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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D4BA it is the complementary color #3B2B45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D4BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D4BA shade: #C9D4B5, #DAE6C8, #EBF8DB and #FCFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D4BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D4BA shade: #C4D4BA, #B3C2A7, #A2B094, #919E81 and #808C6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D4BA shade: #C3D3B9, #CAD3B9, #D1D3B9, #D3CEB9 and #D3C7B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D4BA shade: #C3D3B9, #BCD3B9, #B9D3BD, #B9D3C4 and #B9D3CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D4BA shade matches the following richer shades: #C3D3B9, #C1DCB0, #BFE5A7, #BDEF9E and #BBF895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D4BA shade: #C3D3B9, #C6CAC3, #C8C1CC, #CAB8D5 and #CCAFDE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D4BA shade: #D2D3B9, #CBD3B9, #C4D3B9, #BDD3B9 and #B9D3BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D4BA shade: #98B487, #AEC3A0, #C3D3B9, #D9E3D3 and #EFF3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D4BA shade: #C4D4BA, #B9D3CE and #D3B9CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D4BA shade: #C4D4BA, #B9C4D3 and #D3B9C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D4BA shade: #C4D4BA, #B9D3CE, #C9B9D3 and #D3B9BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D4BA shade: #C4D4BA, #B9D1D3, #C9B9D3 and #D3BCB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 12 / 17

HEX #C4D4BA

RGB 196 212 186

HSL 96.92, 0.23%, 0.78%

LAB 83.11, -10.1, 11.03

 

Complementary color

CMYK 14 / 38 / 0 / 73

HEX #3B2B45

RGB 59 43 69

HSL 276.92, 0.23%, 0.22%

LAB 20.39, 13.24, -13.49

 

CMYK 5 / 0 / 15 / 17

HEX #C9D4B5

RGB 201 212 181

HSL 81.29, 0.26%, 0.77%

LAB 83.36, -9.17, 14.08

 

CMYK 5 / 0 / 13 / 10

HEX #DAE6C8

RGB 218 230 200

HSL 84, 0.38%, 0.84%

LAB 89.71, -9.24, 13.26

 

CMYK 5 / 0 / 12 / 3

HEX #EBF8DB

RGB 235 248 219

HSL 86.9, 0.67%, 0.92%

LAB 95.96, -9.3, 12.47

 

CMYK 1 / 0 / 7 / 0

HEX #FCFFEE

RGB 252 255 238

HSL 70.59, 1%, 0.97%

LAB 99.37, -3.89, 7.77

 

CMYK 8 / 0 / 12 / 17

HEX #C4D4BA

RGB 196 212 186

HSL 96.92, 0.23%, 0.78%

LAB 83.11, -10.1, 11.03

 

CMYK 8 / 0 / 14 / 24

HEX #B3C2A7

RGB 179 194 167

HSL 93.33, 0.18%, 0.71%

LAB 76.65, -10.08, 11.85

 

CMYK 8 / 0 / 16 / 31

HEX #A2B094

RGB 162 176 148

HSL 90, 0.15%, 0.64%

LAB 70.08, -10.06, 12.71

 

CMYK 8 / 0 / 18 / 38

HEX #919E81

RGB 145 158 129

HSL 86.9, 0.13%, 0.56%

LAB 63.39, -10.04, 13.62

 

CMYK 9 / 0 / 21 / 45

HEX #808C6E

RGB 128 140 110

HSL 84, 0.12%, 0.49%

LAB 56.56, -10.02, 14.6

 

CMYK 8 / 0 / 12 / 17

HEX #C3D3B9

RGB 195 211 185

HSL 96.92, 0.23%, 0.78%

LAB 82.75, -10.11, 11.04

 

CMYK 4 / 0 / 12 / 17

HEX #CAD3B9

RGB 202 211 185

HSL 80.77, 0.23%, 0.78%

LAB 83.26, -7.65, 11.83

 

CMYK 1 / 0 / 12 / 17

HEX #D1D3B9

RGB 209 211 185

HSL 64.62, 0.23%, 0.78%

LAB 83.78, -5.15, 12.65

 

