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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51E3A it is the complementary color #3AE1C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51E3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51E3A shade: #CA1E35, #DB3048, #EC425B, #FD546E and #FF6681

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51E3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51E3A shade: #C51E3A, #B40C27, #A30014, #920001 and #810000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51E3A shade: #C71D3A and #C71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51E3A shade: #C71D3A, #C71D68, #C71D95, #C71DC3 and #9D1DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51E3A shade matches the following richer shades: #C71D3A and #DA0B2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51E3A shade: #C71D3A, #B53046, #A24252, #8F555F and #7D686B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51E3A shade: #C71D97, #C71D6A, #C71D3C, #C72B1D and #C7591D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51E3A shade: #7F1325, #A3182F, #C71D3A, #DF2E4C and #E5526B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51E3A shade: #C51E3A, #C4C71D and #1D80C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51E3A shade: #C51E3A, #3CC71D and #1D3CC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51E3A shade: #C51E3A, #C4C71D, #1DC7A8 and #201DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51E3A shade: #C51E3A, #91C71D, #1DC7A8 and #531DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 71 / 23

HEX #C51E3A

RGB 197 30 58

HSL 349.94, 0.74%, 0.45%

LAB 42.92, 63.17, 28.77

 

Complementary color

CMYK 74 / 0 / 12 / 12

HEX #3AE1C5

RGB 58 225 197

HSL 169.94, 0.74%, 0.55%

LAB 81.17, -48.1, 1.65

 

CMYK 0 / 85 / 74 / 21

HEX #CA1E35

RGB 202 30 53

HSL 351.98, 0.74%, 0.45%

LAB 43.86, 64.31, 33.16

 

CMYK 0 / 78 / 67 / 14

HEX #DB3048

RGB 219 48 72

HSL 351.58, 0.7%, 0.52%

LAB 49.06, 65.37, 28.83

 

CMYK 0 / 72 / 61 / 7

HEX #EC425B

RGB 236 66 91

HSL 351.18, 0.82%, 0.59%

LAB 54.54, 65.68, 25.17

 

CMYK 0 / 67 / 57 / 1

HEX #FD546E

RGB 253 84 110

HSL 350.77, 0.98%, 0.66%

LAB 60.2, 65.5, 22.08

 

CMYK 0 / 60 / 49 / 0

HEX #FF6681

RGB 255 102 129

HSL 349.41, 1%, 0.7%

LAB 63.63, 60.27, 15.84

 

CMYK 0 / 85 / 71 / 23

HEX #C51E3A

RGB 197 30 58

HSL 349.94, 0.74%, 0.45%

LAB 42.92, 63.17, 28.77

 

CMYK 0 / 93 / 78 / 29

HEX #B40C27

RGB 180 12 39

HSL 350.36, 0.88%, 0.38%

LAB 38.04, 61.04, 33.78

 

CMYK 0 / 100 / 88 / 36

HEX #A30014

RGB 163 0 20

HSL 352.64, 1%, 0.32%

LAB 33.64, 57.61, 39.05

 

CMYK 0 / 100 / 99 / 43

HEX #920001

RGB 146 0 1

HSL 359.59, 1%, 0.29%

LAB 29.7, 52.88, 42.85

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 85 / 71 / 22

HEX #C71D3A

RGB 199 29 58

HSL 349.76, 0.75%, 0.45%

LAB 43.25, 63.92, 29.27

 

CMYK 0 / 85 / 85 / 22

HEX #C71D1D

RGB 199 29 29

HSL 0, 0.75%, 0.45%

LAB 42.93, 62.97, 45.39

 

CMYK 0 / 85 / 71 / 22

HEX #C71D3A

RGB 199 29 58

HSL 349.76, 0.75%, 0.45%

LAB 43.25, 63.92, 29.27

 

CMYK 0 / 85 / 48 / 22

HEX #C71D68

RGB 199 29 104

HSL 333.53, 0.75%, 0.45%

LAB 44.26, 66.86, 1.99

 

CMYK 0 / 85 / 25 / 22

HEX #C71D95

RGB 199 29 149

HSL 317.65, 0.75%, 0.45%

LAB 45.89, 71.43, -23.16

 

CMYK 0 / 85 / 2 / 22

HEX #C71DC3

RGB 199 29 195

HSL 301.41, 0.75%, 0.45%

LAB 48.21, 77.62, -46.74

 

CMYK 21 / 85 / 0 / 22

HEX #9D1DC7

RGB 157 29 199

HSL 285.18, 0.75%, 0.45%

LAB 41.49, 71.09, -60.25

 

CMYK 0 / 85 / 71 / 22

HEX #C71D3A

RGB 199 29 58

HSL 349.76, 0.75%, 0.45%

LAB 43.25, 63.92, 29.27

 

CMYK 0 / 95 / 79 / 15

HEX #DA0B2D

RGB 218 11 45

HSL 350.14, 0.9%, 0.45%

LAB 46.09, 70.93, 41.19

 

CMYK 0 / 85 / 71 / 22

HEX #C71D3A

RGB 199 29 58

HSL 349.76, 0.75%, 0.45%

LAB 43.25, 63.92, 29.27

 

CMYK 0 / 73 / 61 / 29

HEX #B53046

RGB 181 48 70

HSL 350.08, 0.58%, 0.45%

LAB 41.81, 54.12, 19.31

 

