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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4C6B7 it is the complementary color #3B3948. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4C6B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4C6B7 shade: #C9C6B2, #DAD8C5, #EBEAD8, #FCFCEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4C6B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4C6B7 shade: #C4C6B7, #B3B4A4, #A2A291, #91907E and #807E6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4C6B7 shade: #C4C6B7, #C6C4B7, #C6C0B7, #C6BCB7 and #C6B8B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4C6B7 shade: #C4C6B7, #C0C6B7, #BCC6B7, #B8C6B7 and #B7C6BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4C6B7 shade matches the following richer shades: #C4C6B7, #CCD1AD, #D3DBA2, #DBE598 and #E3F08E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4C6B7 shade: #C4C6B7, #BDBCC1, #B5B2CC, #AEA7D6 and #A69DE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4C6B7 shade: #C6C0B7, #C6C4B7, #C4C6B7, #C0C6B7 and #BCC6B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4C6B7 shade: #9FA289, #B2B4A0, #C4C6B7, #D7D9CE and #EAEBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4C6B7 shade: #C4C6B7, #B7C6BC and #C2B7C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4C6B7 shade: #C4C6B7, #B7C4C6 and #C6B7C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4C6B7 shade: #C4C6B7, #B7C6BC, #B9B7C6 and #C6B7C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4C6B7 shade: #C4C6B7, #B7C6C1, #B9B7C6 and #C6B7BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

Complementary color

CMYK 18 / 21 / 0 / 72

HEX #3B3948

RGB 59 57 72

HSL 248, 0.12%, 0.25%

LAB 24.71, 4.53, -8.89

 

CMYK 0 / 1 / 11 / 21

HEX #C9C6B2

RGB 201 198 178

HSL 52.17, 0.18%, 0.74%

LAB 79.63, -2.41, 10.39

 

CMYK 0 / 1 / 10 / 15

HEX #DAD8C5

RGB 218 216 197

HSL 54.29, 0.22%, 0.81%

LAB 86.03, -2.58, 9.6

 

CMYK 0 / 0 / 8 / 8

HEX #EBEAD8

RGB 235 234 216

HSL 56.84, 0.32%, 0.88%

LAB 92.34, -2.73, 8.85

 

CMYK 0 / 0 / 7 / 1

HEX #FCFCEB

RGB 252 252 235

HSL 60, 0.74%, 0.95%

LAB 98.56, -2.88, 8.13

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 1 / 0 / 9 / 29

HEX #B3B4A4

RGB 179 180 164

HSL 63.75, 0.1%, 0.67%

LAB 72.83, -3.23, 8.04

 

CMYK 0 / 0 / 10 / 36

HEX #A2A291

RGB 162 162 145

HSL 60, 0.08%, 0.6%

LAB 66.19, -3.08, 8.84

 

CMYK 0 / 1 / 13 / 43

HEX #91907E

RGB 145 144 126

HSL 56.84, 0.08%, 0.53%

LAB 59.41, -2.91, 9.71

 

CMYK 0 / 2 / 16 / 50

HEX #807E6B

RGB 128 126 107

HSL 54.29, 0.09%, 0.46%

LAB 52.48, -2.73, 10.63

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 0 / 1 / 8 / 22

HEX #C6C4B7

RGB 198 196 183

HSL 52, 0.12%, 0.75%

LAB 78.99, -1.6, 6.76

 

CMYK 0 / 3 / 8 / 22

HEX #C6C0B7

RGB 198 192 183

HSL 36, 0.12%, 0.75%

LAB 77.95, 0.51, 5.27

 

CMYK 0 / 5 / 8 / 22

HEX #C6BCB7

RGB 198 188 183

HSL 20, 0.12%, 0.75%

LAB 76.92, 2.64, 3.77

 

CMYK 0 / 7 / 8 / 22

HEX #C6B8B7

RGB 198 184 183

HSL 4, 0.12%, 0.75%

LAB 75.89, 4.78, 2.29

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 3 / 0 / 8 / 22

HEX #C0C6B7

RGB 192 198 183

HSL 84, 0.12%, 0.75%

LAB 79.05, -4.78, 6.79

 

CMYK 5 / 0 / 8 / 22

HEX #BCC6B7

RGB 188 198 183

HSL 100, 0.12%, 0.75%

LAB 78.75, -6.19, 6.32

 

CMYK 7 / 0 / 8 / 22

HEX #B8C6B7

RGB 184 198 183

HSL 116, 0.12%, 0.75%

LAB 78.46, -7.58, 5.87

 

CMYK 8 / 0 / 6 / 22

HEX #B7C6BA

RGB 183 198 186

HSL 132, 0.12%, 0.75%

LAB 78.46, -7.38, 4.25

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 2 / 0 / 17 / 18

HEX #CCD1AD

RGB 204 209 173

HSL 68.33, 0.28%, 0.75%

LAB 82.62, -7.82, 17.31

 

CMYK 4 / 0 / 26 / 14

HEX #D3DBA2

RGB 211 219 162

HSL 68.42, 0.44%, 0.75%

LAB 85.56, -11.94, 27.2

 

