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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4CA85 it is the complementary color #3B357A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4CA85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4CA85 shade: #C9CA80, #DADC93, #EBEEA6, #FCFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4CA85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4CA85 shade: #C4CA85, #B3B872, #A2A65F, #91944C and #808239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4CA85 shade: #C4CA86, #CABD86, #CAAB86, #CA9986 and #CA8786

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4CA85 shade: #C4CA86, #B1CA86, #9FCA86, #8DCA86 and #86CA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4CA85 shade matches the following richer shades: #C4CA86, #CFD878, #DBE66A and #E6F45C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4CA85 shade: #C4CA86, #B8BC94, #ADAEA2, #A1A0B0 and #9592BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4CA85 shade: #CAAB86, #CABD86, #C4CA86, #B2CA86 and #A0CA86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4CA85 shade: #A7B04D, #B6BD69, #C4CA86, #D2D6A3 and #E0E3BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4CA85 shade: #C4CA85, #86CA99 and #B486CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4CA85 shade: #C4CA85, #86C4CA and #CA86C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4CA85 shade: #C4CA85, #86CA99, #8C86CA and #CA86B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4CA85 shade: #C4CA85, #86CAAD, #8C86CA and #CA86A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 34 / 21

HEX #C4CA85

RGB 196 202 133

HSL 65.22, 0.39%, 0.66%

LAB 79.43, -12.82, 33.81

 

Complementary color

CMYK 52 / 57 / 0 / 52

HEX #3B357A

RGB 59 53 122

HSL 245.22, 0.39%, 0.34%

LAB 26.39, 22.67, -38.68

 

CMYK 0 / 0 / 37 / 21

HEX #C9CA80

RGB 201 202 128

HSL 60.81, 0.41%, 0.65%

LAB 79.74, -11.46, 36.85

 

CMYK 1 / 0 / 33 / 14

HEX #DADC93

RGB 218 220 147

HSL 61.64, 0.51%, 0.72%

LAB 86.11, -11.73, 35.71

 

CMYK 1 / 0 / 30 / 7

HEX #EBEEA6

RGB 235 238 166

HSL 62.5, 0.68%, 0.79%

LAB 92.38, -11.97, 34.61

 

CMYK 1 / 0 / 27 / 0

HEX #FCFFB9

RGB 252 255 185

HSL 62.57, 1%, 0.86%

LAB 98.32, -11.68, 33.22

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA85

RGB 196 202 133

HSL 65.22, 0.39%, 0.66%

LAB 79.43, -12.82, 33.81

 

CMYK 3 / 0 / 38 / 28

HEX #B3B872

RGB 179 184 114

HSL 64.29, 0.33%, 0.58%

LAB 72.94, -12.57, 34.97

 

CMYK 2 / 0 / 43 / 35

HEX #A2A65F

RGB 162 166 95

HSL 63.38, 0.29%, 0.51%

LAB 66.35, -12.27, 36.18

 

CMYK 2 / 0 / 49 / 42

HEX #91944C

RGB 145 148 76

HSL 62.5, 0.32%, 0.44%

LAB 59.64, -11.88, 37.41

 

CMYK 2 / 0 / 56 / 49

HEX #808239

RGB 128 130 57

HSL 61.64, 0.39%, 0.37%

LAB 52.78, -11.37, 38.6

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA86

RGB 196 202 134

HSL 65.29, 0.39%, 0.66%

LAB 79.44, -12.69, 33.32

 

CMYK 0 / 6 / 34 / 21

HEX #CABD86

RGB 202 189 134

HSL 48.53, 0.39%, 0.66%

LAB 76.48, -3.63, 29.5

 

CMYK 0 / 15 / 34 / 21

HEX #CAAB86

RGB 202 171 134

HSL 32.65, 0.39%, 0.66%

LAB 71.83, 5.93, 23.26

 

CMYK 0 / 24 / 34 / 21

HEX #CA9986

RGB 202 153 134

HSL 16.76, 0.39%, 0.66%

LAB 67.32, 15.71, 17.09

 

CMYK 0 / 33 / 34 / 21

HEX #CA8786

RGB 202 135 134

HSL 0.88, 0.39%, 0.66%

LAB 63.02, 25.56, 11.07

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA86

RGB 196 202 134

HSL 65.29, 0.39%, 0.66%

LAB 79.44, -12.69, 33.32

 

CMYK 12 / 0 / 34 / 21

HEX #B1CA86

RGB 177 202 134

HSL 82.06, 0.39%, 0.66%

LAB 78.06, -19.94, 31.24

 

CMYK 21 / 0 / 34 / 21

HEX #9FCA86

RGB 159 202 134

HSL 97.94, 0.39%, 0.66%

LAB 76.88, -26.52, 29.47

 

CMYK 30 / 0 / 34 / 21

HEX #8DCA86

RGB 141 202 134

HSL 113.82, 0.39%, 0.66%

LAB 75.84, -32.73, 27.89

 

CMYK 34 / 0 / 28 / 21

HEX #86CA91

RGB 134 202 145

HSL 129.71, 0.39%, 0.66%

LAB 75.67, -33.16, 21.82

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA86

RGB 196 202 134

HSL 65.29, 0.39%, 0.66%

LAB 79.44, -12.69, 33.32

 

CMYK 4 / 0 / 44 / 15

HEX #CFD878

RGB 207 216 120

HSL 65.63, 0.55%, 0.66%

LAB 83.83, -17, 46.09

 

CMYK 5 / 0 / 54 / 10

HEX #DBE66A

RGB 219 230 106

HSL 65.32, 0.71%, 0.66%

LAB 88.3, -20.39, 58.19

 

