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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C529BC it is the complementary color #3AD643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C529BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C529BC shade: #CA29B7, #DB3BCA, #EC4DDD, #FD5FF0 and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C529BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C529BC shade: #C529BC, #B417A9, #A30596, #920083 and #810070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C529BC shade: #C628BD, #C62893, #C62868, #C6283D and #C62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C529BC shade: #C628BD, #A528C6, #7A28C6, #5028C6 and #2828C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C529BC shade matches the following richer shades: #C628BD, #DA15CE and #ED01E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C529BC shade: #C628BD, #B33CAC, #A04F9B, #8C628A and #797679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C529BC shade: #7A28C6, #A428C6, #C628BF, #C62894 and #C6286A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C529BC shade: #821A7C, #A4219D, #C628BD, #D840CF and #DF63D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C529BC shade: #C529BC, #C65028 and #28C68F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C529BC shade: #C529BC, #BFC628 and #28BFC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C529BC shade: #C529BC, #C65028, #28C630 and #289FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C529BC shade: #C529BC, #C67F28, #28C630 and #286FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 5 / 23

HEX #C529BC

RGB 197 41 188

HSL 303.46, 0.66%, 0.47%

LAB 48.37, 73.6, -42.43

 

Complementary color

CMYK 73 / 0 / 69 / 16

HEX #3AD643

RGB 58 214 67

HSL 123.46, 0.66%, 0.53%

LAB 75.7, -67.36, 58.54

 

CMYK 0 / 80 / 9 / 21

HEX #CA29B7

RGB 202 41 183

HSL 307.08, 0.66%, 0.48%

LAB 48.96, 73.88, -38.52

 

CMYK 0 / 73 / 8 / 14

HEX #DB3BCA

RGB 219 59 202

HSL 306.38, 0.69%, 0.55%

LAB 54.5, 75.24, -40.59

 

CMYK 0 / 67 / 6 / 7

HEX #EC4DDD

RGB 236 77 221

HSL 305.66, 0.81%, 0.61%

LAB 60.21, 75.92, -42.22

 

CMYK 0 / 62 / 5 / 1

HEX #FD5FF0

RGB 253 95 240

HSL 304.94, 0.98%, 0.68%

LAB 66.03, 76.14, -43.51

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 79 / 5 / 23

HEX #C529BC

RGB 197 41 188

HSL 303.46, 0.66%, 0.47%

LAB 48.37, 73.6, -42.43

 

CMYK 0 / 87 / 6 / 29

HEX #B417A9

RGB 180 23 169

HSL 304.2, 0.77%, 0.4%

LAB 43.03, 71.32, -39.88

 

CMYK 0 / 97 / 8 / 36

HEX #A30596

RGB 163 5 150

HSL 304.94, 0.94%, 0.33%

LAB 38.02, 67.82, -36.6

 

CMYK 0 / 100 / 10 / 43

HEX #920083

RGB 146 0 131

HSL 306.16, 1%, 0.29%

LAB 33.46, 62.62, -32.32

 

CMYK 0 / 100 / 13 / 49

HEX #810070

RGB 129 0 112

HSL 307.91, 1%, 0.25%

LAB 29, 56.72, -27.57

 

CMYK 0 / 80 / 5 / 22

HEX #C628BD

RGB 198 40 189

HSL 303.42, 0.66%, 0.47%

LAB 48.51, 74.19, -42.78

 

CMYK 0 / 80 / 26 / 22

HEX #C62893

RGB 198 40 147

HSL 319.37, 0.66%, 0.47%

LAB 46.49, 68.48, -21.06

 

CMYK 0 / 80 / 47 / 22

HEX #C62868

RGB 198 40 104

HSL 335.7, 0.66%, 0.47%

LAB 44.97, 64.01, 2.99

 

CMYK 0 / 80 / 69 / 22

HEX #C6283D

RGB 198 40 61

HSL 352.03, 0.66%, 0.47%

LAB 44.03, 61.13, 28.34

 

CMYK 0 / 80 / 80 / 22

HEX #C62828

RGB 198 40 40

HSL 0, 0.66%, 0.47%

LAB 43.77, 60.3, 40.31

 

CMYK 0 / 80 / 5 / 22

HEX #C628BD

RGB 198 40 189

HSL 303.42, 0.66%, 0.47%

LAB 48.51, 74.19, -42.78

 

CMYK 17 / 80 / 0 / 22

HEX #A528C6

RGB 165 40 198

HSL 287.47, 0.66%, 0.47%

LAB 43.65, 69.42, -56.11

 

CMYK 38 / 80 / 0 / 22

HEX #7A28C6

RGB 122 40 198

HSL 271.14, 0.66%, 0.47%

LAB 37.36, 62.25, -66.61

 

CMYK 60 / 80 / 0 / 22

HEX #5028C6

RGB 80 40 198

HSL 255.19, 0.66%, 0.47%

LAB 32.48, 56.71, -74.8

 

CMYK 80 / 80 / 0 / 22

HEX #2828C6

RGB 40 40 198

HSL 240, 0.66%, 0.47%

LAB 29.53, 53.38, -79.78

 

CMYK 0 / 80 / 5 / 22

HEX #C628BD

RGB 198 40 189

HSL 303.42, 0.66%, 0.47%

LAB 48.51, 74.19, -42.78

 

CMYK 0 / 90 / 6 / 15

HEX #DA15CE

RGB 218 21 206

HSL 303.65, 0.82%, 0.47%

LAB 51.72, 83.79, -47.31

 

CMYK 0 / 100 / 5 / 7

HEX #ED01E0

RGB 237 1 224

HSL 303.31, 0.99%, 0.47%

LAB 55.49, 91.1, -51.38

 