CMYK 0 / 2 / 12 / 17

HEX #D3CEB9

RGB 211 206 185

HSL 48.46, 0.23%, 0.78%

LAB 82.64, -1.84, 11.06

 

CMYK 0 / 6 / 12 / 17

HEX #D3C7B9

RGB 211 199 185

HSL 32.31, 0.23%, 0.78%

LAB 80.85, 1.82, 8.5

 

CMYK 8 / 0 / 12 / 17

HEX #C3D3B9

RGB 195 211 185

HSL 96.92, 0.23%, 0.78%

LAB 82.75, -10.11, 11.04

 

CMYK 11 / 0 / 12 / 17

HEX #BCD3B9

RGB 188 211 185

HSL 113.08, 0.23%, 0.78%

LAB 82.26, -12.54, 10.28

 

CMYK 12 / 0 / 10 / 17

HEX #B9D3BD

RGB 185 211 189

HSL 129.23, 0.23%, 0.78%

LAB 82.15, -12.85, 7.97

 

CMYK 12 / 0 / 7 / 17

HEX #B9D3C4

RGB 185 211 196

HSL 145.38, 0.23%, 0.78%

LAB 82.32, -11.56, 4.49

 

CMYK 12 / 0 / 4 / 17

HEX #B9D3CB

RGB 185 211 203

HSL 161.54, 0.23%, 0.78%

LAB 82.49, -10.22, 1.01

 

CMYK 8 / 0 / 12 / 17

HEX #C3D3B9

RGB 195 211 185

HSL 96.92, 0.23%, 0.78%

LAB 82.75, -10.11, 11.04

 

CMYK 12 / 0 / 20 / 14

HEX #C1DCB0

RGB 193 220 176

HSL 96.82, 0.39%, 0.78%

LAB 84.82, -16.86, 18.68

 

CMYK 17 / 0 / 27 / 10

HEX #BFE5A7

RGB 191 229 167

HSL 96.77, 0.54%, 0.78%

LAB 86.95, -23.39, 26.27

 

CMYK 21 / 0 / 34 / 6

HEX #BDEF9E

RGB 189 239 158

HSL 97.04, 0.72%, 0.78%

LAB 89.4, -30.16, 34.12

 

CMYK 25 / 0 / 40 / 3

HEX #BBF895

RGB 187 248 149

HSL 96.97, 0.88%, 0.78%

LAB 91.63, -36.22, 41.47

 

CMYK 8 / 0 / 12 / 17

HEX #C3D3B9

RGB 195 211 185

HSL 96.92, 0.23%, 0.78%

LAB 82.75, -10.11, 11.04

 

CMYK 2 / 0 / 3 / 21

HEX #C6CAC3

RGB 198 202 195

HSL 94.29, 0.06%, 0.78%

LAB 80.84, -2.65, 3

 

CMYK 2 / 5 / 0 / 20

HEX #C8C1CC

RGB 200 193 204

HSL 278.18, 0.1%, 0.78%

LAB 78.91, 4.46, -4.64

 

CMYK 5 / 14 / 0 / 16

HEX #CAB8D5

RGB 202 184 213

HSL 277.24, 0.26%, 0.78%

LAB 77.07, 11.71, -12.24

 

CMYK 8 / 21 / 0 / 13

HEX #CCAFDE

RGB 204 175 222

HSL 277.02, 0.42%, 0.78%

LAB 75.31, 19.05, -19.75

 

CMYK 0 / 0 / 12 / 17

HEX #D2D3B9

RGB 210 211 185

HSL 62.31, 0.23%, 0.78%

LAB 83.86, -4.79, 12.77

 

CMYK 4 / 0 / 12 / 17

HEX #CBD3B9

RGB 203 211 185

HSL 78.46, 0.23%, 0.78%

LAB 83.33, -7.29, 11.95

 

CMYK 7 / 0 / 12 / 17

HEX #C4D3B9

RGB 196 211 185

HSL 94.62, 0.23%, 0.78%

LAB 82.82, -9.76, 11.16

 

CMYK 10 / 0 / 12 / 17

HEX #BDD3B9

RGB 189 211 185

HSL 110.77, 0.23%, 0.78%

LAB 82.33, -12.2, 10.39

 