CMYK 6 / 0 / 62 / 4

HEX #E6F45C

RGB 230 244 92

HSL 65.53, 0.87%, 0.66%

LAB 92.71, -23.76, 69.21

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA86

RGB 196 202 134

HSL 65.29, 0.39%, 0.66%

LAB 79.44, -12.69, 33.32

 

CMYK 2 / 0 / 21 / 26

HEX #B8BC94

RGB 184 188 148

HSL 66, 0.23%, 0.66%

LAB 75.01, -8.17, 19.82

 

CMYK 1 / 0 / 7 / 32

HEX #ADAEA2

RGB 173 174 162

HSL 65, 0.07%, 0.66%

LAB 70.71, -2.54, 6.03

 

CMYK 9 / 9 / 0 / 31

HEX #A1A0B0

RGB 161 160 176

HSL 243.75, 0.09%, 0.66%

LAB 66.41, 3.54, -8.15

 

CMYK 22 / 23 / 0 / 25

HEX #9592BE

RGB 149 146 190

HSL 244.09, 0.25%, 0.66%

LAB 62.22, 10.55, -22.41

 

CMYK 0 / 15 / 34 / 21

HEX #CAAB86

RGB 202 171 134

HSL 32.65, 0.39%, 0.66%

LAB 71.83, 5.93, 23.26

 

CMYK 0 / 6 / 34 / 21

HEX #CABD86

RGB 202 189 134

HSL 48.53, 0.39%, 0.66%

LAB 76.48, -3.63, 29.5

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA86

RGB 196 202 134

HSL 65.29, 0.39%, 0.66%

LAB 79.44, -12.69, 33.32

 

CMYK 12 / 0 / 34 / 21

HEX #B2CA86

RGB 178 202 134

HSL 81.18, 0.39%, 0.66%

LAB 78.13, -19.56, 31.34

 

CMYK 21 / 0 / 34 / 21

HEX #A0CA86

RGB 160 202 134

HSL 97.06, 0.39%, 0.66%

LAB 76.94, -26.17, 29.56

 

CMYK 5 / 0 / 56 / 31

HEX #A7B04D

RGB 167 176 77

HSL 65.45, 0.39%, 0.5%

LAB 69.33, -17.08, 48.7

 

CMYK 4 / 0 / 44 / 26

HEX #B6BD69

RGB 182 189 105

HSL 65, 0.39%, 0.58%

LAB 74.42, -14.92, 41.46

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA86

RGB 196 202 134

HSL 65.29, 0.39%, 0.66%

LAB 79.44, -12.69, 33.32

 

CMYK 2 / 0 / 24 / 16

HEX #D2D6A3

RGB 210 214 163

HSL 64.71, 0.38%, 0.74%

LAB 84.19, -9.64, 24.8

 

CMYK 1 / 0 / 16 / 11

HEX #E0E3BF

RGB 224 227 191

HSL 65, 0.39%, 0.82%

LAB 89.18, -7.02, 17.27

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA85

RGB 196 202 133

HSL 65.22, 0.39%, 0.66%

LAB 79.43, -12.82, 33.81

 

CMYK 34 / 0 / 24 / 21

HEX #86CA99

RGB 134 202 153

HSL 136.76, 0.39%, 0.66%

LAB 75.83, -31.71, 17.79

 

CMYK 11 / 34 / 0 / 21

HEX #B486CA

RGB 180 134 202

HSL 280.59, 0.39%, 0.66%

LAB 62.52, 29.91, -28.46

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA85

RGB 196 202 133

HSL 65.22, 0.39%, 0.66%

LAB 79.43, -12.82, 33.81

 

CMYK 34 / 3 / 0 / 21

HEX #86C4CA

RGB 134 196 202

HSL 185.29, 0.39%, 0.66%

LAB 75.33, -18.27, -9.34

 

CMYK 0 / 34 / 3 / 21

HEX #CA86C4

RGB 202 134 196

HSL 305.29, 0.39%, 0.66%

LAB 64.64, 35.8, -21.64

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA85

RGB 196 202 133

HSL 65.22, 0.39%, 0.66%

LAB 79.43, -12.82, 33.81

 

CMYK 34 / 0 / 24 / 21

HEX #86CA99

RGB 134 202 153

HSL 136.76, 0.39%, 0.66%

LAB 75.83, -31.71, 17.79

 

CMYK 31 / 34 / 0 / 21

HEX #8C86CA

RGB 140 134 202

HSL 245.29, 0.39%, 0.66%

LAB 58.87, 17.71, -34.41

 

CMYK 0 / 34 / 10 / 21

HEX #CA86B6

RGB 202 134 182

HSL 317.65, 0.39%, 0.66%

LAB 64.15, 33.32, -14.5

 

CMYK 3 / 0 / 34 / 21

HEX #C4CA85

RGB 196 202 133

HSL 65.22, 0.39%, 0.66%

LAB 79.43, -12.82, 33.81

 

CMYK 34 / 0 / 14 / 21

HEX #86CAAD

RGB 134 202 173

HSL 154.41, 0.39%, 0.66%

LAB 76.27, -27.78, 7.7

 

CMYK 31 / 34 / 0 / 21

HEX #8C86CA

RGB 140 134 202

HSL 245.29, 0.39%, 0.66%

LAB 58.87, 17.71, -34.41

 

CMYK 0 / 34 / 20 / 21

HEX #CA86A2

RGB 202 134 162

HSL 335.29, 0.39%, 0.66%

LAB 63.52, 30.06, -4.11

 

Description

Color code: HEX #C4CA85 | qconv.com Color code: HEX #C4CA85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 202 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 202 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 34 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 34% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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