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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4E61D it is the complementary color #3B19E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4E61D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4E61D shade: #C9E618, #DAF82B, #EBFF3E, #FCFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4E61D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4E61D shade: #C4E61D, #B3D40A, #A2C200, #91B000 and #809E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4E61D shade: #C4E61E, #E6D11E, #E69C1E, #E6661E and #E6301E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4E61D shade: #C4E61E, #8EE61E, #58E61E, #22E61E and #1EE64F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4E61D shade matches the following richer shades: #C4E61E and #D1FA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4E61D shade: #C4E61E, #B6D132, #A9BD46, #9CA95A and #8E956E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4E61D shade: #E69C1E, #E6D21E, #C4E61E, #8FE61E and #5AE61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4E61D shade: #879F11, #A7C415, #C4E61E, #CDEA43 and #D7EE68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4E61D shade: #C4E61D, #1EE667 and #B71EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4E61D shade: #C4E61D, #1EC4E6 and #E61EC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4E61D shade: #C4E61D, #1EE667, #3F1EE6 and #E61E9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4E61D shade: #C4E61D, #1EE6A3, #3F1EE6 and #E61E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 87 / 10

HEX #C4E61D

RGB 196 230 29

HSL 70.15, 0.8%, 0.51%

LAB 86.22, -33.53, 81.24

 

Complementary color

CMYK 74 / 89 / 0 / 11

HEX #3B19E2

RGB 59 25 226

HSL 250.15, 0.8%, 0.49%

LAB 32.07, 68.18, -91.76

 

CMYK 13 / 0 / 90 / 10

HEX #C9E618

RGB 201 230 24

HSL 68.45, 0.81%, 0.5%

LAB 86.54, -31.62, 82.46

 

CMYK 12 / 0 / 83 / 3

HEX #DAF82B

RGB 218 248 43

HSL 68.78, 0.94%, 0.57%

LAB 92.67, -32.64, 84.44

 

CMYK 8 / 0 / 76 / 0

HEX #EBFF3E

RGB 235 255 62

HSL 66.22, 1%, 0.62%

LAB 95.8, -28.46, 82.79

 

CMYK 1 / 0 / 68 / 0

HEX #FCFF51

RGB 252 255 81

HSL 61.03, 1%, 0.66%

LAB 97.15, -20.82, 78.41

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61D

RGB 196 230 29

HSL 70.15, 0.8%, 0.51%

LAB 86.22, -33.53, 81.24

 

CMYK 16 / 0 / 95 / 17

HEX #B3D40A

RGB 179 212 10

HSL 69.8, 0.91%, 0.44%

LAB 80.01, -32.41, 78.39

 

CMYK 16 / 0 / 100 / 24

HEX #A2C200

RGB 162 194 0

HSL 69.9, 1%, 0.38%

LAB 73.72, -31.11, 74.08

 

CMYK 18 / 0 / 100 / 31

HEX #91B000

RGB 145 176 0

HSL 70.57, 1%, 0.35%

LAB 67.33, -29.68, 68.76

 

CMYK 19 / 0 / 100 / 38

HEX #809E00

RGB 128 158 0

HSL 71.39, 1%, 0.31%

LAB 60.82, -28.23, 63.34

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61E

RGB 196 230 30

HSL 70.2, 0.8%, 0.51%

LAB 86.22, -33.51, 81.07

 

CMYK 0 / 9 / 87 / 10

HEX #E6D11E

RGB 230 209 30

HSL 53.7, 0.8%, 0.51%

LAB 83.19, -9.2, 79.7

 

CMYK 0 / 32 / 87 / 10

HEX #E69C1E

RGB 230 156 30

HSL 37.8, 0.8%, 0.51%

LAB 69.96, 18.47, 69.15

 

CMYK 0 / 56 / 87 / 10

HEX #E6661E

RGB 230 102 30

HSL 21.6, 0.8%, 0.51%

LAB 58.43, 46.27, 59.99

 

CMYK 0 / 79 / 87 / 10

HEX #E6301E

RGB 230 48 30

HSL 5.4, 0.8%, 0.51%

LAB 50.72, 67.07, 53.88

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61E

RGB 196 230 30

HSL 70.2, 0.8%, 0.51%

LAB 86.22, -33.51, 81.07

 

CMYK 38 / 0 / 87 / 10

HEX #8EE61E

RGB 142 230 30

HSL 86.4, 0.8%, 0.51%

LAB 83.15, -53.64, 77.26

 

CMYK 62 / 0 / 87 / 10

HEX #58E61E

RGB 88 230 30

HSL 102.6, 0.8%, 0.51%

LAB 81.16, -68.96, 74.78

 

CMYK 85 / 0 / 87 / 10

HEX #22E61E

RGB 34 230 30

HSL 118.8, 0.8%, 0.51%

LAB 80.2, -77.29, 73.57

 

CMYK 87 / 0 / 66 / 10

HEX #1EE64F

RGB 30 230 79

HSL 134.7, 0.8%, 0.51%

LAB 80.42, -74.27, 58.79

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61E

RGB 196 230 30

HSL 70.2, 0.8%, 0.51%

LAB 86.22, -33.51, 81.07

 

CMYK 16 / 0 / 96 / 2

HEX #D1FA09

RGB 209 250 9

HSL 70.21, 0.96%, 0.51%

LAB 92.55, -37.72, 88.97

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61E

RGB 196 230 30

HSL 70.2, 0.8%, 0.51%

LAB 86.22, -33.51, 81.07

 

