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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4C507 it is the complementary color #3B3AF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4C507. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4C507 shade: #C9C502, #DAD715, #EBE928, #FCFB3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4C507. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4C507 shade: #C4C507, #B3B300, #A2A100, #918F00 and #807D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4C507 shade: #C3C407, #C49207, #C45F07, #C42C07 and #C40707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4C507 shade: #C3C407, #90C407, #5DC407, #2AC407 and #07C417

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4C507 shade matches the following richer shades: #C3C407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4C507 shade: #C3C407, #B3B417, #A3A328, #929338 and #828249

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4C507 shade: #C45F07, #C49207, #C4C407, #92C407 and #5FC407

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4C507 shade: #747504, #9C9D05, #C3C407, #EBEC08 and #F6F727

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4C507 shade: #C4C507, #07C42D and #7807C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4C507 shade: #C4C507, #07C4C4 and #C407C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4C507 shade: #C4C507, #07C42D, #0707C4 and #C4079E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4C507 shade: #C4C507, #07C466, #0707C4 and #C40766

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 96 / 23

HEX #C4C507

RGB 196 197 7

HSL 60.32, 0.93%, 0.4%

LAB 77.09, -18.11, 77.01

 

Complementary color

CMYK 76 / 77 / 0 / 3

HEX #3B3AF8

RGB 59 58 248

HSL 240.32, 0.93%, 0.6%

LAB 39.13, 61.06, -92.52

 

CMYK 0 / 2 / 99 / 21

HEX #C9C502

RGB 201 197 2

HSL 58.79, 0.98%, 0.4%

LAB 77.49, -16.01, 77.99

 

CMYK 0 / 1 / 90 / 15

HEX #DAD715

RGB 218 215 21

HSL 59.09, 0.82%, 0.47%

LAB 83.74, -17.45, 81.23

 

CMYK 0 / 1 / 83 / 8

HEX #EBE928

RGB 235 233 40

HSL 59.38, 0.83%, 0.54%

LAB 89.9, -18.73, 83.27

 

CMYK 0 / 0 / 77 / 1

HEX #FCFB3B

RGB 252 251 59

HSL 59.69, 0.97%, 0.61%

LAB 96, -19.83, 84.29

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 1 / 0 / 96 / 23

HEX #C4C507

RGB 196 197 7

HSL 60.32, 0.93%, 0.4%

LAB 77.09, -18.11, 77.01

 

CMYK 0 / 0 / 100 / 30

HEX #B3B300

RGB 179 179 0

HSL 60, 1%, 0.35%

LAB 70.75, -16.53, 72.44

 

CMYK 0 / 1 / 100 / 36

HEX #A2A100

RGB 162 161 0

HSL 59.63, 1%, 0.32%

LAB 64.3, -14.84, 67.09

 

CMYK 0 / 1 / 100 / 43

HEX #918F00

RGB 145 143 0

HSL 59.17, 1%, 0.28%

LAB 57.72, -13.1, 61.62

 

CMYK 0 / 2 / 100 / 50

HEX #807D00

RGB 128 125 0

HSL 58.59, 1%, 0.25%

LAB 50.99, -11.31, 56.03

 

CMYK 1 / 0 / 96 / 23

HEX #C3C407

RGB 195 196 7

HSL 60.32, 0.93%, 0.4%

LAB 76.74, -18.04, 76.71

 

CMYK 0 / 26 / 96 / 23

HEX #C49207

RGB 196 146 7

HSL 44.13, 0.93%, 0.4%

LAB 63.6, 8.62, 67.11

 

CMYK 0 / 52 / 96 / 23

HEX #C45F07

RGB 196 95 7

HSL 27.94, 0.93%, 0.4%

LAB 51.76, 36.17, 59.01

 

CMYK 0 / 78 / 96 / 23

HEX #C42C07

RGB 196 44 7

HSL 11.75, 0.93%, 0.4%

LAB 43.58, 57.9, 54.08

 

CMYK 0 / 96 / 96 / 23

HEX #C40707

RGB 196 7 7

HSL 0, 0.93%, 0.4%

LAB 41.06, 65.08, 52.76

 

CMYK 1 / 0 / 96 / 23

HEX #C3C407

RGB 195 196 7

HSL 60.32, 0.93%, 0.4%

LAB 76.74, -18.04, 76.71

 

CMYK 27 / 0 / 96 / 23

HEX #90C407

RGB 144 196 7

HSL 76.51, 0.93%, 0.4%

LAB 73.17, -39.15, 72.42

 

CMYK 53 / 0 / 96 / 23

HEX #5DC407

RGB 93 196 7

HSL 92.7, 0.93%, 0.4%

LAB 70.75, -56.61, 69.47

 

CMYK 79 / 0 / 96 / 23

HEX #2AC407

RGB 42 196 7

HSL 108.89, 0.93%, 0.4%

LAB 69.46, -67.38, 67.89

 

CMYK 96 / 0 / 88 / 23

HEX #07C417

RGB 7 196 23

HSL 125.08, 0.93%, 0.4%

LAB 69.17, -69.82, 65.24

 

CMYK 1 / 0 / 96 / 23

HEX #C3C407

RGB 195 196 7

HSL 60.32, 0.93%, 0.4%

LAB 76.74, -18.04, 76.71

 

CMYK 1 / 0 / 96 / 23

HEX #C3C407

RGB 195 196 7

HSL 60.32, 0.93%, 0.4%

LAB 76.74, -18.04, 76.71

 

