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Color name
HEX #C52ADF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C52ADF it is the complementary color #3AD520. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C52ADF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C52ADF shade: #CA2ADA, #DB3CED, #EC4EFF, #FD60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C52ADF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C52ADF shade: #C52ADF, #B418CC, #A306B9, #9200A6 and #810093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C52ADF shade: #C52ADF, #DF2AC8, #DF2A97, #DF2A66 and #DF2A35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C52ADF shade: #C52ADF, #942ADF, #632ADF, #322ADF and #2A2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C52ADF shade matches the following richer shades: #C52ADF and #D316F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C52ADF shade: #C52ADF, #B73DCB, #A851B7, #9A65A3 and #8C798F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C52ADF shade: #632ADF, #932ADF, #C42ADF, #DF2ACA and #DF2A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C52ADF shade: #8B179E, #AB1DC2, #C52ADF, #CE4DE4 and #D871E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C52ADF shade: #C52ADF, #DF332A and #2ADF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C52ADF shade: #C52ADF, #DFC42A and #2ADFC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C52ADF shade: #C52ADF, #DF332A, #45DF2A and #2AD6DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C52ADF shade: #C52ADF, #DF692A, #45DF2A and #2A9FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

Complementary color

CMYK 73 / 0 / 85 / 16

HEX #3AD520

RGB 58 213 32

HSL 111.38, 0.74%, 0.48%

LAB 75.2, -69.35, 68.89

 

CMYK 7 / 81 / 0 / 15

HEX #CA2ADA

RGB 202 42 218

HSL 294.55, 0.7%, 0.51%

LAB 51.01, 79, -55.47

 

CMYK 8 / 75 / 0 / 7

HEX #DB3CED

RGB 219 60 237

HSL 293.9, 0.83%, 0.58%

LAB 56.49, 80.42, -57.27

 

CMYK 7 / 69 / 0 / 0

HEX #EC4EFF

RGB 236 78 255

HSL 293.56, 1%, 0.65%

LAB 62.08, 81.01, -58.19

 

CMYK 1 / 62 / 0 / 0

HEX #FD60FF

RGB 253 96 255

HSL 299.25, 1%, 0.69%

LAB 66.88, 78.13, -50.43

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 12 / 88 / 0 / 20

HEX #B418CC

RGB 180 24 204

HSL 292, 0.79%, 0.45%

LAB 45.24, 76.64, -56.89

 

CMYK 12 / 97 / 0 / 27

HEX #A306B9

RGB 163 6 185

HSL 292.63, 0.94%, 0.37%

LAB 40.28, 73.13, -53.95

 

CMYK 12 / 100 / 0 / 35

HEX #9200A6

RGB 146 0 166

HSL 292.77, 1%, 0.33%

LAB 35.72, 68.06, -50.14

 

CMYK 12 / 100 / 0 / 42

HEX #810093

RGB 129 0 147

HSL 292.65, 1%, 0.29%

LAB 31.29, 62.23, -45.89

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 0 / 81 / 10 / 13

HEX #DF2AC8

RGB 223 42 200

HSL 307.62, 0.74%, 0.52%

LAB 53.51, 80.28, -40.97

 

CMYK 0 / 81 / 32 / 13

HEX #DF2A97

RGB 223 42 151

HSL 323.87, 0.74%, 0.52%

LAB 51.36, 74.24, -15.6

 

CMYK 0 / 81 / 54 / 13

HEX #DF2A66

RGB 223 42 102

HSL 340.11, 0.74%, 0.52%

LAB 49.86, 69.85, 11.82

 

CMYK 0 / 81 / 76 / 13

HEX #DF2A35

RGB 223 42 53

HSL 356.35, 0.74%, 0.52%

LAB 49.01, 67.27, 40.06

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 34 / 81 / 0 / 13

HEX #942ADF

RGB 148 42 223

HSL 275.14, 0.74%, 0.52%

LAB 43.18, 70.97, -71.38

 

CMYK 56 / 81 / 0 / 13

HEX #632ADF

RGB 99 42 223

HSL 258.9, 0.74%, 0.52%

LAB 37.18, 64.62, -81.46

 

CMYK 78 / 81 / 0 / 13

HEX #322ADF

RGB 50 42 223

HSL 242.65, 0.74%, 0.52%

LAB 33.27, 60.59, -88.06

 

CMYK 81 / 81 / 0 / 13

HEX #2A2ADF

RGB 42 42 223

HSL 240, 0.74%, 0.52%

LAB 32.87, 60.18, -88.74

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 13 / 91 / 0 / 5

HEX #D316F2

RGB 211 22 242

HSL 291.55, 0.89%, 0.52%

LAB 52.77, 87.96, -66.13

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 10 / 70 / 0 / 20

HEX #B73DCB

RGB 183 61 203

HSL 291.55, 0.58%, 0.52%

LAB 49.15, 66.93, -50.02

 