CMYK 13 / 0 / 76 / 18

HEX #B6D132

RGB 182 209 50

HSL 70.19, 0.63%, 0.51%

LAB 79.49, -28.73, 70

 

CMYK 11 / 0 / 63 / 26

HEX #A9BD46

RGB 169 189 70

HSL 70.08, 0.47%, 0.51%

LAB 73.07, -23.29, 55.97

 

CMYK 8 / 0 / 47 / 34

HEX #9CA95A

RGB 156 169 90

HSL 69.87, 0.31%, 0.51%

LAB 66.66, -16.83, 39.02

 

CMYK 5 / 0 / 26 / 42

HEX #8E956E

RGB 142 149 110

HSL 70.77, 0.16%, 0.51%

LAB 60.22, -9.4, 19.8

 

CMYK 0 / 32 / 87 / 10

HEX #E69C1E

RGB 230 156 30

HSL 37.8, 0.8%, 0.51%

LAB 69.96, 18.47, 69.15

 

CMYK 0 / 9 / 87 / 10

HEX #E6D21E

RGB 230 210 30

HSL 54, 0.8%, 0.51%

LAB 83.45, -9.7, 79.91

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61E

RGB 196 230 30

HSL 70.2, 0.8%, 0.51%

LAB 86.22, -33.51, 81.07

 

CMYK 38 / 0 / 87 / 10

HEX #8FE61E

RGB 143 230 30

HSL 86.1, 0.8%, 0.51%

LAB 83.19, -53.3, 77.32

 

CMYK 61 / 0 / 87 / 10

HEX #5AE61E

RGB 90 230 30

HSL 102, 0.8%, 0.51%

LAB 81.22, -68.51, 74.85

 

CMYK 15 / 0 / 89 / 38

HEX #879F11

RGB 135 159 17

HSL 70.14, 0.81%, 0.35%

LAB 61.64, -25.41, 61.62

 

CMYK 15 / 0 / 89 / 23

HEX #A7C415

RGB 167 196 21

HSL 69.94, 0.81%, 0.43%

LAB 74.67, -29.67, 72.42

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61E

RGB 196 230 30

HSL 70.2, 0.8%, 0.51%

LAB 86.22, -33.51, 81.07

 

CMYK 12 / 0 / 71 / 8

HEX #CDEA43

RGB 205 234 67

HSL 70.42, 0.8%, 0.59%

LAB 88.08, -30.42, 73.21

 

CMYK 10 / 0 / 56 / 7

HEX #D7EE68

RGB 215 238 104

HSL 70.3, 0.8%, 0.67%

LAB 90.14, -25.96, 61.08

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61D

RGB 196 230 29

HSL 70.15, 0.8%, 0.51%

LAB 86.22, -33.53, 81.24

 

CMYK 87 / 0 / 55 / 10

HEX #1EE667

RGB 30 230 103

HSL 141.9, 0.8%, 0.51%

LAB 80.65, -71.41, 48.67

 

CMYK 20 / 87 / 0 / 10

HEX #B71EE6

RGB 183 30 230

HSL 285.9, 0.8%, 0.51%

LAB 47.89, 80.5, -67.47

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61D

RGB 196 230 29

HSL 70.15, 0.8%, 0.51%

LAB 86.22, -33.53, 81.24

 

CMYK 87 / 15 / 0 / 10

HEX #1EC4E6

RGB 30 196 230

HSL 190.2, 0.8%, 0.51%

LAB 73.2, -27.61, -28.03

 

CMYK 0 / 87 / 15 / 10

HEX #E61EC4

RGB 230 30 196

HSL 310.2, 0.8%, 0.51%

LAB 53.75, 83.39, -38.2

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61D

RGB 196 230 29

HSL 70.15, 0.8%, 0.51%

LAB 86.22, -33.53, 81.24

 

CMYK 87 / 0 / 55 / 10

HEX #1EE667

RGB 30 230 103

HSL 141.9, 0.8%, 0.51%

LAB 80.65, -71.41, 48.67

 

CMYK 73 / 87 / 0 / 10

HEX #3F1EE6

RGB 63 30 230

HSL 249.9, 0.8%, 0.51%

LAB 33.35, 67.89, -91.91

 

CMYK 0 / 87 / 32 / 10

HEX #E61E9C

RGB 230 30 156

HSL 322.2, 0.8%, 0.51%

LAB 52.01, 78.72, -17.47

 

CMYK 15 / 0 / 87 / 10

HEX #C4E61D

RGB 196 230 29

HSL 70.15, 0.8%, 0.51%

LAB 86.22, -33.53, 81.24

 

CMYK 87 / 0 / 29 / 10

HEX #1EE6A3

RGB 30 230 163

HSL 159.9, 0.8%, 0.51%

LAB 81.57, -60.69, 20.06

 

CMYK 73 / 87 / 0 / 10

HEX #3F1EE6

RGB 63 30 230

HSL 249.9, 0.8%, 0.51%

LAB 33.35, 67.89, -91.91

 

CMYK 0 / 87 / 58 / 10

HEX #E61E60

RGB 230 30 96

HSL 340.2, 0.8%, 0.51%

LAB 50.21, 73.7, 16.18

 

Description

Color code: HEX #C4E61D | qconv.com Color code: HEX #C4E61D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 230 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 230 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 87 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 87% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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