CMYK 12 / 0 / 10 / 17

HEX #B9D3BD

RGB 185 211 189

HSL 129.23, 0.23%, 0.78%

LAB 82.15, -12.85, 7.97

 

CMYK 16 / 0 / 25 / 29

HEX #98B487

RGB 152 180 135

HSL 97.33, 0.23%, 0.62%

LAB 70.22, -17.96, 19.87

 

CMYK 11 / 0 / 18 / 24

HEX #AEC3A0

RGB 174 195 160

HSL 96, 0.23%, 0.7%

LAB 76.42, -13.57, 15.23

 

CMYK 8 / 0 / 12 / 17

HEX #C3D3B9

RGB 195 211 185

HSL 96.92, 0.23%, 0.78%

LAB 82.75, -10.11, 11.04

 

CMYK 4 / 0 / 7 / 11

HEX #D9E3D3

RGB 217 227 211

HSL 97.5, 0.22%, 0.86%

LAB 89.11, -6.21, 6.65

 

CMYK 2 / 0 / 3 / 5

HEX #EFF3EC

RGB 239 243 236

HSL 94.29, 0.23%, 0.94%

LAB 95.37, -2.56, 2.89

 

CMYK 8 / 0 / 12 / 17

HEX #C4D4BA

RGB 196 212 186

HSL 96.92, 0.23%, 0.78%

LAB 83.11, -10.1, 11.03

 

CMYK 12 / 0 / 2 / 17

HEX #B9D3CE

RGB 185 211 206

HSL 168.46, 0.23%, 0.78%

LAB 82.57, -9.63, -0.47

 

CMYK 0 / 12 / 2 / 17

HEX #D3B9CE

RGB 211 185 206

HSL 311.54, 0.23%, 0.78%

LAB 77.88, 12.91, -7.15

 

CMYK 8 / 0 / 12 / 17

HEX #C4D4BA

RGB 196 212 186

HSL 96.92, 0.23%, 0.78%

LAB 83.11, -10.1, 11.03

 

CMYK 12 / 7 / 0 / 17

HEX #B9C4D3

RGB 185 196 211

HSL 214.62, 0.23%, 0.78%

LAB 78.75, -0.77, -8.78

 

CMYK 0 / 12 / 7 / 17

HEX #D3B9C4

RGB 211 185 196

HSL 334.62, 0.23%, 0.78%

LAB 77.6, 11.13, -2.14

 

CMYK 8 / 0 / 12 / 17

HEX #C4D4BA

RGB 196 212 186

HSL 96.92, 0.23%, 0.78%

LAB 83.11, -10.1, 11.03

 

CMYK 12 / 0 / 2 / 17

HEX #B9D3CE

RGB 185 211 206

HSL 168.46, 0.23%, 0.78%

LAB 82.57, -9.63, -0.47

 

CMYK 5 / 12 / 0 / 17

HEX #C9B9D3

RGB 201 185 211

HSL 276.92, 0.23%, 0.78%

LAB 77.17, 10.44, -11

 

CMYK 0 / 12 / 9 / 17

HEX #D3B9BF

RGB 211 185 191

HSL 346.15, 0.23%, 0.78%

LAB 77.46, 10.27, 0.37

 

CMYK 8 / 0 / 12 / 17

HEX #C4D4BA

RGB 196 212 186

HSL 96.92, 0.23%, 0.78%

LAB 83.11, -10.1, 11.03

 

CMYK 12 / 1 / 0 / 17

HEX #B9D1D3

RGB 185 209 211

HSL 184.62, 0.23%, 0.78%

LAB 82.17, -7.6, -3.72

 

CMYK 5 / 12 / 0 / 17

HEX #C9B9D3

RGB 201 185 211

HSL 276.92, 0.23%, 0.78%

LAB 77.17, 10.44, -11

 

CMYK 0 / 11 / 12 / 17

HEX #D3BCB9

RGB 211 188 185

HSL 6.92, 0.23%, 0.78%

LAB 78.06, 7.66, 4.49

 

Description

Color code: HEX #C4D4BA | qconv.com Color code: HEX #C4D4BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 212 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 212 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 12 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 12% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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