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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C53264 it is the complementary color #3ACD9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C53264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C53264 shade: #CA325F, #DB4472, #EC5685, #FD6898 and #FF7AAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C53264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C53264 shade: #C53264, #B42051, #A30E3E, #92002B and #810018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C53264 shade: #C33062, #C3303B and #C33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C53264 shade: #C33062, #C3308A, #C330B2, #AD30C3 and #8630C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C53264 shade matches the following richer shades: #C33062, #D71D5C and #EB0956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C53264 shade: #C33062, #B04469, #9C586F, #886C75 and #74807C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C53264 shade: #C330B2, #C3308B, #C33064, #C3303D and #C34B30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C53264 shade: #812041, #A22852, #C33062, #D24B79 and #DA6C92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C53264 shade: #C53264, #C3AD30 and #309FC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C53264 shade: #C53264, #64C330 and #3064C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C53264 shade: #C53264, #C3AD30, #30C390 and #3046C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C53264 shade: #C53264, #ADC330, #30C390 and #4630C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 49 / 23

HEX #C53264

RGB 197 50 100

HSL 339.59, 0.6%, 0.48%

LAB 45.73, 60.42, 6.53

 

Complementary color

CMYK 72 / 0 / 24 / 20

HEX #3ACD9B

RGB 58 205 155

HSL 159.59, 0.6%, 0.52%

LAB 74.14, -50.05, 13.98

 

CMYK 0 / 75 / 53 / 21

HEX #CA325F

RGB 202 50 95

HSL 342.24, 0.6%, 0.49%

LAB 46.53, 61.43, 10.88

 

CMYK 0 / 69 / 48 / 14

HEX #DB4472

RGB 219 68 114

HSL 341.72, 0.68%, 0.56%

LAB 52.3, 61.66, 7.89

 

CMYK 0 / 64 / 44 / 7

HEX #EC5685

RGB 236 86 133

HSL 341.2, 0.8%, 0.63%

LAB 58.21, 61.43, 5.44

 

CMYK 0 / 59 / 40 / 1

HEX #FD6898

RGB 253 104 152

HSL 340.67, 0.97%, 0.7%

LAB 64.2, 60.94, 3.41

 

CMYK 0 / 52 / 33 / 0

HEX #FF7AAB

RGB 255 122 171

HSL 337.89, 1%, 0.74%

LAB 68.11, 55.5, -1.67

 

CMYK 0 / 75 / 49 / 23

HEX #C53264

RGB 197 50 100

HSL 339.59, 0.6%, 0.48%

LAB 45.73, 60.42, 6.53

 

CMYK 0 / 82 / 55 / 29

HEX #B42051

RGB 180 32 81

HSL 340.14, 0.7%, 0.42%

LAB 40.13, 59.48, 10.07

 

CMYK 0 / 91 / 62 / 36

HEX #A30E3E

RGB 163 14 62

HSL 340.67, 0.84%, 0.35%

LAB 34.9, 57.43, 14.56

 

CMYK 0 / 100 / 71 / 43

HEX #92002B

RGB 146 0 43

HSL 342.33, 1%, 0.29%

LAB 30.12, 54.04, 20.13

 

CMYK 0 / 100 / 81 / 49

HEX #810018

RGB 129 0 24

HSL 348.84, 1%, 0.25%

LAB 25.96, 48.86, 26.73

 

CMYK 0 / 75 / 50 / 24

HEX #C33062

RGB 195 48 98

HSL 339.59, 0.6%, 0.48%

LAB 45.08, 60.33, 6.79

 

CMYK 0 / 75 / 70 / 24

HEX #C3303B

RGB 195 48 59

HSL 355.51, 0.6%, 0.48%

LAB 44.28, 57.75, 29.72

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 75 / 50 / 24

HEX #C33062

RGB 195 48 98

HSL 339.59, 0.6%, 0.48%

LAB 45.08, 60.33, 6.79

 

CMYK 0 / 75 / 29 / 24

HEX #C3308A

RGB 195 48 138

HSL 323.27, 0.6%, 0.48%

LAB 46.38, 64.41, -15.83

 

CMYK 0 / 75 / 9 / 24

HEX #C330B2

RGB 195 48 178

HSL 306.94, 0.6%, 0.48%

LAB 48.17, 69.77, -36.91

 

CMYK 11 / 75 / 0 / 24

HEX #AD30C3

RGB 173 48 195

HSL 291.02, 0.6%, 0.48%

LAB 45.55, 67.95, -51.24

 

CMYK 31 / 75 / 0 / 24

HEX #8630C3

RGB 134 48 195

HSL 275.1, 0.6%, 0.48%

LAB 39.79, 60.56, -60.83

 

CMYK 0 / 75 / 50 / 24

HEX #C33062

RGB 195 48 98

HSL 339.59, 0.6%, 0.48%

LAB 45.08, 60.33, 6.79

 

CMYK 0 / 87 / 57 / 16

HEX #D71D5C

RGB 215 29 92

HSL 339.68, 0.76%, 0.48%

LAB 47.1, 69.92, 13.9

 

CMYK 0 / 96 / 63 / 8

HEX #EB0956

RGB 235 9 86

HSL 339.56, 0.93%, 0.48%

LAB 50.13, 76.84, 22.36

 

CMYK 0 / 75 / 50 / 24

HEX #C33062

RGB 195 48 98

HSL 339.59, 0.6%, 0.48%

LAB 45.08, 60.33, 6.79

 

