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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4CC33 it is the complementary color #3B33CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4CC33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4CC33 shade: #C9CC2E, #DADE41, #EBF054, #FCFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4CC33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4CC33 shade: #C4CC33, #B3BA20, #A2A80D, #919600 and #808400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4CC33 shade: #C3CC33, #CCAA33, #CC8133, #CC5833 and #CC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4CC33 shade: #C3CC33, #9ACC33, #71CC33, #48CC33 and #33CC47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4CC33 shade matches the following richer shades: #C3CC33, #D6E01E and #E8F509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4CC33 shade: #C3CC33, #B1B747, #9FA25C, #8C8E70 and #7A7985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4CC33 shade: #CC8233, #CCAA33, #C4CC33, #9BCC33 and #72CC33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4CC33 shade: #848922, #A4AA2A, #C3CC33, #CDD454 and #D7DC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4CC33 shade: #C4CC33, #33CC59 and #9633CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4CC33 shade: #C4CC33, #33C4CC and #CC33C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4CC33 shade: #C4CC33, #33CC59, #3A33CC and #CC33A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4CC33 shade: #C4CC33, #33CC87, #3A33CC and #CC3377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

Complementary color

CMYK 71 / 75 / 0 / 20

HEX #3B33CC

RGB 59 51 204

HSL 243.14, 0.6%, 0.5%

LAB 33.26, 51.02, -77.08

 

CMYK 1 / 0 / 77 / 20

HEX #C9CC2E

RGB 201 204 46

HSL 61.14, 0.63%, 0.49%

LAB 79.5, -18.58, 71.73

 

CMYK 2 / 0 / 71 / 13

HEX #DADE41

RGB 218 222 65

HSL 61.53, 0.7%, 0.56%

LAB 85.77, -19.53, 71.98

 

CMYK 2 / 0 / 65 / 6

HEX #EBF054

RGB 235 240 84

HSL 61.92, 0.84%, 0.64%

LAB 91.96, -20.32, 71.67

 

CMYK 1 / 0 / 60 / 0

HEX #FCFF67

RGB 252 255 103

HSL 61.18, 1%, 0.7%

LAB 97.31, -19.57, 70.19

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

CMYK 4 / 0 / 83 / 27

HEX #B3BA20

RGB 179 186 32

HSL 62.73, 0.71%, 0.43%

LAB 72.76, -19.47, 68.94

 

CMYK 4 / 0 / 92 / 34

HEX #A2A80D

RGB 162 168 13

HSL 62.32, 0.86%, 0.35%

LAB 66.3, -18.24, 66.88

 

CMYK 3 / 0 / 100 / 41

HEX #919600

RGB 145 150 0

HSL 62, 1%, 0.29%

LAB 59.74, -16.77, 63.1

 

CMYK 3 / 0 / 100 / 48

HEX #808400

RGB 128 132 0

HSL 61.82, 1%, 0.26%

LAB 53.05, -15.07, 57.54

 

CMYK 4 / 0 / 75 / 20

HEX #C3CC33

RGB 195 204 51

HSL 63.53, 0.6%, 0.5%

LAB 79.06, -20.91, 69.63

 

CMYK 0 / 17 / 75 / 20

HEX #CCAA33

RGB 204 170 51

HSL 46.67, 0.6%, 0.5%

LAB 70.75, 0.38, 62.12

 

CMYK 0 / 37 / 75 / 20

HEX #CC8133

RGB 204 129 51

HSL 30.59, 0.6%, 0.5%

LAB 60.58, 22.55, 52.19

 

CMYK 0 / 57 / 75 / 20

HEX #CC5833

RGB 204 88 51

HSL 14.51, 0.6%, 0.5%

LAB 51.9, 43.89, 43.25

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 4 / 0 / 75 / 20

HEX #C3CC33

RGB 195 204 51

HSL 63.53, 0.6%, 0.5%

LAB 79.06, -20.91, 69.63

 

CMYK 25 / 0 / 75 / 20

HEX #9ACC33

RGB 154 204 51

HSL 79.61, 0.6%, 0.5%

LAB 76.25, -37.49, 65.99

 

CMYK 45 / 0 / 75 / 20

HEX #71CC33

RGB 113 204 51

HSL 95.69, 0.6%, 0.5%

LAB 74.15, -51.96, 63.24

 

CMYK 65 / 0 / 75 / 20

HEX #48CC33

RGB 72 204 51

HSL 111.76, 0.6%, 0.5%

LAB 72.76, -62.82, 61.41

 

CMYK 75 / 0 / 65 / 20

HEX #33CC47

RGB 51 204 71

HSL 127.84, 0.6%, 0.5%

LAB 72.46, -64.84, 53.4

 

CMYK 4 / 0 / 75 / 20

HEX #C3CC33

RGB 195 204 51

HSL 63.53, 0.6%, 0.5%

LAB 79.06, -20.91, 69.63

 

CMYK 4 / 0 / 87 / 12

HEX #D6E01E

RGB 214 224 30

HSL 63.09, 0.76%, 0.5%

LAB 85.86, -23.34, 81.3

 

