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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5808D it is the complementary color #3A7F72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5808D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5808D shade: #CA8088, #DB929B, #ECA4AE, #FDB6C1 and #FFC8D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5808D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5808D shade: #C5808D, #B46E7A, #A35C67, #924A54 and #813841

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5808D shade: #C5818E and #C58181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5808D shade: #C5818E, #C581A0, #C581B2, #C581C4 and #B381C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5808D shade matches the following richer shades: #C5818E, #D47284, #E2637B and #F15472

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5808D shade: #C5818E, #B69097, #A79EA0, #98ADA9 and #89BCB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5808D shade: #C581B3, #C581A0, #C5818E, #C58581 and #C59781

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5808D shade: #A74C5D, #B86474, #C5818E, #D29DA7 and #DFB9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5808D shade: #C5808D, #C5C581 and #81A9C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5808D shade: #C5808D, #8EC581 and #818EC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5808D shade: #C5808D, #C5C581, #81C5B7 and #8181C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5808D shade: #C5808D, #B0C581, #81C5B7 and #9581C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 28 / 23

HEX #C5808D

RGB 197 128 141

HSL 348.7, 0.37%, 0.64%

LAB 60.99, 28.42, 4.1

 

Complementary color

CMYK 54 / 0 / 10 / 50

HEX #3A7F72

RGB 58 127 114

HSL 168.7, 0.37%, 0.36%

LAB 48.63, -25.17, 0.44

 

CMYK 0 / 37 / 33 / 21

HEX #CA8088

RGB 202 128 136

HSL 353.51, 0.41%, 0.65%

LAB 61.46, 29.63, 7.72

 

CMYK 0 / 33 / 29 / 14

HEX #DB929B

RGB 219 146 155

HSL 352.6, 0.5%, 0.72%

LAB 68.01, 28.77, 6.61

 

CMYK 0 / 31 / 26 / 7

HEX #ECA4AE

RGB 236 164 174

HSL 351.67, 0.65%, 0.78%

LAB 74.47, 27.98, 5.61

 

CMYK 0 / 28 / 24 / 1

HEX #FDB6C1

RGB 253 182 193

HSL 350.7, 0.95%, 0.85%

LAB 80.84, 27.25, 4.7

 

CMYK 0 / 22 / 17 / 0

HEX #FFC8D4

RGB 255 200 212

HSL 346.91, 1%, 0.89%

LAB 85.67, 21.3, 1.54

 

CMYK 0 / 35 / 28 / 23

HEX #C5808D

RGB 197 128 141

HSL 348.7, 0.37%, 0.64%

LAB 60.99, 28.42, 4.1

 

CMYK 0 / 39 / 32 / 29

HEX #B46E7A

RGB 180 110 122

HSL 349.71, 0.32%, 0.57%

LAB 54.3, 29.31, 5.22

 

CMYK 0 / 44 / 37 / 36

HEX #A35C67

RGB 163 92 103

HSL 350.7, 0.28%, 0.5%

LAB 47.52, 30.28, 6.51

 

CMYK 0 / 49 / 42 / 43

HEX #924A54

RGB 146 74 84

HSL 351.67, 0.33%, 0.43%

LAB 40.65, 31.33, 8.05

 

CMYK 0 / 57 / 50 / 49

HEX #813841

RGB 129 56 65

HSL 352.6, 0.39%, 0.36%

LAB 33.73, 32.4, 9.97

 

CMYK 0 / 35 / 28 / 23

HEX #C5818E

RGB 197 129 142

HSL 348.53, 0.37%, 0.64%

LAB 61.24, 28.02, 3.9

 

CMYK 0 / 35 / 35 / 23

HEX #C58181

RGB 197 129 129

HSL 0, 0.37%, 0.64%

LAB 60.92, 26.28, 10.87

 

CMYK 0 / 35 / 28 / 23

HEX #C5818E

RGB 197 129 142

HSL 348.53, 0.37%, 0.64%

LAB 61.24, 28.02, 3.9

 

CMYK 0 / 35 / 19 / 23

HEX #C581A0

RGB 197 129 160

HSL 332.65, 0.37%, 0.64%

LAB 61.75, 30.69, -5.65

 

CMYK 0 / 35 / 10 / 23

HEX #C581B2

RGB 197 129 178

HSL 316.76, 0.37%, 0.64%

LAB 62.33, 33.65, -15.04

 

CMYK 0 / 35 / 1 / 23

HEX #C581C4

RGB 197 129 196

HSL 300.88, 0.37%, 0.64%

LAB 62.97, 36.89, -24.23

 

CMYK 9 / 35 / 0 / 23

HEX #B381C5

RGB 179 129 197

HSL 284.12, 0.37%, 0.64%

LAB 61.06, 31.34, -27.91

 

CMYK 0 / 35 / 28 / 23

HEX #C5818E

RGB 197 129 142

HSL 348.53, 0.37%, 0.64%

LAB 61.24, 28.02, 3.9

 

CMYK 0 / 46 / 38 / 17

HEX #D47284

RGB 212 114 132

HSL 348.98, 0.53%, 0.64%

LAB 59.61, 40.25, 7.56

 

CMYK 0 / 56 / 46 / 11

HEX #E2637B

RGB 226 99 123

HSL 348.66, 0.69%, 0.64%

LAB 58.53, 51.57, 11.53

 

CMYK 0 / 65 / 53 / 5

HEX #F15472

RGB 241 84 114

HSL 348.54, 0.85%, 0.64%

LAB 58.28, 62.12, 16.8

 

CMYK 0 / 35 / 28 / 23

HEX #C5818E

RGB 197 129 142

HSL 348.53, 0.37%, 0.64%

LAB 61.24, 28.02, 3.9

 

