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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56774 it is the complementary color #3A988B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56774. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56774 shade: #CA676F, #DB7982, #EC8B95, #FD9DA8 and #FFAFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56774. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56774 shade: #C56774, #B45561, #A3434E, #92313B and #811F28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56774 shade: #C56774 and #C56767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56774 shade: #C56774, #C5678D, #C567A7, #C567C0 and #B167C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56774 shade matches the following richer shades: #C56774, #D65668, #E7455B and #F8344F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56774 shade: #C56774, #B47880, #A3898C, #929A99 and #81ABA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56774 shade: #C567A7, #C5678E, #C56775, #C57267 and #C58B67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56774 shade: #9E3C49, #BA4959, #C56774, #D0858F and #DCA3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56774 shade: #C56774, #C0C567 and #679BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56774 shade: #C56774, #75C567 and #6775C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56774 shade: #C56774, #C0C567, #67C5B7 and #6C67C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56774 shade: #C56774, #A4C567, #67C5B7 and #8867C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

Complementary color

CMYK 62 / 0 / 9 / 40

HEX #3A988B

RGB 58 152 139

HSL 171.7, 0.45%, 0.41%

LAB 57.29, -30.73, -1.37

 

CMYK 0 / 49 / 45 / 21

HEX #CA676F

RGB 202 103 111

HSL 355.15, 0.48%, 0.6%

LAB 55.49, 39.98, 13.76

 

CMYK 0 / 45 / 41 / 14

HEX #DB7982

RGB 219 121 130

HSL 354.49, 0.58%, 0.67%

LAB 61.95, 38.94, 12.15

 

CMYK 0 / 41 / 37 / 7

HEX #EC8B95

RGB 236 139 149

HSL 353.81, 0.72%, 0.74%

LAB 68.36, 37.96, 10.76

 

CMYK 0 / 38 / 34 / 1

HEX #FD9DA8

RGB 253 157 168

HSL 353.13, 0.96%, 0.8%

LAB 74.71, 37.03, 9.52

 

CMYK 0 / 31 / 27 / 0

HEX #FFAFBB

RGB 255 175 187

HSL 351, 1%, 0.84%

LAB 79.33, 30.81, 5.79

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 0 / 53 / 46 / 29

HEX #B45561

RGB 180 85 97

HSL 352.42, 0.39%, 0.52%

LAB 48.34, 39.7, 11.63

 

CMYK 0 / 59 / 52 / 36

HEX #A3434E

RGB 163 67 78

HSL 353.13, 0.42%, 0.45%

LAB 41.77, 40.69, 13.73

 

CMYK 0 / 66 / 60 / 43

HEX #92313B

RGB 146 49 59

HSL 353.81, 0.5%, 0.38%

LAB 35.25, 41.52, 16.37

 

CMYK 0 / 76 / 69 / 49

HEX #811F28

RGB 129 31 40

HSL 354.49, 0.61%, 0.31%

LAB 28.9, 41.91, 19.8

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 0 / 48 / 48 / 23

HEX #C56767

RGB 197 103 103

HSL 0, 0.45%, 0.59%

LAB 54.61, 37.32, 17.11

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 0 / 48 / 28 / 23

HEX #C5678D

RGB 197 103 141

HSL 335.74, 0.45%, 0.59%

LAB 55.58, 41.77, -3.79

 

CMYK 0 / 48 / 15 / 23

HEX #C567A7

RGB 197 103 167

HSL 319.15, 0.45%, 0.59%

LAB 56.45, 45.6, -17.64

 

CMYK 0 / 48 / 3 / 23

HEX #C567C0

RGB 197 103 192

HSL 303.19, 0.45%, 0.59%

LAB 57.44, 49.81, -30.5

 

CMYK 10 / 48 / 0 / 23

HEX #B167C5

RGB 177 103 197

HSL 287.23, 0.45%, 0.59%

LAB 55.15, 44.94, -37.12

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 0 / 60 / 51 / 16

HEX #D65668

RGB 214 86 104

HSL 351.56, 0.61%, 0.59%

LAB 53.98, 51.77, 16.07

 

CMYK 0 / 70 / 61 / 9

HEX #E7455B

RGB 231 69 91

HSL 351.85, 0.77%, 0.59%

LAB 54.03, 63.15, 24.33

 

CMYK 0 / 79 / 68 / 3

HEX #F8344F

RGB 248 52 79

HSL 351.73, 0.93%, 0.59%

LAB 55.05, 72.62, 33.32

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 0 / 33 / 29 / 29

HEX #B47880

RGB 180 120 128

HSL 352, 0.29%, 0.59%

LAB 56.78, 24.59, 5.28

 