CMYK 5 / 0 / 96 / 4

HEX #E8F509

RGB 232 245 9

HSL 63.31, 0.93%, 0.5%

LAB 92.79, -26.19, 89.84

 

CMYK 4 / 0 / 75 / 20

HEX #C3CC33

RGB 195 204 51

HSL 63.53, 0.6%, 0.5%

LAB 79.06, -20.91, 69.63

 

CMYK 3 / 0 / 61 / 28

HEX #B1B747

RGB 177 183 71

HSL 63.21, 0.44%, 0.5%

LAB 72.01, -16.9, 54.58

 

CMYK 2 / 0 / 43 / 36

HEX #9FA25C

RGB 159 162 92

HSL 62.57, 0.28%, 0.5%

LAB 64.95, -11.74, 35.94

 

CMYK 1 / 0 / 21 / 44

HEX #8C8E70

RGB 140 142 112

HSL 64, 0.12%, 0.5%

LAB 58.12, -6.07, 15.78

 

CMYK 8 / 9 / 0 / 48

HEX #7A7985

RGB 122 121 133

HSL 245, 0.05%, 0.5%

LAB 51.27, 2.88, -6.4

 

CMYK 0 / 36 / 75 / 20

HEX #CC8233

RGB 204 130 51

HSL 30.98, 0.6%, 0.5%

LAB 60.82, 22.01, 52.43

 

CMYK 0 / 17 / 75 / 20

HEX #CCAA33

RGB 204 170 51

HSL 46.67, 0.6%, 0.5%

LAB 70.75, 0.38, 62.12

 

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

CMYK 24 / 0 / 75 / 20

HEX #9BCC33

RGB 155 204 51

HSL 79.22, 0.6%, 0.5%

LAB 76.31, -37.11, 66.07

 

CMYK 44 / 0 / 75 / 20

HEX #72CC33

RGB 114 204 51

HSL 95.29, 0.6%, 0.5%

LAB 74.19, -51.65, 63.3

 

CMYK 4 / 0 / 75 / 46

HEX #848922

RGB 132 137 34

HSL 62.91, 0.6%, 0.34%

LAB 54.98, -14.89, 51.01

 

CMYK 4 / 0 / 75 / 33

HEX #A4AA2A

RGB 164 170 42

HSL 62.81, 0.6%, 0.42%

LAB 67.13, -17.51, 60.6

 

CMYK 4 / 0 / 75 / 20

HEX #C3CC33

RGB 195 204 51

HSL 63.53, 0.6%, 0.5%

LAB 79.06, -20.91, 69.63

 

CMYK 3 / 0 / 60 / 17

HEX #CDD454

RGB 205 212 84

HSL 63.28, 0.6%, 0.58%

LAB 82.22, -18.88, 60.7

 

CMYK 2 / 0 / 47 / 14

HEX #D7DC75

RGB 215 220 117

HSL 62.91, 0.6%, 0.66%

LAB 85.46, -16.11, 49.67

 

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

CMYK 75 / 0 / 56 / 20

HEX #33CC59

RGB 51 204 89

HSL 134.9, 0.6%, 0.5%

LAB 72.63, -62.71, 45.64

 

CMYK 26 / 75 / 0 / 20

HEX #9633CC

RGB 150 51 204

HSL 278.82, 0.6%, 0.5%

LAB 43.08, 64.25, -60.61

 

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

CMYK 75 / 4 / 0 / 20

HEX #33C4CC

RGB 51 196 204

HSL 183.14, 0.6%, 0.5%

LAB 72.59, -34, -14.83

 

CMYK 0 / 75 / 4 / 20

HEX #CC33C4

RGB 204 51 196

HSL 303.14, 0.6%, 0.5%

LAB 50.91, 73.53, -42.98

 

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

CMYK 75 / 0 / 56 / 20

HEX #33CC59

RGB 51 204 89

HSL 134.9, 0.6%, 0.5%

LAB 72.63, -62.71, 45.64

 

CMYK 72 / 75 / 0 / 20

HEX #3A33CC

RGB 58 51 204

HSL 242.75, 0.6%, 0.5%

LAB 33.19, 50.93, -77.19

 

CMYK 0 / 75 / 19 / 20

HEX #CC33A5

RGB 204 51 165

HSL 315.29, 0.6%, 0.5%

LAB 49.4, 69.08, -27.21

 

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

CMYK 75 / 0 / 34 / 20

HEX #33CC87

RGB 51 204 135

HSL 152.94, 0.6%, 0.5%

LAB 73.31, -54.94, 23.42

 

CMYK 72 / 75 / 0 / 20

HEX #3A33CC

RGB 58 51 204

HSL 242.75, 0.6%, 0.5%

LAB 33.19, 50.93, -77.19

 

CMYK 0 / 75 / 42 / 20

HEX #CC3377

RGB 204 51 119

HSL 333.33, 0.6%, 0.5%

LAB 47.67, 63.76, -2.17

 

Description

Color code: HEX #C4CC33 | qconv.com Color code: HEX #C4CC33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 204 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 204 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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