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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4CD55 it is the complementary color #3B32AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4CD55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4CD55 shade: #C9CD50, #DADF63, #EBF176, #FCFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4CD55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4CD55 shade: #C4CD55, #B3BB42, #A2A92F, #91971C and #808509

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4CD55 shade: #C4CD55, #CDB655, #CD9555, #CD7555 and #CD5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4CD55 shade: #C4CD55, #A4CD55, #83CD55, #63CD55 and #55CD67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4CD55 shade matches the following richer shades: #C4CD55, #D3DF43 and #E2F131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4CD55 shade: #C4CD55, #B5BB66, #A6AA78, #97988A and #88869C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4CD55 shade: #CD9555, #CDB555, #C5CD55, #A5CD55 and #85CD55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4CD55 shade: #98A12E, #B7C138, #C4CD55, #CFD675 and #DAE094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4CD55 shade: #C4CD55, #55CD75 and #A555CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4CD55 shade: #C4CD55, #55C5CD and #CD55C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4CD55 shade: #C4CD55, #55CD75, #5D55CD and #CD55AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4CD55 shade: #C4CD55, #55CD99, #5D55CD and #CD5589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

Complementary color

CMYK 65 / 71 / 0 / 33

HEX #3B32AA

RGB 59 50 170

HSL 244.5, 0.55%, 0.43%

LAB 29.7, 40.64, -62.85

 

CMYK 2 / 0 / 61 / 20

HEX #C9CD50

RGB 201 205 80

HSL 61.92, 0.56%, 0.56%

LAB 79.99, -17.33, 59.89

 

CMYK 2 / 0 / 56 / 13

HEX #DADF63

RGB 218 223 99

HSL 62.42, 0.66%, 0.63%

LAB 86.3, -17.93, 59

 

CMYK 2 / 0 / 51 / 5

HEX #EBF176

RGB 235 241 118

HSL 62.93, 0.81%, 0.7%

LAB 92.52, -18.43, 57.97

 

CMYK 1 / 0 / 46 / 0

HEX #FCFF89

RGB 252 255 137

HSL 61.53, 1%, 0.77%

LAB 97.64, -16.92, 55.65

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 4 / 0 / 65 / 27

HEX #B3BB42

RGB 179 187 66

HSL 63.97, 0.48%, 0.5%

LAB 73.23, -18.41, 58.03

 

CMYK 4 / 0 / 72 / 34

HEX #A2A92F

RGB 162 169 47

HSL 63.44, 0.56%, 0.42%

LAB 66.72, -17.63, 58.41

 

CMYK 4 / 0 / 81 / 41

HEX #91971C

RGB 145 151 28

HSL 62.93, 0.69%, 0.35%

LAB 60.1, -16.66, 58.01

 

CMYK 4 / 0 / 93 / 48

HEX #808509

RGB 128 133 9

HSL 62.42, 0.87%, 0.28%

LAB 53.37, -15.42, 56.18

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 0 / 11 / 59 / 20

HEX #CDB655

RGB 205 182 85

HSL 48.5, 0.55%, 0.57%

LAB 74.25, -3.55, 51.42

 

CMYK 0 / 27 / 59 / 20

HEX #CD9555

RGB 205 149 85

HSL 32, 0.55%, 0.57%

LAB 65.85, 14.13, 41.65

 

CMYK 0 / 43 / 59 / 20

HEX #CD7555

RGB 205 117 85

HSL 16, 0.55%, 0.57%

LAB 58.37, 31.47, 32.52

 

CMYK 0 / 59 / 59 / 20

HEX #CD5555

RGB 205 85 85

HSL 0, 0.55%, 0.57%

LAB 51.99, 47.63, 24.36

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 20 / 0 / 59 / 20

HEX #A4CD55

RGB 164 205 85

HSL 80.5, 0.55%, 0.57%

LAB 77.41, -31.77, 54.14

 

CMYK 36 / 0 / 59 / 20

HEX #83CD55

RGB 131 205 85

HSL 97, 0.55%, 0.57%

LAB 75.54, -43.75, 51.53

 

CMYK 52 / 0 / 59 / 20

HEX #63CD55

RGB 99 205 85

HSL 113, 0.55%, 0.57%

LAB 74.17, -53.55, 49.59

 

CMYK 59 / 0 / 50 / 20

HEX #55CD67

RGB 85 205 103

HSL 129, 0.55%, 0.57%

LAB 73.92, -54.77, 40.69

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 5 / 0 / 70 / 13

HEX #D3DF43

RGB 211 223 67

HSL 64.62, 0.71%, 0.57%

LAB 85.52, -22.79, 70.86

 

