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Color name
HEX #C558A8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C558A8 it is the complementary color #3AA757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C558A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C558A8 shade: #CA58A3, #DB6AB6, #EC7CC9, #FD8EDC and #FFA0EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C558A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C558A8 shade: #C558A8, #B44695, #A33482, #92226F and #81105C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C558A8 shade: #C458A8, #C4588A, #C4586D and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C558A8 shade: #C458A8, #C458C4, #A758C4, #8A58C4 and #6D58C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C558A8 shade matches the following richer shades: #C458A8, #D646B0, #E834B8 and #FB22C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C558A8 shade: #C458A8, #B26B9F, #A07D97, #8E8F8E and #7CA186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C558A8 shade: #A658C4, #C258C4, #C458A9, #C4588D and #C45870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C558A8 shade: #96347C, #B43F95, #C458A8, #CF77B7 and #DA96C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C558A8 shade: #C558A8, #C48958 and #58C4B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C558A8 shade: #C558A8, #A9C458 and #58A9C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C558A8 shade: #C558A8, #C48958, #58C473 and #5894C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C558A8 shade: #C558A8, #C4A958, #58C473 and #5873C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 15 / 23

HEX #C558A8

RGB 197 88 168

HSL 315.96, 0.48%, 0.56%

LAB 53.68, 53.13, -22.45

 

Complementary color

CMYK 65 / 0 / 48 / 35

HEX #3AA757

RGB 58 167 87

HSL 135.96, 0.48%, 0.44%

LAB 60.98, -48.54, 32.39

 

CMYK 0 / 56 / 19 / 21

HEX #CA58A3

RGB 202 88 163

HSL 320.53, 0.52%, 0.57%

LAB 54.22, 53.86, -18.64

 

CMYK 0 / 52 / 17 / 14

HEX #DB6AB6

RGB 219 106 182

HSL 319.65, 0.61%, 0.64%

LAB 60.56, 53.29, -19.74

 

CMYK 0 / 47 / 15 / 7

HEX #EC7CC9

RGB 236 124 201

HSL 318.75, 0.75%, 0.71%

LAB 66.87, 52.62, -20.66

 

CMYK 0 / 44 / 13 / 1

HEX #FD8EDC

RGB 253 142 220

HSL 317.84, 0.97%, 0.77%

LAB 73.15, 51.9, -21.45

 

CMYK 0 / 37 / 6 / 0

HEX #FFA0EF

RGB 255 160 239

HSL 310.11, 1%, 0.81%

LAB 77.66, 46.52, -24.93

 

CMYK 0 / 55 / 15 / 23

HEX #C558A8

RGB 197 88 168

HSL 315.96, 0.48%, 0.56%

LAB 53.68, 53.13, -22.45

 

CMYK 0 / 61 / 17 / 29

HEX #B44695

RGB 180 70 149

HSL 316.91, 0.44%, 0.49%

LAB 47.31, 53.52, -21.25

 

CMYK 0 / 68 / 20 / 36

HEX #A33482

RGB 163 52 130

HSL 317.84, 0.52%, 0.42%

LAB 40.98, 53.56, -19.7

 

CMYK 0 / 77 / 24 / 43

HEX #92226F

RGB 146 34 111

HSL 318.75, 0.62%, 0.35%

LAB 34.81, 52.96, -17.62

 

CMYK 0 / 88 / 29 / 49

HEX #81105C

RGB 129 16 92

HSL 319.65, 0.78%, 0.28%

LAB 28.93, 51.25, -14.71

 

CMYK 0 / 55 / 14 / 23

HEX #C458A8

RGB 196 88 168

HSL 315.56, 0.48%, 0.56%

LAB 53.54, 52.83, -22.68

 

CMYK 0 / 55 / 30 / 23

HEX #C4588A

RGB 196 88 138

HSL 332.22, 0.48%, 0.56%

LAB 52.45, 48.53, -6.67

 

CMYK 0 / 55 / 44 / 23

HEX #C4586D

RGB 196 88 109

HSL 348.33, 0.48%, 0.56%

LAB 51.63, 45.15, 9.41

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 55 / 14 / 23

HEX #C458A8

RGB 196 88 168

HSL 315.56, 0.48%, 0.56%

LAB 53.54, 52.83, -22.68

 

CMYK 0 / 55 / 0 / 23

HEX #C458C4

RGB 196 88 196

HSL 300, 0.48%, 0.56%

LAB 54.76, 57.48, -36.98

 

CMYK 15 / 55 / 0 / 23

HEX #A758C4

RGB 167 88 196

HSL 283.89, 0.48%, 0.56%

LAB 50.9, 49.76, -43.34

 

CMYK 30 / 55 / 0 / 23

HEX #8A58C4

RGB 138 88 196

HSL 267.78, 0.48%, 0.56%

LAB 47.45, 42.23, -49.03

 

CMYK 44 / 55 / 0 / 23

HEX #6D58C4

RGB 109 88 196

HSL 251.67, 0.48%, 0.56%

LAB 44.54, 35.25, -53.86

 

CMYK 0 / 55 / 14 / 23

HEX #C458A8

RGB 196 88 168

HSL 315.56, 0.48%, 0.56%

LAB 53.54, 52.83, -22.68

 

CMYK 0 / 67 / 18 / 16

HEX #D646B0

RGB 214 70 176

HSL 315.83, 0.64%, 0.56%

LAB 53.83, 66.59, -26.68

 

CMYK 0 / 78 / 21 / 9

HEX #E834B8

RGB 232 52 184

HSL 316, 0.8%, 0.56%

LAB 55.15, 77.64, -29.05

 