CMYK 1 / 0 / 87 / 29

HEX #B3B417

RGB 179 180 23

HSL 60.38, 0.77%, 0.4%

LAB 71.07, -16.69, 69.53

 

CMYK 0 / 0 / 75 / 36

HEX #A3A328

RGB 163 163 40

HSL 60, 0.61%, 0.4%

LAB 65.07, -14.44, 59.31

 

CMYK 1 / 0 / 62 / 42

HEX #929338

RGB 146 147 56

HSL 60.66, 0.45%, 0.4%

LAB 59.22, -12.63, 46.65

 

CMYK 0 / 0 / 44 / 49

HEX #828249

RGB 130 130 73

HSL 60, 0.28%, 0.4%

LAB 53.16, -8.9, 30.77

 

CMYK 0 / 52 / 96 / 23

HEX #C45F07

RGB 196 95 7

HSL 27.94, 0.93%, 0.4%

LAB 51.76, 36.17, 59.01

 

CMYK 0 / 26 / 96 / 23

HEX #C49207

RGB 196 146 7

HSL 44.13, 0.93%, 0.4%

LAB 63.6, 8.62, 67.11

 

CMYK 0 / 0 / 96 / 23

HEX #C4C407

RGB 196 196 7

HSL 60, 0.93%, 0.4%

LAB 76.82, -17.61, 76.8

 

CMYK 26 / 0 / 96 / 23

HEX #92C407

RGB 146 196 7

HSL 75.87, 0.93%, 0.4%

LAB 73.29, -38.37, 72.56

 

CMYK 52 / 0 / 96 / 23

HEX #5FC407

RGB 95 196 7

HSL 92.06, 0.93%, 0.4%

LAB 70.82, -56.03, 69.56

 

CMYK 1 / 0 / 97 / 54

HEX #747504

RGB 116 117 4

HSL 60.53, 0.93%, 0.24%

LAB 47.55, -12.5, 52.18

 

CMYK 1 / 0 / 97 / 38

HEX #9C9D05

RGB 156 157 5

HSL 60.39, 0.94%, 0.32%

LAB 62.67, -15.38, 64.96

 

CMYK 1 / 0 / 96 / 23

HEX #C3C407

RGB 195 196 7

HSL 60.32, 0.93%, 0.4%

LAB 76.74, -18.04, 76.71

 

CMYK 0 / 0 / 97 / 7

HEX #EBEC08

RGB 235 236 8

HSL 60.26, 0.93%, 0.48%

LAB 90.63, -20.68, 88.4

 

CMYK 0 / 0 / 84 / 3

HEX #F6F727

RGB 246 247 39

HSL 60.29, 0.93%, 0.56%

LAB 94.42, -20.95, 87.57

 

CMYK 1 / 0 / 96 / 23

HEX #C4C507

RGB 196 197 7

HSL 60.32, 0.93%, 0.4%

LAB 77.09, -18.11, 77.01

 

CMYK 96 / 0 / 77 / 23

HEX #07C42D

RGB 7 196 45

HSL 132.06, 0.93%, 0.4%

LAB 69.27, -68.64, 59.64

 

CMYK 39 / 96 / 0 / 23

HEX #7807C4

RGB 120 7 196

HSL 275.87, 0.93%, 0.4%

LAB 34.25, 69.38, -70.54

 

CMYK 1 / 0 / 96 / 23

HEX #C4C507

RGB 196 197 7

HSL 60.32, 0.93%, 0.4%

LAB 77.09, -18.11, 77.01

 

CMYK 96 / 0 / 0 / 23

HEX #07C4C4

RGB 7 196 196

HSL 180, 0.93%, 0.4%

LAB 71.9, -39.24, -11.55

 

CMYK 0 / 96 / 0 / 23

HEX #C407C4

RGB 196 7 196

HSL 300, 0.93%, 0.4%

LAB 46.81, 80, -49.59

 

CMYK 1 / 0 / 96 / 23

HEX #C4C507

RGB 196 197 7

HSL 60.32, 0.93%, 0.4%

LAB 77.09, -18.11, 77.01

 

CMYK 96 / 0 / 77 / 23

HEX #07C42D

RGB 7 196 45

HSL 132.06, 0.93%, 0.4%

LAB 69.27, -68.64, 59.64

 

CMYK 96 / 96 / 0 / 23

HEX #0707C4

RGB 7 7 196

HSL 240, 0.93%, 0.4%

LAB 24.27, 63.48, -87.4

 

CMYK 0 / 96 / 19 / 23

HEX #C4079E

RGB 196 7 158

HSL 312.06, 0.93%, 0.4%

LAB 44.74, 74.85, -30.41

 

CMYK 1 / 0 / 96 / 23

HEX #C4C507

RGB 196 197 7

HSL 60.32, 0.93%, 0.4%

LAB 77.09, -18.11, 77.01

 

CMYK 96 / 0 / 48 / 23

HEX #07C466

RGB 7 196 102

HSL 150.16, 0.93%, 0.4%

LAB 69.81, -61.84, 35.78

 

CMYK 96 / 96 / 0 / 23

HEX #0707C4

RGB 7 7 196

HSL 240, 0.93%, 0.4%

LAB 24.27, 63.48, -87.4

 

CMYK 0 / 96 / 48 / 23

HEX #C40766

RGB 196 7 102

HSL 329.84, 0.93%, 0.4%

LAB 42.53, 69.09, 0.65

 

Description

Color code: HEX #C4C507 | qconv.com Color code: HEX #C4C507 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 197 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 197 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 96 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 96% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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