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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55022 it is the complementary color #3AAFDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55022. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55022 shade: #CA501D, #DB6230, #EC7443, #FD8656 and #FF9869

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55022. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55022 shade: #C55022, #B43E0F, #A32C00, #921A00 and #810800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55022 shade: #C44F21, #C42321 and #C42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55022 shade: #C44F21, #C47B21, #C4A721, #B5C421 and #89C421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55022 shade matches the following richer shades: #C44F21 and #D6470E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55022 shade: #C44F21, #B15733, #9F5F46, #8C6758 and #796F6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55022 shade: #C4214C, #C42121, #C44C21, #C47821 and #C4A321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55022 shade: #7D3215, #A0411B, #C44F21, #DC6232 and #E27D55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55022 shade: #C55022, #78C421 and #2137C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55022 shade: #C55022, #21C44C and #4C21C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55022 shade: #C55022, #78C421, #2198C4 and #6D21C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55022 shade: #C55022, #47C421, #2198C4 and #9E21C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 83 / 23

HEX #C55022

RGB 197 80 34

HSL 16.93, 0.71%, 0.45%

LAB 49.16, 44.48, 48.42

 

Complementary color

CMYK 74 / 21 / 0 / 13

HEX #3AAFDD

RGB 58 175 221

HSL 196.93, 0.71%, 0.55%

LAB 67.11, -17.33, -32.48

 

CMYK 0 / 60 / 86 / 21

HEX #CA501D

RGB 202 80 29

HSL 17.69, 0.75%, 0.45%

LAB 49.96, 46.19, 51.59

 

CMYK 0 / 55 / 78 / 14

HEX #DB6230

RGB 219 98 48

HSL 17.54, 0.7%, 0.52%

LAB 56.1, 44.57, 49.78

 

CMYK 0 / 51 / 72 / 7

HEX #EC7443

RGB 236 116 67

HSL 17.4, 0.82%, 0.59%

LAB 62.28, 42.98, 47.73

 

CMYK 0 / 47 / 66 / 1

HEX #FD8656

RGB 253 134 86

HSL 17.25, 0.98%, 0.66%

LAB 68.46, 41.47, 45.7

 

CMYK 0 / 40 / 59 / 0

HEX #FF9869

RGB 255 152 105

HSL 18.8, 1%, 0.71%

LAB 72.72, 34.3, 41

 

CMYK 0 / 59 / 83 / 23

HEX #C55022

RGB 197 80 34

HSL 16.93, 0.71%, 0.45%

LAB 49.16, 44.48, 48.42

 

CMYK 0 / 66 / 92 / 29

HEX #B43E0F

RGB 180 62 15

HSL 17.09, 0.85%, 0.38%

LAB 43.04, 46.02, 49.83

 

CMYK 0 / 73 / 100 / 36

HEX #A32C00

RGB 163 44 0

HSL 16.2, 1%, 0.32%

LAB 37.09, 47.26, 49.56

 

CMYK 0 / 82 / 100 / 43

HEX #921A00

RGB 146 26 0

HSL 10.68, 1%, 0.29%

LAB 31.46, 47.8, 44.55

 

CMYK 0 / 94 / 100 / 49

HEX #810800

RGB 129 8 0

HSL 3.72, 1%, 0.25%

LAB 26.28, 46.85, 38.83

 

CMYK 0 / 60 / 83 / 23

HEX #C44F21

RGB 196 79 33

HSL 16.93, 0.71%, 0.45%

LAB 48.81, 44.55, 48.49

 

CMYK 0 / 82 / 83 / 23

HEX #C42321

RGB 196 35 33

HSL 0.74, 0.71%, 0.45%

LAB 42.83, 60.84, 43.04

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 60 / 83 / 23

HEX #C44F21

RGB 196 79 33

HSL 16.93, 0.71%, 0.45%

LAB 48.81, 44.55, 48.49

 

CMYK 0 / 37 / 83 / 23

HEX #C47B21

RGB 196 123 33

HSL 33.13, 0.71%, 0.45%

LAB 58.05, 21.72, 56.67

 

CMYK 0 / 15 / 83 / 23

HEX #C4A721

RGB 196 167 33

HSL 49.33, 0.71%, 0.45%

LAB 69.1, -2.19, 66.16

 

CMYK 8 / 0 / 83 / 23

HEX #B5C421

RGB 181 196 33

HSL 65.52, 0.71%, 0.45%

LAB 75.71, -23.52, 71.26

 

CMYK 30 / 0 / 83 / 23

HEX #89C421

RGB 137 196 33

HSL 81.72, 0.71%, 0.45%

LAB 72.83, -41.21, 67.65

 

CMYK 0 / 60 / 83 / 23

HEX #C44F21

RGB 196 79 33

HSL 16.93, 0.71%, 0.45%

LAB 48.81, 44.55, 48.49

 

CMYK 0 / 67 / 93 / 16

HEX #D6470E

RGB 214 71 14

HSL 17.1, 0.88%, 0.45%

LAB 50.49, 54.07, 58.05

 

CMYK 0 / 60 / 83 / 23

HEX #C44F21

RGB 196 79 33

HSL 16.93, 0.71%, 0.45%

LAB 48.81, 44.55, 48.49

 

