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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5061C it is the complementary color #3AF9E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5061C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5061C shade: #CA0617, #DB182A, #EC2A3D, #FD3C50 and #FF4E63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5061C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5061C shade: #C5061C, #B40009, #A30000, #920000 and #810000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5061C shade: #C5061C and #C50606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5061C shade: #C5061C, #C5064F, #C50683, #C506B7 and #A006C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5061C shade matches the following richer shades: #C5061C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5061C shade: #C5061C, #B51628, #A42735, #943742 and #83484F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5061C shade: #C50682, #C5064F, #C5061C, #C52206 and #C55606

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5061C shade: #750310, #9D0416, #C5061C, #ED0721 and #F8263E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5061C shade: #C5061C, #B5C506 and #0669C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5061C shade: #C5061C, #1CC506 and #061CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5061C shade: #C5061C, #B5C506, #06C5AF and #1606C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5061C shade: #C5061C, #7CC506, #06C5AF and #4F06C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

Complementary color

CMYK 77 / 0 / 9 / 2

HEX #3AF9E3

RGB 58 249 227

HSL 173.09, 0.94%, 0.6%

LAB 89.02, -50.41, -2.65

 

CMYK 0 / 97 / 89 / 21

HEX #CA0617

RGB 202 6 23

HSL 354.8, 0.94%, 0.41%

LAB 42.38, 66.89, 48.1

 

CMYK 0 / 89 / 81 / 14

HEX #DB182A

RGB 219 24 42

HSL 354.46, 0.8%, 0.48%

LAB 46.82, 69.51, 43.66

 

CMYK 0 / 82 / 74 / 7

HEX #EC2A3D

RGB 236 42 61

HSL 354.12, 0.84%, 0.55%

LAB 51.64, 71.09, 39.14

 

CMYK 0 / 76 / 68 / 1

HEX #FD3C50

RGB 253 60 80

HSL 353.78, 0.98%, 0.61%

LAB 56.78, 71.84, 35.06

 

CMYK 0 / 69 / 61 / 0

HEX #FF4E63

RGB 255 78 99

HSL 352.88, 1%, 0.65%

LAB 59.53, 67.6, 27.64

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 0 / 100 / 95 / 29

HEX #B40009

RGB 180 0 9

HSL 357, 1%, 0.35%

LAB 37.34, 61.78, 48.21

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 0 / 97 / 97 / 23

HEX #C50606

RGB 197 6 6

HSL 0, 0.94%, 0.4%

LAB 41.24, 65.42, 53.3

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 0 / 97 / 60 / 23

HEX #C5064F

RGB 197 6 79

HSL 337.07, 0.94%, 0.4%

LAB 42.1, 67.79, 14.59

 

CMYK 0 / 97 / 34 / 23

HEX #C50683

RGB 197 6 131

HSL 320.73, 0.94%, 0.4%

LAB 43.71, 72.07, -15.59

 

CMYK 0 / 97 / 7 / 23

HEX #C506B7

RGB 197 6 183

HSL 304.4, 0.94%, 0.4%

LAB 46.2, 78.4, -42.94

 

CMYK 19 / 97 / 0 / 23

HEX #A006C5

RGB 160 6 197

HSL 288.38, 0.94%, 0.4%

LAB 40.63, 74.72, -60.45

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 0 / 88 / 78 / 29

HEX #B51628

RGB 181 22 40

HSL 353.21, 0.78%, 0.4%

LAB 38.81, 59.77, 34.07

 

CMYK 0 / 76 / 68 / 36

HEX #A42735

RGB 164 39 53

HSL 353.28, 0.62%, 0.4%

LAB 37.12, 50.98, 23.25

 

CMYK 0 / 63 / 55 / 42

HEX #943742

RGB 148 55 66

HSL 352.9, 0.46%, 0.4%

LAB 36.78, 40.03, 14.04

 