CMYK 0 / 86 / 23 / 2

HEX #FB22C1

RGB 251 34 193

HSL 316.04, 0.96%, 0.56%

LAB 57.56, 86.5, -30.24

 

CMYK 0 / 55 / 14 / 23

HEX #C458A8

RGB 196 88 168

HSL 315.56, 0.48%, 0.56%

LAB 53.54, 52.83, -22.68

 

CMYK 0 / 40 / 11 / 30

HEX #B26B9F

RGB 178 107 159

HSL 316.06, 0.32%, 0.56%

LAB 54.54, 35.93, -16.12

 

CMYK 0 / 22 / 6 / 37

HEX #A07D97

RGB 160 125 151

HSL 315.43, 0.16%, 0.56%

LAB 56.46, 18.03, -8.78

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 23 / 0 / 17 / 37

HEX #7CA186

RGB 124 161 134

HSL 136.22, 0.16%, 0.56%

LAB 62.92, -18.3, 9.97

 

CMYK 15 / 55 / 0 / 23

HEX #A658C4

RGB 166 88 196

HSL 283.33, 0.48%, 0.56%

LAB 50.77, 49.49, -43.55

 

CMYK 1 / 55 / 0 / 23

HEX #C258C4

RGB 194 88 196

HSL 298.89, 0.48%, 0.56%

LAB 54.48, 56.95, -37.44

 

CMYK 0 / 55 / 14 / 23

HEX #C458A9

RGB 196 88 169

HSL 315, 0.48%, 0.56%

LAB 53.58, 52.99, -23.21

 

CMYK 0 / 55 / 28 / 23

HEX #C4588D

RGB 196 88 141

HSL 330.56, 0.48%, 0.56%

LAB 52.55, 48.92, -8.3

 

CMYK 0 / 55 / 43 / 23

HEX #C45870

RGB 196 88 112

HSL 346.67, 0.48%, 0.56%

LAB 51.71, 45.46, 7.73

 

CMYK 0 / 65 / 17 / 41

HEX #96347C

RGB 150 52 124

HSL 315.92, 0.49%, 0.4%

LAB 38.54, 49.05, -19.94

 

CMYK 0 / 65 / 17 / 29

HEX #B43F95

RGB 180 63 149

HSL 315.9, 0.48%, 0.48%

LAB 46.22, 56.51, -22.93

 

CMYK 0 / 55 / 14 / 23

HEX #C458A8

RGB 196 88 168

HSL 315.56, 0.48%, 0.56%

LAB 53.54, 52.83, -22.68

 

CMYK 0 / 43 / 12 / 19

HEX #CF77B7

RGB 207 119 183

HSL 316.36, 0.48%, 0.64%

LAB 61.55, 43.15, -18.94

 

CMYK 0 / 31 / 9 / 15

HEX #DA96C7

RGB 218 150 199

HSL 316.76, 0.48%, 0.72%

LAB 70.06, 33, -14.92

 

CMYK 0 / 55 / 15 / 23

HEX #C558A8

RGB 197 88 168

HSL 315.96, 0.48%, 0.56%

LAB 53.68, 53.13, -22.45

 

CMYK 0 / 30 / 55 / 23

HEX #C48958

RGB 196 137 88

HSL 27.22, 0.48%, 0.56%

LAB 61.94, 17.14, 35.09

 

CMYK 55 / 0 / 8 / 23

HEX #58C4B4

RGB 88 196 180

HSL 171.11, 0.48%, 0.56%

LAB 72.79, -34.88, -1.36

 

CMYK 0 / 55 / 15 / 23

HEX #C558A8

RGB 197 88 168

HSL 315.96, 0.48%, 0.56%

LAB 53.68, 53.13, -22.45

 

CMYK 14 / 0 / 55 / 23

HEX #A9C458

RGB 169 196 88

HSL 75, 0.48%, 0.56%

LAB 75.21, -25.26, 50.38

 

CMYK 55 / 14 / 0 / 23

HEX #58A9C4

RGB 88 169 196

HSL 195, 0.48%, 0.56%

LAB 65.31, -17.07, -21.37

 

CMYK 0 / 55 / 15 / 23

HEX #C558A8

RGB 197 88 168

HSL 315.96, 0.48%, 0.56%

LAB 53.68, 53.13, -22.45

 

CMYK 0 / 30 / 55 / 23

HEX #C48958

RGB 196 137 88

HSL 27.22, 0.48%, 0.56%

LAB 61.94, 17.14, 35.09

 

CMYK 55 / 0 / 41 / 23

HEX #58C473

RGB 88 196 115

HSL 135, 0.48%, 0.56%

LAB 71.41, -48.67, 31.49

 

CMYK 55 / 24 / 0 / 23

HEX #5894C4

RGB 88 148 196

HSL 206.67, 0.48%, 0.56%

LAB 59.2, -5.57, -30.77

 

CMYK 0 / 55 / 15 / 23

HEX #C558A8

RGB 197 88 168

HSL 315.96, 0.48%, 0.56%

LAB 53.68, 53.13, -22.45

 

CMYK 0 / 14 / 55 / 23

HEX #C4A958

RGB 196 169 88

HSL 45, 0.48%, 0.56%

LAB 70.05, -0.26, 44.9

 

CMYK 55 / 0 / 41 / 23

HEX #58C473

RGB 88 196 115

HSL 135, 0.48%, 0.56%

LAB 71.41, -48.67, 31.49

 

CMYK 55 / 41 / 0 / 23

HEX #5873C4

RGB 88 115 196

HSL 225, 0.48%, 0.56%

LAB 49.88, 14, -45.4

 

Description

Color code: HEX #C558A8 | qconv.com Color code: HEX #C558A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 88 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 88 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 15 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 15% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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