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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51345 it is the complementary color #3AECBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51345 shade: #CA1340, #DB2553, #EC3766, #FD4979 and #FF5B8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51345 shade: #C51345, #B40132, #A3001F, #92000C and #810000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51345 shade: #C21344, #C21315 and #C21313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51345 shade: #C21344, #C21373, #C213A3, #B313C2 and #8313C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51345 shade matches the following richer shades: #C21344 and #D4013D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51345 shade: #C21344, #B1244C, #A03553, #8E475B and #7D5862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51345 shade: #C213A2, #C21373, #C21345, #C21316 and #C23F13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51345 shade: #770B2A, #9D0F37, #C21344, #E81751 and #EB3C6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51345 shade: #C51345, #C2B413 and #138BC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51345 shade: #C51345, #45C213 and #1345C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51345 shade: #C51345, #C2B413, #13C291 and #1321C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51345 shade: #C51345, #9CC213, #13C291 and #3913C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 65 / 23

HEX #C51345

RGB 197 19 69

HSL 343.15, 0.82%, 0.42%

LAB 42.41, 65.73, 21.31

 

Complementary color

CMYK 75 / 0 / 21 / 7

HEX #3AECBA

RGB 58 236 186

HSL 163.15, 0.82%, 0.58%

LAB 84.19, -55.29, 11.79

 

CMYK 0 / 91 / 68 / 21

HEX #CA1340

RGB 202 19 64

HSL 345.25, 0.83%, 0.43%

LAB 43.35, 66.73, 25.84

 

CMYK 0 / 83 / 62 / 14

HEX #DB2553

RGB 219 37 83

HSL 344.84, 0.72%, 0.5%

LAB 48.27, 68.76, 21.15

 

CMYK 0 / 77 / 57 / 7

HEX #EC3766

RGB 236 55 102

HSL 344.42, 0.83%, 0.57%

LAB 53.52, 69.84, 17.25

 

CMYK 0 / 71 / 52 / 1

HEX #FD4979

RGB 253 73 121

HSL 344, 0.98%, 0.64%

LAB 59, 70.26, 14.01

 

CMYK 0 / 64 / 45 / 0

HEX #FF5B8C

RGB 255 91 140

HSL 342.07, 1%, 0.68%

LAB 62.2, 65.79, 7.49

 

CMYK 0 / 90 / 65 / 23

HEX #C51345

RGB 197 19 69

HSL 343.15, 0.82%, 0.42%

LAB 42.41, 65.73, 21.31

 

CMYK 0 / 99 / 72 / 29

HEX #B40132

RGB 180 1 50

HSL 343.58, 0.99%, 0.35%

LAB 37.76, 62.7, 26.67

 

CMYK 0 / 100 / 81 / 36

HEX #A3001F

RGB 163 0 31

HSL 348.59, 1%, 0.32%

LAB 33.74, 57.89, 32.91

 

CMYK 0 / 100 / 92 / 43

HEX #92000C

RGB 146 0 12

HSL 355.07, 1%, 0.29%

LAB 29.76, 53.05, 38.37

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 90 / 65 / 24

HEX #C21344

RGB 194 19 68

HSL 343.2, 0.82%, 0.42%

LAB 41.77, 64.92, 20.99

 

CMYK 0 / 90 / 89 / 24

HEX #C21315

RGB 194 19 21

HSL 359.31, 0.82%, 0.42%

LAB 41.2, 63.29, 47.37

 

CMYK 0 / 90 / 90 / 24

HEX #C21313

RGB 194 19 19

HSL 0, 0.82%, 0.42%

LAB 41.19, 63.26, 48.24

 

CMYK 0 / 90 / 65 / 24

HEX #C21344

RGB 194 19 68

HSL 343.2, 0.82%, 0.42%

LAB 41.77, 64.92, 20.99

 

CMYK 0 / 90 / 41 / 24

HEX #C21373

RGB 194 19 115

HSL 327.09, 0.82%, 0.42%

LAB 43.02, 68.39, -6.8

 

CMYK 0 / 90 / 16 / 24

HEX #C213A3

RGB 194 19 163

HSL 310.63, 0.82%, 0.42%

LAB 45.05, 73.8, -32.94

 

CMYK 8 / 90 / 0 / 24

HEX #B313C2

RGB 179 19 194

HSL 294.86, 0.82%, 0.42%

LAB 44.15, 75.62, -52.84

 

CMYK 32 / 90 / 0 / 24

HEX #8313C2

RGB 131 19 194

HSL 278.4, 0.82%, 0.42%

LAB 36.34, 68.44, -65.88

 

CMYK 0 / 90 / 65 / 24

HEX #C21344

RGB 194 19 68

HSL 343.2, 0.82%, 0.42%

LAB 41.77, 64.92, 20.99

 

CMYK 0 / 100 / 71 / 17

HEX #D4013D

RGB 212 1 61

HSL 342.94, 0.99%, 0.42%

LAB 44.74, 70.91, 29.86

 

CMYK 0 / 90 / 65 / 24

HEX #C21344

RGB 194 19 68

HSL 343.2, 0.82%, 0.42%

LAB 41.77, 64.92, 20.99

 

CMYK 0 / 80 / 57 / 31

HEX #B1244C

RGB 177 36 76

HSL 342.98, 0.66%, 0.42%

LAB 39.8, 57.21, 12.69

 