CMYK 0 / 80 / 5 / 22

HEX #C628BD

RGB 198 40 189

HSL 303.42, 0.66%, 0.47%

LAB 48.51, 74.19, -42.78

 

CMYK 0 / 66 / 4 / 30

HEX #B33CAC

RGB 179 60 172

HSL 303.53, 0.5%, 0.47%

LAB 46.7, 61.04, -35.87

 

CMYK 0 / 51 / 3 / 37

HEX #A04F9B

RGB 160 79 155

HSL 303.7, 0.34%, 0.47%

LAB 46.22, 44.33, -26.75

 

CMYK 0 / 30 / 1 / 45

HEX #8C628A

RGB 140 98 138

HSL 302.86, 0.18%, 0.47%

LAB 47.17, 23.99, -15.36

 

CMYK 0 / 2 / 0 / 53

HEX #797679

RGB 121 118 121

HSL 300, 0.01%, 0.47%

LAB 49.98, 1.75, -1.25

 

CMYK 38 / 80 / 0 / 22

HEX #7A28C6

RGB 122 40 198

HSL 271.14, 0.66%, 0.47%

LAB 37.36, 62.25, -66.61

 

CMYK 17 / 80 / 0 / 22

HEX #A428C6

RGB 164 40 198

HSL 287.09, 0.66%, 0.47%

LAB 43.49, 69.24, -56.37

 

CMYK 0 / 80 / 4 / 22

HEX #C628BF

RGB 198 40 191

HSL 302.66, 0.66%, 0.47%

LAB 48.62, 74.5, -43.77

 

CMYK 0 / 80 / 25 / 22

HEX #C62894

RGB 198 40 148

HSL 318.99, 0.66%, 0.47%

LAB 46.53, 68.61, -21.6

 

CMYK 0 / 80 / 46 / 22

HEX #C6286A

RGB 198 40 106

HSL 334.94, 0.66%, 0.47%

LAB 45.03, 64.19, 1.84

 

CMYK 0 / 80 / 5 / 49

HEX #821A7C

RGB 130 26 124

HSL 303.46, 0.67%, 0.31%

LAB 31.67, 53.54, -30.95

 

CMYK 0 / 80 / 4 / 36

HEX #A4219D

RGB 164 33 157

HSL 303.21, 0.66%, 0.39%

LAB 40.27, 64.17, -37.25

 

CMYK 0 / 80 / 5 / 22

HEX #C628BD

RGB 198 40 189

HSL 303.42, 0.66%, 0.47%

LAB 48.51, 74.19, -42.78

 

CMYK 0 / 70 / 4 / 15

HEX #D840CF

RGB 216 64 207

HSL 303.55, 0.66%, 0.55%

LAB 54.84, 73.74, -42.96

 

CMYK 0 / 56 / 4 / 13

HEX #DF63D7

RGB 223 99 215

HSL 303.87, 0.66%, 0.63%

LAB 61.24, 62.92, -37.37

 

CMYK 0 / 79 / 5 / 23

HEX #C529BC

RGB 197 41 188

HSL 303.46, 0.66%, 0.47%

LAB 48.37, 73.6, -42.43

 

CMYK 0 / 60 / 80 / 22

HEX #C65028

RGB 198 80 40

HSL 15.19, 0.66%, 0.47%

LAB 49.37, 45.04, 45.87

 

CMYK 80 / 0 / 28 / 22

HEX #28C68F

RGB 40 198 143

HSL 159.11, 0.66%, 0.47%

LAB 71.43, -52.18, 16.57

 

CMYK 0 / 79 / 5 / 23

HEX #C529BC

RGB 197 41 188

HSL 303.46, 0.66%, 0.47%

LAB 48.37, 73.6, -42.43

 

CMYK 4 / 0 / 80 / 22

HEX #BFC628

RGB 191 198 40

HSL 62.66, 0.66%, 0.47%

LAB 77.05, -20.06, 70.95

 

CMYK 80 / 4 / 0 / 22

HEX #28BFC6

RGB 40 191 198

HSL 182.66, 0.66%, 0.47%

LAB 70.73, -34.53, -14.37

 

CMYK 0 / 79 / 5 / 23

HEX #C529BC

RGB 197 41 188

HSL 303.46, 0.66%, 0.47%

LAB 48.37, 73.6, -42.43

 

CMYK 0 / 60 / 80 / 22

HEX #C65028

RGB 198 80 40

HSL 15.19, 0.66%, 0.47%

LAB 49.37, 45.04, 45.87

 

CMYK 80 / 0 / 76 / 22

HEX #28C630

RGB 40 198 48

HSL 123.04, 0.66%, 0.47%

LAB 70.21, -66.47, 59.68

 

CMYK 80 / 20 / 0 / 22

HEX #289FC6

RGB 40 159 198

HSL 194.81, 0.66%, 0.47%

LAB 61.07, -18.52, -29.11

 

CMYK 0 / 79 / 5 / 23

HEX #C529BC

RGB 197 41 188

HSL 303.46, 0.66%, 0.47%

LAB 48.37, 73.6, -42.43

 

CMYK 0 / 36 / 80 / 22

HEX #C67F28

RGB 198 127 40

HSL 33.04, 0.66%, 0.47%

LAB 59.29, 20.63, 55.26

 

CMYK 80 / 0 / 76 / 22

HEX #28C630

RGB 40 198 48

HSL 123.04, 0.66%, 0.47%

LAB 70.21, -66.47, 59.68

 

CMYK 80 / 44 / 0 / 22

HEX #286FC6

RGB 40 111 198

HSL 213.04, 0.66%, 0.47%

LAB 46.84, 9.48, -51.53

 

Description

Color code: HEX #C529BC | qconv.com Color code: HEX #C529BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 41 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 41 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 5 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 5% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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