CMYK 0 / 51 / 71 / 31

HEX #B15733

RGB 177 87 51

HSL 17.14, 0.55%, 0.45%

LAB 47.5, 33.93, 37.24

 

CMYK 0 / 40 / 56 / 38

HEX #9F5F46

RGB 159 95 70

HSL 16.85, 0.39%, 0.45%

LAB 46.97, 23.45, 25.31

 

CMYK 0 / 26 / 37 / 45

HEX #8C6758

RGB 140 103 88

HSL 17.31, 0.23%, 0.45%

LAB 46.95, 12.72, 14.27

 

CMYK 0 / 8 / 12 / 53

HEX #796F6B

RGB 121 111 107

HSL 17.14, 0.06%, 0.45%

LAB 47.62, 3.14, 3.62

 

CMYK 0 / 83 / 61 / 23

HEX #C4214C

RGB 196 33 76

HSL 344.17, 0.71%, 0.45%

LAB 43.28, 63.19, 18.03

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 61 / 83 / 23

HEX #C44C21

RGB 196 76 33

HSL 15.83, 0.71%, 0.45%

LAB 48.28, 45.94, 48.02

 

CMYK 0 / 39 / 83 / 23

HEX #C47821

RGB 196 120 33

HSL 32.02, 0.71%, 0.45%

LAB 57.35, 23.36, 56.05

 

CMYK 0 / 17 / 83 / 23

HEX #C4A321

RGB 196 163 33

HSL 47.85, 0.71%, 0.45%

LAB 68.05, -0.06, 65.27

 

CMYK 0 / 60 / 83 / 51

HEX #7D3215

RGB 125 50 21

HSL 16.73, 0.71%, 0.29%

LAB 31.1, 30.9, 33.39

 

CMYK 0 / 59 / 83 / 37

HEX #A0411B

RGB 160 65 27

HSL 17.14, 0.71%, 0.37%

LAB 40.14, 37.44, 41.1

 

CMYK 0 / 60 / 83 / 23

HEX #C44F21

RGB 196 79 33

HSL 16.93, 0.71%, 0.45%

LAB 48.81, 44.55, 48.49

 

CMYK 0 / 55 / 77 / 14

HEX #DC6232

RGB 220 98 50

HSL 16.94, 0.71%, 0.53%

LAB 56.27, 45.02, 49.05

 

CMYK 0 / 45 / 62 / 11

HEX #E27D55

RGB 226 125 85

HSL 17.02, 0.71%, 0.61%

LAB 62.92, 35.57, 38.75

 

CMYK 0 / 59 / 83 / 23

HEX #C55022

RGB 197 80 34

HSL 16.93, 0.71%, 0.45%

LAB 49.16, 44.48, 48.42

 

CMYK 39 / 0 / 83 / 23

HEX #78C421

RGB 120 196 33

HSL 87.98, 0.71%, 0.45%

LAB 71.95, -47.35, 66.54

 

CMYK 83 / 72 / 0 / 23

HEX #2137C4

RGB 33 55 196

HSL 231.9, 0.71%, 0.45%

LAB 31.9, 44.07, -74.69

 

CMYK 0 / 59 / 83 / 23

HEX #C55022

RGB 197 80 34

HSL 16.93, 0.71%, 0.45%

LAB 49.16, 44.48, 48.42

 

CMYK 83 / 0 / 61 / 23

HEX #21C44C

RGB 33 196 76

HSL 135.83, 0.71%, 0.45%

LAB 69.7, -63.94, 48.08

 

CMYK 61 / 83 / 0 / 23

HEX #4C21C4

RGB 76 33 196

HSL 255.83, 0.71%, 0.45%

LAB 30.9, 58.64, -76.25

 

CMYK 0 / 59 / 83 / 23

HEX #C55022

RGB 197 80 34

HSL 16.93, 0.71%, 0.45%

LAB 49.16, 44.48, 48.42

 

CMYK 39 / 0 / 83 / 23

HEX #78C421

RGB 120 196 33

HSL 87.98, 0.71%, 0.45%

LAB 71.95, -47.35, 66.54

 

CMYK 83 / 22 / 0 / 23

HEX #2198C4

RGB 33 152 196

HSL 196.2, 0.71%, 0.45%

LAB 58.76, -16.07, -31.58

 

CMYK 44 / 83 / 0 / 23

HEX #6D21C4

RGB 109 33 196

HSL 267.98, 0.71%, 0.45%

LAB 34.65, 62.37, -69.95

 

CMYK 0 / 59 / 83 / 23

HEX #C55022

RGB 197 80 34

HSL 16.93, 0.71%, 0.45%

LAB 49.16, 44.48, 48.42

 

CMYK 64 / 0 / 83 / 23

HEX #47C421

RGB 71 196 33

HSL 106.01, 0.71%, 0.45%

LAB 70.13, -61.41, 64.22

 

CMYK 83 / 22 / 0 / 23

HEX #2198C4

RGB 33 152 196

HSL 196.2, 0.71%, 0.45%

LAB 58.76, -16.07, -31.58

 

CMYK 19 / 83 / 0 / 23

HEX #9E21C4

RGB 158 33 196

HSL 286.01, 0.71%, 0.45%

LAB 41.76, 69.73, -58.05

 

Description

Color code: HEX #C55022 | qconv.com Color code: HEX #C55022 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 80 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 80 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 83 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 83% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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