CMYK 0 / 67 / 48 / 37

HEX #A03553

RGB 160 53 83

HSL 343.18, 0.5%, 0.42%

LAB 38.97, 46.57, 6.63

 

CMYK 0 / 50 / 36 / 44

HEX #8E475B

RGB 142 71 91

HSL 343.1, 0.33%, 0.42%

LAB 39.6, 32.31, 2.11

 

CMYK 0 / 30 / 22 / 51

HEX #7D5862

RGB 125 88 98

HSL 343.78, 0.17%, 0.42%

LAB 41.57, 16.88, 0.35

 

CMYK 0 / 90 / 16 / 24

HEX #C213A2

RGB 194 19 162

HSL 310.97, 0.82%, 0.42%

LAB 45, 73.67, -32.43

 

CMYK 0 / 90 / 41 / 24

HEX #C21373

RGB 194 19 115

HSL 327.09, 0.82%, 0.42%

LAB 43.02, 68.39, -6.8

 

CMYK 0 / 90 / 64 / 24

HEX #C21345

RGB 194 19 69

HSL 342.86, 0.82%, 0.42%

LAB 41.79, 64.97, 20.38

 

CMYK 0 / 90 / 89 / 24

HEX #C21316

RGB 194 19 22

HSL 358.97, 0.82%, 0.42%

LAB 41.21, 63.31, 46.92

 

CMYK 0 / 68 / 90 / 24

HEX #C23F13

RGB 194 63 19

HSL 15.09, 0.82%, 0.42%

LAB 45.73, 50.57, 51.53

 

CMYK 0 / 91 / 65 / 53

HEX #770B2A

RGB 119 11 42

HSL 342.78, 0.83%, 0.25%

LAB 24.73, 44.89, 12.65

 

CMYK 0 / 90 / 65 / 38

HEX #9D0F37

RGB 157 15 55

HSL 343.1, 0.83%, 0.34%

LAB 33.53, 55.28, 17.09

 

CMYK 0 / 90 / 65 / 24

HEX #C21344

RGB 194 19 68

HSL 343.2, 0.82%, 0.42%

LAB 41.77, 64.92, 20.99

 

CMYK 0 / 90 / 65 / 9

HEX #E81751

RGB 232 23 81

HSL 343.35, 0.82%, 0.5%

LAB 49.93, 74.43, 25.03

 

CMYK 0 / 74 / 53 / 8

HEX #EB3C6E

RGB 235 60 110

HSL 342.86, 0.81%, 0.58%

LAB 54.05, 68.63, 13.16

 

CMYK 0 / 90 / 65 / 23

HEX #C51345

RGB 197 19 69

HSL 343.15, 0.82%, 0.42%

LAB 42.41, 65.73, 21.31

 

CMYK 0 / 7 / 90 / 24

HEX #C2B413

RGB 194 180 19

HSL 55.2, 0.82%, 0.42%

LAB 72.33, -10.2, 71.8

 

CMYK 90 / 28 / 0 / 24

HEX #138BC2

RGB 19 139 194

HSL 198.86, 0.82%, 0.42%

LAB 54.55, -10.53, -37.03

 

CMYK 0 / 90 / 65 / 23

HEX #C51345

RGB 197 19 69

HSL 343.15, 0.82%, 0.42%

LAB 42.41, 65.73, 21.31

 

CMYK 64 / 0 / 90 / 24

HEX #45C213

RGB 69 194 19

HSL 102.86, 0.82%, 0.42%

LAB 69.4, -61.72, 66.49

 

CMYK 90 / 64 / 0 / 24

HEX #1345C2

RGB 19 69 194

HSL 222.86, 0.82%, 0.42%

LAB 34.58, 33.75, -69.12

 

CMYK 0 / 90 / 65 / 23

HEX #C51345

RGB 197 19 69

HSL 343.15, 0.82%, 0.42%

LAB 42.41, 65.73, 21.31

 

CMYK 0 / 7 / 90 / 24

HEX #C2B413

RGB 194 180 19

HSL 55.2, 0.82%, 0.42%

LAB 72.33, -10.2, 71.8

 

CMYK 90 / 0 / 25 / 24

HEX #13C291

RGB 19 194 145

HSL 163.2, 0.82%, 0.42%

LAB 70.01, -51.79, 13.47

 

CMYK 90 / 83 / 0 / 24

HEX #1321C2

RGB 19 33 194

HSL 235.2, 0.82%, 0.42%

LAB 27.08, 54.62, -81.53

 

CMYK 0 / 90 / 65 / 23

HEX #C51345

RGB 197 19 69

HSL 343.15, 0.82%, 0.42%

LAB 42.41, 65.73, 21.31

 

CMYK 20 / 0 / 90 / 24

HEX #9CC213

RGB 156 194 19

HSL 73.03, 0.82%, 0.42%

LAB 73.35, -33.28, 71.38

 

CMYK 90 / 0 / 25 / 24

HEX #13C291

RGB 19 194 145

HSL 163.2, 0.82%, 0.42%

LAB 70.01, -51.79, 13.47

 

CMYK 71 / 90 / 0 / 24

HEX #3913C2

RGB 57 19 194

HSL 253.03, 0.82%, 0.42%

LAB 27.38, 61.43, -80.97

 

Description

Color code: HEX #C51345 | qconv.com Color code: HEX #C51345 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 19 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 19 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 65% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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