CMYK 0 / 45 / 40 / 49

HEX #83484F

RGB 131 72 79

HSL 352.88, 0.29%, 0.4%

LAB 37.89, 25.93, 6.96

 

CMYK 0 / 97 / 34 / 23

HEX #C50682

RGB 197 6 130

HSL 321.05, 0.94%, 0.4%

LAB 43.67, 71.97, -15.04

 

CMYK 0 / 97 / 60 / 23

HEX #C5064F

RGB 197 6 79

HSL 337.07, 0.94%, 0.4%

LAB 42.1, 67.79, 14.59

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 0 / 83 / 97 / 23

HEX #C52206

RGB 197 34 6

HSL 8.8, 0.94%, 0.4%

LAB 42.8, 60.93, 54.08

 

CMYK 0 / 56 / 97 / 23

HEX #C55606

RGB 197 86 6

HSL 25.13, 0.94%, 0.4%

LAB 50.14, 41.07, 58.28

 

CMYK 0 / 97 / 86 / 54

HEX #750310

RGB 117 3 16

HSL 353.16, 0.95%, 0.24%

LAB 23.29, 44.76, 28.04

 

CMYK 0 / 97 / 86 / 38

HEX #9D0416

RGB 157 4 22

HSL 352.94, 0.95%, 0.32%

LAB 32.51, 55.55, 36.47

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 0 / 97 / 86 / 7

HEX #ED0721

RGB 237 7 33

HSL 353.22, 0.94%, 0.48%

LAB 49.82, 75.62, 52.37

 

CMYK 0 / 85 / 75 / 3

HEX #F8263E

RGB 248 38 62

HSL 353.14, 0.94%, 0.56%

LAB 53.7, 75.13, 41.52

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 8 / 0 / 97 / 23

HEX #B5C506

RGB 181 197 6

HSL 65.03, 0.94%, 0.4%

LAB 75.93, -24.52, 75.72

 

CMYK 97 / 47 / 0 / 23

HEX #0669C5

RGB 6 105 197

HSL 208.9, 0.94%, 0.4%

LAB 44.48, 10.73, -54.77

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 86 / 0 / 97 / 23

HEX #1CC506

RGB 28 197 6

HSL 113.09, 0.94%, 0.4%

LAB 69.61, -69.25, 68.05

 

CMYK 97 / 86 / 0 / 23

HEX #061CC5

RGB 6 28 197

HSL 233.09, 0.94%, 0.4%

LAB 26.45, 57.46, -84.35

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 8 / 0 / 97 / 23

HEX #B5C506

RGB 181 197 6

HSL 65.03, 0.94%, 0.4%

LAB 75.93, -24.52, 75.72

 

CMYK 97 / 0 / 11 / 23

HEX #06C5AF

RGB 6 197 175

HSL 173.09, 0.94%, 0.4%

LAB 71.6, -45.77, -0.55

 

CMYK 89 / 97 / 0 / 23

HEX #1606C5

RGB 22 6 197

HSL 245.03, 0.94%, 0.4%

LAB 24.74, 64.11, -87.19

 

CMYK 0 / 97 / 86 / 23

HEX #C5061C

RGB 197 6 28

HSL 353.09, 0.94%, 0.4%

LAB 41.35, 65.73, 44.38

 

CMYK 37 / 0 / 97 / 23

HEX #7CC506

RGB 124 197 6

HSL 82.93, 0.94%, 0.4%

LAB 72.38, -47.04, 71.44

 

CMYK 97 / 0 / 11 / 23

HEX #06C5AF

RGB 6 197 175

HSL 173.09, 0.94%, 0.4%

LAB 71.6, -45.77, -0.55

 

CMYK 60 / 97 / 0 / 23

HEX #4F06C5

RGB 79 6 197

HSL 262.93, 0.94%, 0.4%

LAB 28.96, 66.21, -80.04

 

Description

Color code: HEX #C5061C | qconv.com Color code: HEX #C5061C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 6 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 6 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 86 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 86% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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