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Color name
HEX #C54976

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C54976 it is the complementary color #3AB689. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C54976. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C54976 shade: #CA4971, #DB5B84, #EC6D97, #FD7FAA and #FF91BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C54976. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C54976 shade: #C54976, #B43763, #A32550, #92133D and #81012A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C54976 shade: #C54876, #C54854 and #C54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C54976 shade: #C54876, #C54897, #C548B9, #B048C5 and #8E48C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C54976 shade matches the following richer shades: #C54876, #D83570 and #EC226B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C54976 shade: #C54876, #B25C7B, #9E6F80, #8B8386 and #77968B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C54976 shade: #C548B9, #C54897, #C54876, #C54855 and #C55D48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C54976 shade: #8E2D50, #AE3662, #C54876, #CF688D and #D987A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C54976 shade: #C54976, #C5B048 and #48A8C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C54976 shade: #C54976, #76C548 and #4876C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C54976 shade: #C54976, #C5B048, #48C597 and #485DC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C54976 shade: #C54976, #B4C548, #48C597 and #5948C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 40 / 23

HEX #C54976

RGB 197 73 118

HSL 338.23, 0.52%, 0.53%

LAB 49.43, 53.34, 0.86

 

Complementary color

CMYK 68 / 0 / 25 / 29

HEX #3AB689

RGB 58 182 137

HSL 158.23, 0.52%, 0.47%

LAB 66.64, -44.7, 13.17

 

CMYK 0 / 64 / 44 / 21

HEX #CA4971

RGB 202 73 113

HSL 341.4, 0.55%, 0.54%

LAB 50.11, 54.4, 4.98

 

CMYK 0 / 58 / 40 / 14

HEX #DB5B84

RGB 219 91 132

HSL 340.78, 0.64%, 0.61%

LAB 56.3, 53.86, 2.93

 

CMYK 0 / 54 / 36 / 7

HEX #EC6D97

RGB 236 109 151

HSL 340.16, 0.77%, 0.68%

LAB 62.51, 53.14, 1.22

 

CMYK 0 / 50 / 33 / 1

HEX #FD7FAA

RGB 253 127 170

HSL 339.52, 0.97%, 0.75%

LAB 68.72, 52.35, -0.24

 

CMYK 0 / 43 / 26 / 0

HEX #FF91BD

RGB 255 145 189

HSL 336, 1%, 0.78%

LAB 73.01, 46.55, -4.52

 

CMYK 0 / 63 / 40 / 23

HEX #C54976

RGB 197 73 118

HSL 338.23, 0.52%, 0.53%

LAB 49.43, 53.34, 0.86

 

CMYK 0 / 69 / 45 / 29

HEX #B43763

RGB 180 55 99

HSL 338.88, 0.53%, 0.46%

LAB 43.27, 53.57, 3.21

 

CMYK 0 / 77 / 51 / 36

HEX #A32550

RGB 163 37 80

HSL 339.52, 0.63%, 0.39%

LAB 37.28, 53.24, 6.21

 

CMYK 0 / 87 / 58 / 43

HEX #92133D

RGB 146 19 61

HSL 340.16, 0.77%, 0.32%

LAB 31.61, 51.93, 10.14

 

CMYK 0 / 99 / 67 / 49

HEX #81012A

RGB 129 1 42

HSL 340.78, 0.98%, 0.25%

LAB 26.32, 49.48, 15.17

 

CMYK 0 / 63 / 40 / 23

HEX #C54876

RGB 197 72 118

HSL 337.92, 0.52%, 0.53%

LAB 49.27, 53.77, 0.63

 

CMYK 0 / 63 / 57 / 23

HEX #C54854

RGB 197 72 84

HSL 354.24, 0.52%, 0.53%

LAB 48.44, 50.69, 20.05

 

CMYK 0 / 63 / 63 / 23

HEX #C54848

RGB 197 72 72

HSL 0, 0.52%, 0.53%

LAB 48.23, 49.86, 26.93

 

CMYK 0 / 63 / 40 / 23

HEX #C54876

RGB 197 72 118

HSL 337.92, 0.52%, 0.53%

LAB 49.27, 53.77, 0.63

 

CMYK 0 / 63 / 23 / 23

HEX #C54897

RGB 197 72 151

HSL 322.08, 0.52%, 0.53%

LAB 50.38, 57.79, -17.5

 

CMYK 0 / 63 / 6 / 23

HEX #C548B9

RGB 197 72 185

HSL 305.76, 0.52%, 0.53%

LAB 51.85, 62.84, -35.2

 

CMYK 11 / 63 / 0 / 23

HEX #B048C5

RGB 176 72 197

HSL 289.92, 0.52%, 0.53%

LAB 49.37, 59.8, -46.27

 

CMYK 28 / 63 / 0 / 23

HEX #8E48C5

RGB 142 72 197

HSL 273.6, 0.52%, 0.53%

LAB 44.82, 51.87, -53.8

 

CMYK 0 / 63 / 40 / 23

HEX #C54876

RGB 197 72 118

HSL 337.92, 0.52%, 0.53%

LAB 49.27, 53.77, 0.63

 

CMYK 0 / 75 / 48 / 15

HEX #D83570

RGB 216 53 112

HSL 338.28, 0.68%, 0.53%

LAB 49.88, 65.75, 5.57

 

CMYK 0 / 86 / 55 / 7

HEX #EC226B

RGB 236 34 107

HSL 338.32, 0.84%, 0.53%

LAB 51.88, 75.16, 11.97

 

CMYK 0 / 63 / 40 / 23

HEX #C54876

RGB 197 72 118

HSL 337.92, 0.52%, 0.53%

LAB 49.27, 53.77, 0.63

 