CMYK 8 / 56 / 0 / 28

HEX #A851B7

RGB 168 81 183

HSL 291.18, 0.41%, 0.52%

LAB 49.04, 50.9, -38.74

 

CMYK 6 / 38 / 0 / 36

HEX #9A65A3

RGB 154 101 163

HSL 291.29, 0.25%, 0.52%

LAB 50.48, 32.06, -24.93

 

CMYK 2 / 15 / 0 / 44

HEX #8C798F

RGB 140 121 143

HSL 291.82, 0.09%, 0.52%

LAB 53.2, 11.52, -9.2

 

CMYK 56 / 81 / 0 / 13

HEX #632ADF

RGB 99 42 223

HSL 258.9, 0.74%, 0.52%

LAB 37.18, 64.62, -81.46

 

CMYK 34 / 81 / 0 / 13

HEX #932ADF

RGB 147 42 223

HSL 274.81, 0.74%, 0.52%

LAB 43.04, 70.83, -71.62

 

CMYK 12 / 81 / 0 / 13

HEX #C42ADF

RGB 196 42 223

HSL 291.05, 0.74%, 0.52%

LAB 50.36, 78.77, -59.41

 

CMYK 0 / 81 / 9 / 13

HEX #DF2ACA

RGB 223 42 202

HSL 306.96, 0.74%, 0.52%

LAB 53.61, 80.56, -41.96

 

CMYK 0 / 81 / 31 / 13

HEX #DF2A99

RGB 223 42 153

HSL 323.2, 0.74%, 0.52%

LAB 51.43, 74.46, -16.68

 

CMYK 12 / 85 / 0 / 38

HEX #8B179E

RGB 139 23 158

HSL 291.56, 0.75%, 0.35%

LAB 35.14, 61.96, -46.3

 

CMYK 12 / 85 / 0 / 24

HEX #AB1DC2

RGB 171 29 194

HSL 291.64, 0.74%, 0.44%

LAB 43.41, 72.51, -54.12

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 10 / 66 / 0 / 11

HEX #CE4DE4

RGB 206 77 228

HSL 291.26, 0.74%, 0.6%

LAB 56.12, 70.32, -52.93

 

CMYK 7 / 52 / 0 / 9

HEX #D871E9

RGB 216 113 233

HSL 291.5, 0.73%, 0.68%

LAB 63.58, 57.7, -43.82

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 0 / 77 / 81 / 13

HEX #DF332A

RGB 223 51 42

HSL 2.98, 0.74%, 0.52%

LAB 49.77, 64.48, 46.79

 

CMYK 81 / 0 / 45 / 13

HEX #2ADF7B

RGB 42 223 123

HSL 146.85, 0.74%, 0.52%

LAB 78.87, -65.04, 36.89

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 0 / 12 / 81 / 13

HEX #DFC42A

RGB 223 196 42

HSL 51.05, 0.74%, 0.52%

LAB 79.23, -5.28, 73.35

 

CMYK 81 / 0 / 12 / 13

HEX #2ADFC4

RGB 42 223 196

HSL 171.05, 0.74%, 0.52%

LAB 80.32, -49.09, 0.92

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 0 / 77 / 81 / 13

HEX #DF332A

RGB 223 51 42

HSL 2.98, 0.74%, 0.52%

LAB 49.77, 64.48, 46.79

 

CMYK 69 / 0 / 81 / 13

HEX #45DF2A

RGB 69 223 42

HSL 111.05, 0.74%, 0.52%

LAB 78.58, -70.07, 69.61

 

CMYK 81 / 4 / 0 / 13

HEX #2AD6DF

RGB 42 214 223

HSL 182.98, 0.74%, 0.52%

LAB 78.41, -37.57, -16.33

 

CMYK 12 / 81 / 0 / 13

HEX #C52ADF

RGB 197 42 223

HSL 291.38, 0.74%, 0.52%

LAB 50.52, 78.94, -59.15

 

CMYK 0 / 53 / 81 / 13

HEX #DF692A

RGB 223 105 42

HSL 20.88, 0.74%, 0.52%

LAB 58, 42.48, 54.52

 

CMYK 69 / 0 / 81 / 13

HEX #45DF2A

RGB 69 223 42

HSL 111.05, 0.74%, 0.52%

LAB 78.58, -70.07, 69.61

 

CMYK 81 / 29 / 0 / 13

HEX #2A9FDF

RGB 42 159 223

HSL 201.22, 0.74%, 0.52%

LAB 62.18, -9.64, -41.29

 

Description

Color code: HEX #C52ADF | qconv.com Color code: HEX #C52ADF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 42 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 42 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 81 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 81% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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