CMYK 0 / 16 / 14 / 36

HEX #A3898C

RGB 163 137 140

HSL 353.08, 0.12%, 0.59%

LAB 59.5, 10.34, 2.06

 

CMYK 5 / 0 / 1 / 40

HEX #929A99

RGB 146 154 153

HSL 172.5, 0.04%, 0.59%

LAB 62.95, -3.06, -0.48

 

CMYK 25 / 0 / 4 / 33

HEX #81ABA5

RGB 129 171 165

HSL 171.43, 0.2%, 0.59%

LAB 66.91, -15.39, -1.53

 

CMYK 0 / 48 / 15 / 23

HEX #C567A7

RGB 197 103 167

HSL 319.15, 0.45%, 0.59%

LAB 56.45, 45.6, -17.64

 

CMYK 0 / 48 / 28 / 23

HEX #C5678E

RGB 197 103 142

HSL 335.11, 0.45%, 0.59%

LAB 55.61, 41.91, -4.33

 

CMYK 0 / 48 / 41 / 23

HEX #C56775

RGB 197 103 117

HSL 351.06, 0.45%, 0.59%

LAB 54.92, 38.79, 9.35

 

CMYK 0 / 42 / 48 / 23

HEX #C57267

RGB 197 114 103

HSL 7.02, 0.45%, 0.59%

LAB 56.96, 31.49, 20.31

 

CMYK 0 / 29 / 48 / 23

HEX #C58B67

RGB 197 139 103

HSL 22.98, 0.45%, 0.59%

LAB 62.77, 17.84, 28.02

 

CMYK 0 / 62 / 54 / 38

HEX #9E3C49

RGB 158 60 73

HSL 352.04, 0.45%, 0.43%

LAB 39.55, 41.83, 13.68

 

CMYK 0 / 61 / 52 / 27

HEX #BA4959

RGB 186 73 89

HSL 351.5, 0.45%, 0.51%

LAB 46.88, 46.91, 14.59

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 0 / 36 / 31 / 18

HEX #D0858F

RGB 208 133 143

HSL 352, 0.44%, 0.67%

LAB 63.48, 30.09, 6.72

 

CMYK 0 / 26 / 22 / 14

HEX #DCA3AB

RGB 220 163 171

HSL 351.58, 0.45%, 0.75%

LAB 72.46, 22.23, 4.15

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 3 / 0 / 48 / 23

HEX #C0C567

RGB 192 197 103

HSL 63.19, 0.45%, 0.59%

LAB 77.35, -15.14, 46.2

 

CMYK 48 / 21 / 0 / 23

HEX #679BC5

RGB 103 155 197

HSL 206.81, 0.45%, 0.59%

LAB 61.96, -5.77, -27

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 41 / 0 / 48 / 23

HEX #75C567

RGB 117 197 103

HSL 111.06, 0.45%, 0.59%

LAB 72.69, -42.8, 39.43

 

CMYK 48 / 41 / 0 / 23

HEX #6775C5

RGB 103 117 197

HSL 231.06, 0.45%, 0.59%

LAB 51.42, 16.52, -43.47

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 3 / 0 / 48 / 23

HEX #C0C567

RGB 192 197 103

HSL 63.19, 0.45%, 0.59%

LAB 77.35, -15.14, 46.2

 

CMYK 48 / 0 / 7 / 23

HEX #67C5B7

RGB 103 197 183

HSL 171.06, 0.45%, 0.59%

LAB 73.7, -31.32, -1.61

 

CMYK 45 / 48 / 0 / 23

HEX #6C67C5

RGB 108 103 197

HSL 243.19, 0.45%, 0.59%

LAB 48.16, 26.26, -48.64

 

CMYK 0 / 48 / 41 / 23

HEX #C56774

RGB 197 103 116

HSL 351.7, 0.45%, 0.59%

LAB 54.9, 38.68, 9.9

 

CMYK 17 / 0 / 48 / 23

HEX #A4C567

RGB 164 197 103

HSL 81.06, 0.45%, 0.59%

LAB 75.33, -26.21, 43.28

 

CMYK 48 / 0 / 7 / 23

HEX #67C5B7

RGB 103 197 183

HSL 171.06, 0.45%, 0.59%

LAB 73.7, -31.32, -1.61

 

CMYK 31 / 48 / 0 / 23

HEX #8867C5

RGB 136 103 197

HSL 261.06, 0.45%, 0.59%

LAB 50.65, 33.43, -44.53

 

Description

Color code: HEX #C56774 | qconv.com Color code: HEX #C56774 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 103 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 103 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 41% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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