CMYK 0 / 59 / 49 / 36

HEX #A24252

RGB 162 66 82

HSL 350, 0.42%, 0.45%

LAB 41.51, 41.2, 10.87

 

CMYK 0 / 41 / 34 / 44

HEX #8F555F

RGB 143 85 95

HSL 349.66, 0.25%, 0.45%

LAB 43.01, 25.38, 4.56

 

CMYK 0 / 17 / 14 / 51

HEX #7D686B

RGB 125 104 107

HSL 351.43, 0.09%, 0.45%

LAB 46.07, 8.88, 1.44

 

CMYK 0 / 85 / 24 / 22

HEX #C71D97

RGB 199 29 151

HSL 316.94, 0.75%, 0.45%

LAB 45.98, 71.67, -24.23

 

CMYK 0 / 85 / 47 / 22

HEX #C71D6A

RGB 199 29 106

HSL 332.82, 0.75%, 0.45%

LAB 44.32, 67.02, 0.83

 

CMYK 0 / 85 / 70 / 22

HEX #C71D3C

RGB 199 29 60

HSL 349.06, 0.75%, 0.45%

LAB 43.28, 64.01, 28.08

 

CMYK 0 / 78 / 85 / 22

HEX #C72B1D

RGB 199 43 29

HSL 4.94, 0.75%, 0.45%

LAB 44.17, 59.44, 46.47

 

CMYK 0 / 55 / 85 / 22

HEX #C7591D

RGB 199 89 29

HSL 21.18, 0.75%, 0.45%

LAB 51.12, 40.76, 52.38

 

CMYK 0 / 85 / 71 / 50

HEX #7F1325

RGB 127 19 37

HSL 350, 0.74%, 0.29%

LAB 27.05, 45, 19.38

 

CMYK 0 / 85 / 71 / 36

HEX #A3182F

RGB 163 24 47

HSL 350.07, 0.74%, 0.37%

LAB 35.29, 54.67, 24.74

 

CMYK 0 / 85 / 71 / 22

HEX #C71D3A

RGB 199 29 58

HSL 349.76, 0.75%, 0.45%

LAB 43.25, 63.92, 29.27

 

CMYK 0 / 79 / 66 / 13

HEX #DF2E4C

RGB 223 46 76

HSL 349.83, 0.73%, 0.53%

LAB 49.69, 67.24, 27.39

 

CMYK 0 / 64 / 53 / 10

HEX #E5526B

RGB 229 82 107

HSL 349.8, 0.74%, 0.61%

LAB 55.84, 58.63, 17.25

 

CMYK 0 / 85 / 71 / 23

HEX #C51E3A

RGB 197 30 58

HSL 349.94, 0.74%, 0.45%

LAB 42.92, 63.17, 28.77

 

CMYK 2 / 0 / 85 / 22

HEX #C4C71D

RGB 196 199 29

HSL 61.06, 0.75%, 0.45%

LAB 77.68, -18.74, 74.26

 

CMYK 85 / 36 / 0 / 22

HEX #1D80C7

RGB 29 128 199

HSL 205.06, 0.75%, 0.45%

LAB 51.64, -1.59, -44.46

 

CMYK 0 / 85 / 71 / 23

HEX #C51E3A

RGB 197 30 58

HSL 349.94, 0.74%, 0.45%

LAB 42.92, 63.17, 28.77

 

CMYK 70 / 0 / 85 / 22

HEX #3CC71D

RGB 60 199 29

HSL 109.06, 0.75%, 0.45%

LAB 70.8, -64.79, 65.67

 

CMYK 85 / 70 / 0 / 22

HEX #1D3CC7

RGB 29 60 199

HSL 229.06, 0.75%, 0.45%

LAB 33.17, 41.86, -74.36

 

CMYK 0 / 85 / 71 / 23

HEX #C51E3A

RGB 197 30 58

HSL 349.94, 0.74%, 0.45%

LAB 42.92, 63.17, 28.77

 

CMYK 2 / 0 / 85 / 22

HEX #C4C71D

RGB 196 199 29

HSL 61.06, 0.75%, 0.45%

LAB 77.68, -18.74, 74.26

 

CMYK 85 / 0 / 16 / 22

HEX #1DC7A8

RGB 29 199 168

HSL 169.06, 0.75%, 0.45%

LAB 72.19, -47.42, 4.12

 

CMYK 84 / 85 / 0 / 22

HEX #201DC7

RGB 32 29 199

HSL 241.06, 0.75%, 0.45%

LAB 27.6, 58.25, -83.59

 

CMYK 0 / 85 / 71 / 23

HEX #C51E3A

RGB 197 30 58

HSL 349.94, 0.74%, 0.45%

LAB 42.92, 63.17, 28.77

 

CMYK 27 / 0 / 85 / 22

HEX #91C71D

RGB 145 199 29

HSL 79.06, 0.75%, 0.45%

LAB 74.16, -39.63, 69.9

 

CMYK 85 / 0 / 16 / 22

HEX #1DC7A8

RGB 29 199 168

HSL 169.06, 0.75%, 0.45%

LAB 72.19, -47.42, 4.12

 

CMYK 58 / 85 / 0 / 22

HEX #531DC7

RGB 83 29 199

HSL 259.06, 0.75%, 0.45%

LAB 31.44, 61.53, -77.1

 

Description

Color code: HEX #C51E3A | qconv.com Color code: HEX #C51E3A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 30 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 30 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 71 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 71% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - mVIBO Watch Korean D...
Link: http://www.mvibo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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