34.73

 

Description

Color code: HEX #C5819D | qconv.com Color code: HEX #C5819D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 129 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 129 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 20 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 20% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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