CMYK 0 / 21 / 17 / 29

HEX #B69097

RGB 182 144 151

HSL 348.95, 0.21%, 0.64%

LAB 63.45, 15.43, 1.77

 

CMYK 0 / 5 / 4 / 35

HEX #A79EA0

RGB 167 158 160

HSL 346.67, 0.05%, 0.64%

LAB 65.91, 3.64, 0.12

 

CMYK 12 / 0 / 2 / 32

HEX #98ADA9

RGB 152 173 169

HSL 168.57, 0.11%, 0.64%

LAB 69.06, -8.07, -0.42

 

CMYK 27 / 0 / 5 / 26

HEX #89BCB3

RGB 137 188 179

HSL 169.41, 0.28%, 0.64%

LAB 72.59, -18.62, -0.86

 

CMYK 0 / 35 / 9 / 23

HEX #C581B3

RGB 197 129 179

HSL 315.88, 0.37%, 0.64%

LAB 62.36, 33.83, -15.55

 

CMYK 0 / 35 / 19 / 23

HEX #C581A0

RGB 197 129 160

HSL 332.65, 0.37%, 0.64%

LAB 61.75, 30.69, -5.65

 

CMYK 0 / 35 / 28 / 23

HEX #C5818E

RGB 197 129 142

HSL 348.53, 0.37%, 0.64%

LAB 61.24, 28.02, 3.9

 

CMYK 0 / 32 / 35 / 23

HEX #C58581

RGB 197 133 129

HSL 3.53, 0.37%, 0.64%

LAB 61.85, 24.09, 12.19

 

CMYK 0 / 23 / 35 / 23

HEX #C59781

RGB 197 151 129

HSL 19.41, 0.37%, 0.64%

LAB 66.2, 14.19, 18.24

 

CMYK 0 / 54 / 44 / 35

HEX #A74C5D

RGB 167 76 93

HSL 348.79, 0.37%, 0.48%

LAB 44.48, 39.14, 8.36

 

CMYK 0 / 46 / 37 / 28

HEX #B86474

RGB 184 100 116

HSL 348.57, 0.37%, 0.56%

LAB 52.47, 35.47, 6.2

 

CMYK 0 / 35 / 28 / 23

HEX #C5818E

RGB 197 129 142

HSL 348.53, 0.37%, 0.64%

LAB 61.24, 28.02, 3.9

 

CMYK 0 / 25 / 20 / 18

HEX #D29DA7

RGB 210 157 167

HSL 348.68, 0.37%, 0.72%

LAB 69.9, 21.2, 2.52

 

CMYK 0 / 17 / 14 / 13

HEX #DFB9C0

RGB 223 185 192

HSL 348.95, 0.37%, 0.8%

LAB 78.57, 14.73, 1.58

 

CMYK 0 / 35 / 28 / 23

HEX #C5808D

RGB 197 128 141

HSL 348.7, 0.37%, 0.64%

LAB 60.99, 28.42, 4.1

 

CMYK 0 / 0 / 35 / 23

HEX #C5C581

RGB 197 197 129

HSL 60, 0.37%, 0.64%

LAB 78.1, -10.36, 34.16

 

CMYK 35 / 14 / 0 / 23

HEX #81A9C5

RGB 129 169 197

HSL 204.71, 0.37%, 0.64%

LAB 67.33, -6.64, -18.66

 

CMYK 0 / 35 / 28 / 23

HEX #C5808D

RGB 197 128 141

HSL 348.7, 0.37%, 0.64%

LAB 60.99, 28.42, 4.1

 

CMYK 28 / 0 / 35 / 23

HEX #8EC581

RGB 142 197 129

HSL 108.53, 0.37%, 0.64%

LAB 74.36, -30.82, 28.55

 

CMYK 35 / 28 / 0 / 23

HEX #818EC5

RGB 129 142 197

HSL 228.53, 0.37%, 0.64%

LAB 59.93, 8.57, -30.01

 

CMYK 0 / 35 / 28 / 23

HEX #C5808D

RGB 197 128 141

HSL 348.7, 0.37%, 0.64%

LAB 60.99, 28.42, 4.1

 

CMYK 0 / 0 / 35 / 23

HEX #C5C581

RGB 197 197 129

HSL 60, 0.37%, 0.64%

LAB 78.1, -10.36, 34.16

 

CMYK 35 / 0 / 7 / 23

HEX #81C5B7

RGB 129 197 183

HSL 167.65, 0.37%, 0.64%

LAB 74.84, -24.6, 0.2

 

CMYK 35 / 35 / 0 / 23

HEX #8181C5

RGB 129 129 197

HSL 240, 0.37%, 0.64%

LAB 56.48, 16.17, -35.37

 

CMYK 0 / 35 / 28 / 23

HEX #C5808D

RGB 197 128 141

HSL 348.7, 0.37%, 0.64%

LAB 60.99, 28.42, 4.1

 

CMYK 11 / 0 / 35 / 23

HEX #B0C581

RGB 176 197 129

HSL 78.53, 0.37%, 0.64%

LAB 76.53, -18.49, 31.8

 

CMYK 35 / 0 / 7 / 23

HEX #81C5B7

RGB 129 197 183

HSL 167.65, 0.37%, 0.64%

LAB 74.84, -24.6, 0.2

 

CMYK 24 / 35 / 0 / 23

HEX #9581C5

RGB 149 129 197

HSL 257.65, 0.37%, 0.64%

LAB 58.15, 22.03, -32.65

 

Description

Color code: HEX #C5808D | qconv.com Color code: HEX #C5808D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 128 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 128 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 28 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 28% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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