CMYK 0 / 48 / 31 / 30

HEX #B25C7B

RGB 178 92 123

HSL 338.37, 0.36%, 0.53%

LAB 50.16, 38.43, -1.42

 

CMYK 0 / 30 / 19 / 38

HEX #9E6F80

RGB 158 111 128

HSL 338.3, 0.2%, 0.53%

LAB 52.06, 21.27, -1.89

 

CMYK 0 / 6 / 4 / 45

HEX #8B8386

RGB 139 131 134

HSL 337.5, 0.03%, 0.53%

LAB 55.53, 3.58, -0.54

 

CMYK 21 / 0 / 7 / 41

HEX #77968B

RGB 119 150 139

HSL 158.71, 0.13%, 0.53%

LAB 59.52, -13.17, 2.23

 

CMYK 0 / 63 / 6 / 23

HEX #C548B9

RGB 197 72 185

HSL 305.76, 0.52%, 0.53%

LAB 51.85, 62.84, -35.2

 

CMYK 0 / 63 / 23 / 23

HEX #C54897

RGB 197 72 151

HSL 322.08, 0.52%, 0.53%

LAB 50.38, 57.79, -17.5

 

CMYK 0 / 63 / 40 / 23

HEX #C54876

RGB 197 72 118

HSL 337.92, 0.52%, 0.53%

LAB 49.27, 53.77, 0.63

 

CMYK 0 / 63 / 57 / 23

HEX #C54855

RGB 197 72 85

HSL 353.76, 0.52%, 0.53%

LAB 48.46, 50.76, 19.47

 

CMYK 0 / 53 / 63 / 23

HEX #C55D48

RGB 197 93 72

HSL 10.08, 0.52%, 0.53%

LAB 52.03, 39.91, 31.67

 

CMYK 0 / 68 / 44 / 44

HEX #8E2D50

RGB 142 45 80

HSL 338.35, 0.52%, 0.37%

LAB 34.41, 43.86, 1.57

 

CMYK 0 / 69 / 44 / 32

HEX #AE3662

RGB 174 54 98

HSL 338, 0.53%, 0.45%

LAB 42.03, 52.05, 1.91

 

CMYK 0 / 63 / 40 / 23

HEX #C54876

RGB 197 72 118

HSL 337.92, 0.52%, 0.53%

LAB 49.27, 53.77, 0.63

 

CMYK 0 / 50 / 32 / 19

HEX #CF688D

RGB 207 104 141

HSL 338.45, 0.52%, 0.61%

LAB 57.16, 44.69, -1.3

 

CMYK 0 / 38 / 24 / 15

HEX #D987A5

RGB 217 135 165

HSL 338.05, 0.52%, 0.69%

LAB 65.59, 35.32, -2.56

 

CMYK 0 / 63 / 40 / 23

HEX #C54976

RGB 197 73 118

HSL 338.23, 0.52%, 0.53%

LAB 49.43, 53.34, 0.86

 

CMYK 0 / 11 / 63 / 23

HEX #C5B048

RGB 197 176 72

HSL 49.92, 0.52%, 0.53%

LAB 71.82, -4.71, 54.44

 

CMYK 63 / 15 / 0 / 23

HEX #48A8C5

RGB 72 168 197

HSL 193.92, 0.52%, 0.53%

LAB 64.49, -19.28, -23.21

 

CMYK 0 / 63 / 40 / 23

HEX #C54976

RGB 197 73 118

HSL 338.23, 0.52%, 0.53%

LAB 49.43, 53.34, 0.86

 

CMYK 40 / 0 / 63 / 23

HEX #76C548

RGB 118 197 72

HSL 97.92, 0.52%, 0.53%

LAB 72.4, -45.94, 53.51

 

CMYK 63 / 40 / 0 / 23

HEX #4876C5

RGB 72 118 197

HSL 217.92, 0.52%, 0.53%

LAB 49.94, 9.31, -45.94

 

CMYK 0 / 63 / 40 / 23

HEX #C54976

RGB 197 73 118

HSL 338.23, 0.52%, 0.53%

LAB 49.43, 53.34, 0.86

 

CMYK 0 / 11 / 63 / 23

HEX #C5B048

RGB 197 176 72

HSL 49.92, 0.52%, 0.53%

LAB 71.82, -4.71, 54.44

 

CMYK 63 / 0 / 23 / 23

HEX #48C597

RGB 72 197 151

HSL 157.92, 0.52%, 0.53%

LAB 71.92, -45.4, 13.05

 

CMYK 63 / 53 / 0 / 23

HEX #485DC5

RGB 72 93 197

HSL 229.92, 0.52%, 0.53%

LAB 43.12, 25.03, -56.87

 

CMYK 0 / 63 / 40 / 23

HEX #C54976

RGB 197 73 118

HSL 338.23, 0.52%, 0.53%

LAB 49.43, 53.34, 0.86

 

CMYK 9 / 0 / 63 / 23

HEX #B4C548

RGB 180 197 72

HSL 68.16, 0.52%, 0.53%

LAB 76.13, -22.56, 58.64

 

CMYK 63 / 0 / 23 / 23

HEX #48C597

RGB 72 197 151

HSL 157.92, 0.52%, 0.53%

LAB 71.92, -45.4, 13.05

 

CMYK 55 / 63 / 0 / 23

HEX #5948C5

RGB 89 72 197

HSL 248.16, 0.52%, 0.53%

LAB 39.22, 40.97, -63.13

 

Description

Color code: HEX #C54976 | qconv.com Color code: HEX #C54976 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 73 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 73 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 40 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 40% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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