CMYK 6 / 0 / 80 / 5

HEX #E2F131

RGB 226 241 49

HSL 64.69, 0.87%, 0.57%

LAB 91.37, -25.99, 82.12

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 3 / 0 / 45 / 27

HEX #B5BB66

RGB 181 187 102

HSL 64.24, 0.38%, 0.57%

LAB 73.76, -14.62, 42.12

 

CMYK 2 / 0 / 29 / 33

HEX #A6AA78

RGB 166 170 120

HSL 64.8, 0.23%, 0.57%

LAB 68.18, -9.68, 25.37

 

CMYK 1 / 0 / 9 / 40

HEX #97988A

RGB 151 152 138

HSL 64.29, 0.06%, 0.57%

LAB 62.4, -2.96, 7.24

 

CMYK 13 / 14 / 0 / 39

HEX #88869C

RGB 136 134 156

HSL 245.45, 0.1%, 0.57%

LAB 56.77, 5.33, -11.43

 

CMYK 0 / 27 / 59 / 20

HEX #CD9555

RGB 205 149 85

HSL 32, 0.55%, 0.57%

LAB 65.85, 14.13, 41.65

 

CMYK 0 / 12 / 59 / 20

HEX #CDB555

RGB 205 181 85

HSL 48, 0.55%, 0.57%

LAB 73.99, -3.03, 51.12

 

CMYK 4 / 0 / 59 / 20

HEX #C5CD55

RGB 197 205 85

HSL 64, 0.55%, 0.57%

LAB 79.72, -18.62, 57.36

 

CMYK 20 / 0 / 59 / 20

HEX #A5CD55

RGB 165 205 85

HSL 80, 0.55%, 0.57%

LAB 77.47, -31.38, 54.23

 

CMYK 35 / 0 / 59 / 20

HEX #85CD55

RGB 133 205 85

HSL 96, 0.55%, 0.57%

LAB 75.64, -43.07, 51.67

 

CMYK 6 / 0 / 71 / 37

HEX #98A12E

RGB 152 161 46

HSL 64.7, 0.56%, 0.41%

LAB 63.64, -17.93, 55.51

 

CMYK 5 / 0 / 71 / 24

HEX #B7C138

RGB 183 193 56

HSL 64.38, 0.55%, 0.49%

LAB 75.13, -20.29, 63.9

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 3 / 0 / 45 / 16

HEX #CFD675

RGB 207 214 117

HSL 64.33, 0.54%, 0.65%

LAB 83.25, -16.3, 46.84

 

CMYK 3 / 0 / 34 / 12

HEX #DAE094

RGB 218 224 148

HSL 64.74, 0.55%, 0.73%

LAB 87.17, -13.61, 36.59

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 59 / 0 / 43 / 20

HEX #55CD75

RGB 85 205 117

HSL 136, 0.55%, 0.57%

LAB 74.11, -52.63, 33.95

 

CMYK 20 / 59 / 0 / 20

HEX #A555CD

RGB 165 85 205

HSL 280, 0.55%, 0.57%

LAB 50.57, 52.66, -49.04

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 59 / 4 / 0 / 20

HEX #55C5CD

RGB 85 197 205

HSL 184, 0.55%, 0.57%

LAB 73.72, -29.26, -13.59

 

CMYK 0 / 59 / 4 / 20

HEX #CD55C5

RGB 205 85 197

HSL 304, 0.55%, 0.57%

LAB 55.59, 61.38, -36.17

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 59 / 0 / 43 / 20

HEX #55CD75

RGB 85 205 117

HSL 136, 0.55%, 0.57%

LAB 74.11, -52.63, 33.95

 

CMYK 55 / 59 / 0 / 20

HEX #5D55CD

RGB 93 85 205

HSL 244, 0.55%, 0.57%

LAB 43.11, 36.44, -61.43

 

CMYK 0 / 59 / 16 / 20

HEX #CD55AD

RGB 205 85 173

HSL 316, 0.55%, 0.57%

LAB 54.55, 57.58, -23.93

 

CMYK 4 / 0 / 59 / 20

HEX #C4CD55

RGB 196 205 85

HSL 64.5, 0.55%, 0.57%

LAB 79.64, -19.03, 57.26

 

CMYK 59 / 0 / 25 / 20

HEX #55CD99

RGB 85 205 153

HSL 154, 0.55%, 0.57%

LAB 74.76, -45.82, 16

 

CMYK 55 / 59 / 0 / 20

HEX #5D55CD

RGB 93 85 205

HSL 244, 0.55%, 0.57%

LAB 43.11, 36.44, -61.43

 

CMYK 0 / 59 / 33 / 20

HEX #CD5589

RGB 205 85 137

HSL 334, 0.55%, 0.57%

LAB 53.26, 52.69, -4.73

 

Description

Color code: HEX #C4CD55 | qconv.com Color code: HEX #C4CD55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 205 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 205 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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