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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5253C it is the complementary color #3ADAC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5253C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5253C shade: #CA2537, #DB374A, #EC495D, #FD5B70 and #FF6D83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5253C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5253C shade: #C5253C, #B41329, #A30116, #920003 and #810000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5253C shade: #C5253C and #C52525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5253C shade: #C5253C, #C52567, #C52592, #C525BD and #A125C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5253C shade matches the following richer shades: #C5253C and #D8122E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5253C shade: #C5253C, #B23849, #9F4B57, #8C5E65 and #797172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5253C shade: #C52592, #C52568, #C5253D, #C53825 and #C56225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5253C shade: #7F1827, #A21E31, #C5253C, #D93A51 and #E05C6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5253C shade: #C5253C, #BDC525 and #257DC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5253C shade: #C5253C, #3DC525 and #253DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5253C shade: #C5253C, #BDC525, #25C5AD and #2D25C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5253C shade: #C5253C, #8DC525, #25C5AD and #5D25C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

Complementary color

CMYK 73 / 0 / 11 / 15

HEX #3ADAC3

RGB 58 218 195

HSL 171.38, 0.68%, 0.54%

LAB 79.03, -45.63, -0.4

 

CMYK 0 / 82 / 73 / 21

HEX #CA2537

RGB 202 37 55

HSL 353.45, 0.69%, 0.47%

LAB 44.46, 62.77, 32.65

 

CMYK 0 / 75 / 66 / 14

HEX #DB374A

RGB 219 55 74

HSL 353.05, 0.69%, 0.54%

LAB 49.84, 63.36, 28.61

 

CMYK 0 / 69 / 61 / 7

HEX #EC495D

RGB 236 73 93

HSL 352.64, 0.81%, 0.61%

LAB 55.47, 63.33, 25.21

 

CMYK 0 / 64 / 56 / 1

HEX #FD5B70

RGB 253 91 112

HSL 352.22, 0.98%, 0.67%

LAB 61.25, 62.9, 22.33

 

CMYK 0 / 57 / 49 / 0

HEX #FF6D83

RGB 255 109 131

HSL 350.96, 1%, 0.71%

LAB 64.83, 57.37, 16.37

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 0 / 89 / 77 / 29

HEX #B41329

RGB 180 19 41

HSL 351.8, 0.81%, 0.39%

LAB 38.43, 60.07, 32.99

 

CMYK 0 / 99 / 87 / 36

HEX #A30116

RGB 163 1 22

HSL 352.22, 0.99%, 0.32%

LAB 33.7, 57.52, 38.04

 

CMYK 0 / 100 / 98 / 43

HEX #920003

RGB 146 0 3

HSL 358.77, 1%, 0.29%

LAB 29.71, 52.91, 42.05

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 0 / 81 / 81 / 23

HEX #C52525

RGB 197 37 37

HSL 0, 0.68%, 0.46%

LAB 43.25, 60.73, 41.37

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 0 / 81 / 48 / 23

HEX #C52567

RGB 197 37 103

HSL 335.25, 0.68%, 0.46%

LAB 44.48, 64.45, 2.88

 

CMYK 0 / 81 / 26 / 23

HEX #C52592

RGB 197 37 146

HSL 319.13, 0.68%, 0.46%

LAB 46, 68.88, -21.22

 

CMYK 0 / 81 / 4 / 23

HEX #C525BD

RGB 197 37 189

HSL 303, 0.68%, 0.46%

LAB 48.09, 74.71, -43.45

 

CMYK 18 / 81 / 0 / 23

HEX #A125C5

RGB 161 37 197

HSL 286.5, 0.68%, 0.46%

LAB 42.66, 69.37, -57.15

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 0 / 92 / 79 / 15

HEX #D8122E

RGB 216 18 46

HSL 351.52, 0.85%, 0.46%

LAB 45.95, 69.71, 40.35

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 0 / 69 / 59 / 30

HEX #B23849

RGB 178 56 73

HSL 351.64, 0.52%, 0.46%

LAB 42.42, 50.34, 18.15

 

CMYK 0 / 53 / 45 / 38

HEX #9F4B57

RGB 159 75 87

HSL 351.43, 0.36%, 0.46%

LAB 42.9, 36.07, 9.64

 