CMYK 4 / 0 / 34 / 10

HEX #DBE598

RGB 219 229 152

HSL 67.79, 0.6%, 0.75%

LAB 88.62, -15.24, 36.49

 

CMYK 5 / 0 / 41 / 6

HEX #E3F08E

RGB 227 240 142

HSL 67.96, 0.77%, 0.75%

LAB 91.96, -18.74, 45.84

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 2 / 3 / 0 / 24

HEX #BDBCC1

RGB 189 188 193

HSL 252, 0.04%, 0.75%

LAB 76.46, 1.29, -2.4

 

CMYK 11 / 13 / 0 / 20

HEX #B5B2CC

RGB 181 178 204

HSL 246.92, 0.2%, 0.75%

LAB 73.56, 6.17, -12.76

 

CMYK 19 / 22 / 0 / 16

HEX #AEA7D6

RGB 174 167 214

HSL 248.94, 0.36%, 0.75%

LAB 70.52, 12.13, -22.9

 

CMYK 26 / 30 / 0 / 12

HEX #A69DE0

RGB 166 157 224

HSL 248.06, 0.52%, 0.75%

LAB 67.73, 17.63, -32.75

 

CMYK 0 / 3 / 8 / 22

HEX #C6C0B7

RGB 198 192 183

HSL 36, 0.12%, 0.75%

LAB 77.95, 0.51, 5.27

 

CMYK 0 / 1 / 8 / 22

HEX #C6C4B7

RGB 198 196 183

HSL 52, 0.12%, 0.75%

LAB 78.99, -1.6, 6.76

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 3 / 0 / 8 / 22

HEX #C0C6B7

RGB 192 198 183

HSL 84, 0.12%, 0.75%

LAB 79.05, -4.78, 6.79

 

CMYK 5 / 0 / 8 / 22

HEX #BCC6B7

RGB 188 198 183

HSL 100, 0.12%, 0.75%

LAB 78.75, -6.19, 6.32

 

CMYK 2 / 0 / 15 / 36

HEX #9FA289

RGB 159 162 137

HSL 67.2, 0.12%, 0.59%

LAB 65.76, -5.56, 12.66

 

CMYK 1 / 0 / 11 / 29

HEX #B2B4A0

RGB 178 180 160

HSL 66, 0.12%, 0.67%

LAB 72.66, -4.27, 9.96

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 1 / 0 / 5 / 15

HEX #D7D9CE

RGB 215 217 206

HSL 70.91, 0.13%, 0.83%

LAB 86.27, -2.63, 5.17

 

CMYK 0 / 0 / 3 / 8

HEX #EAEBE5

RGB 234 235 229

HSL 70, 0.13%, 0.91%

LAB 92.82, -1.39, 2.78

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 8 / 0 / 5 / 22

HEX #B7C6BC

RGB 183 198 188

HSL 140, 0.12%, 0.75%

LAB 78.51, -7.01, 3.24

 

CMYK 2 / 8 / 0 / 22

HEX #C2B7C6

RGB 194 183 198

HSL 284, 0.12%, 0.75%

LAB 75.71, 6.65, -6.18

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 8 / 1 / 0 / 22

HEX #B7C4C6

RGB 183 196 198

HSL 188, 0.12%, 0.75%

LAB 78.24, -4.04, -2.54

 

CMYK 0 / 8 / 1 / 22

HEX #C6B7C4

RGB 198 183 196

HSL 308, 0.12%, 0.75%

LAB 75.98, 7.65, -4.65

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 8 / 0 / 5 / 22

HEX #B7C6BC

RGB 183 198 188

HSL 140, 0.12%, 0.75%

LAB 78.51, -7.01, 3.24

 

CMYK 7 / 8 / 0 / 22

HEX #B9B7C6

RGB 185 183 198

HSL 248, 0.12%, 0.75%

LAB 74.99, 3.58, -7.33

 

CMYK 0 / 8 / 3 / 22

HEX #C6B7C1

RGB 198 183 193

HSL 320, 0.12%, 0.75%

LAB 75.9, 7.1, -3.14

 

CMYK 1 / 0 / 8 / 22

HEX #C4C6B7

RGB 196 198 183

HSL 68, 0.12%, 0.75%

LAB 79.35, -3.36, 7.27

 

CMYK 8 / 0 / 3 / 22

HEX #B7C6C1

RGB 183 198 193

HSL 160, 0.12%, 0.75%

LAB 78.64, -6.06, 0.74

 

CMYK 7 / 8 / 0 / 22

HEX #B9B7C6

RGB 185 183 198

HSL 248, 0.12%, 0.75%

LAB 74.99, 3.58, -7.33

 

CMYK 0 / 8 / 5 / 22

HEX #C6B7BD

RGB 198 183 189

HSL 336, 0.12%, 0.75%

LAB 75.79, 6.38, -1.12

 

Description

Color code: HEX #C4C6B7 | qconv.com Color code: HEX #C4C6B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 198 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 198 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 8 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 8% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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