CMYK 0 / 61 / 40 / 31

HEX #B04469

RGB 176 68 105

HSL 339.44, 0.44%, 0.48%

LAB 44.78, 47.42, 1.6

 

CMYK 0 / 44 / 29 / 39

HEX #9C586F

RGB 156 88 111

HSL 339.71, 0.28%, 0.48%

LAB 45.9, 30.93, -0.79

 

CMYK 0 / 21 / 14 / 47

HEX #886C75

RGB 136 108 117

HSL 340.71, 0.11%, 0.48%

LAB 48.57, 12.65, -0.78

 

CMYK 9 / 0 / 3 / 50

HEX #74807C

RGB 116 128 124

HSL 160, 0.05%, 0.48%

LAB 52.52, -5.25, 0.65

 

CMYK 0 / 75 / 9 / 24

HEX #C330B2

RGB 195 48 178

HSL 306.94, 0.6%, 0.48%

LAB 48.17, 69.77, -36.91

 

CMYK 0 / 75 / 29 / 24

HEX #C3308B

RGB 195 48 139

HSL 322.86, 0.6%, 0.48%

LAB 46.42, 64.53, -16.38

 

CMYK 0 / 75 / 49 / 24

HEX #C33064

RGB 195 48 100

HSL 338.78, 0.6%, 0.48%

LAB 45.13, 60.5, 5.62

 

CMYK 0 / 75 / 69 / 24

HEX #C3303D

RGB 195 48 61

HSL 354.69, 0.6%, 0.48%

LAB 44.31, 57.85, 28.55

 

CMYK 0 / 62 / 75 / 24

HEX #C34B30

RGB 195 75 48

HSL 11.02, 0.6%, 0.48%

LAB 48.07, 46.56, 40.3

 

CMYK 0 / 75 / 50 / 49

HEX #812041

RGB 129 32 65

HSL 339.59, 0.6%, 0.32%

LAB 29.62, 43.47, 4.18

 

CMYK 0 / 75 / 49 / 36

HEX #A22852

RGB 162 40 82

HSL 339.34, 0.6%, 0.4%

LAB 37.5, 52.13, 5.21

 

CMYK 0 / 75 / 50 / 24

HEX #C33062

RGB 195 48 98

HSL 339.59, 0.6%, 0.48%

LAB 45.08, 60.33, 6.79

 

CMYK 0 / 64 / 42 / 18

HEX #D24B79

RGB 210 75 121

HSL 339.56, 0.6%, 0.56%

LAB 51.97, 56.84, 3.01

 

CMYK 0 / 50 / 33 / 15

HEX #DA6C92

RGB 218 108 146

HSL 339.27, 0.6%, 0.64%

LAB 59.62, 47.06, -0.42

 

CMYK 0 / 75 / 49 / 23

HEX #C53264

RGB 197 50 100

HSL 339.59, 0.6%, 0.48%

LAB 45.73, 60.42, 6.53

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD30

RGB 195 173 48

HSL 51.02, 0.6%, 0.48%

LAB 70.67, -5.27, 62.81

 

CMYK 75 / 18 / 0 / 24

HEX #309FC3

RGB 48 159 195

HSL 194.69, 0.6%, 0.48%

LAB 61.1, -18.66, -27.36

 

CMYK 0 / 75 / 49 / 23

HEX #C53264

RGB 197 50 100

HSL 339.59, 0.6%, 0.48%

LAB 45.73, 60.42, 6.53

 

CMYK 49 / 0 / 75 / 24

HEX #64C330

RGB 100 195 48

HSL 98.78, 0.6%, 0.48%

LAB 70.84, -52.65, 60.83

 

CMYK 75 / 49 / 0 / 24

HEX #3064C3

RGB 48 100 195

HSL 218.78, 0.6%, 0.48%

LAB 43.77, 16.26, -54.71

 

CMYK 0 / 75 / 49 / 23

HEX #C53264

RGB 197 50 100

HSL 339.59, 0.6%, 0.48%

LAB 45.73, 60.42, 6.53

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD30

RGB 195 173 48

HSL 51.02, 0.6%, 0.48%

LAB 70.67, -5.27, 62.81

 

CMYK 75 / 0 / 26 / 24

HEX #30C390

RGB 48 195 144

HSL 159.18, 0.6%, 0.48%

LAB 70.64, -49.86, 14.95

 

CMYK 75 / 64 / 0 / 24

HEX #3046C3

RGB 48 70 195

HSL 231.02, 0.6%, 0.48%

LAB 35.89, 35.67, -67.53

 

CMYK 0 / 75 / 49 / 23

HEX #C53264

RGB 197 50 100

HSL 339.59, 0.6%, 0.48%

LAB 45.73, 60.42, 6.53

 

CMYK 11 / 0 / 75 / 24

HEX #ADC330

RGB 173 195 48

HSL 68.98, 0.6%, 0.48%

LAB 74.91, -25.83, 66.14

 

CMYK 75 / 0 / 26 / 24

HEX #30C390

RGB 48 195 144

HSL 159.18, 0.6%, 0.48%

LAB 70.64, -49.86, 14.95

 

CMYK 64 / 75 / 0 / 24

HEX #4630C3

RGB 70 48 195

HSL 248.98, 0.6%, 0.48%

LAB 32.6, 50.94, -72.87

 

Description

Color code: HEX #C53264 | qconv.com Color code: HEX #C53264 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 50 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 50 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 49 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 49% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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