CMYK 0 / 33 / 28 / 45

HEX #8C5E65

RGB 140 94 101

HSL 350.87, 0.2%, 0.46%

LAB 44.97, 19.83, 3.67

 

CMYK 0 / 7 / 6 / 53

HEX #797172

RGB 121 113 114

HSL 352.5, 0.03%, 0.46%

LAB 48.37, 3.29, 0.55

 

CMYK 0 / 81 / 26 / 23

HEX #C52592

RGB 197 37 146

HSL 319.13, 0.68%, 0.46%

LAB 46, 68.88, -21.22

 

CMYK 0 / 81 / 47 / 23

HEX #C52568

RGB 197 37 104

HSL 334.88, 0.68%, 0.46%

LAB 44.51, 64.54, 2.3

 

CMYK 0 / 81 / 69 / 23

HEX #C5253D

RGB 197 37 61

HSL 351, 0.68%, 0.46%

LAB 43.55, 61.65, 27.71

 

CMYK 0 / 72 / 81 / 23

HEX #C53825

RGB 197 56 37

HSL 7.13, 0.68%, 0.46%

LAB 45.4, 54.72, 43.46

 

CMYK 0 / 50 / 81 / 23

HEX #C56225

RGB 197 98 37

HSL 22.88, 0.68%, 0.46%

LAB 52.66, 35.65, 50.32

 

CMYK 0 / 81 / 69 / 50

HEX #7F1827

RGB 127 24 39

HSL 351.26, 0.68%, 0.3%

LAB 27.61, 43.64, 18.74

 

CMYK 0 / 81 / 70 / 36

HEX #A21E31

RGB 162 30 49

HSL 351.36, 0.69%, 0.38%

LAB 35.66, 52.95, 23.87

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 0 / 73 / 63 / 15

HEX #D93A51

RGB 217 58 81

HSL 351.32, 0.68%, 0.54%

LAB 49.94, 62.19, 24.48

 

CMYK 0 / 59 / 50 / 12

HEX #E05C6F

RGB 224 92 111

HSL 351.36, 0.68%, 0.62%

LAB 56.73, 53.01, 15.99

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 4 / 0 / 81 / 23

HEX #BDC525

RGB 189 197 37

HSL 63, 0.68%, 0.46%

LAB 76.61, -20.51, 71.29

 

CMYK 81 / 37 / 0 / 23

HEX #257DC5

RGB 37 125 197

HSL 207, 0.68%, 0.46%

LAB 50.79, 0.15, -44.65

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 69 / 0 / 81 / 23

HEX #3DC525

RGB 61 197 37

HSL 111, 0.68%, 0.46%

LAB 70.22, -63.59, 63.16

 

CMYK 81 / 69 / 0 / 23

HEX #253DC5

RGB 37 61 197

HSL 231, 0.68%, 0.46%

LAB 33.48, 41.05, -72.66

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 4 / 0 / 81 / 23

HEX #BDC525

RGB 189 197 37

HSL 63, 0.68%, 0.46%

LAB 76.61, -20.51, 71.29

 

CMYK 81 / 0 / 12 / 23

HEX #25C5AD

RGB 37 197 173

HSL 171, 0.68%, 0.46%

LAB 71.79, -44.63, 0.84

 

CMYK 77 / 81 / 0 / 23

HEX #2D25C5

RGB 45 37 197

HSL 243, 0.68%, 0.46%

LAB 29.19, 54.8, -79.75

 

CMYK 0 / 81 / 70 / 23

HEX #C5253C

RGB 197 37 60

HSL 351.38, 0.68%, 0.46%

LAB 43.54, 61.6, 28.3

 

CMYK 28 / 0 / 81 / 23

HEX #8DC525

RGB 141 197 37

HSL 81, 0.68%, 0.46%

LAB 73.37, -39.99, 67.2

 

CMYK 81 / 0 / 12 / 23

HEX #25C5AD

RGB 37 197 173

HSL 171, 0.68%, 0.46%

LAB 71.79, -44.63, 0.84

 

CMYK 53 / 81 / 0 / 23

HEX #5D25C5

RGB 93 37 197

HSL 261, 0.68%, 0.46%

LAB 33.31, 59.17, -72.8

 

Description

Color code: HEX #C5253C | qconv.com Color code: HEX #C5253C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 37 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 37 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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